how to write a book review for a nonfiction book

Lesley Ann McDaniel

Real Life~Pure Fiction

How to Write a Nonfiction Book Review

May 13, 2013

Do you love reading nonfiction books? Why not try your hand at reviewing them.

What is a nonfiction book review?

A book review is a critical evaluation of a book. It isn’t just a summary, but gives commentary that will be uniquely yours as the writer of the review. The difference between a review of fiction versus nonfiction is that with the latter, the reviewer will evaluate the piece not so much on its entertainment value as on whether it fulfills its promise to solve a particular problem or deliver certain information.

Why write book reviews?

Reviews help books get noticed and gain credibility. Writers want to receive reviews to show readers that their book is widely-read and well-received.

Where are reviews posted?

These days, the answer is ‘lots of places.’ Many reviewers post book reviews on their own blogs. You can also post reviews on Amazon, Goodreads, library websites, or submit them to other people’s review blogs. If you really want to get serious, there are a lot of literary journals that accept freelance reviews.

How long should a review be?

That will depend largely on where you are planning to submit your review. Check for guidelines, and assume that you will write anywhere from 100 to 1500 words. Be succinct, but give enough to serve the purpose of the review.

Points to Consider:

●What if you really don’t like the book? Always write your reviews with integrity. If you honestly don’t like a book, write your review as if you are in a critique session with the author. Use positive words and avoid sarcasm.

●Take time to read reviews written by other readers, but keep in mind that many of them are not trained reviewers.

●Review the book that has been written, not the book you think the author should have written. It isn’t fair to criticize an author for failing to achieve something he or she never intended to achieve.

Nonfiction Book Review Template:

Opening statement: Include title and author.

What does the book promise to deliver to the reader? Another way to look at it is, what problem does this book promise to solve?

Does it accomplish what it sets out to accomplish?

If so, how?

If not, what could the author have done differently?

What makes this author uniquely qualified to write on this topic?

What is the tone of the book? Is it humorous and easy to relate to, or is it more dry and academic?

Overall impression: This is where you give your personal take on the book.

Suggested points to include:

Was the book written in a way that you as a reader could easily relate to?

What was your favorite part of the book?

Do you have a least favorite part of the book?

If you could change something, what would it be?

Are there photos or illustrations? If so, are they effective in enhancing the book’s message?

Would you recommend this book?

What type of reader would enjoy this book?

There are so many wonderful nonfiction books out there. Have a great time reading and reviewing!

Have you written any nonfiction book reviews?

If you enjoyed this post, you might also enjoy How to Write a Fiction Book Review .

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How to Write a Nonfiction Book Review

Next week, I will be writing my 50th nonfiction book review on this blog. Learning brings me great joy, and when I learn fascinating things in my books, I can’t help but share them with you!

With Nonfiction November coming up, I know that many fiction book bloggers will try their hand at reading and reviewing nonfiction, and that many people aren’t used to it. There is often no character development, plot, setting, or allegory to critique, so what is left? Well, there is actually a lot to talk about, and I think reviewing nonfiction books is a lot of fun! I hope that through this post, my passion for writing nonfiction book reviews can inspire the unsure to give it a try.

There is not one correct way to write a book review. I write mine for fun, as a way to make blog posts that entertain me and hopefully my audience. Reviews make reading more fun and they help me to better engage as I read. They can even make it more bearable to finish a book I hate, because I know that my review will be interesting ! Regardless, here are some tips that help me write book reviews that I am proud of.

Mark up your book

I’ll start off with the obvious: I think that underlining and taking notes in nonfiction books is a great way to remember what you read and get ideas for your review as you go. My husband is adamant that my constant marking up of brand new books makes me a crazy person, and I can’t blame him for that. Some people can’t stand it.

If this is you— or if you read library books —then don’t worry! You can still use sticky notes or keep a separate notebook handy. I actually do this when I read books that are so old I would not dare deface them. Of course, e-readers make this easy; you can highlight and add notes without vandalizing anything. Finally, I know that a lot of people like to listen to nonfiction audiobooks, but I can’t imagine that you would absorb the information enough to make a review that way. But hey, if you can, more power to you!

how to write a book review for a nonfiction book

Answer these three questions

I believe that each review will be as different as each book is, but there are a few questions that I attempt to answer no matter what.

Does it accomplish its goal?

First, I critique it according to its own criteria. Does the title promise that the book will deliver something specific? Is it meant to persuade you or inform you, and if so, how does it do? If a book’s title starts with “How to,” then you know exactly what the goal is. For example, How to Be an Antiracist by Ibram X. Kendi did exactly that; Kendi repeatedly began sentences with, “To be an antiracist is to…” which is about as straightforward as it gets. On the other hand, How to Argue With a Racist by Adam Rutherford might sound like it gives responses to specific points you’d hear in an argument, but it doesn’t. (It was still a great book though!)

(Now that I’m on the topic, Let the People Pick the President: The Case for Abolishing the Electoral College by Jesse Wegman does give line-by-line responses for arguments, which I thought was a great approach.)

There are more ways that a book can express its goal. Maybe the introduction lays out why the book exists at all. This is one thing I really appreciate about Richard Dawkins’ books. My feelings about the book as a whole are mixed (and my feelings about Dawkins as a person are lacking), but in the preface of The God Delusion , Dawkins lists out exactly how he is going to make his case for atheism. He promises to meet different readers where they are. “Do you believe X? Well, I explain this exact thing in Chapter X.” The man knows how to make a promise. Obviously, a preface does not need to be this explicit to make a book good, but it definitely made my review easier. This was especially great for me, as The God Delusion was only the second book I ever reviewed.

Do I like it?

Even though Adam Rutherford’s How to Argue With a Racist did not teach me how to argue with a racist, I still gave it a rave review. That’s because the second question I set out to answer is a simple one: Did I like the book? I’m the one writing the review, so I decide whether it’s a positive or negative one. This is when book reviews get really subjective, and why I love when there are many of the same book. No two people will have the same exact opinions about it. Many times, I have admitted that a book was probably good , but that I don’t think I was the right audience for it.

Does it speak to a target audience?

This brings me to the third question: do you know the book’s target audience? If there is no clear audience, then there’s a good chance the whole book is moot. Take this post, for instance. My intended audience is primarily fiction book bloggers who are trying out nonfiction book reviews for November. Hopefully other people will find something useful or entertaining out of it, but if you don’t care about books or reviews or blogging at all, then this post probably isn’t for you.

Decide whether you want to stick to a formula

If you have never written a nonfiction book review before, it can be easier to follow a formula and always know what you want to include in your review. A great example of this is fellow nonfiction book blogger Paula Ghete ‘s book reviews such as this one of Cosmos by Carl Sagan ( which you can compare to mine to see how greatly our styles vary). Her book reviews are structured this way:

Title: Cosmos Author: Carl Sagan Category: Non-fiction, Science Rating: 5/5 10-Word Summary: We can understand the Universe only if we study it. About Cosmos [short summary] What I like about Cosmos [list with bullet points and descriptions] What I don’t like about Cosmos [list with bullet points and descriptions]

In other book reviews, such as this one , Paula also included the following sections:

Quotes from The Idiot Brain [lists eight relatively short quotes] Should You Read The Idiot Brain? [succinct, defined answer]

Admittedly, her reviews are clearly written with SEO and readability in mind. Search engines love to say, “The more headlines and the shorter the sections, the merrier,” so that they know what the post is about. This also helps the reader to get Paula’s big ideas even if they don’t wade through the – gasp – paragraphs !

On the other hand, my review of Cosmos described how it left me speechless, why it was virtually unreviewable, why it made me almost cry watching the launch of NASA’s Perseverance, and why Sagan is so beloved in the atheist community .

Something fun about me is that I pretty much write whatever I feel like writing, which might make you think that I would not be the most qualified to tell you how you should write your own book reviews, but there I go again, writing whatever I feel like which includes this review-tutorial. Look, I’m just here for a good time.

How my own book reviews take shape

As I said earlier, each review can be as different as each book. This is more true for someone like me than for someone who is a little more organized like Paula Ghete, because I don’t really abide by any restraints. I don’t write only book reviews, so if a review takes me to another topic that I care about anyways, I’ll just talk about that. I love when a book simply inspires me to share what I’ve learned from it, or gives me the opportunity to ponder something I wouldn’t have thought of if I hadn’t read it.

The Gnostic Gospels by Elaine Pagels was a pretty informative book about—you guessed it—the Gnostic Gospels and Gnostic Christianity. I honestly didn’t have much to say about the book itself, but it caused me to compare early Gnostic Christianity to modern-day Progressive Christianity, list the similarities and differences, and pose the question to my Progressive Christian audience what they think of it.

My review of The Power Worshippers: Inside the Dangerous Rise of Religious Nationalism by Katherine Stewart had a similar fate. An actual review of the book was definitely present throughout my post on it, but it was a great chance for me to delve into my own experiences learning about Christian Nationalism , inside and outside of Stewart’s book. I also found myself comparing The Power Worshippers to Andrew Seidel’s The Founding Myth: Why Christian Nationalism is Un-American and explaining why the two books complement each other.

When I’ve read two or more books by the same author or on the same subject, I love to compare and contrast them or explain how they go together. I’ve done that with these, as well as books by Ibram X. Kendi , Ian Tattersall , Carl Sagan , and the two most famous works in the atheist community .

Final thoughts

As is the case with many of my book reviews, there is a lot more I could say. And like those, I often have to stop myself from rambling on ad nauseum . When this happens with a review , I have to just give the big idea, some fun facts, and then tell my audience that you really ought to read it for yourself. So I’ll do that here. I hope that my advice has helped you to see nonfiction reviews as a little less scary, and I encourage you to try writing them yourself! I’m so excited to read them!

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The Writing Center • University of North Carolina at Chapel Hill

Book Reviews

What this handout is about.

This handout will help you write a book review, a report or essay that offers a critical perspective on a text. It offers a process and suggests some strategies for writing book reviews.

What is a review?

A review is a critical evaluation of a text, event, object, or phenomenon. Reviews can consider books, articles, entire genres or fields of literature, architecture, art, fashion, restaurants, policies, exhibitions, performances, and many other forms. This handout will focus on book reviews. For a similar assignment, see our handout on literature reviews .

Above all, a review makes an argument. The most important element of a review is that it is a commentary, not merely a summary. It allows you to enter into dialogue and discussion with the work’s creator and with other audiences. You can offer agreement or disagreement and identify where you find the work exemplary or deficient in its knowledge, judgments, or organization. You should clearly state your opinion of the work in question, and that statement will probably resemble other types of academic writing, with a thesis statement, supporting body paragraphs, and a conclusion.

Typically, reviews are brief. In newspapers and academic journals, they rarely exceed 1000 words, although you may encounter lengthier assignments and extended commentaries. In either case, reviews need to be succinct. While they vary in tone, subject, and style, they share some common features:

First, a review gives the reader a concise summary of the content. This includes a relevant description of the topic as well as its overall perspective, argument, or purpose.
Second, and more importantly, a review offers a critical assessment of the content. This involves your reactions to the work under review: what strikes you as noteworthy, whether or not it was effective or persuasive, and how it enhanced your understanding of the issues at hand.
Finally, in addition to analyzing the work, a review often suggests whether or not the audience would appreciate it.

Becoming an expert reviewer: three short examples

Reviewing can be a daunting task. Someone has asked for your opinion about something that you may feel unqualified to evaluate. Who are you to criticize Toni Morrison’s new book if you’ve never written a novel yourself, much less won a Nobel Prize? The point is that someone—a professor, a journal editor, peers in a study group—wants to know what you think about a particular work. You may not be (or feel like) an expert, but you need to pretend to be one for your particular audience. Nobody expects you to be the intellectual equal of the work’s creator, but your careful observations can provide you with the raw material to make reasoned judgments. Tactfully voicing agreement and disagreement, praise and criticism, is a valuable, challenging skill, and like many forms of writing, reviews require you to provide concrete evidence for your assertions.

Consider the following brief book review written for a history course on medieval Europe by a student who is fascinated with beer:

Judith Bennett’s Ale, Beer, and Brewsters in England: Women’s Work in a Changing World, 1300-1600, investigates how women used to brew and sell the majority of ale drunk in England. Historically, ale and beer (not milk, wine, or water) were important elements of the English diet. Ale brewing was low-skill and low status labor that was complimentary to women’s domestic responsibilities. In the early fifteenth century, brewers began to make ale with hops, and they called this new drink “beer.” This technique allowed brewers to produce their beverages at a lower cost and to sell it more easily, although women generally stopped brewing once the business became more profitable.

The student describes the subject of the book and provides an accurate summary of its contents. But the reader does not learn some key information expected from a review: the author’s argument, the student’s appraisal of the book and its argument, and whether or not the student would recommend the book. As a critical assessment, a book review should focus on opinions, not facts and details. Summary should be kept to a minimum, and specific details should serve to illustrate arguments.

Now consider a review of the same book written by a slightly more opinionated student:

Judith Bennett’s Ale, Beer, and Brewsters in England: Women’s Work in a Changing World, 1300-1600 was a colossal disappointment. I wanted to know about the rituals surrounding drinking in medieval England: the songs, the games, the parties. Bennett provided none of that information. I liked how the book showed ale and beer brewing as an economic activity, but the reader gets lost in the details of prices and wages. I was more interested in the private lives of the women brewsters. The book was divided into eight long chapters, and I can’t imagine why anyone would ever want to read it.

There’s no shortage of judgments in this review! But the student does not display a working knowledge of the book’s argument. The reader has a sense of what the student expected of the book, but no sense of what the author herself set out to prove. Although the student gives several reasons for the negative review, those examples do not clearly relate to each other as part of an overall evaluation—in other words, in support of a specific thesis. This review is indeed an assessment, but not a critical one.

Here is one final review of the same book:

One of feminism’s paradoxes—one that challenges many of its optimistic histories—is how patriarchy remains persistent over time. While Judith Bennett’s Ale, Beer, and Brewsters in England: Women’s Work in a Changing World, 1300-1600 recognizes medieval women as historical actors through their ale brewing, it also shows that female agency had its limits with the advent of beer. I had assumed that those limits were religious and political, but Bennett shows how a “patriarchal equilibrium” shut women out of economic life as well. Her analysis of women’s wages in ale and beer production proves that a change in women’s work does not equate to a change in working women’s status. Contemporary feminists and historians alike should read Bennett’s book and think twice when they crack open their next brewsky.

This student’s review avoids the problems of the previous two examples. It combines balanced opinion and concrete example, a critical assessment based on an explicitly stated rationale, and a recommendation to a potential audience. The reader gets a sense of what the book’s author intended to demonstrate. Moreover, the student refers to an argument about feminist history in general that places the book in a specific genre and that reaches out to a general audience. The example of analyzing wages illustrates an argument, the analysis engages significant intellectual debates, and the reasons for the overall positive review are plainly visible. The review offers criteria, opinions, and support with which the reader can agree or disagree.

Developing an assessment: before you write

There is no definitive method to writing a review, although some critical thinking about the work at hand is necessary before you actually begin writing. Thus, writing a review is a two-step process: developing an argument about the work under consideration, and making that argument as you write an organized and well-supported draft. See our handout on argument .

What follows is a series of questions to focus your thinking as you dig into the work at hand. While the questions specifically consider book reviews, you can easily transpose them to an analysis of performances, exhibitions, and other review subjects. Don’t feel obligated to address each of the questions; some will be more relevant than others to the book in question.

What is the thesis—or main argument—of the book? If the author wanted you to get one idea from the book, what would it be? How does it compare or contrast to the world you know? What has the book accomplished?
What exactly is the subject or topic of the book? Does the author cover the subject adequately? Does the author cover all aspects of the subject in a balanced fashion? What is the approach to the subject (topical, analytical, chronological, descriptive)?
How does the author support their argument? What evidence do they use to prove their point? Do you find that evidence convincing? Why or why not? Does any of the author’s information (or conclusions) conflict with other books you’ve read, courses you’ve taken or just previous assumptions you had of the subject?
How does the author structure their argument? What are the parts that make up the whole? Does the argument make sense? Does it persuade you? Why or why not?
How has this book helped you understand the subject? Would you recommend the book to your reader?

Beyond the internal workings of the book, you may also consider some information about the author and the circumstances of the text’s production:

Who is the author? Nationality, political persuasion, training, intellectual interests, personal history, and historical context may provide crucial details about how a work takes shape. Does it matter, for example, that the biographer was the subject’s best friend? What difference would it make if the author participated in the events they write about?
What is the book’s genre? Out of what field does it emerge? Does it conform to or depart from the conventions of its genre? These questions can provide a historical or literary standard on which to base your evaluations. If you are reviewing the first book ever written on the subject, it will be important for your readers to know. Keep in mind, though, that naming “firsts”—alongside naming “bests” and “onlys”—can be a risky business unless you’re absolutely certain.

Writing the review

Once you have made your observations and assessments of the work under review, carefully survey your notes and attempt to unify your impressions into a statement that will describe the purpose or thesis of your review. Check out our handout on thesis statements . Then, outline the arguments that support your thesis.

Your arguments should develop the thesis in a logical manner. That logic, unlike more standard academic writing, may initially emphasize the author’s argument while you develop your own in the course of the review. The relative emphasis depends on the nature of the review: if readers may be more interested in the work itself, you may want to make the work and the author more prominent; if you want the review to be about your perspective and opinions, then you may structure the review to privilege your observations over (but never separate from) those of the work under review. What follows is just one of many ways to organize a review.

Introduction

Since most reviews are brief, many writers begin with a catchy quip or anecdote that succinctly delivers their argument. But you can introduce your review differently depending on the argument and audience. The Writing Center’s handout on introductions can help you find an approach that works. In general, you should include:

The name of the author and the book title and the main theme.
Relevant details about who the author is and where they stand in the genre or field of inquiry. You could also link the title to the subject to show how the title explains the subject matter.
The context of the book and/or your review. Placing your review in a framework that makes sense to your audience alerts readers to your “take” on the book. Perhaps you want to situate a book about the Cuban revolution in the context of Cold War rivalries between the United States and the Soviet Union. Another reviewer might want to consider the book in the framework of Latin American social movements. Your choice of context informs your argument.
The thesis of the book. If you are reviewing fiction, this may be difficult since novels, plays, and short stories rarely have explicit arguments. But identifying the book’s particular novelty, angle, or originality allows you to show what specific contribution the piece is trying to make.
Your thesis about the book.

Summary of content

This should be brief, as analysis takes priority. In the course of making your assessment, you’ll hopefully be backing up your assertions with concrete evidence from the book, so some summary will be dispersed throughout other parts of the review.

The necessary amount of summary also depends on your audience. Graduate students, beware! If you are writing book reviews for colleagues—to prepare for comprehensive exams, for example—you may want to devote more attention to summarizing the book’s contents. If, on the other hand, your audience has already read the book—such as a class assignment on the same work—you may have more liberty to explore more subtle points and to emphasize your own argument. See our handout on summary for more tips.

Analysis and evaluation of the book

Your analysis and evaluation should be organized into paragraphs that deal with single aspects of your argument. This arrangement can be challenging when your purpose is to consider the book as a whole, but it can help you differentiate elements of your criticism and pair assertions with evidence more clearly. You do not necessarily need to work chronologically through the book as you discuss it. Given the argument you want to make, you can organize your paragraphs more usefully by themes, methods, or other elements of the book. If you find it useful to include comparisons to other books, keep them brief so that the book under review remains in the spotlight. Avoid excessive quotation and give a specific page reference in parentheses when you do quote. Remember that you can state many of the author’s points in your own words.

Sum up or restate your thesis or make the final judgment regarding the book. You should not introduce new evidence for your argument in the conclusion. You can, however, introduce new ideas that go beyond the book if they extend the logic of your own thesis. This paragraph needs to balance the book’s strengths and weaknesses in order to unify your evaluation. Did the body of your review have three negative paragraphs and one favorable one? What do they all add up to? The Writing Center’s handout on conclusions can help you make a final assessment.

Finally, a few general considerations:

Review the book in front of you, not the book you wish the author had written. You can and should point out shortcomings or failures, but don’t criticize the book for not being something it was never intended to be.
With any luck, the author of the book worked hard to find the right words to express her ideas. You should attempt to do the same. Precise language allows you to control the tone of your review.
Never hesitate to challenge an assumption, approach, or argument. Be sure, however, to cite specific examples to back up your assertions carefully.
Try to present a balanced argument about the value of the book for its audience. You’re entitled—and sometimes obligated—to voice strong agreement or disagreement. But keep in mind that a bad book takes as long to write as a good one, and every author deserves fair treatment. Harsh judgments are difficult to prove and can give readers the sense that you were unfair in your assessment.
A great place to learn about book reviews is to look at examples. The New York Times Sunday Book Review and The New York Review of Books can show you how professional writers review books.

Works consulted

We consulted these works while writing this handout. This is not a comprehensive list of resources on the handout’s topic, and we encourage you to do your own research to find additional publications. Please do not use this list as a model for the format of your own reference list, as it may not match the citation style you are using. For guidance on formatting citations, please see the UNC Libraries citation tutorial . We revise these tips periodically and welcome feedback.

Drewry, John. 1974. Writing Book Reviews. Boston: Greenwood Press.

Hoge, James. 1987. Literary Reviewing. Charlottesville: University Virginia of Press.

Sova, Dawn, and Harry Teitelbaum. 2002. How to Write Book Reports , 4th ed. Lawrenceville, NY: Thomson/Arco.

Walford, A.J. 1986. Reviews and Reviewing: A Guide. Phoenix: Oryx Press.

You may reproduce it for non-commercial use if you use the entire handout and attribute the source: The Writing Center, University of North Carolina at Chapel Hill

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Sample nonfiction book reviews.

Nonfiction Reviews

Bomb The Race to Build – and Steal – the World’s Most Dangerous Weapon is an engaging non-fiction book which had me from the first page. The book begins with a Prologue: May 22, 1950 the FBI arrives at Harry Gold’s door; Harry, still in pajamas, stares at two agents with a search warrant for his home as they are investigating his spying activities from the 30s and 40s. The jig was up and Harry declares “There is a great deal more to this story. It goes way back, and I would like to tell it all.” Thus begins the tale of the Manhattan Project from its inception. Even though we know the outcome of the race and understand the destruction, the excitement of the academics working on the bomb is felt.

This is an intriguing story of WWII, the atomic bomb, and the historical figures who played major roles in the development of atomic power. Many pictures and excellent source notes, quotes notes, and index make this a well documented book. Included in the Epilogue is the original letter from Albert Einstein written to F.D. Roosevelt, advising that a new energy form had been discovered by splitting the atom and that it needed to be monitored. This book is an excellent companion book to the fictional Green Glass Sea, which is set in Los Alamos and is the story of children and wives of the men working on the Manhattan Project.

Author Steve Sheinkin crafts a compelling thriller about the development of the atomic bomb in his book, Bomb: the Race to Build – and Steal- the World’s Most Dangerous Weapon. Sheinkin, using effective narrative techniques, introduces readers to the major personalities involved in the Manhattan Project as the Americans raced to construct an atomic bomb while keeping the knowledge from the Germans during World War II. The book takes us from the US to Great Britain, Norway, Germany, Russia, and Japan where scientists, politicians, and spies are all engaged in winning the war (and becoming a world power) through the creation of the “ultimate weapon.”

This volume will be especially useful for middle and high school students conducting research on World War II weapons and war strategy, as well as those looking for biographical information on the Manhattan Project scientists. Along with a detailed index, the author provides copious source and quotation notes. Black and white photographs of the important personalities and bomb testing site are sprinkled throughout. An essential purchase for American history and science collections.

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Free Brainstorming Session with Pat

How to Write a Non-Fiction Book Review

by Pat Iyer

Someone asks you to write a non-fiction book review. This first question you need to answer is:

Is This a Good Subject for You?

Consider the subject matter. Do you know anything about it? Whether you do or not, does it interest you?

These really are separate questions. You might, for example, know a lot about a subject that bores you. You’re not going to enjoy reading about it, and you’ll do the author no favors by agreeing.

If the subject interests you, knowledge of it will obviously help you to point out how the strengths of the book. Even if you’re unfamiliar with it, you can have the valuable perspective of many potential readers in your position.

Whatever your knowledge level is, you can comment on the organization, pace, and general interest of the book.

Do You Feel Qualified to Write a Non-Fiction Book review?

By this I mean do you feel that you have the ability to critique the book? (Clearly many reviewers are free to offer their opinions, sometimes about topics that they are not knowledgeable about.)

You may think, “I’ve never done this before, and I wouldn’t want to let the author down.” That may or may not be a valid reason to turn down the request.

Lack of experience isn’t in itself a reason not to agree. “There’s a first time for everything” is a cliché, but it’s still true.

Ask yourself instead if, when you read books, you think of things that could make it better. You recognize what you find boring. You think of areas you’d like to know more about. In other words, you have a critical mind in the best possible sense. If you also have the ability to lucidly express your criticisms, you have another qualification.

However, if you rarely read books, this is the best possible reason to decline the request.

Do You Consider Yourself a Fair Person If You Write a Non-Fiction Book Review?

When you must be critical in other areas of life: in personal matters, in terms of a job review, or any area of life, do you think of the most effective way to state your criticisms?

Do you take into account how the other person will receive what you say?

Do you structure your review in a way that offers constructive points for improvement?

If you can answer yes to all of the above, you are a good candidate to critique a book.

Do You Have Time to Do This?

How you answer this question is very important. Look at your schedule carefully. Is it going to stress you to do this? Is there a possibility that you will end up feeling impatient and resentful?

If so, decline. Whatever negativity gets connected with this additional responsibility may affect the quality of your review. That’s not fair to the author, and taking on something too burdensome isn’t fair to you.

If you commit to writing the review, then follow through. There are a surprising number of people who make promises and never carry them out.

If You Decline

Give the author a thoughtful and honest response. Say you appreciate the honor of being considered to write a nonfiction book review, and explain why you have to give his or her project a pass. Wish the author the best of success in the project.

Pat Iyer loves it when she gets reviews of her books on Amazon. Just saying.

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Whether you’ve loved or hated your recent reads, writing book reviews can be a fun and satisfying process. It’s a great way to unpack messages and information from a story, and it also helps you remember key elements of a book for much longer than you usually would. Plus, book reviews open up some interesting and exciting debates between readers with different opinions, and they also help others decide which books to read next .

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Where Can You Post Book Reviews?

Back in the old days, book reviews were reserved for leading publications and journals, but now, anyone can create their own book reviews, and they’re popping up almost everywhere.

Social Media

Bookworms have taken over social media, with hashtags like # bookstagram drawing in millions of readers from around the internet to share thoughts, ideas, inspiration, and of course, reviews.

Book blogs are also blowing up right now, and plenty of avid readers are making a solid income by writing and sharing their book reviews this way. You can either create your own from scratch or write guest posts and reviews for already established blogs.

Goodreads is the undisputed online home of books. It’s a great place to find inspiration for your next reads, browse other people’s book reviews, and of course, add your own reviews, too.

If you post a review of a popular book on Goodreads, it’s bound to be seen by a huge audience. Plus, it’s a great way to advertise your blog if you have one, as the Goodreads guidelines allow you to insert a link within the body of your review.

The world’s largest bookstore gets an incredible amount of traffic, so it’s one of the best places to get your reviews seen by the masses. But bear in mind that there are more rules and regulations for Amazon book reviews than on some of the other platforms listed here. Make sure you familiarize yourself with the guidelines first, or your submission could be rejected.

Booktube is a Youtube community dedicated to reviewing, discussing, and recommending books. If you’re comfortable in front of a camera, vlogging your book reviews on Booktube is an excellent alternative to the more traditional written book reviews above. It’s also a great way to get noticed by viewers around the world.

Some Booktube reviewers make their entire income from their channel, so if you’re passionate about reviewing and want to turn it into a living, this is a great avenue to explore.

Get Paid for Your Book Reviews

Some of the platforms I’ve listed above, like Booktube, Instagram, and blogging , allow you to get paid for your book reviews if you generate enough traffic, but getting to that level takes a lot of dedication, time, and patience.

Thankfully, there are plenty of websites that pay reviewers on a freelance basis. Here are three of the most popular:

Remember, each site has strict submission guidelines and requirements that you’ll need to check carefully before writing and submitting a review.

Kirkus Reviews

The Kirkus Reviews magazine, founded in 1933, is one of America’s oldest, most respected book reviewing companies.

They accept reviews around 350 words in length, and once you’re assigned the gig, you have a two-week submission deadline.

Kirkus is always on the lookout for new book reviewers, but you’ll need to prove you have experience and talent before they’ll accept your submissions. The best way to do this is to create a professional-looking portfolio that showcases your previous reviews, both paid and unpaid.

Booklist is a subgroup of the American Library Association. They feature all kinds of book reviews, both fiction and non-fiction, and publish them online and in print.

They pay their reviewers on a freelance, book-by-book basis. Their rates aren’t going to make you rich (around $12- $15 per review), but it’s a great way to gain some professional experience and build your book review portfolio without having to work for free.

Booklist has various publication outlets, such as their quarterly in-print magazine, a reader’s blog, and top book lists. Plus, they also accept pitches for book-related news and author interviews.

Online Book Club

This free-to-access community of bibliophiles has been going for over ten years, with a million active members and counting.

To join their professional freelance team, you’ll first have to submit an unpaid review to help them to determine if you’re worth hiring. If your review makes the cut, then your next submission is paid at a rate varying between $5 and $60, depending on the book’s length, the quality of the review, etc.

One of the major stipulations of Online Book Club is that your reviews are in-depth and honest. If you don’t like the book, never put a positive spin on it for the sake of it. ( The same goes for any book review platform you post on. )

It’s also worth noting that with Online Book Club, you’ll never pay for the books you review. So even if they reject your submission, you’ll still get a free book out of it.

How to Write a Book Review?

Book reviews can range from a simple tweet to a full-length essay or long-form blog post and anything in between.

As I mentioned above, some book review sites and platforms have strict guidelines and parameters to follow. But if you’re writing a book review for social media, your own blog, or any other purpose that lets you take the reins, then the following ideas will give you some help and inspiration to get started.

But before we dive in, let’s take a look at four key elements that a comprehensive book review should contain.

1. Information about the author and the name of the book

You might want to include any accolades that the author has received in the past and mention some of their previous notable works.

Also, consider the publication date; is the book a brand-new release, a few years old, or a classic from another century?

2. A summary of the plot

Writing about the plot takes skill and consideration; if your description is too thorough, you risk ruining the book for your audience with spoilers. But on the other hand, if you’re too vague on the details, your review can lack depth.

Consider your audience carefully, and if you feel like your book review contains even the slightest hint of spoilers, always add a warning at the beginning so people can decide for themselves whether to read on.

3. Your evaluation

This is the part where you get to describe what you feel about the book as a whole and give your opinion on the different elements within it. But, again, don’t be tempted to fall into the trap of positively evaluating books you didn’t actually like; no one wants to read a false review, so if you didn’t like it, explain why.

4. Your reader recommendation

Who might the book appeal to? Is it suitable for all audiences? In your opinion, is it a universal must-read, or should people avoid it?

Keep in mind that the purpose of most book reviews is to help the reader decide whether or not they would like to read it themselves. What works for you might not work for others, so consider this when writing your recommendations.

6 Book Review Templates and Ideas

1. the traditional approach.

Most traditional fiction reviews, like the ones found in newspapers and other popular publications, are based on the following format…

Introduction

The introduction is a paragraph or two which includes:

Key information that the reader needs to know. For example, the book’s title, the author’s name, the publication date, and any relevant background information about the author and their work.
A brief one-sentence summary of the plot. This sets the general scene of what the book is about.
Your overall opinion of the book. Again, keep it brief. (you can delve deeper into what you liked and disliked later in the review).

This is the main body of your book review, where you break down and analyze the work. Some of the key elements you might want to examine are listed below. Approach each element one at a time to help your analysis flow.

The characters
The setting
The structure of the story
The quality of the writing

What did you notice about each one, what did you enjoy, and what did you dislike? Why?

The conclusion is usually the shortest part of a traditional book review, which usually contains:

A summary of your thoughts about the book as a whole
Your reader recommendation

Remember that unless you’re writing a book review for a pre-existing publication, there are no rules that you need to follow. This traditional format can be adapted to suit your own style, the book you are reviewing, and your audience.

2. Social Media Book Reviews

Book reviews posted on social media tend to have a more relaxed tone than a traditional book review. Again, there are no set rules, but here are a few guidelines and suggestions for posting reviews on platforms like Instagram and Facebook.

Include an eye-catching image

This is essential on Instagram, but whatever social media platform you’re posting on, including a great photo will draw people in to read your review.

In the Instagram world, photos of books taken directly from above are called ‘flat lays.’ You can keep it simple and just snap the front cover, or you can get creative and shoot your book flat lay against an interesting backdrop or include items related to the story.

Break up your review into short, bite-sized paragraphs

This rule applies to most web content, but it’s even more important on social media, where everyone competes for your reader’s attention.

Big blocks of text are much harder to follow and a sure-fire way to lose your reader’s attention before they even get started. Instead, stick to short paragraphs of one, two, or three sentences, and include spaces between each one.

Know your character limit

At just 280 characters, Twitter is by far the stingiest of the major social media platforms when it comes to the length of posts. That’s why most people choose platforms like Instagram or Facebook for book reviews. That being said, you can still use Twitter as a way of linking to them once they go live.

Instagram is considerably more generous with its 2,200-character limit, but if you have a lot to say about the book you’re reviewing, it can still be limiting.

If you want to post a more comprehensive review on social media, Facebook is your best bet; they have an upper limit of 63,206 characters.

Whichever platform you post on, remember to factor any hashtags into your character limit too.

Keep it succinct

Book reviews on social media perform better when sentences are concise. This helps to combat the character limit issue I mentioned above and gets your point across quickly, without the fluff.

Readers on platforms like Instagram and Facebook flit from post to post, so if you don’t say what you mean in as few words as possible, you’ll risk losing your audience altogether.

Don’t be afraid of emojis.

Love them or hate them, emojis convey mood and emotion where words can sometimes fail us. They also add an extra visual element to a post, help to break up blocks of text and keep the tone informal.

Of course, there’s no rule that you have to include emojis in your social media book reviews, but if you’re already comfortable using them elsewhere, consider incorporating them here too.

Add a star rating

Star ratings instantly tell your audience whether you loved the book or not before they read a single word of your post. It’s also another visual element to help draw your audience in to find out more.

Avoid spoilers

I’ve already touched on spoilers above, but it’s essential to avoid them on social media book reviews. That’s because unsuspecting users are scrolling from post to post on these platforms with no way of knowing what’s coming next. As a result, it’s very easy to read something you can’t unread.

Consider tagging the author and publisher.

But ONLY do this if you enjoyed the book and your review is favorable. It’s not good online etiquette to tag in the creators if you’re posting a scathing critique; it’s mean-spirited, and it could lead to a social media squabble, which the internet has enough of already.

3. Goodreads and Amazon Book Reviews

Both Goodreads and Amazon allow anyone to upload a review of any book, so they’re great places to get started if you’re new to the reviewing world. Plus, you can post more in-depth and lengthy reviews than you can on social media platforms.

There are endless ways to write reviews for sites like these, but if you’re looking for a bit of inspiration, here’s a good template that will help you to flesh out your ideas.

Star Rating

Sites like Goodreads and Amazon usually ask for a 1-5 star rating before writing your review. 3 is your baseline which translates to “pretty good.” It can be tempting to rush straight in for a 5 star if you loved a book, but where possible, try to reserve this rating for books that really blow you away.

A Brief Synopsis

Reviews on these sites appear directly under the book listing, so generally, there’s no need to mention the author, title, or publishing details. Instead, you can dive straight into a quick overview of the plot, using the official publisher’s summary to help you if needed.

Avoid revealing any significant details or spoilers, but include enough to outline the story and give context to the rest of your review.

Talking about how the book made you feel is a good place to start. Did you learn something you didn’t know before? Was it a page-turner or a hard slog? Were there any twists you did or didn’t see coming? Mentioning the existence of a plot twist is usually deemed ok, as long as you don’t reveal what it is.

Next, examine the book’s various elements, including the characters, setting, and plot, using examples. You might even want to include some direct quotes from the book, as long as they don’t give too much away.

Just like the traditional book review format, conclude it with a summary. Are you glad you read it? Who might enjoy this book, and who should avoid it?

4. Listicle Book Reviews

Listicles are articles and blog posts structured like a numbered list. An example from the book review world is “10 reasons why you need to read X by X”.

These types of reviews are particularly well suited to blog posts, as they’re an excellent way to encourage people to click on your link compared with a less attention-grabbing traditional format.

That being said, listicle book reviews tend only to work if your feedback is positive. Using this format to review a book you hated risks alienating your audience and coming across as harsh and judgemental. Less favorable reviews are better presented in a more traditional format that explores a book’s different aspects one by one.

5. An Essay Style Analysis

An essay-style review isn’t technically a review, as it delves much deeper into the work and examines it from multiple angles.

If you’re not limited to a word count and want to dissect an author’s work, then an in-depth essay-style analysis can be a great addition to your blog. Plus, they’re generally written for people who have already read the book, so there’s no need to worry about spoilers.

But when you’re writing more than 500 words about a book, it can be easy to ramble or go off on a tangent. Here’s an example format to keep you on track:

Include the author’s name, the title of the book, and the date of publication.
Is the book a standalone novel or part of a series?
What made you choose this book in the first place? Have you read any of the author’s previous work?
Describe the cover. Does it draw you in? Is it an appropriate representation of the book as a whole?

Set the Scene

Include an overview of the plot.
Did you have any expectations or preconceived ideas about the book before you read it?

Your Review

Discuss the following elements one at a time. Use quotes or direct examples when talking about each one.

Describe the geographical location, the period in time, and the environment.
Is the setting based on reality or imagination?
How does the setting help to add mood and tone to the story?
Give an overview of the main characters and their backgrounds.
Discuss the significant plot points in the story in chronological order.
What are the conflicts, the climaxes, and the resolutions?
How does the author use literary devices to bring meaning and life to book?
For example, discuss any elements of foreshadowing, metaphors, symbolism, irony, or imagery.
What are the overall themes and big ideas in the story? For example, love, death, friendship , war, and coming of age.
What, if any, are the morals within the story?
Are there any underlying or less prominent themes that the author is trying to portray?

Your Opinion

Which elements were successful, and which weren’t?
Were the characters believable? Did you want them to succeed?
In the case of plot twists, did you see them coming?
Are there any memorable scenes or quotes that particularly stood out to you? If so, why?
How did the book make you feel? Did it evoke any strong emotions?
Did the book meet your preconceived expectations?
Were you satisfied by the ending, or did you find it frustrating?
Summarise the plot and theme in a couple of sentences.
Give your overall opinion. Was the book a success, a failure, or something in between?
Include a reader recommendation, for example, “this book is a must-read for anyone with a love of dystopian science fiction.”
Include a star rating if you wish.

6. Create Your Own Book Review Template

If you plan on becoming a regular book reviewer, it’s a good idea to create your own unique template that you can use for every book you review, whether you’re posting on a blog, website, or social media account.

You can mix and match the various elements of the review styles above to suit your preferences and the types of books you’ll be reviewing.

Creating a template unique to you helps build your authority as an independent reviewer and makes writing future reviews a lot easier.

Writing book reviews is a great way to get even more out of your reading journey. Whether you loved or hated a title, reviewing it will help you remember and process the story, and you’ll also be helping others to decide whether or not it’s worth their time, too.

And who knows, you might fall in love with writing book reviews and decide to pursue it as an additional source of income or even a new career!

Whatever your book reviewing plans and goals are, I hope the templates, tips, and ideas above will help you get started.

Do you have any advice for writing a great book review? Let me know in the comments below!

How to review non-fiction

Many of us learned how to write book reports in primary school. Given the rote nature of much of America's early education, the grade we received was largely based on demonstrating we had read and comprehended the book.

But these reports may have also been the first time we were asked our opinion about something we'd read. These books were often fiction, giving us plenty to respond to: the plot, the characters, the dialogue. Did they pull us in? Did we find them believable? How did they make us feel?

So much of what we consume as adults — not just books, but also movies and video games — is also fiction, and those early analytical skills we developed as students now help us to identify what we like and to recommend it to other people. But when confronted with non-fiction, we often resort to that rote education, summarizing the work as if our critical eye no longer applies.

In my job as editor of a retrocomputing magazine , I assign and receive reviews. Since there aren't many works of fiction about retrocomputing, the book reviews I publish are generally of non-fiction. The first draft of those reviews often read something like this:

In the first chapter, the author covers this period of retrocomputing. In the second chapter, she moves on to these other topics. The third chapter, which I found brief, is about this particular era…

That's not a review; that's a summary, able to be recited by almost anyone who read the book. A review , by contrast, is a personal, opinionated critique of the work. The challenge is what to critique when the work lacks the narrative thread and framework of fiction.

The wonderful 2006 book Rewriting: How To Do Things With Text by Joseph Harris offers a rigorous proposal for how to respond to factual texts works with your own. In addition, I recommend these popular prompts that apply to reviews of non-fiction:

What, if anything, makes this an important work?
What does the reader stand to gain by reading this book?
What surprised you? Did you ever have an ah-ha moment while reading the book?
What is the mood or tone of the book? Optimistic, critical, playful, promotional?
Who is the target audience for the book?
Was it easy or difficult to read? Fun and rewarding to read?
Does the book deliver on its promise?
How is the print quality? Is the book too small or too big? Do the pages feel flimsy?
Is the book a good value?
What is missing?

While describing the contents of a book is necessary, it should not constitute the majority of the review. By answering the above questions, your response to the original text will prove that you read it and will offer an informed recommendation to your reader.

How to Write a Nonfiction Book in 6 Steps

About the author.

Reedsy's editorial team is a diverse group of industry experts devoted to helping authors write and publish beautiful books.

About Savannah Cordova

Savannah is a senior editor with Reedsy and a published writer whose work has appeared on Slate, Kirkus, and BookTrib. Her short fiction has appeared in the Owl Canyon Press anthology, "No Bars and a Dead Battery".

About Rebecca van Laer

Rebecca van Laer is a writer, editor, and the author of two books, including the novella How to Adjust to the Dark. Her work has been featured in literary magazines such as AGNI, Breadcrumbs, and TriQuarterly.

Writing a nonfiction book is a good way to share your story, impart your wisdom, or even build your business. And while you may not have thought about becoming an author before, it’s not as far-fetched a goal as you might think. In this post, we'll show you a simple process for becoming a nonfiction author. Hold onto that book idea of yours, and let’s see how we can turn it into something that readers will love.

How to write a nonfiction book:

1. Determine what problem your book will solve

2. outline your book with a logical structure, 3. choose a style guide to remain consistent, 4. blast through your messy first draft, 5. revise your manuscript and check your facts, 6. choose to publish traditionally or independently.

When you start out, your idea is likely to be nebulous or vague, e.g. “It’s a self-help book for new parents.” Before you put pen to paper, you need to crystallize and tighten your original idea, as well as think about your target audience and how to reach readers . Using that information and the tips below, you can validate your book idea, find a sense of direction in your writing, and prepare for when you try to get a book deal , if you want to traditionally publish.

FREE RESOURCE

Book Proposal Template

Craft a professional pitch for your nonfiction book with our handy template.

Nail down your book idea

A key part of figuring out how to write a nonfiction book is being able to answer the three important "W" questions:

What is it about?
Why does it matter, and why should you write it?
Who will want to read it — or rather, who are your ideal readers ?

Once you can answer these questions, you can fill in the blanks below:

[The who] will read my book about [the what] because [the why].

For example: "CEOs will read my book about workplace culture because it offers insights into the practices of the top ten companies voted 'best places' to work in the USA."

Being able to distill your book down in this way is a good sign you have a solid concept, and that your book will ultimately be marketable. If you can’t answer one of those questions, it may be time to return to the drawing board and tighten up your book’s main idea.

Research your topic

Once you’ve pinned down your idea, you’ll want to dig a bit into the topic or the nonfiction genre of your book to find the leads to develop this idea. Research is very important, and it can come in many shapes and sizes depending on the project. Here are a few of the different types of research that are suitable for certain genres.

💭 If you’re writing a memoir

We’ve got a whole guide on writing memoirs with more research tips, but if there’s one thing we recommend you do, it’s to interview yourself. Ask yourself questions that strangers might ask you. A simple interview like this can help you reassess your memories and pull out the important bits of your story. (And of course, you can always have someone else interview you too!)

🔧 If you’re writing a how-to

Your research may involve collecting all sorts of existing material on the subject — such as blog posts and previously published essays. You might want to test some of the methods out in order to home in on the most effective instructions.

☯ If you’re writing self-help

When writing a book about helping yourself , you might want to reach out to experts, such as psychologists and inspirational speakers, who can provide more evidence and insight to what you already know. If you're an expert yourself, you can interview yourself as you would for a memoir. It also doesn’t hurt to check out some of the best self-help books for inspiration!

GET ACCOUNTABILITY

Meet writing coaches on Reedsy

Industry insiders can help you hone your craft, finish your draft, and get published.

⏳ If you’re writing a history or biography

You’ll be gathering resources in libraries and archives, looking at primary and secondary sources on the matter. And if you’re writing about someone who’s still alive, you’ll probably need access to said person, or at least have their consent before forging on with the research.

💼 If you’re writing a business book

This requires a lot of understanding of the market that you’re writing about, be it the one concerning stocks or houseplants (see more of what we mean in our guide on how to write an ebook). You have to find out who might be interested in the products you're talking about, what their habits are like, where they usually go to for advice on matters related to the product — the list goes on. If you really want to dive into this route, perhaps this free course of ours can be of some help…

Free course: How to write a business book

How can writing a book revolutionize your business? Only one way to find out.

Like fiction, where story structure can make or break a narrative , nonfiction relies on the reader being able to follow the writer’s leaps of logic. Since nonfiction is all about utility, structure is of the utmost importance in guiding the reader toward the information they need. You want your structure to be coherent but also gripping, so that readers want to read on and remember what they’ve read.

How to Write a Nonfiction Book | Book Writing Software Reedsy Book Editor

Typically, if your book is about a process, or is a how-to, a linear structure makes sense. To make things more exciting for readers, you can also choose to disrupt the linear flow and follow a list or essay structure. Not sure what these structures are? Head on to our guide on how to outline a nonfiction book to find the answers (and more planning tips).

Before you start writing, pick a style guide to follow throughout your book. What’s a style guide, you ask? It’s a set of guidelines to help keep your writing consistent. If you’ve worked with both US English and UK English, you might notice that certain things get spelled differently, i.e. ‘color’ versus ‘colour’. You should choose the variation that best suits your target audience, depending on where they’re based. A manual of style would help ensure you keep to one of those versions, along with some other details like whether you use the Oxford or serial comma, single or double quotation marks, or how to list your references. A popular guide that you might find useful is the Chicago Manual of Style .

Why do things like this matter? Firstly, a proper guide matters to a nonfiction book because this book is supposed to be factual and accurate. Whether you’re writing popular self-help or more academic pieces, referencing will be a crucial part of your credibility, so you’ll want to nail it from the moment you start. Secondly, being consistent as you write will only help you in the editing process, preventing you from having to correct the same mistakes over and over again.

Now the planning’s out of the way, there’s nowhere left to run: it’s time to actually sit down and write your first draft. Luckily, we've got plenty of tips for writing to help you out!

Use storytelling techniques

Almost anything is more comprehensible and memorable when told as a story. Stories are easier to follow along, they get readers invested in the topic and curious about what happens next, and they tend to be more memorable than just hard facts. Which is why you should think about the stories that you can tell through your nonfiction book, and how to get the most out of them.

So when you use anecdotal evidence, think about the person (a.k.a. character) involved, what their motivations and feelings are. How can those motives and sensations be linked to your main point? If you can, the fact that you’re sharing will be that much more meaningful to the reader because they've associated it with a story. Of course, you shouldn’t embellish facts and end up in the realm of fiction, but an eye for narrative detail is a big asset for a nonfiction author.

Hear it from another author: Harry Freedman shared his process with us in this Reedsy Live!

Include dialogue

Continuing on from the previous point, there’s no reason why you shouldn’t use dialogue in your nonfiction writing. It’s a given that you’d use it in creative nonfiction, but it’s also a great way to break up dense texts and add a human voice to your book. If you have a transcript or a record of a direct quote, you can write it as dialogue . If not, feel free to refer to what was being said as something you’ve been told, rather than something someone said. The difference is subtle (as you can see in the example below), but either way, including conversations make the writing more accessible and interesting to read.

“I bought a lot of ice cream that week where there was a heatwave,” Joe said. Hot weather makes people crave ice cream — I remember my neighbor, Joe, stocking up in preparation for a heatwave.

Of course, it goes without saying that in academic writing this might not be the most conventional or professional option. But if you have a clear recording of the conversation, and you see the value of including it in your book, then you can do it. Note, however, that the formatting for dialogues in academic writing especially may be different from the ones you see in fiction writing (this is why we cannot emphasize enough the need to find an appropriate editor).

Avoid jargon

This just might be the most important piece of advice we can give you: keep your use of jargon and complicated language to a minimum. This does not mean that you have to cut away every expert term you have in your vocabulary, it just means you should use them mindfully. Remember that you may be writing for a quite a big audience, many of whom might not know what you’re talking about. Not only will they need you to explain the term when you first introduce it, they’ll also be less likely to remember these terms if they’ve only just met them.

As such, you want to minimize the use of jargon in your writing. If there’s a simpler way to express something, use it. It might feel like you’re killing story elements you love , but it will most likely be appreciated by your readers.If you must use specialist vocab, be sure to define it and add refreshers where necessary.

Have a writing schedule

Our final tip is one for your process: create a writing schedule for yourself, whichever fits your own timetable and writing habits the most. Perhaps you have a day job and work best when you have a specific time to write at the end of the day. Or maybe you work better with a monthly goal of finishing certain sections and chapters in mind. Either way, setting out time to write regularly will help you progress and keep you from losing motivation.

If you think learning how to write a nonfiction book is all about the actual writing, you’re forgetting another crucial dimension of the book business: editing. Most manuscripts go through several rounds of revisions before they reach their final form, and the first round should always be a self-edit. So don’t hold back: it’s time for you to ruthlessly edit your book . Here are some of our best tips for you.

Double-check your facts

It should go without saying, but this is probably the most important part of editing your nonfiction book. Whenever you refer to a fact, a historical event, or an argument that another academic has previously made, you have to make sure that it’s accurate. On top of that, you’ll have to add a footnote and reference at the end, listing your sources. You don’t want to be sharing false facts or accused of paraphrasing other’s works!

As such, combing through and checking your facts is essential. It can be quite a tedious task, and you can never be too careful, so having a second pair of eyes on your manuscript is always a good idea.

Perfect your manuscript with professional help

The top nonfiction editors are on Reedsy, and you can meet them for free

Learn how Reedsy can help you craft a beautiful book.

Cut down on excessive information

While we’re on the topic of facts, let’s talk about being overly informative. Can a book that’s supposed to educate ever be provide too much information? Turns out too much of anything can be bad.

Everything in your book should link back to the main problem that you’re addressing. Sometimes it’s tempting to drop in a fun fact or anecdote that you think readers might find entertaining, but it’s important to balance that with the coherence of your book. So as you reread your first draft, think about the purpose behind the pieces of information you lay out, and remove those that don’t aid in answering the main question of your book.

Shorten your sentences

The style guide you picked at the beginning will probably have you covered in terms of punctuation and grammar. What it can’t cover is your sentence length. Most sentences in first drafts err on the longer side — we tend to use more conjunctions than necessary to connect phrases and ideas that are interlinked. However, it’s often easier for readers to take in the details bit by bit.

Aim for 20-30 words sentences, which should max out at about two lines in the standard Times New Roman, 12-point font. Anything longer than 50 words should be avoided as much as possible.

Looking for more tips to refine your nonfiction writing? Reedsy editor Jenn Lien shared plenty in this seminar!

Self-edits all done? That means you’re ready for the next steps of your publishing journey. The next question to ask yourself is how you’ll be putting this book of yours into the world: will it be through a publisher, or will you produce the book independently? There’s a lot to consider when debating the pros and cons of traditional and self-publishing , but as a nonfiction writer, you might find doing it yourself beneficial, because:

Publishing is much faster without having to go through agents and publishers;
You probably have or are building an online presence already and can use that to effectively get your book out there ;
You get most of the royalties.

That said, we’ll share some tips to get you ready for either pathway below. And if you’re still on the fence about the next steps, maybe this little quiz can help you out!

Is self-publishing or traditional publishing right for you?

Takes one minute!

Self-publishing

If you’ve decided to become an indie author , here are some things you might want to do once you finish your manuscript. (Remember that although you’re self-publishing, you won’t have to do everything by yourself! Professional help is at hand.)

✍ Hire an editor (if you haven’t already). At the risk of sounding like a broken record, we can’t recommend hiring a professional editor enough. A fresh perspective will always help when it comes to the nitty gritty details.

🎨 Work with a professional cover designer. In the digital age, the decision to buy a book is arguably more heavily influenced by the appeal of the cover — it’s the thumbnails on Amazon that do much of the work! Artistic book covers like these are guaranteed to catch the eye of browsers, which is why you should definitely work with a designer.

🌐 Get to know Amazon. We know, its influence on our lives is uncanny, but there’s hardly a better place to reach your audience than Amazon. From printing the books to promoting it, there are all the tools you need on this platform to achieve self-publishing success. This guide on Amazon self-publishing will shed some light on how that can be done.

Traditional publishing

Going down the traditional route means that the publisher will take care of most areas of finishing up the product, from the edit to cover design. However, to get to that point, you’ll need to follow some pretty standard steps.

📬 Query an agent. Most large publishers don’t accept unsolicited submissions from authors, meaning they require representation from a literary agent. Some resources we have for those looking to query are:

How to Write a Nonfiction Query Letter (blog post)
The Best Nonfiction Literary Agents to Submit to (directory)

📖 Submit a book proposal. Together with an agent, you’ll have to pitch a publisher with a book proposal. This proposal includes your book’s synopsis, its target audience and competitive titles, as well as a sample of one or two of the chapters. So while you don’t need a complete manuscript before you submit, a rough draft will no doubt be helpful. For a bit more detail on the process, check out our free course on how to submit a nonfiction proposal.

Free course: How to submit a book proposal

Get publishers excited about your nonfiction book in this 10-day online course.

Now that you know how to write a nonfiction book, the publishing world is your oyster! Whatever path you take, we wish you the best of luck. And if you do decide to publish, we can’t wait to see what you’ve created.

David Irvine says:

05/12/2019 – 16:58

I self-published all my books for free using the Amazon KDP software. It was a bit of a high learning curve but worth the time and effort. You can also create a really nice front cover using their cover creator. Anyway, nice write up with plenty of good tips for writers seeking to get published.

Comments are currently closed.

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How to Write a Nonfiction Book (8 Key Stages)

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Table of contents.

Looking to write a nonfiction book?

Nonfiction books often stem from the author’s passion or expertise in a particular subject. Authors like Malcolm Gladwell, who began his career as a journalist delving deep into psychology and sociology, or Stephen Hawking, who shared his profound knowledge of cosmology, exemplify how a deep-seated interest can lead to compelling and successful non-fiction works.

However, many of these authors don’t start with book-writing expertise. This should not stop anyone from sharing their knowledge or story with the world.

Let’s explore how to write a nonfiction book, a genre that encompasses a wide range of subjects from history and biography to self-help and science.

How to Write a Nonfiction Book

Nonfiction writing, distinct from its fictional counterpart, demands a rigorous approach to factual accuracy, comprehensive research, and clarity in presentation. We aim to provide a pragmatic guide for aspiring authors, delineating the steps involved in a nonfiction work’s conceptualization, research, writing, editing, and publishing.

Here are the main steps of writing a nonfiction book. Let’s start.

Choosing a Topic

Choosing a topic is the first and perhaps most crucial step in writing a nonfiction book. Your topic should align with your passion or expertise, as this will sustain your interest and authority throughout the writing process.

Consider what unique insights or perspectives you can offer on the subject, and ensure there is an audience interested in the topic. Conduct preliminary research to identify gaps in existing literature and refine your idea to make it both original and valuable to potential readers. This foundation will set the stage for a compelling and successful nonfiction book.

Identifying Your Passion

Begin by introspecting about subjects you are interested in or even a personal story that you have. The ideal topic should intrigue you and sustain your interest over the long process of writing a book. It could be a field you have expertise in, a hobby you are passionate about, or a subject you have always wanted to explore in depth.

Use Portent’s Content Idea Generator to generate ideas based on any subject you have in mind.

Assessing Market Demand

Once you have a list of potential topics, the next step is to analyze the market demand. This involves researching current trends, finding a popular nonfiction book title in your chosen genre, and identifying gaps in the available literature. Tools like Google Trends and Amazon’s Best Sellers lists can provide insights into what readers are currently interested in.

Conducting Initial Research

Before finalizing your topic, conduct preliminary research to ensure there’s enough information available to cover your subject comprehensively. This research will also help you understand the different perspectives and debates surrounding your topic. It’s important to ensure that the topic is not too broad, making it difficult to cover thoroughly or too narrow, limiting the book’s appeal to a wider audience.

Finalizing Your Topic

After considering your passion, market demand, and the availability of research material, narrow down your choices to one topic. This topic should be interesting and marketable and offer a unique angle or perspective that distinguishes your book from existing works in the field.

Use the Hedgehog Concept to find a great topic for your nonfiction book. Read all about this concept here .

In summary, choosing a topic for your nonfiction book requires balancing personal interest, market viability, and availability of sufficient content. This careful consideration will set the foundation for a compelling and successful nonfiction book.

Research and Gathering Information

Conducting research is a fundamental aspect of writing nonfiction. It involves gathering, organizing, and verifying information to ensure reliability.

Detailed Methods for Conducting Effective Research

Here are helpful methods for conducting research:

Identify Reliable Sources: Identify authoritative sources such as academic journals, books by respected authors, government publications, and reputable news organizations. Online databases and libraries can be invaluable for this.
Diverse Research Techniques: Use primary sources (like interviews, surveys, and firsthand observations) and secondary sources (such as books, articles, and documentaries). This mix provides depth and perspective to your research.
Note-Taking and Documentation: As you gather information, take detailed notes. Record bibliographic information (author, title, publication date, etc.) for each source to make referencing easier later. Tools like Zotero or EndNote can help manage citations.

Tips for Organizing and Compiling Research Materials

Here are some further tips for organizing your nonfiction book writing process.

Categorize Information: Organize your research into categories related to different aspects of your topic. This will make it easier to find information when you start writing.
Use Digital Tools: Utilize digital tools such as spreadsheets, document folders, or specialized research software to keep your information organized.
Maintain a Research Log: Keep a log of your research activities, including where you found information and keywords or topics searched. This log will be invaluable if you need to revisit a source.

By using Squibler for your writing, you can use many tools to organize your writing to stick to a steady schedule.

Ethical Considerations and Fact-Checking in Nonfiction Writing

Here are ethical considerations to be aware of when learning how to write a nonfiction book:

Fact-Checking: Rigorously check the facts you plan to include in your book. Verify dates, names, quotes, and statistics from multiple sources.
Avoid Plagiarism: Always give proper credit to the sources of your information. Paraphrase where necessary and use quotations for direct citations.
Ethical Reporting: Be aware of the ethical implications of your writing, especially when dealing with sensitive topics. Strive for fairness and accuracy in your representation of different viewpoints.

Effective research for a nonfiction book requires a systematic and ethical approach to gathering, organizing, and verifying information. You can ensure that your nonfiction work is credible and compelling by using various research methods, maintaining organized notes, and adhering to ethical standards.

Planning and Outlining the Book

Planning and outlining are critical steps in writing a nonfiction book. This phase involves structuring your ideas and research findings into a coherent and logical framework to guide your writing process.

Importance of Creating a Detailed Outline

Read about the importance of having a detailed outline.

Blueprint for Your Book: An outline serves as a roadmap for your book, helping you organize your thoughts and research systematically. It ensures that your narrative flows and that you cover all key points.
Efficiency and Focus: A well-structured outline helps you write. It keeps you focused on your main points and prevents you from veering off-topic.
Identifying Gaps: During the outlining process, you may identify areas where further research or elaboration is needed, allowing you to address these gaps before you begin writing.

Here is an example of how to outline your book based on the structure:

Methods for Outlining Nonfiction Books

Here, you’ll learn about key methods for creating an outline:

Chronological Structure: A chronological approach might be most effective for topics that unfold over time, such as historical events or biographies.
Thematic Structure: If your book covers different aspects of a topic, organizing your outline by themes or subjects can help present information in a more integrated way.
Problem-Solution Framework: For topics like business or self-help, structuring your outline to present problems and their solutions can engage readers.

Tips for Structuring Your Book

Read some further tips for creating a book structure:

Start with a Broad Overview: Begin your outline with a broad overview of your topic, then break it into more specific chapters or sections.
Balance Your Chapters: Try to balance the length and depth of each chapter to keep readers engaged and ensure a smooth flow.
Include Introduction and Conclusion: Plan for an introductory section to set the context of your book and a conclusion to wrap up and reinforce your key messages.
Consider Readers’ Needs: Keep your intended audience in mind while outlining. Structure your content to address the readers’ interests, background knowledge, and expectations.

Writing the First Draft

Writing the first draft of a nonfiction book is where you transform your research and outline into a manuscript. This stage is about getting your ideas down on paper and shaping the raw material of your research into a readable and engaging narrative.

Starting the Writing Process

Here, you will read the main steps in writing nonfiction and healthy writing habits for creative nonfiction.

Overcoming the Blank Page: The first step is to overcome the intimidation of the blank page. Begin by writing about the parts you are most comfortable with or most excited about. This builds momentum.
Refer to Your Outline: Consult your outline to stay on track. However, be flexible enough to deviate if a section needs more elaboration or a different direction.
Set Realistic Goals: Establish daily or weekly word count goals. Consistency is key to making steady progress.
Write Consistent Conversations: A nonfiction writer creates a conversation with their readers. Create a consistent information flow by using one of the four types.

Here are four types of conversations that will give you an idea of what will work best for your audience.

Maintaining a Consistent Writing Routine

Learn how to maintain a writing routine in each writing phase:

Create a Writing Schedule: Set aside dedicated time for writing each day or week. Consistency is crucial, whether an hour every morning or a full day over the weekend.
Create a Writing Environment: Find or create a space where you can write without distractions. The right environment can significantly boost your productivity and focus.

Dealing with Writer’s Block

Read about the basics of overcoming writer’s block.

Take Breaks: Step away from your work if you hit a block. Sometimes, taking a short walk or engaging in a different activity can refresh your mind.
Write Freely: Don’t be too concerned with perfection in the first draft. Allow yourself to write freely without worrying too much about grammar or style at this stage.
Talk It Out: Discussing your ideas with someone can provide new perspectives and help overcome blocks.

Staying Motivated

Learn how to stay motivated:

Track Your Progress: Tracking your progress can be a great motivational tool. Seeing how far you’ve come can encourage you to keep going.
Seek Feedback: Sharing sections of your draft with trusted friends or other nonfiction authors provides encouragement and constructive feedback.
Remember Your Purpose: Remind yourself why you started this project. Revisiting your initial inspiration can reignite your enthusiasm.

Writing the first draft of your nonfiction book involves starting with confidence, maintaining a disciplined routine, tackling challenges like writer’s block, and staying motivated throughout the process. This stage is less about perfection and more about bringing your ideas to life in a coherent structure. Remember, the first draft is just the beginning, and refinement comes later in the editing stages.

Editing and Revising

Editing and revising are about refining your first draft and enhancing its clarity, coherence, and overall quality. It involves scrutinizing and improving your manuscript at different levels, from overall structure to individual sentences.

The Importance of a Self-Editing Process

Read about self-editing.

First Layer of Refinement: Self-editing is your first opportunity to review and improve your work. This process includes reorganizing sections, ensuring each chapter flows logically into the next, and checking for consistency in tone and style.
Focus on Clarity and Conciseness: Look for areas where arguments can be made clearer, descriptions more vivid, and redundancies eliminated. It’s crucial to be concise and to the point in nonfiction writing.

Seeking Feedback

Here, you will read about basic tips for seeking feedback.

Beta Readers and Writing Groups: Share your manuscript with trusted individuals representing your target audience. Beta readers or members of writing groups can provide invaluable feedback from a reader’s perspective.
Constructive Criticism: Be open to constructive criticism. It can provide insights into areas you might have overlooked or not considered fully.

Hiring a Professional Editor

Here’s what to consider if you think you need a professional editor.

When and Why It’s Necessary: A professional editor can bring a level of polish and expertise that’s hard to achieve on your own. They can help with structural issues, language clarity, and fact-checking. Consider hiring an editor, especially if you plan to self-publish.
Types of Editing Services: Understand the different editing services available, including developmental editing, copyediting, and proofreading. Each serves a different purpose and is relevant at different stages of the revision process.

Revising Your Manuscript

Here, you’ll read about revising the manuscript.

Iterative Process: Revision is an iterative process. It may require several rounds to get your manuscript to the desired quality.
Attention to Detail: Check grammar, punctuation, and factual accuracy. Nonfiction books, in particular, need to be factually correct and well-cited.
Incorporating Feedback: Integrate the feedback from your beta readers and editor judiciously. Balance maintaining your voice and message with addressing valid concerns and suggestions.

Editing and revising are where your manuscript transforms into its final form. This stage requires patience, attention to detail, and, often, external input. By embracing the editing and revising process, you can significantly enhance the quality of your nonfiction book, making it more engaging, credible, and polished.

Publishing Options

After writing, editing, and revising your nonfiction book, the next critical step in the how-to-write-a-nonfiction-book process is to decide how to publish it. Today, a nonfiction author has various options, each with its own set of advantages and challenges. Understanding these can help you choose the best path for your nonfiction book.

Traditional Publishing

Here, you can read about traditional publishing routes.

Working with Literary Agents: Traditional publishing typically involves securing a literary agent to represent your book to publishers. An agent’s knowledge of the market and industry contacts can be invaluable.
The Submission Process: This involves preparing a proposal and sample chapters to send to publishers, often through your agent. The process can be lengthy and competitive.
Advantages: Traditional publishers offer editorial, design, and marketing support. They can also provide broader distribution channels.
Considerations: It can be challenging to get accepted by a traditional publisher. They usually control the final product and a significant share of the profits.

Self-Publishing

Here, you can read about the possibility of self-published books.

Complete Creative Control: Self-publishing gives you total control over every aspect of your book, from the content to the cover design and pricing.
The Self-Publishing Process: This includes tasks like formatting the book, obtaining an ISBN, and choosing distribution channels (e.g., Amazon’s Kindle Direct Publishing).
Marketing and Promotion: Self-publishing means you are responsible for marketing and promoting your book. This can be a significant task but also offers the opportunity for higher royalties per book sold.
Accessibility: Platforms like Amazon, Smashwords, and Draft2Digital have made self-publishing more accessible, offering tools and services to assist authors.

Hybrid Publishing

The third option is hybrid publishing. Read more about it:

Combination of Traditional and Self-Publishing: Hybrid publishing models combine elements of both traditional and self-publishing, offering more support than self-publishing alone but with more flexibility and control for the author.
Costs and Services: These publishers often charge for their services, but they also offer professional editing, design, and marketing services.

Choosing the Right Option

Finally, here are tips for deciding exactly what the route to take:

Consider Your Goals: Consider what you want to achieve with your book. Are you looking to reach a wide audience, maintain creative control, or see your book in bookstores?
Understand Your Audience: Knowing where your target audience buys books can guide your choice. Some genres do exceptionally well in self-publishing, while others fare better with traditional publishers.
Assess Your Resources: Consider your budget, available time for marketing, and your comfort level with the various aspects of the publishing process.

The choice between traditional, self-publishing, and hybrid options depends on your goals, resources, and the level of control and support you desire. Each path has its unique set of benefits and challenges, and understanding these can help you make an informed decision about the best way to bring your nonfiction book to your readers.

Marketing and Promotion

The success of a nonfiction book depends on effective marketing and promotion strategies. Here are tactics that you can use:

Building an Author Platform: A strong author platform is essential for success in marketing. This involves establishing your online and offline presence, which can be achieved through a professional website, active social media profiles, blogging, and networking in relevant communities. An effective platform helps in building credibility and a loyal reader base.
Effective Marketing Strategies: Developing and implementing a comprehensive marketing plan is key. This could include arranging book launch events, participating in speaking engagements, creating promotional content, and engaging in online marketing efforts. Tailoring these strategies to your target audience and leveraging the right channels are critical for maximum impact.
Utilizing Social Media: Social media is a powerful tool for promoting your book. Platforms like Twitter, Facebook, Instagram, and LinkedIn offer direct engagement with your audience. Regular posts, interactive content, and targeted ads on these platforms increase your book’s visibility and attract potential readers.
Book Tours and Speaking Engagements: Conducting book tours and speaking at relevant events can enhance your book’s exposure. These engagements provide opportunities for personal interaction with your audience through physical events or virtual webinars and talks. They are effective in generating interest and boosting sales.
Engaging with Media and PR: Media engagement is another vital aspect of book promotion. Reaching out to newspapers, magazines, radio, and TV programs related to your book’s topic can help gain wider exposure. Press releases, interviews, and book reviews are traditional yet effective ways to attract media attention.
Email Marketing: Email marketing involves contacting your audience directly through newsletters and email campaigns. It’s an effective way to keep your readers informed about your book, upcoming events, and any new content you produce.
Collaborations and Partnerships: Partnering with other authors, bloggers, and organizations can amplify your marketing efforts. These collaborations can include joint promotional events, guest blogging, or featuring on podcasts. Such partnerships can help you reach a broader audience and gain credibility in your field.

Here are the most frequently asked questions about how to write a nonfiction book.

1. How do I choose the right topic for my nonfiction book?

Choosing the right topic involves balancing your interests, expertise, and what readers are interested in. Consider topics you are passionate about and know well, then research the market to see if there’s a demand for information on these subjects. It’s also important to ensure there’s enough material available to write a comprehensive book on the topic.

2. How much research should I do for my nonfiction book?

The amount of research needed varies depending on the subject. However, gathering comprehensive and accurate information is vital to establish credibility and trust with your readers. Use a mix of primary and secondary sources and verify facts from multiple sources. Remember, in nonfiction, the quality and reliability of your information are as important as how you present it.

3. Should I write an outline before starting my nonfiction book?

Yes, creating an outline is highly recommended. An outline is a roadmap for your whole book idea, whether you’re writing fiction or nonfiction. It ensures you cover all necessary points and maintain a logical flow throughout the book. Outlines can be modified as you write, but having a basic structure in place can significantly ease the writing process.

4. What are the key steps in editing and revising my nonfiction book?

Editing and revising involves several steps: First, conduct a self-edit to improve structure, clarity, and coherence. Next, get feedback from beta readers or a writing group. Finally, consider hiring a professional editor for developmental editing, copyediting, and proofreading. Pay attention to factual accuracy and consistency, and eliminate redundancies or unclear sections. Remember, editing and revising are crucial for enhancing the quality and readability of your book.

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How To Write A Nonfiction Book: 21 Steps for Beginners

The steps on how to write a nonfiction book are easy to follow, but can be difficult to execute if you don’t have a clear plan.

Many first time authors experience information overload when it comes to writing a nonfiction book. Where do I start? How do I build authority? What chapters do I need to include? Do I know enough about this topic?

If you’re mind is racing with questions about how to get started with your book, then you’ve landed in the right place!

Writing a book can be a grueling, lengthy process. But with a strategic system in place, you could become a nonfiction book author within three to four months.

However, you need an extremely high level of motivation and dedication, as well as a clear, proven system to follow.

In this article, we’ll cover all there is to know about the nonfiction book writing process.

Need A Nonfiction Book Outline?

How to write a nonfiction book

Writing a nonfiction book is one of the most challenging paths you will ever take. But it can also be one of the most rewarding accomplishments of your life.

Before we get started with the steps to write a nonfiction book, let’s review some foundational questions that many aspiring authors have.

What is a nonfiction book?

A nonfiction book is based on facts, such as real events, people, and places. It is a broad category, and includes topics such as biography, memoir, business, health, religion, self-help, science, cooking, and more.

A nonfiction book differs from a fiction book in the sense that it is real, not imaginary.

The purpose of nonfiction books is commonly to educate or inform the reader, whereas the purpose of fiction books is typically to entertain.

Perennial nonfiction books are titles such as How to Win Friends and Influence People from Dale Carnegie, A Brief History of Time by Stephen Hawking, and Anne Frank’s The Diary of a Young Girl .

What is the author’s purpose in a work of nonfiction?

In a nonfiction book, the author’s main purpose or reason for writing on the topic is to inform or educate readers about a certain topic.

While there are some nonfiction books that also entertain readers, the most common author’s purpose in a work of nonfiction is to raise awareness about a certain topic, event, or concept.

How many words are in a nonfiction book?

Because nonfiction is such a broad category, it really depends on the type of nonfiction you are writing, but generally a nonfiction book should be about 40,000 words.

To determine how many words in a novel , narrow down your topic and do some research to see what the average word count is.

Use this Word & Page Count Calculator to calculate how many words you should aim for, based on your genre and audience.

How long does it take to write a nonfiction book?

It can take anywhere from three months to several years to write a nonfiction book, depending on the author’s speed, research process, book length, and other variables.

On average, it can take a self-published author typically six months to one year to write their nonfiction book. However, that means the author is setting time aside daily to work on their book, staying focused, and motivated.

Other nonfiction authors, especially those with heavy research an in–depth analysis can take much longer. How long it takes to write a nonfiction book really just depends on several factors.

Benefits of writing a nonfiction book

Making a decision to write a book could change your life. Just think about all the ways you could leverage your expertise!

If you’re interested in how to write a book , it’s important to understand all the things writing the book can do for you, so that you can stay motivated throughout the process.

Some rewarding results that can come after you write a nonfiction book are:

Exponentially accelerate the growth of your business
Generate a stream of passive income for years to come
Build authority in your field of expertise
Increase exposure in the media
Become a motivational speaker
…and so much more (this is just the beginning)!

Imagine for a moment …walking into your local bookstore and seeing your book placed at the front of the store in the new releases section. Or browsing on Amazon KDP , the world’s largest online bookstore, and seeing your nonfiction book listed as a bestseller alongside well-known authors.

It can happen in as little as three months if you are fully committed and ready to start today.

How to Write a Nonfiction Book in 21 Steps

You’re clear on the type of nonfiction book you want to write, and you’re ready to get started.

Before you start writing, it’s time to lay the groundwork and get clear on the entire process. This will help you manage your book writing expectations, and prepare for the nonfiction book writing journey that lies ahead.

With those foundational questions out of the way, let’s move on to 21-step checklist so you can start learning exactly how to write a nonfiction book.

#1— Develop the mindset to learn how to write a nonfiction book

The first step in how to become an author is to develop a rock solid author mindset. Without a writer’s mindset, you are going to struggle to get anywhere with your book. Writing has more to do with your attitude towards the craft than the skill required to get you there.

If writing words down and tying sentences together to craft a story is the skill, your mindset is the foundation that keeps this motivation moving forward.

Identifying yourself as a writer from the start (even if you haven’t published yet) will form the mindset needed to continue working on your book .

To succeed, you must toughen up so that nothing gets in your way of writing.

This is also known as imposter syndrome : A psychological pattern where a person doubts their accomplishments and has an ongoing internalized fear of being exposed as a fraud.

Here’s how to prevent imposter syndrome as an aspiring author:

Define what it means to be an author or writer. Is this someone who wakes up at 5am and writes 1000 words a day?
Tell yourself you’re a writer. Just do it. It feels strange at first but you will begin to believe your own self-talk.
Talk about your book idea . That’s right – start telling people you are writing a book. Many writers working on a book will keep it a secret until published. Even then, they might not about it.
Take action to build author confidence. Imposter syndrome paralyzes you. Focus on increasing your author confidence and getting rid of doubt. This can be done by committing to writing every day. Just 500 words is enough. Build that writing habits early and you’ll be walking and talking like a true author.

#2 – Create a Book Writing Plan

Excuses will kill your chances of becoming a published author. There are no good reasons for not writing a book, only good excuses you convince yourself are real.

You are trying to protect yourself from embarrassment, only to create a new kind of shame: the shame of not finishing the book you have been talking about for years.

Some of the most common excuses that hold writers back are: There is no time to write in my life right now. I can’t get past my distractions. I can never be as good as my favorite famous author. My book has to perfect.

Excuses are easy to dish out. But identifying them for what they are (excuses), is the first step towards taking action and changing your limiting mindset.

Excuses, while they may seem valid, are walls of fear. Banish your excuses right now and commit to writing your book.

Here’s how to overcome the excuses that prevent you from writing:

Make the time to write. Set up a thirty-minute time block every day. Commit to writing during this time.
Turn off your distractions. Get rid of the WiFi for an hour. Close the door. It is just you and the story.
Be aware of comparisons to other writers. They worked hard to get where they are, and you will get there, too.
Give yourself permission to write badly. It won’t be perfect, but a book that is half-finished can’t be published.

#3 – Identify your WHY

Start with this question: “Why am I doing this?”

Know your why . This is critical to moving ahead with your book idea. We usually have an intrinsic and extrinsic reason for wanting to learn how to write a nonfiction book.

Intrinsic Why: What is your #1 reason for wanting to write this book? Is it a bucket list goal you must achieve? Is it to help people overcome a root issue in their lives? Do you want to create a movement and generate social impact?

Extrinsic Why: Do you want to create a business from your book? Have passive income coming in for many years later? Become a full-time author and work from home? Grow your network? Build an online presence?

Getting super clear on why you want to write a bestselling book is the momentum to propel you forward and deliver your story. Enlisting the help of a book writing coach (like we offer here at SelfPublishing!) can also help you stay close to your why. This person will be your sounding board, motivation, and voice of reason during the writing process – providing much-needed support from someone who’s published multiple books before.

#4 – Research nonfiction book topics

Whether you have a clear idea of what you want to write about or if you are still exploring possible topic ideas, it’s important to do a bit of market research.

Researching the current news and case studies related to your potential topic are powerful ways to add credibility to your nonfiction book, and will help you develop your own ideas.

This adds greater depth to your nonfiction book, builds better trust with readers, and delivers content that exceeds customer expectations.

If you need help narrowing down your book idea, try experimenting with some writing prompts based on the genre you’re interested in!

Here’s how to write a nonfiction book that’s well-researched:

Use case studies. Pull case studies and make reference to the research. If there are not any case studies related to your topic, explore the idea of creating your own case study.
Read books related to your topic. Mention good books or articles to support your material.
Research facts from reliable sources. Post proven facts and figures from reliable sources such as scholarly journals, academic papers, white papers, newspapers, and more.

#5 – Select a nonfiction book topic

What are you writing about? It starts with having a deep interest and passion for the area you are focused on.

Common topics to write a nonfiction book on are:

Business and Money
Health, dieting and exercise
Religion and Spirituality
Home repair
Innovation and entrepreneurship

You probably already know this so it should be easy. Make a note of the area you are writing your book on. And then…

#6 — Drill down into your book idea

Everyone starts at the same place. It begins with an idea for the book.

What is the core idea for your book? If your nonfiction book topic is on health and dieting, your idea might be a book on “How to lose 7 pounds in your first month.”

Your book is going to be centered around this core idea.

You could have several ideas for the overall book but, to avoid writing a large, general book that nobody will read, make it more specific.

#7 — Schedule writing time

What gets scheduled, gets done. That’s right, you should schedule in your writing time just like any other appointment on your calendar.

Your writing routine will have a large role to play when it comes to writing and finishing your book.

Scheduling time for writing, and sticking to it, will help you knock out your writing goals with ease.

Stephen King sits down to write every morning from eight-thirty. It was his way of programming his brain to get ready for the day’s work. He writes an average of ten pages a day.

W.H. Auden would rise at six a.m. and would work hard from seven to eleven-thirty, when his mind was sharpest.

When do you feel the most productive? If you can, make time for writing at the same time every day to set the tone for your writing productivity.

Commit to a time of day and a length of time during which to write. Set a goal for yourself and try to hit the target every day by sticking with your routine.

#8 — Establish a writing space

You need a place to write, and you must establish that space where you can write everyday, distraction-free for several hours a day.

Your writing environment plays a critical role in your life as an author. If you write in a place that’s full of noise, uncomfortable to be in, or affects your emotional state to the point you don’t want to do anything, you might consider your environment needs some work.

Here is how to create a writing space that inspires you to write:

Display your favorite author photos

Find at least twenty photos of authors you want to emulate. Print these out if you can and place them around your room. An alternative idea is to use the photos as screensavers or a desktop screen. You can change the photo every day if you like. There is nothing like writing and having your favorite author looking back at you as if to say, “Come on, you’ve got this!”

Hang up a yearly calendar

Your nonfiction book will get written faster if you have goals for each day and week. The best way to manage this is by scheduling your time on a calendar. Schedule every hour that you commit to your author business.

As Bob Goff said, “The battle for happiness begins on the pages of our calendars.”

Buy a big wall calendar. Have enough space on each day that you can write down your goals for that day. When you have a goal for that day or week, write it down or use a sticky note.

Create a clutter-free environment

If there is any one factor that will slow you down or kill your motivation, it is a room full of clutter.

If your room looks like a tornado swept through, it can have a serious impact on your emotional state. What you see around you also occupies space in your mind. Unfinished business is unconsciously recorded in your mind and this leads to clutter (both physical and mental).

Although you can’t always be in complete control of your physical space, you can get rid of any clutter you have control over. Go for a simple workplace that makes you feel relaxed.

Choose a writing surface and chair

Consider a standing desk, which is becoming popular for many reasons. Sitting down for long periods of time becomes uncomfortable and unhealthy. You can balance your online time between sitting and standing.

For sitting, you want a chair that is comfortable, but not too comfortable. Invest in a chair that requires you to sit up straight. If there is a comfortable back attached, as with most chairs, you have a tendency to get sleepy. This can trigger other habits as well, such as craving television.

Seek out the place where you can be at your most productive and feel confident and comfortable.

#9 — Choose a nonfiction book writing software

This is one of the most important writing tools you will choose. Your writing software needs to be efficient, easy to use and stress-free. Anything that requires a lot of formatting or a steep learning curve could end up costing you time and patience.

There are literally dozens of choices for book writing software , so it’s really just a matter of finding what works best for you.

Here are 3 writing software for new authors to consider:

Microsoft Word. Before any other writing tools came along, Microsoft Word was the only option available. Today, even though there are many other word processors out there, millions of people continue to use it for their writing needs. And it’s easy to see why. It’s trusted, reliable, and gets the job done well .
Google Docs . It’s a stripped-down version of Word that you can only use online. Some perks are that it comes with the built-in ability to share content, files, and documents with your team. You can easily communicate via comments for collaboration. If you write your book in Google Docs, you can share the link with anyone and they can edit , or make any changes right in the document itself. And all changes are trackable!
Scrivener . A lot of writers absolutely love this program, with its advanced features and distraction-free writing experience. Scrivener was designed for writers; it’s super easy to lay out scenes, move content around, and outline your story, article, or manuscript. If you’re serious about learning how to write a nonfiction book, then putting in the time to learn this writing tool will definitely be worth it.

There are many forms of writing software that all have advantages to using them, but once you find what works for you, stick with it.

#10 — Create your mind map

A mind map is a brain dump of all your ideas. Using your theme and core idea as a basic starting point, your mind map will help you to visually organize everything into a structure for the book.

I highly recommend using pen and paper for this. You will enjoy the creative flow of this process with a physical version of the map rather than mind mapping software. But, if you prefer using an app to create your mindmap , you can try MindMeister .

Here is how to create your mind map:

Start with your central idea. Write this idea in the center of the map.
Add branches connecting key ideas that flow out from the core idea.
Add keywords that tie these key ideas together.
Using color coded markers or sticky notes, and identify the chapters within your mindmap.
Take your chapter headings and…

#11 — How to write a nonfiction book outline

Now that your book topic is decided on, and you have mind mapped your ideas, it’s time to start determining how to outline a nonfiction book.

There are several ways to create a book outline , and it really boils down to author preference and style.

Here’s how to write a nonfiction book outline:

Use this Book Outline Generator for a helpful template to follow for your own outline.
Map out your book’s topics with a mindmap or bubble map, then organize similar concepts together into chapters.
Answer the 5 Ws: Who, What, When, Where, Why.
Use book writing software outline tools, like Scrivener’s corkboard method.

What is a nonfiction book outline?

A book outline is a roadmap or blueprint for your story. It tells you where you need to go and when in chronological order.

Take the common themes of your chapters and, if applicable, divide your chapters into sections. This is your smooth transition from tangled mind map to organized outline.

Note that not every book needs sections; you might have chapters only. But if your chapters can be grouped into 3-6 different themes within the book, create a section for those common-themed chapters and group them together into a section.

The outline needs to be easy to follow and generally no more than a couple pages long.

The goal here is to take your mind map and consolidate your ideas into a structure that makes logical sense . This will be an incredible roadmap to follow when you are writing the book.

No outline = writing chaos.

There are two types of book outlines I will introduce here:

Option 1: Simple Nonfiction Book Outline

A simple book outline is just like it sounds; keep it basic and brief. Start with the title, then add in your major sections in the order that makes sense for your topic.

Don’t get too hung up on the perfect title at this stage of the process ; you just want to come up with a good-for-now placeholder.

Use our Nonfiction Book Title Generator for ideas.

Option 2: Chapter-by-Chapter Nonfiction Book Outline

Your chapter-by-chapter book outline is a pumped-up version of the simple book outline.

To get started, first create a complete chapter list. With each chapter listed as a heading, you’ll later add material or move chapters around as the draft takes shape.

Create a working title for each chapter. List them in a logical order. After that, you’ll fill in the key points of each chapter.

Create a mind map for each chapter to outline a nonfiction book

Now that you have a list of your chapters, take each one and, similar to what you did with your main mind map for the book, apply this same technique to each chapter.

You want to mind map 3-7 ideas to cover in each chapter. These points will become the subtopics of each chapter that functions to make up chapter structure in your nonfiction book.

It is important to not get hung up on the small details of the chapter content at this stage. Simply make a list of your potential chapters. The outline will most likely change as you write the book. You can tweak the details as you go.

#12 — Determine your point of view

The language can be less formal if you are learning how to write a self-help book or another similar nonfiction book. This is because you are teaching a topic based on your own perspective and not necessarily on something based in scientific research.

Discovering your voice and writing style is as easy as being yourself, but it’s also a tough challenge.

Books that have a more conversational tone to them are just as credible as books with more profound language. You just have to keep your intended audience in mind when deciding what kind of tone you want to have in your book.

The easiest way to do this is to simply write as you would talk, as if you were explaining your topic to someone in front of you – maybe a friend.

Your reader will love this because it will feel like you are sitting with them, having a cup of coffee, hanging out and chatting about your favorite topic.

How To Write A Nonfiction Book Infograph

#13 — Write your first chapter

As soon as you have your nonfiction book outline ready, you want to build momentum right away. The best way to start this is to dive right into your first chapter.

You can start anywhere you like. You don’t have to start writing your nonfiction book in chronological order.

Take a chapter and, if you haven’t yet done so, spend a few minutes to brainstorm the main speaking points. These points are to be your chapter subheadings.

You already have the best software for writing, you’re all set in your writing environment, now you can start writing.

But wait…feeling stuck already?

That’s okay. You might want to start off with some free flow writing. Take a blank page and just start writing down your thoughts. Don’t think about what you are writing or if it makes any sense. This technique is designed to open up your mind to the flow of writing, or stream of consciousness

Write for 10-15 minutes until you are warmed up.

Next, dive into your chapter content.

#14 — Write a nonfiction book first draft

The major step in how to write a nonfiction book is – well, to actually write the first draft!

In this step, you are going to write the first draft of your book. All of it. Notice we did not say you were going to write and edit . No, you are only writing.

Do not edit while you write, and if you can fight temptation, do not read what you’ve written until the first draft is complete.

This seems like a long stretch, to write a 30-40,000-word book without reading it over, but…it’s important to tap into your creative mind and stay there during the writing phase.

It is difficult to access both your writing brain and editing brain at the same time. By sticking with the process of “write first, edit later,” you will finish your first draft faster and feel confident moving into the self-editing phase.

To learn how to write a nonfiction book, use this format:

Mind map your chapter —10 minutes
Outline/chapter subheadings—10 minutes
Research [keep it light]—20 Minutes
Write content—90 minutes

After you’re done with your rough draft (first draft) you’ll move on to the second draft/rewrite of your book when you will improve the organization, add more details, and create a polished draft before sending the manuscript to the editor.

#15 — Destroy writer’s block

At some point along the writer’s journey, you are going to get stuck. It is inevitable.

It is what we call the “messy middle” and, regardless you are writing fiction or nonfiction, it happens to everyone. You were feeling super-pumped to get this book written but halfway through, it begins to feel like an insurmountable mountain that you’ll never conquer.

Writer’s block is what happens when you hit a wall and struggle to move forward.

Here is what you can do when you find yourself being pulled down that dark hole.

Talk back to the voices trying to overpower your mind. Your internal critic is empowered when you believe what you are listening to is true.

Bring in the writer who has brought you this far – the one who took the initiative to learn how to write a nonfiction book. Be the writer that embraces fear and laughs at perfectionistic tendencies. Be that person that writes something even if it doesn’t sound good. Let yourself make mistakes and give yourself permission to fail.

Use positive affirmations are therapy for removing internal criticism.

Defeat the self-doubt by not owning it. Your fears exist in your mind. The book you are writing is great, and it will be finished.

Now, go finish it…

#16 — Reach out to nonfiction book editors

Before you start your second rewrite, consider reaching out to an editor and lining someone up to professionally edit your book. Then, when you have completed your self-editing process, you can send your book to the editor as quickly as possible.

Just as producing a manuscript involves a varied skill set—writing, formatting, cover design, etc.— so does editing it.

Do not skimp on quality when it come to editing – set aside money in your budget when determining the costs to publish your book .

Getting a quality edit should be the #1 expenditure for your book. It doesn’t matter if you think you’re a fantastic writer—we all make small mistakes that are difficult to catch, even after reading through the book several times.

You can find good editors on sites such as Upwork or through recommendations from other authors.

#17— Self-edit your first draft

You completed the major step in how to write a nonfiction book: Your rough draft is finished . Now it is time to go through your content page per page, line per line, and clean it up.

This is where is gets messy. This is the self-editing stage and is the most critical part of the book writing process.

You can print out the entire manuscript and read through it in a weekend. Arm yourself with a red pen and several highlighters. You’ll be marking up sentences and writing on the page.

Start with a verbal read through.

Yes, actually read your draft out loud to yourself; you’ll be surprised how reading it verbally allows you to spot certain mistakes or areas for improvement.

A verbal read through will show you:

Any awkward phrasing you’ve used
What doesn’t make sense
Typos (the more mistakes you find, the less an editor will accidentally overlook)

Questions to ask as you self-edit your nonfiction book:

What part of the book is unclear or vague?
Can the “outsider” understand the point to this section without being told?
Is my language clear and concrete?
Can I add more detail or take detail out?
Can the reader feel my passion for writing and for the topic I am exploring?
What is the best part of this section and how can I make the other parts as good as the best section?
Do I have good transitions between chapters?

For printed out material take lots of notes and correct each page as you go. Or break it down by paragraphs and make sure the content flows and transitions well.

Take 2-3 weeks for the self editing stage. The goal isn’t to make it perfect, but to have a presentable manuscript for the editor.

If you let perfection slip in, you could be self-editing and rewriting six months from now. You want to get your best book published, but not have it take three years to get there.

And, when the self edit is finished…

#18 — Create a nonfiction title

The title and subtitle is critical to getting noticed in any physical or online bookstore, such as Amazon.

Related: Nonfiction Book Title Generator

Set aside a few hours to work on crafting your perfect title and subtitle. Keep in mind that needs to engage your potential readers to buy the book.

The title is by far one of the critical elements of the books’ success .

Here are the main points to consider when creating a nonfiction book title:

Habit Stacking
Example#1: Break the Cycle of Self-Defeat, Destroy Negative Emotions and Reclaim Your Personal Power
Example#2: How to Save More Money, Slash Your Spending, and Master Your Spending

Write down as many title ideas as you can. Then, mix and match, moving keywords around until you come up with a title that “sticks.”

Next, test your title by reaching out for feedback – this can be from anyone in your author network. Don’t have an author community to reach out to?

Consider attending some of the best writers conferences to start networking with other writers and authors!

You can also test your title on sites like PickFu .

#19 — Send your nonfiction book to the editor

In a previous step, you hired your editor. Now you are going to send your book to the editor. This process should take about 2-3 weeks. Most editors will do two revisions.

When you receive your first revision, take a few days to go through the edits with track changes turned on. Carefully consider the suggestions your editor is making.

If you don’t agree with some of the suggested edits, delete them! Your editors don’t know your nonfiction book as well as you do.

So, while expert feedback is essential to creating a polished, professional-quality book, have some faith in yourself and your writing.

Now that the editing is done, you are preparing for the final stage…

#20 — Hire a proofreader

Even with the best of editors, there are often minor errors—typos, punctuation—that get missed. This is why you should consider hiring a proofreader—not your editor—to read through the book and catch any last errors.

You don’t want these mistakes to be picked up by readers and then posted as negative reviews.

You can find proofreaders to hire in your local area, or online, such as Scribendi Proofreaders or ProofreadingServices.com.

Some great proofreading apps to use are Grammarly and Hemingway Editor App .

When you are satisfied that the book is 100% error free and stands up to the best standard of quality, it is time to…

#21 — Hire a formatter

Congratulations…you’re almost there! Hiring your book formatter is one of the final stages before publishing.

Nothing can ruin a good book like bad formatting. A well-formatted book enhances your reader’s experience and keeps those pages being turned.

Be sure that you have clear chapter headings and that, wherever possible, the chapter is broken up into subheadings.

You can hire good formatters at places like Archangelink , Ebook Launch , and Formatted Books .

Here are the key pages to include in your nonfiction book:

Front Matter Content

Copyright page
Free gift page with a link to the opt-in page (optional)
Table of contents
Foreword (optional)

Back Matter Content

Lead magnet [reminder]
Work with me (optional)
Acknowledgements (optional)
Upcoming books [optional]

Now, work together with your formatter and communicate clearly the vision for your book. Be certain your formatter has clear instructions and be closely involved in this process until it is finished.

You know how to write a nonfiction book!

Now that you know the entire process to write your book, it’s time to move on to the next phase: publishing and launching your book!

For publishing, you have two options: traditional publishing and self publishing. If you’re completely new to the book writing scene, you may want to check out this article which goes over self publishing .

If you’re deciding between self publishing vs traditional publishing , do some research to choose the right option for you.

Once you get to the marketing phase, be sure to use the Book Profit Calculator to set realistic goals and get your book into the hands of as many readers as possible!

Take some time to celebrate your accomplishing of learning how to write a nonfiction book, then get to work on publishing and launching that book.

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Home / Guides / Book Publishing / How to Write a Nonfiction Book in 2024: The Ultimate Guide for Authors

How to Write a Nonfiction Book in 2024: The Ultimate Guide for Authors

Part 1: Your Book Idea
Part 2: Outline the Book
Part 3: Write the Book
Part 4: Edit the Book
Part 5: Format Your Nonfiction Book
Part 6: Publish & Market Your Book

If you want to be a nonfiction author, I’ve got the perfect guide for you.

I've assembled this ultimate guide will walk you through the entire process of creating your nonfiction book, from the initial idea to the final publication.

How to ensure your idea will sell
How to outline and write your nonfiction book
How to polish your book to make it perfect
How to publish and market your book for maximum success

Some of my links in this article may give me a small commission if you use them to purchase products. There’s NO extra cost to you, and it helps me continue to write handy articles like this one.

The first step is to come up with your idea, and validate it to make sure it is something that will sell.

Determine What Problem Your Nonfiction Book Solves

When it comes to nonfiction writing, it's common for beginning ideas to be a bit vague. It's easy to have a general concept in mind, but to truly make your book a success, you need to do market research to ensure there's an audience for your work.

This research will help you narrow down your focus and identify the specific problem your book will solve.

In most cases, nonfiction books are written to solve a specific problem . Whether it's a how-to guide on a particular topic, or a self-help book addressing a certain issue, these types of books are meant to provide readers with valuable information that can help them in some way.

Side note: there are some genres, such as history books, creative nonfiction, or memoirs, that don't quite fit into this mold. But even in these cases, it's still important to understand why people want to read it.

When doing market research, it's important to answer the five W's of your book: the who , what , where , when , and why .

By answering these questions, you'll be able to identify your niche and craft a book that truly resonates with readers.

Validate Your Book Idea

Before you completely narrow down your story or topic, you need to know if it's a good idea or not. To do this, you need to run through four steps:

Step 1: Learn if and how many people search for your book idea
Step 2: Learn if the idea is profitable during the book topic validation process
Step 3: Discover how hard the competition is for your book
Step 4: Rinse and repeat

If you find your book topic is not profitable, you can still write it. But if that's the case, you will have to resort to different marketing tactics. You will need to focus on finding the right market somewhere other than Amazon, and getting them interested in reading your book.

Read more in our article on book idea validation .

Determine Your Audience

When it comes to market research for your book, the most important part is understanding your audience. Without a clear understanding of who you're writing for, it will be difficult to create a book that truly resonates with readers. Counterintuitively, you want to narrow down your audience as much as possible.

One of the best ways to narrow down your audience is by creating a customer avatar. This is a single person that represents your ideal reader.

The more specific you can make this person, the better.

It's important to think about things like their gender, age, background, education level, family situation, and even how much money they make.

The more specific you can get, the more you'll understand about the kinds of problems they're facing, and how your book can help them.

Having a customer avatar in mind can help you make important decisions about your book, such as what types of information to include, what tone to use, and even what types of marketing to do.

It also helps to think of your customer avatar when you are writing as well so you are writing with a specific person in mind and that will help you to keep your writing more focused.

Outlining is the next part, and is particularly important for nonfiction books.

You want to make sure you are covering all the subjects thoroughly in your nonfiction book outline, and nothing is lost in translation. Here are some ideas to help.

Brainstorm Ideas

Once you have a clear understanding of your target audience and the problem your book will solve, it's time to start brainstorming ideas. If you already know what your book is about, this is the time to think about how to structure your book and what to include in it.

If you're still not sure what your book is about, this is the time to explore different possibilities.

When brainstorming ideas, it's important not to hold back. Write down everything that comes to mind, even if it doesn't seem like a good fit at first.

To help generate ideas, try brainstorming with a group of people, whether it's friends, family or other nonfiction writers. They may have insights you haven’t considered and the exchange of thoughts can be very productive. Also, you could explore other books in your niche and look for inspiration, or research the latest trends and best practices in your niche.

Ultimately, don't be afraid to experiment and try out different things. Brainstorming is a creative process and the more ideas you have to work with, the better your final book will be.

After brainstorming ideas, it's time to dive into research. Research is the best way to truly understand what your book should talk about.

If you find that no one has written about your topic before, it might be a sign that the topic may not be as helpful as you think. So, it's important to be open to the possibility of changing the topic or pivoting in a different direction.

The research process should involve looking through a variety of sources such as books written by others, online articles, podcasts and YouTube videos, interviews, and anything else that may be relevant to your topic. This will give you a good idea of what to cover, but also what gaps in knowledge still exist.

As you research, make sure to gather all unique pieces of data into your notes. Organize the information by topic or subtopic, and make sure to include the source of each piece of information. This will be useful later when you're writing your book and need to cite your sources or refer back to specific information.

Research is a crucial step in the book-writing process, and the more time you spend doing it, the more valuable your book will be.

It will help you to understand your topic more deeply and help you to better serve your readers. Remember, research is not just to back your claims but to improve the credibility of your book.

Use Nonfiction Story Structures

I often talk about story structure when it comes to fiction, but nonfiction books can benefit from using story structures as well. There are many different types of nonfiction story structures you can use, but here are a few examples to get you started.

Manipulating Time: With this structure, your story starts in the middle, and shows how you got there in flashback-type sequences. This is great if you're using your own story or something from one of your clients. It allows you to show how your protagonist got to where they are, using the principles you outlined in the book.
Hook, Story, Offer: This is a great framework from Russell Brunson that I like to use. It consists of three different steps: Hook, which is the thing that gets your readers interested; Story, which is the thing that connects your readers with the emotional truths you're trying to convey; and Offer, where you present the solution to the problem you outlined in your story.
Circular Structure: Similar to manipulating time, this structure starts at the end, and shows how you got there.
Parallel Structure: With this structure, you might have two or more stories that you are weaving together. They might seem separate at first, but you tie them together by the end. This is a great way of interweaving your personal story with the principles in your nonfiction book.

Using nonfiction story structures can be a great way to engage your readers and make your book more compelling. By using one of these structures, you can help your readers understand and connect with the information you're presenting in a more meaningful way.

Put it All Together

Once you have your structure in place and your notes organized, it's time to weave it all together into something coherent.

This can be a challenging step, as you'll need to take all the information you've gathered and figure out how to present it in a logical and easy-to-understand way.

It's important to be selective with the information you include, as you'll likely have more than you can include in your book. This means that some things may need to be left out, as hard as that may be.

Once you have that all fleshed out and ready to go, it’s time to move on to the next step…

Writing a book is the single most important step on this list, and often the hardest. So I’ve assembled a few tips to get you started.

Determine the Best Writing Software

Choose the best book writing software for individual project, consider software like Atticus, Scrivener, Ulysses and Microsoft word or Google Docs.

Atticus is the best book writing software for overall capability, including tracking software and formatting. It costs $147 as a one-time fee and works on multiple platforms.

Plus, it is optimized for nonfiction, with certain features that make the nonfiction process SOOOOO much easier, including:

Endnote and Footnotes (the only budget-friendly tool to do the latter)
H2 – H6 Headers
Callout boxes
Hanging indents

It is my #1 recommendation for authors who want to write and format books of any kind!

Scrivener is the next best option for organization and customization, but it has a steep learning curve and costs $49 (one-time) for Mac or Windows. $19.99 for iOS devices and reduced pricing of $41.65 is available for “students & academics”.

Use Kindlepreneur’s unique discount code (KINDLEPRENEUR) to get 20% OFF your purchase.

Download Scrivener 3 for Mac
Download Scrivener 1 for Windows , which is on par with Scrivener 2 for Mac (update coming in 2021)
Download Scrivener 1 for iOS , which is also on par with Scrivener 2 on Mac (a handy tool for on-the-go writing with an iPad or iPhone )

Ulysses is a customizable and sleek book writing software that syncs automatically and has a drag-and-drop functionality, but only works on Apple products and costs $5.99/month or $49.99/year, but with a free 2-week trial.

Microsoft Word

Microsoft Word is industry standard for word processing, but not ideal for novel writing, often used because of its ubiquity, but it is cumbersome for writing a book, and costs $139.99 as a one-time purchase or $6.99/month for a Microsoft 365 subscription.

Write the Book Fast

When it comes to nonfiction and fiction alike, I firmly believe that getting the book out as fast as possible is the best way to go. Writing fast allows you to get the first draft on the table and start the editing process.

Important: The goal at this stage is not to create a perfect product, but simply to get the words down so you can work with them later.

One of the main advantages of writing quickly is that it helps to overcome writer's block and other forms of procrastination. When you're not focusing on making everything perfect, it's easier to simply get words down on the page.

It's also useful to remember that the first draft is not meant to be perfect, it's meant to be a starting point, it's where you will put down the ideas that you want to explore further, and decide which direction you want to take.

Some quick tips to write fast include

Set good goals
Work in manageable chunks
Develop writing habits
Right at the same time everyday
Use a timer
Try dictation

I have a whole list of other ways to write faster in this article.

Use Storytelling

Storytelling is often seen as something that is only relevant to fiction writing, but it's equally important in nonfiction. Stories allow you to draw readers in and make them emotionally connected with your subject matter.

There are many ways to incorporate stories into your nonfiction book. You can mine stories from your own life, the lives of your clients, history, or even current events.

The key is to find stories that are relevant to the topic of your book and that will help to illustrate the points you're trying to make.

Keep the Writing Simple

For nonfiction, it's important to keep the language simple and easy to understand. Unless you are speaking to a highly educated audience, this will almost always be the case.

This is because nonfiction books often have the goal of conveying information to a wide audience, which means that the language must be accessible to a general reader.

Using simple and easy-to-understand language not only makes your book more accessible to a wider audience, but it also makes it more likely that your readers will retain the information you're trying to convey.

Avoid using jargon and technical terms that might not be familiar to your general audience. Instead, explain them in simple terms or provide definitions.

The more complex your topic, the more you want to be able to explain that topic in simple terms.

Editing the book is when you take that rough product and polish it. It’s an important step that should be done with care.

Self-edit the Book

Let's be honest, self-editing is not everyone's favorite part of the writing process. However, it is an important step that should not be overlooked. Before you send your work to beta readers or an editor, it's a good idea to have at least one self-edit.

This will give you an opportunity to catch any errors and make sure your ideas flow well, your arguments are tight and the book feels coherent.

The key is to approach self-editing with an open mind and a critical eye. Take the time to read through your work carefully and consider whether each sentence and paragraph adds value to the book. Look for ways to tighten up the writing, eliminate redundancy and make sure that the book is clear and easy to understand.

Fact Check Everything

In today's age of misinformation, fact checking is more important than ever. It's crucial that the information in your nonfiction book is accurate and reliable, otherwise it risks losing credibility with your readers.

The good news is that if you did your research well, and documented everything, this step will be greatly simplified. You should have sources and citations to back up every claim you make in your book.

By double-checking these sources and making sure that the information is still accurate, you'll ensure that your book is reliable and trustworthy.

Send to Editors

After you've given your manuscript a thorough self-edit, it's time to send it to an editor . An editor is one of your most important resources when it comes to producing a polished and professional book.

They can provide valuable feedback and make suggestions that will help to improve the overall quality of your manuscript.

It's important to keep in mind that editing can be one of the more expensive parts of the book writing process. However, investing in an editor's expertise is well worth the effort.

An editor can help you to turn your manuscript into a polished and professional book that will stand out among the competition.

Send to Beta Readers

Once you have a decent product, it's time to send it out to beta readers. Beta readers are a valuable resource that can help you to identify problems you might not have thought of.

Beta readers can also help you to understand if the stories you used in your manuscript worked and if any of them were confusing. They will give you an idea of how the general audience might receive your work. They can point out if certain parts of the manuscript are too complex or if certain sections don't flow well.

This feedback is essential to help you to make necessary adjustments before your book is ready for publication.

The penultimate step is to format your nonfiction book so it looks good. I've got one specific tool to help with this…

The best way to format your nonfiction book is using Atticus, the best formatting tool for nonfiction, given that it has multiple nonfiction-specific features that other formatting tools don't have.

Plus, it's way cheaper and easier to use than any of the other formatting tools out there.

For example, here are some of the nonfiction-specific features that you might want to use:

Subheadings

While most formatting tools have only one size of heading, Atticus has the ability to create multiple levels of headings, meaning you can have main headings, then subheadings underneath those headings, etc. Here's what that looks like:

Additionally, you can customize the size and style of each heading type, which actually means that fiction authors can make use of the headings as well.

By selecting a specific style font, you could create the illusion of a hand-written note or a text that you could use insert into your text. So headings are not just for nonfiction authors!

Here's the what the heading formatting looks like in Atticus:

Footnotes/Endnotes

Until Atticus came along, there wasn't any affordable and easy to use program that provided footnotes in books. But Atticus can!

With Atticus, you can easily add footnotes that will appear at the bottom of each page in your print edition (note: ebook editions, by necessity, default to endnotes).

In addition to footnotes, Atticus also lets you select endnotes, and let's you specify whether you want your endnotes to appear at the end of the book, or the end of each chapter.

Hanging Indents

Hanging indents are an essential piece of formatting for authors who have a lot of references. A hanging indent is used when you need to list your sources and create a bibliography.

In other words, this is an essential piece of the puzzle for any nonfiction author who needs to list their sources.

Callout Boxes

Last but not least, Atticus has Callout Boxes!

These are honestly some of my favorites.

Atticus lets you add a callout box to any selection of text, and it will show up with that callout box in ebook or in print.

You can completely customize the look of your callout boxes, as seen here:

And then, once you've got something like that, you can preview it in Atticus' device previewer, where it might look a little something like this:

Part 6: Publish & Market Your Book

Writing the book is just part of the process. With any book, but especially with nonfiction books, publishing and marketing is crucial.

Research Your Title and Subtitle

When it comes to writing a nonfiction book, finding the right title and subtitle is crucial. This is because a well-crafted title and subtitle can help to attract readers and increase the visibility of your book.

One effective way to determine your title and subtitle is by doing keyword research.

Keyword research can be done by extensively crawling through Amazon's listings. This can help you to understand what people are searching for, and what kind of titles and subtitles are most effective.

Pro Tip: The key is to figure out what people are searching for, and use this information to choose a title and subtitle that will resonate with your target audience.

Unfortunately, manual searches can be tedious when done manually. However, there's a tool out there called Publisher Rocket that will automate this process and make it faster and easier.

This tool can help you to analyze your competition, uncover the best keywords, and optimize your title and subtitle for maximum visibility.

Publish Your Nonfiction Book

After all the hard work of researching, writing, editing and fact-checking, it's finally time to publish your book. It can be a daunting process, but with the right guidance, it can be done seamlessly.

If you're planning to publish your book on Amazon, I have an article that can be extremely helpful.

It provides an in-depth guide on how to publish your book on Amazon, detailing the different options and services available, and how to use them.

Market Your Book to Your Audience

When you publish your book, make sure you format your book correctly , nail your back cover blurb , have a stellar book cover (traditional publishers will usually pay for this), and properly organize the front matter and back matter . Hopefully, you know that you have to start marketing your book long before it hits shelves and the online marketplace. Here are some articles you can read to learn more about book marketing:

Book Marketing 101
Kindle Keywords for Self-Publishers
Ultimate List of the Best Book Review Blogs
How to Use Surveys to Sell More Books
Best Email Services for Authors
How to Sell Your Books in an Indie Bookstore

Jason Hamilton

Related posts, cyber monday deals for writers 2023, launching a book: the ultimate step by step guide, how to publish a book on amazon: the full step-by-step guide, sell more books on amazon, amazon kindle rankings e-book.

Learn how to rank your Kindle book #1 on Amazon with our collection of time-tested tips and tricks.

Join the community.

Join 111,585 other authors who receive weekly emails from us to help them make more money selling books.

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Book Review Examples

Posted by Stephanie Chandler | Dec 5, 2019 | AMAZON OPTIMIZATION - MEMBERS ONLY , Blog , MARKETING - MEMBERS ONLY , Nonfiction Book Marketing | 0

We’ve rounded up some real-world examples that demonstrate well-written book reviews. Feel free to share this post with people from your own tribe who can benefit from studying how simple reviews should be written on Amazon and beyond.

Book Review Examples (From Amazon and edited/modified as needed)

Educated is a moving and powerful memoir. The author grew up in a survivalist family in Idaho, as the youngest child. She was not homeschooled—instead, she simply didn’t go to school at all, due to her father’s mistrust of public schools. In an effort to escape abuse, she decides to go to college, and by her force of will, does well enough on the ACT to get into Brigham Young University. This memoir is a story of her internal struggle—to believe her own version of her life and to have the strength to break away from her past. It gives a glimpse into a way of life that most of us will never know, and it’s an inspiring story of one woman’s ability to change her future. Read this book now!

Rising Strong by Brene Brown is a thorough and thought-provoking page-turner. This book takes a seeker on a journey to self-discovery; not only by providing helpful tools that encourage curiosity and introspection, but by also taking the reader’s hand and walking step-by-step through real life examples. The author’s willingness to be candid and vulnerable throughout allows for a beautifully relatable transformation. She shares knowledge, understanding and experience in a masterful book that can enrich readers’ lives in many ways. Don’t pass this book by; it’s well-worth your time.

Jim Collins’s Good to Great shows how American companies struggle to get out of the “B zone” of mediocracy and become the best. He compares and analyzes good companies against the great ones with data, charts, and graphs. He also shows how “Level 5” leaders respond to chaos when monopolies become exposed to competition, and gives readers practical tools for responding to a wide variety of challenging business situations. There are many lessons to be discovered here and I believe that everyone in business should read this book.

Jenny Lawson is the voice so many of us have been looking for years. In Furiously Happy, she is brutally and unflinchingly honest. You will cry with her, not only because the stories are heartbreaking, but because you see yourself or someone you love in her words. You will laugh with her to the point that you are cackling out loud and people think that you’re insane. But the most important message she teaches readers is that it’s okay to be broken. It’s okay to not be able to see the light at the end of the tunnel because everything will eventually be okay. There is a whole tribe of people out there just like you, and she is their leader. Read it. Pass it on. Buy it for a friend. Seriously, you will love this book.

James Clear’s Atomic Habits is different because it covers an enormous amount of ground in the larger area of self-improvement while seamlessly tying all these ideas back into the central theme of habits.One of the core concepts in Atomic Habits is to focus on the small improvement. The impact a 1% improvement per day can make may appear negligible at first, but Clear makes a compelling argument that in the case of habits, thinking small produces the biggest results over time.

“Habits are the compound interest of self-improvement,” explains Clear. Over the months and years, the accumulated effect of small habitual daily behaviors is staggering. Clear’s book is intensely practical, giving you a huge toolkit of organized and named strategies you can apply immediately to create and strengthen positive habits and stop the negative ones. The book is conversational, and includes many interesting stories, making it easy to read – and hard to put down (I read it cover to cover in one day). It’s possible this might become your most highlighted personal improvement book because every page is packed with memorable and quotable gems of advice. Highly recommended.

If you’re looking for a better understanding of how your mindset affects your opinions , self-worth, outlook on the world, personal limitations and the trajectory of your life, read Carol Decker’s Mindset now. There are many case studies in the book about celebrities, corporate leaders, and sports legends displaying the different mindsets, and these real-world examples make for a fascinating read. If you want to learn more about yourself and those around you, this book will be a great investment in your success.

Have you written a review for a book you’d like to share with us? We’d love to see more examples in the comments below!

About The Author

Stephanie Chandler

Stephanie Chandler is the founder of the Nonfiction Authors Association and Nonfiction Writers Conference , and author of several books including The Nonfiction Book Publishing Plan . A frequent speaker at business events and on the radio, she has been featured in Entrepreneur, BusinessWeek, and Wired magazine. Visit StephanieChandler.com to learn more.

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Writing About Non-Fiction Books

TIP Sheet WRITING ABOUT NON-FICTION BOOKS

At some point in your college career you may be asked to review a non-fiction book to enable you to learn more about some aspect of your course work. The assignment is demanding because you are required to describe and evaluate an author's contribution to a subject that you may know little about. How should you proceed?

Your instructor will usually offer some guidance, such as a suggested list of books or some guidelines to follow in selecting a work. Generally, you should try to find a relatively recent work of about 200-350 pages on some aspect of the course that particularly interests you.

Describe and evaluate You are expected to describe the book, that is, to summarize some major points of interest, and to evaluate it, that is, to make judgments about it. The areas to address include the following:

Description

Information about the author
Background information about the book
Author's purpose-to inform? Entertain? Persuade?
Author's thesis
Organization
Other reviews
Scholarship
Strengths and weaknesses

Later you may decide to omit some of these points. Their order may be changed, with more important or striking matters appearing first. Usually the descriptive section appears first in non-fiction reviews, especially in scholarly journals. All these organizational decisions are subjective and can be revised as needed.

While reading the book, take notes of the passages and their page numbers that relate to how you can describe and evaluate the work. In particular, be on the lookout for thesis statements, chapter summaries, striking quotations, discussions of methodology, conclusions, and author's recommendations. If you question whether or not to take a particular note, remember that it would be wiser to err on the side of having too many, rather than too few. You can always eliminate notes that appear unnecessary.

Points of description Information about the author may appear on the book jacket or may be obtained or inferred from what is written in the preface. In order to determine to what extent the author is an authority on the subject, you should do some library research into the author's present position, background, experience, and qualifications. Biographical sources such as the Biography Center in the GaleNet database will help you find this information. It need not be much, perhaps just a sentence; at most, it might consist of a short paragraph.

Background information about a book consists of the historical, sociological, economic, scientific or other circumstances that may have influenced or contributed to its publication. This information may have some bearing on the book's importance or interest.

Often the author's purpose –to amuse, inform, persuade-will be apparent from the preface or introduction.

The thesis or central idea of the book will probably be stated in the introduction or the conclusion. To gain an overview of the book that will help you realize its purpose and main ideas, read the preface and the introductory and concluding chapters first.

The organization of non-fiction depends partly on what kind of non-fiction it is-philosophy? Biology?–and partly on the author's purpose. History, for example, might be organized either chronologically or around central issues. Or, if the author's purpose is to challenge a widely-held position, he may choose to refute ideas point-by-point. Look at the table of contents and, as you read, refer back to it.

Because so much depends on your audience, the summary may be one of the most difficult parts of the review to write. Are you writing only for your instructor who has probably already read, or is familiar with, the book? Are you writing for your classmates who have not read it? Or are you writing for other people who are not in the course and are therefore unfamiliar with the subject? Your instructor can tell you what audience the paper should address. Then you will be able to judge how thorough your summary should be and whether or not terms should be defined and points explained in detail.

Points of evaluation At the same time that you gather information to describe the work, you should be thinking about your evaluation of it. Read a few other reviews of this book to inform your own opinion–what points did other reviewers address? Were professional reviewers unanimous in their evaluations, or did their opinions differ? Of course, any ideas or quotations obtained from these reviews should be attributed to their owners in your paper. To consult published reviews of the book, ask the reference librarian to help you find an appropriate index, or check an online database. Following is a partial list of the databases available to Butte College students:

Proquest Direct–for general disciplines including health, humanities, sciences, social sciences, arts, business, education, women's and multicultural issues.
SIRS Researcher–for topics including science, history, politics, and global issues.
Wilson Web–for biographies, obituaries, science, education, current events, and social science.
GaleNet–for biographies, authors, history, science, and literature.
Health Reference Center–for topics in health, medicine, and nursing.

Some online databases offer full text articles; others offer abstracts (summaries) and information on how to find the full text in other publications; you can quickly scan abstracts to determine which articles are most likely to be useful to you. Advanced search features allow you to search using Boolean operators (and, or, not) for either full texts or abstracts. You can also narrow your search to scholarly journals for better search results. (From the Butte College home page, http://www.butte.edu, use the library links-search For Articles and select a database from the alphabetical list.)

The print-version Reader's Guide to Periodical Literature (in the Butte College Library, 1959 to the present) may also be helpful. This index also summarizes and tells you where to find the texts. The names and dates of the publications in which they appear are listed, and you should be able to refer to your selected reviews with little effort. The different indexes are usually organized by year, but keep in mind that a work published late in the year might not be reviewed until the following year.

You may find it difficult to judge the scholarship of a work or an author's expertise because of your limited understanding of the subject. But it does not require highly specialized knowledge to note what sources the author uses (look for the notes or bibliography sections), how much and what kind of evidence he provides, or how he analyzes data and justifies his conclusions. Read carefully to identify omissions, discernible bias, or unsupported generalizations. For example, someone reviewing a work entitled War in the Falklands would have little difficulty pointing out that this account of the 1982 war between Britain and Argentina is pro-British, containing little information about the Argentine politicians, participants, and purposes.

When considering a book's strengths and weaknesses , discuss the following points:

The tone and style of the writing
The importance of the book in its field
The value of the book for its intended audience
The effectiveness of the author's argument
The soundness of the author's conclusions
The practicality of the author's recommendations.

Your discussion the book's strengths and weaknesses may overlap with your discussion of scholarship. Plan to sort this out when revising your review so that your paper concludes with your general reaction. If your overall evaluation is favorable, admit the book's few weaknesses first and conclude with its many strong areas. If unfavorable, name the book's strengths first and conclude with its numerous weaknesses.

Mention any particularly interesting or memorable points or passages, and support your opinions with references to the book, but use quotations sparingly.

In your evaluation, you might reflect on how the book relates to your course. Consider what issues, ideas, or institutions the author criticizes or defends. Note the methodology and evaluate how it shapes or restricts the topic. Also, evaluate how well the author has added to your knowledge and understanding of the subject, particularly how it supplements the ideas in the textbook and the views of your instructor.

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Stream It Or Skip It: ‘A-List To Playlist’ On Netflix, Where A Korean Acting Star Challenges Himself To Write And Record An Album In 100 Days

Where to stream:.

A-List to Playlist
south korea

Stream It Or Skip It: ‘The Frog’ On Netflix, About A Mysterious Visitor To A Summer Rental House Who Turns The Owner’s Life Inside Out

Stream it or skip it: ‘pachinko’ season 2 on apple tv+, continuing the sprawling story of one korean family and its struggle to succeed in japan, stream it or skip it: ‘love next door’ on netflix, a light, romantic “will they or won’t they” korean drama , stream it or skip it: ‘the tyrant’ on hulu, a limited series from south korea with spy stuff intrigue and a violent streak .

Imagine if some of the actors-turned-singers in our midst ever did a reality series where they challenged themselves to write and record a full album in 100 days. Would you watch? Of course you would, because watching the fits and starts of that process is entertaining. Also, songwriting has always felt like alchemy to us, so to see someone writing music on the fly is always fascinating. In a new Korean series, a well-known actor has decided to do exactly the scenario we just described.

A-LIST TO PLAYLIST : STREAM IT OR SKIP IT?

Opening Shot: We see the Big Bang, cells splitting, an evolution drawing. “In this universe is a man. A challenge. A story.”

The Gist: In A-List To Playlist , top South Korean actor Cho Jung-seok sets out to write and record an album in the span of 100 days. Why 100 days? Because that’s how long he has between acting projects. Piece of cake, right? Not so fast: Cho has never written a song, much less recorded one. He loves music and loves playing, but he’s never written and recorded songs before.

He rents a massive studio in Seoul, with the caveat on his lease that he has to create a full-length album. He thought he could make a 3-song EP, but a full-length album is actually seven or eight songs, which is daunting for someone who’s never written a song before.

But due to Cho’s 20 year acting career, he has connections. He brings in fellow actor and best friend Jung Sang-hoo to be his agent/manager. Jung suggests another actor, Moon Sang-hoo, to help with marketing, given the popularity of Moon’s YouTube channel. When the three of them meet for the first time, they brainstorm an agency name as well as a YT channel name. Jung and Moon also tell Cho that they’re there to help with the worst-case scenarios, like if his songs turn out to be really bad.

Both Sang-hoos meet without Cho to brainstorm a way to get Cho’s music in front of industry pros who will give honest and constructive feedback. The idea: have monthly check-ins with a judging panel; he’ll perform for them and they’ll give him feedback on the music, almost as if he’s auditioning for a singing competition.

The pair tell Cho that they’ve booked a tiny venue for him to practice performing, and that he’ll need at least one completed song to perform in six days. They make two white lies, though: The venue is bigger than they said and he’ll be performing in front of the aforementioned panel, not just the show’s crew. Why make him more freaked out than he already is?

What Shows Will It Remind You Of? The shows we thought of while watching this were ones where actors did other things, like Rennervations .

Our Take: A-List to Playlist is an amusing reality series, mainly because the challenge Cho gives himself is pretty ridiculous. This is a person who has never written a full song before, and now he’s going to write a record a full album in 100 days? Seems like an impossible task.

Having Moon and Jung around him to keep him on track and in check adds to how the producers also think that this challenge is nearly impossible to pull off. When the two of them talk without Cho around, trying to figure out ways to salvage what might be a disaster, is when the show is at its most entertaining.

If you’re a fan of K-pop, the number of guests Cho brings in to help him write music will also be something to keep you watching. But to us, the sheer challenge of being able to write and record even passable songs in such a short period of time, especially because Cho has never done anything in music before, will be the most compelling part of the show.

Sex and Skin: None.

Parting Shot: Cho calls in one of his singer-songwriter friends. In the next episode, we find out that the person he calls is IU, a well-known singer and actress.

Sleeper Star: The panel of industry pros give amazingly good feedback, which we hope Cho takes to heart.

Most Pilot-y Line: There’s a day-to-day calendar on Cho’s desk that just has the number of days left on it, not the actual date. We wonder if that number was computer generated to superimpose over a real calendar.

Our Call: STREAM IT. A-List To Playlist is a fun show, mainly because the challenge that Cho Jung-seok has given himself is such a tough one. It’ll be fun to see whether he succeeds in making an album in only 100 days.

Joel Keller ( @joelkeller ) writes about food, entertainment, parenting and tech, but he doesn’t kid himself: he’s a TV junkie. His writing has appeared in the New York Times, Slate, Salon, RollingStone.com , VanityFair.com , Fast Company and elsewhere.

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Clare Chambers Author Image via Aoife Datta

Clare Chambers: ‘Writers must be free to write as offensively as they want’

The 'small pleasures' author talks about her new book 'shy creatures', late-in-life success, and why white middle class novelists have had to make room .

Six years ago, Clare Chambers had more or less given up on her career as an author. “I’d been writing a book for five years and it just wasn’t working,” she says. “I’d written it and rewritten it, but still my agent couldn’t sell it. I was quite depressed; I couldn’t read. If I went into a bookshop, I would stand there looking at all these people who were writing when I can’t.”

That she already had eight published novels under her belt was no comfort; while some of her early works had garnered positive reviews, none had sold very well. Her friends would say things such as: “It’s rotten none of your books do anything, isn’t it?” By her ninth, she felt as though she had run out of road.

“I’d just hit 50 at the point when it all went wrong, which is quite a nasty milestone in a woman’s life,” she says. “All your kids have gone away, you’ve got an empty nest, and you’re not needed as a mother any more. Then, my writing career seemed to have folded, so it was like two pillars of my house had fallen down.”

She isn’t quite sure what encouraged her to summon the wherewithal to have one last throw of the dice, only that she knew she couldn’t go on being “eternally disappointed” in herself. She finally scrapped the book that wasn’t working, and began writing something new; something completely different from the romantic comedies she had published thus far. “I told myself, I’ll just write one more book, and if that’s rubbish too, that’s it.”

It was far from “it”. After writing the new novel around her part-time administrative job in a school in Bromley, south London, where she lives with her husband, Chambers found a new agent and saw it published in 2020. That novel was Small Pleasures – and it became the word-of-mouth hit of the year.

Small Pleasures; Clare Chambers book cover

Small Pleasures is a gloriously suburban tale of a local newspaper reporter investigating the claim of a virgin birth in 50s south London. Readers were drawn to its orange-adorned cover, loved its quiet drama – then were devastated by its ending. It was chosen for BBC Two’s Between the Covers as a pick of the week, became a Sunday Times bestseller, was translated into 13 languages, and was optioned for TV, with Anna Maxwell Martin attached for the lead role.

It has, according to Chambers, completely turned her life around.

Four years on, the author has returned with Shy Creatures , a similarly absorbing story which takes place in Croydon in the 60s, where our protagonist Helen is an art therapist working in a psychiatric hospital. Sticking to what has proven a winning formula, there’s both domestic drama (Helen is tied up in an affair with her older, married colleague) and slow-burn mystery: a long-bearded 37-year-old is discovered in a nearby house, where he has been kept indoors for the better part of a decade. His name is William Tapping, he is practically mute, has an extraordinary talent for art – and Helen is determined to uncover his story.

When we meet for coffee in a quiet café in London to discuss the novel, Chambers is visibly anxious about its publication. “Even though it’s my tenth book, I feel as though it’s got second album energy,” she says.

“One of the great things about being an unsuccessful author, of which I’ve had lots of experience, is there are no expectations. Once you lose your obscurity, you don’t have the benefit of that goodwill – people are less than tolerant of success. So they’ll be harder on this book if they don’t like it, which is fair enough.”

Shy Creatures should delight both new and old readers of Chambers’ work. Much like Small Pleasures , a large part of the joy is the way in which she delves into what bubbles below suburbia’s glimmering surface.

“I wanted to write about people who were by no means part of a [swinging 60s] movement; instead living ordinary, but just as interesting, existences, looking on at the mysterious world with some kind of trepidation,” she says. “Really, I wanted to do the 60s for the people who weren’t having fun.”

Also similar to its predecessor, which used the 1957 Lewisham rail crash as a pivotal plot point, Shy Creatures is inspired by real events. Chambers was trawling through an online local newspaper archive – she searches for words such as “scandal”, “mystery”, and “unresolved” in order to find interesting titbits – when she came across the story of the real William Tapping, who was discovered in a house in Bristol in the late 50s.

Finding fascinating real-life stories is great for inspiration, but writing about them isn’t always easy. “I’d rather that the events were even further in the past, so that there’s no possibility of anybody still living being upset by it,” she says. This, she has experience of. “After Small Pleasures, a lot of people got in touch to say either they remembered the Lewisham crash, or their family member nearly got the train but didn’t, or got the train but survived it,” she says. “But I did have another letter for someone who was really horrified that I’d used that event for the book, and that it had reawakened a trauma.”

Roger McGough: I've rewritten poems - what seemed funny in the 70s isn't anymore

That must have been difficult. “I obviously don’t want to upset anyone,” she nods. “But also, you can’t really stop people writing about events that are out there in the public domain. It would mean we couldn’t write about the Second World War because millions of people would be traumatised. I know these historical events can’t be off limits to writers, and I take comfort from that.”

Still, she feels “conflicted” about the debate around how much, if at all, publishing should be protecting readers’ sensitivities. “My writer self says writers must be free to write as offensively as they want, and people must be free to be offended,” she says.

“But on the other hand, I also don’t like people gratuitously giving offence. I don’t like the word ‘woke’, but if you replace it with consideration and good manners, I feel that there’s a way through all this.” She takes a sip of coffee; thinks. “Still, writers have got to be bold, and they’ve got to risk giving offence.”

In 2020, Chambers told the Evening Standard that prior to her late success, she felt “too old” to ever get another deal. Does she think the publishing industry favours young debuts? “It was more that I felt I was on the wrong side of a popular shift,” she says. “You know, white middle-class lady novelists had probably had things going their way a bit too long, and now other voices were more fashionable, and rightly so. But I didn’t resent that – I couldn’t expect to have that advantage for ever.”

Chambers published her first novel, Uncertain Terms , in 1992, when she was in her twenties. Having been raised by two teachers in a book-filled home in south-east London, Chambers had always wanted to be an author, writing stories as a child and binding them into little books.

After getting into Oxford, she travelled with her then boyfriend (now husband) Peter to New Zealand, where he had a job teaching. Without her own work visa, she had the time and space to write, which she later would lack. When they moved back to the UK, Chambers wrote the seven romcoms that followed around a job in publishing (from which she was made redundant while pregnant), and then her school admin job.

Now she has had the means to quit the secretary job and write, at last, full time. Although, she caveats, this term is a stretch. “We’d be better off saying ‘full-time not-working-,” she says with a wry smile.

“I much prefer reading to writing, I have to force myself to put down my reading to get on with writing. My life is actually very limited – I totally empathise with Emily Dickinson, who apparently never wanted to even come downstairs.”

As such, she isn’t working on – or even thinking about – what novel might come next. “It absolutely depends on something catching my eye; I’m so slow at writing that something has to really, really interest me,” she says. “So I may never write another book, because the right idea might never come along.” And this wouldn’t matter, she assures me. “The world isn’t going to run out of reading material,” she laughs.

“Hopefully it will happen. You know, you suddenly get an idea, and you start hanging it up in your mind, and things stick to it, and eventually you’ve got a book.” But if there’s one thing in life Chambers is certain of? “There are no guarantees.”

‘Shy Creatures’ is published by W&N on 29 August, £20

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Beneath a Perfect, Goop-Influenced Exterior Lurks a Violent Past

In Chelsea Bieker’s new novel, “Madwoman,” a woman is no longer able to keep the demons of her childhood out of her present.

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The cover of “Madwoman” is a photo of a dark-haired woman crouching beneath the surface of a shallow body of water, wearing a one-piece swimsuit.

By Catherine Chidgey

Catherine Chidgey is the author of several novels including “Pet” and, most recently, “The Axeman’s Carnival.” She is based in New Zealand.

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MADWOMAN , by Chelsea Bieker

For years Clove has kept her history at bay, marrying a bland but “safe” financier husband and creating the perfect, organic linen-wearing family in Portland, Ore. From sourdough and crystals, bamboo sporks and rainbow chard, she has built a sea wall against her perilous childhood — a violent father, a mother who could not bring herself to leave him, and one shattering day too terrible for Clove to scrutinize. But what happens to a meticulously staged life when the past’s dirty tide threatens to wash away every defense?

In her third book, Chelsea Bieker breathes thrilling, risky energy into the familiar trope of the madwoman. The novel offers a number of candidates for the title role: Clove, desperate to maintain the sleek fictions she has almost convinced herself are real; her estranged mother, writing to Clove from prison, demanding she tell the entire story at last; perhaps the charismatic Jane, long-limbed and Zen, with whom Clove forms a breakneck friendship more intense and nourishing than her marriage.

But Bieker’s women are no fragile Ophelias or Madeline Ushers, no delicate young wives driven to insanity in yellow-wallpapered cages. And although fueled by rage, they are not spurned brides hidden in the attic, more animal than human, nor femmes fatales plucked from a 1980s screenplay and bent on blood. Rather, they are complex and shrewd, claiming an agency that lends the novel much of its twisty, propulsive plot.

In claustrophobic first person, Clove addresses the narrative to “you” — the mother she has tried to forget. This amplifies the sense of intimacy and interiority; the reader is at once the eavesdropper and the accused. “You said you wished you’d lied to my father in your early days of dating,” she narrates. “Before the first time my father ever hit you. Well, he didn’t hit you, he’d remind us. It was your fault for talking in passing about the guy who’d taken you to your senior prom.”

Punctuating an otherwise current voice with old-fashioned formality, Clove refers to her absent parent as “Mother,” rather than “Mom.” The choice is jarring at first, but over time it underscores the emotional and spatial distance Clove has placed between the two women. Occasionally she recounts events that feel superfluous: “Around the time I was 10,” she tells her mother, who must know this story already, “my father’s buddy Cuddles convinced him to take up work in Hawaii on a major interstate tunnel project in the Koolau mountains.” Such exposition breaks some of the novel’s spell.

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How to Write a Nonfiction Book Review
Be succinct, but give enough to serve the purpose of the review. Points to Consider: What if you really don't like the book? Always write your reviews with integrity. If you honestly don't like a book, write your review as if you are in a critique session with the author. Use positive words and avoid sarcasm.
How to Write a Nonfiction Book Review
A great example of this is fellow nonfiction book blogger Paula Ghete 's book reviews such as this one of Cosmos by Carl Sagan ( which you can compare to mine to see how greatly our styles vary). Her book reviews are structured this way: 10-Word Summary: We can understand the Universe only if we study it.
17 Book Review Examples to Help You Write the Perfect Review
Book review examples for non-fiction books Nonfiction books are generally written to inform readers about a certain topic. As such, the focus of a nonfiction book review will be on the clarity and effectiveness of this communication. In carrying this out, a book review may analyze the author's source materials and assess the thesis in order ...
The Only Book Review Templates You'll Ever Need
Blog - Posted on Thursday, Nov 11 The Only Book Review Templates You'll Ever Need Whether you're trying to become a book reviewer, writing a book report for school, or analyzing a book, it's nice to follow a book review template to make sure that your thoughts are clearly presented.. A quality template provides guidance to keep your mind sharp and your thoughts organized so that you can ...
Book Reviews
It offers a process and suggests some strategies for writing book reviews. What is a review? A review is a critical evaluation of a text, event, object, or phenomenon. Reviews can consider books, articles, entire genres or fields of literature, architecture, art, fashion, restaurants, policies, exhibitions, performances, and many other forms.
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Nonfiction Reviews. Example #1. Bomb The Race to Build - and Steal - the World's Most Dangerous Weapon is an engaging non-fiction book which had me from the first page. The book begins with a Prologue: May 22, 1950 the FBI arrives at Harry Gold's door; Harry, still in pajamas, stares at two agents with a search warrant for his home as they are investigating his spying activities from ...
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Here they are: 1. Have an opinion. An antiseptic review which sticks entirely to the facts is hard to react to emotionally. Give your readers something to respond to by having an opinion. 2. That said, include facts and reasons.
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Step-by-step instructions for creating your nonfiction book review, including pages to read and examples to use in your Write Source textbook.
How to Write a Non-Fiction Book Review
If You Decline. Give the author a thoughtful and honest response. Say you appreciate the honor of being considered to write a nonfiction book review, and explain why you have to give his or her project a pass. Wish the author the best of success in the project. Pat Iyer loves it when she gets reviews of her books on Amazon.
How to Write a Great Book Review: 6 Templates and Ideas
Include a star rating if you wish. 6. Create Your Own Book Review Template. If you plan on becoming a regular book reviewer, it's a good idea to create your own unique template that you can use for every book you review, whether you're posting on a blog, website, or social media account.
How to write a review of a non-fiction book
A review, by contrast, is a personal, opinionated critique of the work. The challenge is what to critique when the work lacks the narrative thread and framework of fiction. The wonderful 2006 book Rewriting: How To Do Things With Text by Joseph Harris offers a rigorous proposal for how to respond to factual texts works with your own.
How to Write a Book Review in 3 Steps
Be sure to mention the authors of the title and what experience or expertise they bring to the title. Check Stefan Kløvning's review of Creativity Cycling for an example of a summary that establishes the framework of the book within the context of its field. Step 2. Present your evaluation.
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1. Determine what problem your book will solve. When you start out, your idea is likely to be nebulous or vague, e.g. "It's a self-help book for new parents.". Before you put pen to paper, you need to crystallize and tighten your original idea, as well as think about your target audience and how to reach readers.
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Here are ethical considerations to be aware of when learning how to write a nonfiction book: Fact-Checking: Rigorously check the facts you plan to include in your book. Verify dates, names, quotes, and statistics from multiple sources. Avoid Plagiarism: Always give proper credit to the sources of your information.
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Step 1: Learn if and how many people search for your book idea. Step 2: Learn if the idea is profitable during the book topic validation process. Step 3: Discover how hard the competition is for your book. Step 4: Rinse and repeat. If you find your book topic is not profitable, you can still write it.
How to Write a Nonfiction Book in 8 Steps
Level Up Your Team. See why leading organizations rely on MasterClass for learning & development. Writing about others is no trivial act. It's not merely entertainment or a distraction. When readers and nonfiction writers turn to factual topics, they are in search of something powerful and fundamental about what it means to be a better person.
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Rising Strong by Brene Brown is a thorough and thought-provoking page-turner. This book takes a seeker on a journey to self-discovery; not only by providing helpful tools that encourage curiosity and introspection, but by also taking the reader's hand and walking step-by-step through real life examples. The author's willingness to be candid ...
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Writing About Non-Fiction Books. At some point in your college career you may be asked to review a non-fiction book to enable you to learn more about some aspect of your course work. The assignment is demanding because you are required to describe and evaluate an author's contribution to a subject that you may know little about.
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The Year of Magical Thinking
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1. Determine what problem your book will solve

Nail down your book idea

Research your topic

💭 If you’re writing a memoir

🔧 If you’re writing a how-to

☯ If you’re writing self-help

⏳ If you’re writing a history or biography

💼 If you’re writing a business book

Free course: How to write a business book

Use storytelling techniques

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