Change: Bachelor's degree from a recognised institution with a minimum classification of 2:2
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22/09/2022 | Where the change was made: Programme specification Change: Dissertation/Major Project level 7 contact hours updated to 7 Previous text: Dissertation/Major Project level 7 contact hours 20 |
27/09/2022 | Where the change was made: Course location |
20/01/2023 | Where the change was made: Entry requirements |
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13/11/2018 | : Selection methods. : The portfolio requirement is no longer mandatory for all applicants : Admission to the course is based on your application form and a short portfolio of two different pieces of written work. – maybe a short story and a piece of creative non-fiction or the first two chapters of your novel (maximum 5,000 words for whole portfolio). |
26/01/2018 | : Selection criteria: Selection methods. : Deletion of text: We may wish to explore this further by inviting you for an informal interview which could be in person or by Skype or telephone (depending on your location). |
26/01/2018 | : Full entry requirements. : Deletion of text: Please note an interview may be required either in person or via Skype. : Please note an interview may be required either in person or via Skype. |
22/06/2018 | : Placement : Optional placement removed : An exciting and valuable part of your studies with us is the opportunity to undertake an appropriate three-week placement over the spring. This is optional and not assessed. |
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Information on this page relates to next entry point (see box containing fees figures), unless indicated otherwise. Statistics shown throughout this page are taken from The Discover Uni dataset (formerly Unistats) and BU institutional data, unless otherwise stated.
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Home > Postgraduate study > Postgraduate courses > Creative Writing MA
Why choose this course.
With a full programme of workshops and critical study, this Creative Writing MA offers you the chance to work on your own writing in different genres with the support of published practitioners.
You will learn in workshops, one-to-one or in small groups, with support from practising and published writers and fellow students. Our award-winning former creative writing students include Booker-shortlisted Oyinkan Braithwaite, Joe Pierson, who won the Bridport Prize, Stefan Mohammed, awarded the Dylan Thomas Prize, Bafta-winner, Sarah Woolner, the acclaimed poet Dom Bury and celebrated novelist Faiqa Mansab.
The Writers' Workshop module will encourage you to develop your writing 'voice' through engagement with fellow students across a range of genres (in fiction or creative non-fiction), while the Special Study module enables you to specialise in one genre, such as fiction, non-fiction, poetry or drama.
This Creative Writing MA will give you the knowledge and confidence to enter the cultural debate and to begin to identify outlets for your own writing.
Our external examiner has rated it highly:
Mode | Duration | Start date |
---|---|---|
Full time | 1 year | September 2024 |
Full time | 2 years including professional placement | September 2024 |
Part time | 2 years | September 2024 |
All successful applicants who take up their place with us in September will be entered into our competition to have a consultation with Annabel White , an agent at top London literary agency Curtis Brown.
So make sure the creative work you submit with your application is your very best - it might win you a meeting with a literary agent.
As part of Kingston School of Art , students on this course benefit from joining a creative community where collaborative working and critical practice are encouraged.
Our workshops and studios are open to all disciplines, enabling students and staff to work together, share ideas and explore multi-disciplinary making.
In this video, one of our creative writing alumna and a current student discuss why they chose the course, what they enjoyed about it and why they'd recommend it to future applicants.
You will have the opportunity to develop your creative writing skills in general or specialise in a chosen genre. As well as studying literary criticism and theory, you will also and will look at the professional elements of writing, such as copy-editing and how to get your work published.
Optional placement year.
You'll be expected to pass all four modules and the dissertation to complete the course.
This module focuses on your own creative writing and research into your chosen form or genre, developed in consultation with your supervisor. You learn via one-to-one tutorials with your personal supervisor. You produce two pieces of writing:
Your supervisor must agree in advance the final structure, approximate word length and for presentation conventions of these pieces.
This module offers a regular and intensive review of your writing in one of the following genres: poetry, crime writing, prose fiction, biography, drama, scriptwriting or writing for children. You will be advised on how to strengthen your knowledge of the codes and conventions of your chosen genre to produce a substantial piece or collection of work that will reflect your knowledge of and engagement with your chosen genre. You will apply detailed feedback on your work to your writing as well as using your increased knowledge of your chosen genre to make your writing more effective. These elements will help you improve the key transferable skills of analysis and implementation that will feed forward into your dissertation module and into all analytical/practical tasks you subsequently undertake.
This module provides the opportunity to examine ways in which reading is essential to writing practice and teaches you to apply literary techniques and strategies from contemporary fiction, life writing and poetry texts to your own work. You will develop the concept of 'reading as a writer' in order to explore how contemporary concerns are brought to the fore by artistic strategies, and examine how an understanding of these can provide models for your own creative practice. You will submit work including a reflective reading journal as well as a creative piece in a genre of your choice.
The module is designed to introduce students to some issues of critical and literary theory. The module is also designed to make students more aware of how their work impacts upon wider literary, cultural, political and philosophical issues. Awareness of these theories and of some of the issues surrounding the production and reception of literary texts will stimulate them, encouraging creative and conceptual thinking. The module will explore debates about literature and the practice of creative writing through readings of essays and texts that are relevant to criticism and theory. The academic component of the assessment will support the creative work with the objective that students will also have to demonstrate critical, academic, analytical skills.
In this module you will present and discuss your own and each other's work in a weekly workshop. The draft work presented may include several genres and forms, such as crime writing, fantasy fiction, children's literature, historical fiction, science fiction, romance and autobiography. Practical criticism of student writing will be accompanied by discussion of the scope or constraints of the various genres, as well as the implications of particular forms. Attention will be paid to the transferable components of good writing: appropriate use of language, narrative pace, dialogue, expression, characterisation and mood.
Many postgraduate courses at Kingston University allow students to do a 12-month work placement as part of their course. The responsibility for finding the work placement is with the student; we cannot guarantee the work placement, just the opportunity to undertake it. As the work placement is an assessed part of the course, it is covered by a student's Student Route visa.
Find out more about the postgraduate work placement scheme.
Typical offer.
A 2:2 or above honours degree, or equivalent, in creative writing, English literature, literature and language, drama or theatre studies or a humanities subject.
All non-UK applicants must meet our English language requirements. For this course it is Academic IELTS of 6.5 overall with 5.5 in all elements. Please make sure you read our full guidance about English language requirements , which includes details of other qualifications we'll consider.
Applicants from one of the recognised majority English speaking countries (MESCs) do not need to meet these requirements.
You will find more information on country specific entry requirements in the International section of our website.
Find your country:
Portfolios of exercises, edited and revised creative writing with evidence of extensive drafting, essays, presentations, research projects, substantial pieces of creative writing of publishable standard.
When not attending timetabled sessions, you will be expected to continue learning independently through self-study. This typically involves reading and analysing articles, regulations, policy documents and key texts, documenting individual projects, preparing coursework assignments and completing your PEDRs, etc.
Your independent learning is supported by a range of excellent facilities including online resources, the library and CANVAS, the University's online virtual learning platform.
At Kingston University, we know that postgraduate students have particular needs and therefore we have a range of support available to help you during your time here.
Year 1: 5% of your time is spent in timetabled learning and teaching activity.
Contact hours may vary depending on your modules.
Special study in genre - module cw7003, dissertation - module cw7000.
100% coursework.
We aim to provide feedback on assessments within 20 working days.
Workshops normally have between six and 12 students. To give you an indication of class sizes, this course normally enrols 15 to 20 students and lecture sizes are normally 10 to 20. However, this can vary by module and academic year.
This course is delivered by Kingston School of Art. As a student on this course, you will benefit from a lively study environment, thanks to the wide range of postgraduate courses on offer. The combination of academics and practitioners makes it a unique environment in which to further your studies and your career.
The University provides a vibrant and forward-thinking environment for study with:
Postgraduate students may also contribute to the teaching of seminars under the supervision of the module leader.
Course leader.
Fees for this course, 2025/26 fees for this course, home 2025/26.
Home 2024/25.
This is a two-year full-time course with the published full-time fee payable in each year of study.
If you start your second year straight after Year 1, you will pay the same fee for both years.
If you take a break before starting your second year, or if you repeat modules from Year 1 in Year 2, the fee for your second year may increase.
If you choose to take a placement as part of this course, you will be invoiced for the placement fee in Year 2. Find out more about the postgraduate work placement scheme and the costs for the placement year.
If you are a UK student, resident in England and are aged under the age of 60, you will be able to apply for a loan to study for a postgraduate degree. For more information, read the postgraduate loan information on the government's website .
Kingston University offers a range of postgraduate scholarships, including:
If you are an international student, find out more about scholarships and bursaries .
We also offer the following discounts for Kingston University alumni:
Depending on the programme of study, there may be extra costs that are not covered by tuition fees which students will need to consider when planning their studies. Tuition fees cover the cost of your teaching, assessment and operating University facilities such as the library, access to shared IT equipment and other support services. Accommodation and living costs are not included in our fees.
Where a course has additional expenses, we make every effort to highlight them. These may include optional field trips, materials (e.g. art, design, engineering), security checks such as DBS, uniforms, specialist clothing or professional memberships.
Our libraries are a valuable resource with an extensive collection of books and journals as well as first-class facilities and IT equipment. You may prefer to buy your own copy of key textbooks, this can cost between £50 and £250 per year.
There are open-access networked computers available across the University, plus laptops available to loan . You may find it useful to have your own PC, laptop or tablet which you can use around campus and in halls of residences. Free WiFi is available on each of the campuses. You may wish to purchase your own computer, which can cost £100 to £3,000 depending on your course requirements.
In the majority of cases written coursework can be submitted online. There may be instances when you will be required to submit work in a printed format. Printing, binding and photocopying costs are not included in your tuition fees, this may cost up to £100 per year.
Travel costs are not included in your tuition fees but we do have a free intersite bus service which links the campuses, Surbiton train station, Kingston upon Thames train station, Norbiton train station and halls of residence.
There is a wide range of facilities at our Penrhyn Road campus , where this course is based. You will have access to a modern environment with the latest equipment, including the Learning Resources Centre. This offers:
Kingston University hosts two major archives relating to Iris Murdoch, a significant philosopher and one of the twentieth century's greatest novelists. These archives currently comprise:
Kingston is just a 30-minute train journey away from central London. Here you can access a wealth of additional libraries and archives, including the British Library.
Some of our departmental graduates have achieved notable successes, having published short stories and novels which were started as part of their degree and attracted good literary agents, for example:
Don't just take our word for it – here's what students say about what it's like to study at Kingston University.
The main reason I've chosen the MA in Creative Writing at Kingston University is the variety of genres you can choose from on the course. I am writing poetry, but I wanted to get involved with people who are writing other things so I could experiment with different genres and learn from them too. The MA in Creative Writing gives me that opportunity and lets me choose workshops that reflect exactly my style of writing.
One of the most useful parts of the course is the Elements of Professional Writing module, which focuses on the practical side of being a writer. It offers advice on everything from how to stay positive to how to present your work to get it published.
Katerina Koulouri
I chose to study at Kingston because unlike many writing courses, it allowed space for both fantasy and children's novels. I especially loved my Children's Literature class.
Another standout was my dissertation tutor, Liz Jensen, who gave me remarkably good and detailed feedback, and the lovely people in my writing workshops. I'm really glad I came to Kingston.
Once I finished my masters I returned to my home country, Ireland, where I write and live by the water. I started writing a fantasy novel for young adults, titled 'The Demon's Lexicon', whilst at Kingston which has since been signed by Simon & Schuster.
Sarah Rees Brennan
This Creative Writing MA course gave me the structure, self-discipline and direction I needed. I've always written poetry – I started when I was just seven – but I have done it in a very unstructured way.
Completing work for the weekly writers' workshops has been very useful. I've attended creative writing evening classes before where we shared our work, but the comments and criticism from other students on the MA is at a much higher level.
Alice Thurling
A range of additional events and lectures will enhance your studies and add an extra perspective to your learning. Activities for this course include:
The literary magazine Ripple is edited by MA students, providing:
Research in English literature and creative writing at Kingston University covers the following areas:
It focuses around the following research initiatives:
We also hold regular seminars and host presentations by visiting speakers.
The information on this page reflects the currently intended course structure and module details. To improve your student experience and the quality of your degree, we may review and change the material information of this course. Course changes explained .
Programme Specifications for the course are published ahead of each academic year.
Regulations governing this course can be found on our website.
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MA Creative Writing
Masters applications for 2023 entry are now closed.
Applications for September 2024 will open on Monday 25 September. Applications are now open for programmes with a January 2024 start. View our programmes »
UCAS code | 1234 |
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Duration | 1 year full time 2 years part time |
Entry year | September 2024 |
Campus | Streatham Campus |
Discipline | |
Contact | Programme Director: |
Typical offer
| 2:2 Honours degree |
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Fast Track (current Exeter students)
Open days and visiting us
Get a prospectus
Programme Director: Professor Andy Brown
Web: Enquire online
Phone: +44 (0)1392 72 72 72
Discover MA Creative Writing at the University of Exeter.
88% of our English research is internationally excellent
Based on research rated 4* + 3* in REF 2021, submitted to UoA27 English Language and Literature
Top 50 in the world for English Language and Literature
QS World University Subject Rankings 2024
A thriving and supportive writing community - our team of prize-winning and best-selling authors will help you develop your creative writing skills
Top 10 in the UK for English
9th in The Times and The Sunday Times Good University Guide 2024
We will consider applicants with a 2:2 Honours degree with 53% or above in their first degree in a relevant subject area. While we normally only consider applicants who meet this criteria, if you are coming from a different academic background which is equivalent to degree level, or have relevant work experience, we would welcome your application.
Applicants will be asked to submit a sample of creative writing which can be roughly 2,000 words of prose or 3-4 poems.
English language requirements.
International students need to show they have the required level of English language to study this course. The required test scores for this course fall under Profile E . Please visit our English language requirements page to view the required test scores and equivalencies from your country.
The MA in Creative Writing is designed for students to develop a longer piece of work during the MA, or find out what their strengths are in the different forms. It is for people, of any age, whether recent graduates or older, who wish to grow their talent quickly by acquiring knowledge and practice in the art of fiction, poetry, life-writing, nature writing or the writing of screenplays.
Our Creative Writing staff are well-published, practicing writers who take great pride in designing and delivering modules in their specialist areas.
Full time students take two modules in term 1, two modules in term 2, and write their dissertations in term 3. Each module has one two-hour seminar per week, with homework set that involves intensive, self-motivated practice and research.
The modules we outline here provide examples of what you can expect to learn on this degree course based on recent academic teaching. The precise modules available to you in future years may vary depending on staff availability and research interests, new topics of study, timetabling and student demand.
Uk fees per year:.
£12,000 full-time; £6,000 part-time
£24,300 full-time; £12,150 part-time
For more information on scholarships, please visit our scholarships and bursaries page.
*Selected programmes only. Please see the Terms and Conditions for each scheme for further details.
Find out more about tuition fees and funding »
Learning and teaching.
Whether you already know what kind of books or screenplays you wish to write or are still searching for the best form in which to express your creativity, we offer the chance to try your hand in a range of genres, and to benefit from feedback tailored to your writing needs.
A programme of visiting speakers takes place throughout the academic year with writers, publishers and agents coming to talk to students about the next steps in their careers. The roll call changes every year to reflect both our students’ interests and new trends. Recent guest lecturers have included the Booker prize winning novelist Hilary Mantel; the Commonwealth Writers’ Prize-winning novelist Hisham Matar; the Pulitzer Prize winning US Poet Laureate Natasha Trethewey; the writer, editor and publisher Richard Cohen, and many others.
Our MA can be taken over one-year full time, or two years part time. During your study, you will build a portfolio of creative work for possible publication, including a dissertation in your chosen genre. You will also be able to take a range of optional modules and explore literary genres and forms with a mutually supportive, like-minded group of fellow writers.
Exeter’s creative writing staff practise and publish in a range of literary genres. Their experience of the literary world is not limited to writing and teaching. They also worked – and continue to work - as editors, publishers, agents, radio producers, and journalists. This wealth of experience is reflected in the vibrancy and diversity of our workshops and tutorials.
As a creative writing student, you will also benefit from the academic expertise of the many world-leading scholars working in the English Department at our Exeter Campus, a lively community of doctoral students, and the activities of four dedicated research centres: the Medieval and Renaissance Research Group; the 18th-Century Narrative Consortium; the Victorian Studies Research Group; and the 20th and 21st Century Literature, Creative Writing and Film Research Group.
Andy has a notable national reputation as a poet, poetry commentator and poetry tutor. He is the author of 10 poetry collections and editor of several anthologies, including A Body of Work: Poetry & Medical Writing , for Bloomsbury. He has interests in Ecopoetics, and the Medical Humanities, and often collaborates with scientists. He is also a musician who performs regularly around the region.
Profile page
John is an award-winning poet, prose nonfiction writer and broadcaster. His full poetry collections include Ghost Pot (2013) and Landfill (2017) both of which explore place, ecology and the relationship between science and poetry. He regularly works across disciplines and has led major Arts Council-funded arts projects including Dictionary of Stone and Sea Swim. He presented The Books that Made Britain (2016) & Through the Lens of Larkin (2017), both for BBC4.
A prize-winning poet, memoirist, novelist and broadcaster. Vensa’s books have been translated into twenty languages and serialised by the BBC. Before becoming an academic in English Literature and Creative Writing, Vesna spent fifteen years in publishing and as a producer at the BBC.
Sam has written eight novels, two books on the craft of writing, and two films. In 2010 he won an Eric Gregory Award; in 2004 his novel The Unnumbered was long-listed for the Man-Booker prize. His first novel won the Somerset Maugham Award.
An internationally successful children’s writer, as well as an academic with nearly twenty years lecturing experience. Since her debut in 2012, Wendy has published 15 children’s books and her work has been translated into 16 languages. Award-winning titles include: A Hen in the Wardrobe (2012), the Wendy Quill series (2013-2015), and How the Library (not the Prince) Saved Rapunzel (2015).
Ellen’s first novel, The Invisible Crowd (Harper Collins, 2017) was awarded a Victor Turner Prize. Her first book, Saffron Shadows and Salvaged Scripts: Literary Life in Myanmar Under Censorship and in Transition (Columbia University Press, 2015) was the first to explore this literary culture through interviews and translations. Her new book, Live Literature: The Experience and Cultural Value of Literary Performance Events from Salons to Festivals (Palgrave, 2021), uses literary ethnography to explore participant experience, and has been described as ‘groundbreaking’, ‘stylish’, and ‘compelling’.
Ben’s debut novel Doggerland uses the lens of speculative fiction to engage with pressing contemporary issues such as renewable energy, ocean waste, climate change and the scale-effects of the Anthropocene. It was selected as a Guardian Book of the Year 2019.
Nazneen writes fiction for children and poetry for adults. Her first book, City of Stolen Magic , a historical fantasy for middle-grade readers, comes out with Puffin in summer 2023. She is represented by Louise Lamont at LBA Books, and currently holds the post of Hampshire Poet for 2022-23.
Whether your ambition is to become a full-time writer, a teacher of writing, or to develop a creative career which includes writing in one of its many forms, we have a strong track record of supporting our students through to publication and doctoral level work.
While at Exeter, our MA students publish their creative work in RIPTIDE and in the new postgraduate journal EXCLAMATION . The Creative Writing Society also run a journal called Enigma.
Former University of Exeter students who have gone on to develop a writing career include poets such as Luke Kennard, Abi Curtis, Eleanor Rees, Izzy Galleymore, Jaime Robles, Jos Smith, Sally Flint, and Samuel Tongue; novelists Virginia Baily, Lucy Wood, and Ruth Gilligan; and non-fiction writers such as Miriam Darlington.
Many of our former students now work in film, broadcasting, advertising, journalism, PR, publishing, teaching – including the teaching of creative writing – as well as other careers in the growing number of fields where good writing is an asset.
While studying at Exeter you can also access a range of activities, advice and practical help to give you the best chance of following your chosen career path. For more information visit Careers pages .
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The majority of students are based at our Streatham Campus in Exeter. The campus is one of the most beautiful in the country and offers a unique environment in which to study, with lakes, parkland, woodland and gardens as well as modern and historical buildings.
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Our PGCert and MA in Creative Writing provide a unique opportunity to explore and develop your creative writing skills through practice, revision and discussion.
You are currently viewing course information for entry year:
Start date(s):
Our Creative Writing MA develops your understanding of your own writing and your technical writing skills.
You'll further your awareness of:
This PGCert and MA in Creative Writing provide a unique opportunity to explore and develop your creative writing skills. We teach creative writing in three areas:
Through these areas, we'll introduce you to a wide range of subjects and opportunities with which writers are working professionally.
Members of our Creative Writing staff have received national and international recognition for their writing. You'll work with them to prepare your own writing for submission.
If you complete the Creative Writing PGCert, you can choose to transfer to the second year of our part-time MA.
We've highlighted important information about your course. Please take note of any deadlines.
Please rest assured we make all reasonable efforts to provide you with the programmes, services and facilities described. However, it may be necessary to make changes due to significant disruption, for example in response to Covid-19.
View our Academic experience page , which gives information about your Newcastle University study experience for the academic year 2023-24.
See our terms and conditions and student complaints information , which gives details of circumstances that may lead to changes to programmes, modules or University services.
Qualifications explained.
Find out about the different qualification options for this course.
An MA is a taught Master’s degree. It usually involves the study of social sciences, art and humanities, and business, consulting and management. It typically includes:
You'll usually study an MA full-time over 12 months.
A Master of Arts is awarded for the successful completion of 120 credits of taught modules and a 60 credit dissertation or research project.
Find out about different types of postgraduate qualifications .
A PGCert is awarded if you successfully complete half of the taught modules (60 credits).
Through this Creative Writing Master's you'll be inducted into the habits and inventive strategies of writers in a module dedicated to this process. You'll also begin to concentrate on skills specific to different fields of the writing craft.
You'll go on to test your own writing in one of three workshops dedicated to poetry, prose or script. You'll also take the opportunity to focus on areas of imaginative writing that are specialisms of our staff. Examples of our specialisms include:
Our Profession of Writing module explores the roles and importance of:
You will study modules on this course. A module is a unit of a course with its own approved aims and outcomes and assessment methods.
Module information is intended to provide an example of what you will study.
Our teaching is informed by research. Course content changes periodically to reflect developments in the discipline, the requirements of external bodies and partners, and student feedback.
Full details of the modules on offer will be published through the Programme Regulations and Specifications ahead of each academic year. This usually happens in May.
To find out more please see our terms and conditions .
Optional modules availability
Some courses have optional modules. Student demand for optional modules may affect availability.
Compulsory Modules | Credits |
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60 | |
20 | |
20 |
Optional Modules | Credits |
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20 | |
20 | |
20 | |
20 | |
20 | |
20 | |
20 | |
20 | |
20 | |
20 | |
20 | |
20 |
The range of modules will be different if you're studying part-time.
Compulsory modules
Optional modules
You’ll be taught using a range of methods, typically including:
The portfolio will see you finely develop your work through one-to-one supervision. Our small seminar groups and one-to-one supervision mean you'll work closely with your tutors, who are all writing practitioners.
All our classes take place in the early evening.
Depending on your modules, you'll be assessed through a combination of:
Your teaching and learning is also supported by Canvas. Canvas is a Virtual Learning Environment. You'll use Canvas to submit your assignments and access your:
Throughout your studies, you’ll have access to support from:
You'll also be assigned an academic member of staff. They will be your personal tutor throughout your time with us. They can help with academic and personal issues.
Our PGCert and MA in Creative Writing allow you to advance your creative ability through:
You will further your awareness of:
Our careers service.
Our award-winning Careers Service is one of the largest and best in the country, and we have strong links with employers. We provide an extensive range of opportunities to all students through our ncl+ initiative.
Visit our Careers Service website
"I was inspired by the talent and creativity of my peers, and many of them have gone on to be published and recognised. We still support one another, sharing our successes and challenges along the way."
Find out what Oisín liked the most about studying Creative Writing MA at Newcastle University and how this degree helped him in his career as a software developer.
Read about Oisín's journey .
All professional accreditations are reviewed regularly by their professional body
From 1 January 2021 there is an update to the way professional qualifications are recognised by countries outside of the UK
Check the government’s website for more information .
The School of English Literature, Language and Linguistics is a lively and diverse community with over 700 undergraduates and 200 postgraduates. We're based in the Percy Building. Our purpose-built postgraduate suite includes:
Our award-winning Phillip Robinson Library has an extensive audio-visual collection.
The Newcastle Centre for Literary Arts (NCLA) is a world-class centre of excellence in the field of creative writing which contributes to the cultural life of the North East via:
The NCLA offers you the opportunity to get involved in our writing community through readings and events that feature:
Past speakers include:
Tuition fees for 2024 entry (per year).
If your studies last longer than one year, your tuition fee may increase in line with inflation.
Depending on your residency history, if you’re a student from the EU, other EEA or a Swiss national, with settled or pre-settled status under the EU Settlement Scheme, you’ll normally pay the ‘Home’ tuition fee rate and may be eligible for Student Finance England support.
EU students without settled or pre-settled status will normally be charged fees at the ‘International’ rate and will not be eligible for Student Finance England support.
If you are unsure of your fee status, check out the latest guidance here .
We support our EU and international students by providing a generous range of Vice-Chancellor's automatic and merit-based scholarships. See our searchable postgraduate funding page for more information.
Tuition fees include the costs of:
Find out more about:
If you are an international student or a student from the EU, EEA or Switzerland and you need a visa to study in the UK, you may have to pay a deposit.
You can check this in the How to apply section .
If you're applying for funding, always check the funding application deadline. This deadline may be earlier than the application deadline for your course.
For some funding schemes, you need to have received an offer of a place on a course before you can apply for the funding.
Find funding available for your course
The entrance requirements below apply to 2024 entry.
English language requirements, admissions policy.
This policy applies to all undergraduate and postgraduate admissions at Newcastle University. It is intended to provide information about our admissions policies and procedures to applicants and potential applicants, to their advisors and family members, and to staff of the University.
Download our admissions policy (PDF: 201KB) Other policies related to admissions
Recognition of Prior Learning (RPL) can allow you to convert existing relevant university-level knowledge, skills and experience into credits towards a qualification. Find out more about the RPL policy which may apply to this course
The application portal has instructions to guide you through your application. It will tell you what documents you need and how to upload them.
You can choose to start your application, save your details and come back to complete it later.
If you’re ready, you can select Apply Online and you’ll be taken directly to the application portal.
Alternatively you can find out more about applying on our applications and offers pages .
You'll have a number of opportunities to meet us throughout the year including:
Find out about how you can visit Newcastle in person and virtually
We regularly travel overseas to meet with students interested in studying at Newcastle University.
Visit our events calendar for the latest events
If you have specific questions about this course you can contact:
Melanie Birch Events, Marketing and Postgraduate Administrator School of English Literature, Language and Linguistics Telephone: +44 (0) 191 208 7619 Email: [email protected]
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This qualification is an opportunity to develop your skills as a writer in fiction, poetry, creative nonfiction and scriptwriting for film, radio and the stage. You'll be able to write in a genre of your choice and experiment with at least one other through practical and inspiring activities. You’ll work towards producing a substantial piece of your own creative writing to a professional standard. You'll also hone your practice through sharing, reading and critiquing the writing of your peers in online forums. You’ll work towards producing a substantial piece of your own creative writing to a professional standard.
Study for free We’ve a limited number of scholarships available to UK students for the 2023/24 academic year. If you’re passionate about creative writing, you could be eligible for an Open Futures Scholarship. To apply, visit our Creative Writing Scholarship page. Applications close on 24 July 2023.
Select the module you will study first, read the full description, and follow the instructions to register.
To gain the 180 credits you require for this qualification, you must study the modules in the order shown below and pass part 1 before progressing to part 2:
Compulsory modules | Credits | Next start |
---|---|---|
| 60 | 05 Oct 2024 |
| 120 | 05 Oct 2024 |
Please note that MA Creative Writing part 2 (A803) is worth 120 credits. Module fees for postgraduate modules are based on the number of credits you study. Therefore the fee for this 120-credit postgraduate module will be double that for the 60-credit module MA Creative Writing part 1 (A802).
You should note that the University’s unique study rule applies to this qualification. This means that you must include at least 60 credits from OU modules that have not been counted in any other OU qualification that has previously been awarded to you.
The learning outcomes of this qualification are described in four areas:
If you’ve successfully completed some relevant postgraduate study elsewhere, you might be able to count it towards this qualification, reducing the number of modules you need to study. You should apply for credit transfer as soon as possible, before you register for your first module. For more details and an application form, visit our Credit Transfer website.
On successful completion of the required modules you can be awarded the Master of Arts in Creative Writing, entitling you to use the letters MA (CW) (Open) after your name. You will have the opportunity of being presented at a degree ceremony.
If you leave the programme before you qualify for a degree you can qualify for a Postgraduate Certificate in Humanities (C20) after successfully completing 60 credits.
As a student of The Open University, you should be aware of the content of the qualification-specific regulations below and the academic regulations that are available on our Student Policies and Regulations website.
We regularly review our curriculum; therefore, the qualification described on this page – including its availability, its structure, and available modules – may change over time. If we make changes to this qualification, we’ll update this page as soon as possible. Once you’ve registered or are studying this qualification, where practicable, we’ll inform you in good time of any upcoming changes. If you’d like to know more about the circumstances in which the University might make changes to the curriculum, see our Academic Regulations or contact us . This description was last updated on 19 March 2024.
You must hold a UK honours degree (or equivalent), preferably with at least a 2:1 classification. Although your degree does not need to be in Creative Writing or a closely related subject, you will need some knowledge of the subject to successfully complete this qualification, as the MA in Creative Writing assumes all candidates have the knowledge and skills usually acquired by pursuing the subject at undergraduate level. Please note that this is not a qualification for those who are just starting to write creatively
If your degree is not in Creative Writing or a closely related subject, we strongly recommend that you read the preparatory work indicated on the MA Creative Writing part 1 . Alternatively, you could undertake our open-access creative writing courses on OpenLearn and FutureLearn to ensure your skills (writing, reading, editorial, reflective, analytical) are at an appropriate standard.
If you don’t have a Creative Writing degree, please also make sure that you provide evidence of your experience of writing when you apply – whether through short courses, workshops, or publications.
How long it takes
You will be able to complete this masters qualification within two years by studying one module each year. If you do not study the modules consecutively, you must complete them in a maximum of 10 years to qualify for the degree.
If you wish to pursue a freelance writing career this Masters degree will equip you with necessary writing and editorial skills, as well as equipping you with a raft of highly valued transferable communication and collaborative skills necessary to the modern writer’s usual portfolio of occupations.
If you are aiming for an academic career in higher education, this qualification will provide a route towards a higher level research or writing practice degree (e.g. PhD), which is essential for such a career. A Masters degree can help to enhance your career prospects as a teacher in secondary and higher education (HE); most HE creative writing teaching now demands an MA in the subject.
If your aim is to enter professions associated with the media, culture, creative or knowledge industries, or if you already have a career in one of these areas and are seeking a further qualification as a means of career development, then a Masters degree, supplemented by relevant skills and experience, can prove invaluable. This degree is pertinent to those careers that directly call upon knowledge of the craft of writing, editing and critiquing (for instance, journalism, publishing, copywriting). It may also be relevant for careers that demand skills in the creative use and analysis of texts of various sorts, critical thinking and organisation, and understanding of culture in a broad sense.
Careers and Employability Services have more information on how OU study can improve your employability.
Our prospectuses help you choose your course, understand what it's like to be an OU student and register for study.
Request prospectus
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Find details about every creative writing competition—including poetry contests, short story competitions, essay contests, awards for novels, grants for translators, and more—that we’ve published in the Grants & Awards section of Poets & Writers Magazine during the past year. We carefully review the practices and policies of each contest before including it in the Writing Contests database, the most trusted resource for legitimate writing contests available anywhere.
Find a home for your poems, stories, essays, and reviews by researching the publications vetted by our editorial staff. In the Literary Magazines database you’ll find editorial policies, submission guidelines, contact information—everything you need to know before submitting your work to the publications that share your vision for your work.
Whether you’re pursuing the publication of your first book or your fifth, use the Small Presses database to research potential publishers, including submission guidelines, tips from the editors, contact information, and more.
Research more than one hundred agents who represent poets, fiction writers, and creative nonfiction writers, plus details about the kinds of books they’re interested in representing, their clients, and the best way to contact them.
Every week a new publishing professional shares advice, anecdotes, insights, and new ways of thinking about writing and the business of books.
Find publishers ready to read your work now with our Open Reading Periods page, a continually updated resource listing all the literary magazines and small presses currently open for submissions.
Since our founding in 1970, Poets & Writers has served as an information clearinghouse of all matters related to writing. While the range of inquiries has been broad, common themes have emerged over time. Our Top Topics for Writers addresses the most popular and pressing issues, including literary agents, copyright, MFA programs, and self-publishing.
Our series of subject-based handbooks (PDF format; $4.99 each) provide information and advice from authors, literary agents, editors, and publishers. Now available: The Poets & Writers Guide to Publicity and Promotion, The Poets & Writers Guide to the Book Deal, The Poets & Writers Guide to Literary Agents, The Poets & Writers Guide to MFA Programs, and The Poets & Writers Guide to Writing Contests.
Find a home for your work by consulting our searchable databases of writing contests, literary magazines, small presses, literary agents, and more.
Poets & Writers lists readings, workshops, and other literary events held in cities across the country. Whether you are an author on book tour or the curator of a reading series, the Literary Events Calendar can help you find your audience.
Get the Word Out is a new publicity incubator for debut fiction writers and poets.
Research newspapers, magazines, websites, and other publications that consistently publish book reviews using the Review Outlets database, which includes information about publishing schedules, submission guidelines, fees, and more.
Well over ten thousand poets and writers maintain listings in this essential resource for writers interested in connecting with their peers, as well as editors, agents, and reading series coordinators looking for authors. Apply today to join the growing community of writers who stay in touch and informed using the Poets & Writers Directory.
Let the world know about your work by posting your events on our literary events calendar, apply to be included in our directory of writers, and more.
Find a writers group to join or create your own with Poets & Writers Groups. Everything you need to connect, communicate, and collaborate with other poets and writers—all in one place.
Find information about more than two hundred full- and low-residency programs in creative writing in our MFA Programs database, which includes details about deadlines, funding, class size, core faculty, and more. Also included is information about more than fifty MA and PhD programs.
Whether you are looking to meet up with fellow writers, agents, and editors, or trying to find the perfect environment to fuel your writing practice, the Conferences & Residencies is the essential resource for information about well over three hundred writing conferences, writers residencies, and literary festivals around the world.
Discover historical sites, independent bookstores, literary archives, writing centers, and writers spaces in cities across the country using the Literary Places database—the best starting point for any literary journey, whether it’s for research or inspiration.
Search for jobs in education, publishing, the arts, and more within our free, frequently updated job listings for writers and poets.
Establish new connections and enjoy the company of your peers using our searchable databases of MFA programs and writers retreats, apply to be included in our directory of writers, and more.
Each year the Readings & Workshops program provides support to hundreds of writers participating in literary readings and conducting writing workshops. Learn more about this program, our special events, projects, and supporters, and how to contact us.
The Maureen Egen Writers Exchange Award introduces emerging writers to the New York City literary community, providing them with a network for professional advancement.
Find information about how Poets & Writers provides support to hundreds of writers participating in literary readings and conducting writing workshops.
Bring the literary world to your door—at half the newsstand price. Available in print and digital editions, Poets & Writers Magazine is a must-have for writers who are serious about their craft.
View the contents and read select essays, articles, interviews, and profiles from the current issue of the award-winning Poets & Writers Magazine .
Read essays, articles, interviews, profiles, and other select content from Poets & Writers Magazine as well as Online Exclusives.
View the covers and contents of every issue of Poets & Writers Magazine , from the current edition all the way back to the first black-and-white issue in 1987.
Every day the editors of Poets & Writers Magazine scan the headlines—publishing reports, literary dispatches, academic announcements, and more—for all the news that creative writers need to know.
In our weekly series of craft essays, some of the best and brightest minds in contemporary literature explore their craft in compact form, articulating their thoughts about creative obsessions and curiosities in a working notebook of lessons about the art of writing.
The Time Is Now offers weekly writing prompts in poetry, fiction, and creative nonfiction to help you stay committed to your writing practice throughout the year. Sign up to get The Time Is Now, as well as a weekly book recommendation for guidance and inspiration, delivered to your inbox.
Every week a new author shares books, art, music, writing prompts, films—anything and everything—that has inspired and shaped the creative process.
Listen to original audio recordings of authors featured in Poets & Writers Magazine . Browse the archive of more than 400 author readings.
Ads in Poets & Writers Magazine and on pw.org are the best ways to reach a readership of serious poets and literary prose writers. Our audience trusts our editorial content and looks to it, and to relevant advertising, for information and guidance.
Start, renew, or give a subscription to Poets & Writers Magazine ; change your address; check your account; pay your bill; report a missed issue; contact us.
Peruse paid listings of writing contests, conferences, workshops, editing services, calls for submissions, and more.
Poets & Writers is pleased to provide free subscriptions to Poets & Writers Magazine to award-winning young writers and to high school creative writing teachers for use in their classrooms.
Read select articles from the award-winning magazine and consult the most comprehensive listing of literary grants and awards, deadlines, and prizewinners available in print.
Help us keep this database current. If you have updated information on one of the programs listed in the MFA database, let us know.
Our MFA database includes essential information about low- and full-residency graduate creative writing programs in the United States and other English-speaking countries to help you decide where to apply.
Poetry: Jan-Henry Gray, Maya Marshall Prose: Katherine Hill, René Steinke, Igor Webb
Poetry: Paul Robichaud Fiction: Sarah Harris Wallman Nonfiction: Eric Schoeck
Poetry: Leslie Contreras Schwartz, Jim Daniels, Benjamin Garcia Fiction: Karen E. Bender, Shonda Buchanan, Dhonielle Clayton, S. Kirk Walsh Creative Nonfiction: Anna Clark, Matthew Gavin Frank, Donald Quist, Robert Vivian
Poetry: Kyle Dargan, David Keplinger Fiction: Dolen Perkins-Valdez, Stephanie Grant, Patricia Park Nonfiction: Rachel Louise Snyder
Poetry: Victoria Chang Prose: Lisa Locascio
Poetry: Genevieve Betts, Michelle Reale Fiction: Stephanie Feldman, Joshua Isard, Tracey Levine, Eric Smith Literature: Matthew Heitzman, Christopher Varlack, Elizabeth Vogel, Jo Ann Weiner
Poetry: Genevieve Betts, Michelle Reale Fiction: Stephanie Feldman, Joshua Isard, Tracey Levine, Eric Smith
Poetry: Sally Ball, Natalie Diaz, Alberto Álvaro Ríos, Safiya Sinclair Fiction: Matt Bell, Jenny Irish, Tara Ison, Mitchell Jackson, T. M. McNally Creative Nonfiction: Sarah Viren
Poetry: Dexter Booth, Marcelo Hernandez Castillo, Adam Gellings, Tess Taylor, Vanessa Angélica Villareal Fiction: Kirstin Chen, Edan Lepucki, Sarah Monette, Nayomi Munaweera, Vi Khi Nao, Naomi J. Williams, Kyle Winkler Nonfiction: Cass Donish, Kate Hopper, Lauren Markham, Thomas Mira y Lopez, Lisa Nikolidakis, Terese Mailhot
Poetry: Michael Kleber-Diggs Fiction: Stephan Eirik Clark, Lindsay Starck Nonfiction: Anika Fajardo Playwriting: Carson Kreitzer, TyLie Shider, Sarah Myers Screenwriting: Stephan Eirik Clark, Andy Froemke
Poetry: Katy Didden, Mark Neely Fiction: Cathy Day, Sean Lovelace Nonfiction: Jill Christman, Silas Hansen Screenwriting: Rani Deighe Crowe, Matt Mullins
Jess Arndt, Shiv Kotecha, Mirene Arsanios, Hannah Black, Trisha Low, Christoper Perez, Julian Talamantez Brolaski, Simone White
Poetry: Lucy English, Tim Liardet, John Strachan, Samantha Walton, Gerard Woodward Fiction: Gavin James Bower, Celia Brayfield, Alexia Casale, Anne-Marie Crowhurst, Lucy English, Nathan Filer, Aminatta Forna, Samantha Harvey, Philip Hensher, Steve Hollyman, Emma Hooper, Claire Kendal, Natasha Pulley, Kate Pullinger, C.J. Skuse, Gerard Woodward Nonfiction: Celia Brayfield, Lily Dunn, Richard Kerridge Scriptwriting: Robin Mukherjee
Poetry: Lucy English, Tim Liardet, Gerard Woodward Fiction: Gavin James Bower, Celia Brayfield, Anne-Marie Crowhurst, Nathan Filer, Aminatta Forna, Samantha Harvey, Philip Hensher, Claire Kendal, Natasha Pulley, Kate Pullinger, Gerard Woodward Nonfiction: Lily Dunn, Richard Kerridge
Mel Allen, Leanna James Blackwell, Jennifer Baker, Melanie Brooks, María Luisa Arroyo Cruzado, Shahnaz Habib, Susan Ito, Karol Jackowski, Yi Shun Lai, Anna Mantzaris, Meredith O’Brien, Mick Powell, Suzanne Strempek Shea, Tommy Shea, Kate Whouley
Poetry: Jennifer Chang, Michael Dumanis, Randall Mann, Craig Morgan Teicher, Mark Wunderlich Fiction: Peter Cameron, Jai Chakrabarti, Stacey D’Erasmo, Monica Ferrell, Rebecca Makkai, Stuart Nadler, Téa Obreht, Moriel Rothman-Zecher, Katy Simpson Smith, Taymour Soomro Nonfiction: Garrard Conley, Sabrina Orah Mark, Spencer Reece, Lance Richardson, Shawna Kay Rodenberg, Hugh Ryan, Greg Wrenn
Poetry: Tina Chang, Joseph Weil Fiction: Amir Ahmdi Arian, Thomas Glave, Leslie L. Heywood, Claire Luchette, Liz Rosenberg, Jaimee Wriston-Colbert, Alexi Zentner Nonfiction: Amir Ahmdi Arian, Leslie L. Heywood
Poetry: Julie Hensley, Young Smith Fiction: Julie Hensley, Robert Dean Johnson Nonfiction: Robert Dean Johnson, Evan J. Massey Playwriting: Young Smith
Poetry: Martin Corless-Smith, Sara Nicholson, Taryn Schwilling Fiction: Mitch Wieland (Director), Anna Caritj Creative Nonfiction: Chris Violet Eaton, Clyde Moneyhun
Poetry: Andrea Cohen, Karl Kirchwey, Robert Pinsky Fiction: Leslie Epstein, Jennifer Haigh, Ha Jin
Odile Cazenave, Yuri Corrigan, Margaret Litvin, Christopher Maurer, Roberta Micaleff, Robert Pinsky (advising), Stephen Scully, Sassan Tabatabai, J. Keith Vincent, William Waters, Dennis Wuerthner, Cathy Yeh, Anna Zielinska-Elliott
Poetry: Abigail Cloud, Amorak Huey, Sharona Muir, F. Dan Rzicznek, Larissa Szporluk, Jessica Zinz-Cheresnick Fiction: Joe Celizic, Lawrence Coates, Reema Rajbanshi, Michael Schulz
Poetry: Kimberly Johnson, Lance Larsen, Michael Lavers, John Talbot Fiction: Chris Crowe, Ann Dee Ellis, Spencer Hyde, Stephen Tuttle Nonfiction: Joey Franklin, Patrick Madden
Poetry: Julie Agoos, Ben Lerner Fiction: Joshua Henkin, Madeleine Thien Playwriting: Dennis A. Allen II, Elana Greenfield
/ Postgraduate Taught /
Start date:
September 2024
1 year (full-time) 2 years (part-time)
Number of credits:
Did you know.
Roehampton's in-house Fincham Press provides opportunities for you to see your writing published, and gain hands-on experience of the publishing process.
This incorporates studying;
Throughout the programme, you will be working with established, successful writers, all of whom are here to help you take your writing to the next level. Successful writers who have graduated from the programme include Holly Pester, Rachel Knightley, and Nikki Dudley.
You can also develop your professional skills by auditing the modules Copywriting and The Business of Writing.
Here you can study and write literary fiction, fantasy, dark & transgressive fiction, horror, thriller and domestic noir, and you can write in a wide variety of forms. All modules are taught by published writers, and Roehampton's post-graduate experience is among the best in the country.
Come here to do your best writing. Come here with the aim of being published.
This year we have two new modules which respond to the growing demand for a wider range of contemporary writing. Genre Fiction is for writers of fantasy, horror and crime. Dark & Transgressive Writing works with erotic, hybrid, and dystopian fictions. More people than ever are reading fantasy fiction. Erotic writing is no longer a niche genre. Horror and Dark Fiction is part of mainstream popular culture. Crime and dystopian fiction are a vast and creative area.
‘My lecturers really care about all of us succeeding in our chosen careers. They encourage me to push myself and experiment with my writing, which is also helping prepare me for a career in publishing’.
Samantha Jo Gale, MA Creative Writing
Get a real taste of our campus, community and what it’s like to study at Roehampton
UK postgraduate students apply through our direct application system.
A second-class honours degree is normally required but non-standard applications are also welcome, and applicants are invited to submit a portfolio of writing, consisting of approximately 2000 words of prose (Fiction, Creative Nonfiction, Journalism) or 15 pages of poetry. Please upload your portfolio of writing on the online application form, which can be found by clicking the 'apply for the course' button.
UK students
MA | £9,188 | £4,824 |
PGDip | £6,125 | £3,216 |
*average fee per year
We offer a wide range of scholarships and bursaries. See our 2024 financial support pages for UK students .
We also provide other ways to support the cost of living, including free buses and on-campus car parking, hardship support and some of the most affordable student accommodation and catering in London. Find out more about how we can support you .
International postgraduate students apply through our direct application system.
International students
MA | £17,325 | £9,096 |
PGDip | £11,550 | £6,064 |
We offer a wide range of scholarships and bursaries. See our 2024 financial support pages for international students .
Arts, humanities and social sciences, integrating the creative dynamism of arts and digital industries with the deep-rooted traditions of humanities and social sciences..
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Next entry: Sept 2024 • 1 year (full-time), 2 years (part-time)
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Get inspired and take your creative writing to the next level on this degree. Develop the skills to succeed in your career as a writer, editor, publisher, or journalist.
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Showing content for section Overview
Where better to take your writing to the next level than the home city of literary greats like Charles Dickens and Sir Arthur Conan Doyle?
On this MA Creative Writing degree course, you'll study the genres that inspire you the most – from poetry and historical fiction, to screenwriting and crime – as well as genres you may not have explored, taking your writing in new directions.
You'll spend plenty of time writing and reviewing work and benefit from the help and experience of our expert lecturers. You'll develop the confidence to become a better writer by learning to critique your own work, and that of your peers. There's even the chance to take up a placement at a famous literary magazine.
If you're imaginative, ambitious, and ready to devote yourself to improving your writing, it's time to take your studies to the next level with us. This Master's in creative writing will give you the tools you need for a successful career as a writer, or in fields such as publishing, media, and education.
This course accepts UK, EU, and international students.
You'll feel at home in our international community and our diverse city. You'll be joining over 5,000 international students from more than 150 countries who are studying with us.
Learn more about international student life and how we can help you with visas, applications, arrival and settling in.
Information for international students
From Charles Dickens and Sherlock Holmes to Neil Gaiman, Portsmouth is steeped in lively literature. Join two of our students for a tour around our literary city.
Chibuzor and Holly: Welcome to Portsmouth.
Chibuzor: Our island city has a really rich history of literature and culture.
Holly: Come and join us for a tour.
Chibuzor: One of our most famous literary residents is Charles Dickens, who was born here on Old Commercial Road. It is now home to the Charles Dickens Birthplace Museum.
Holly: Portsmouth is also the birthplace of another famous figure. Arthur Conan Doyle wrote his first Sherlock Holmes story while practising as a doctor here in Southsea. Now you can walk in his footsteps while doing a spot of shopping on Elm Grove.
Chibuzor: Thinking of shopping, our popular Gunwharf Quays features in Graham Hurley's DI Faraday crime novel, The Take. Graham Hurley is a friend of the English Literature programme. If you study with us here at the University of Portsmouth, you may get a chance to work with him in class.
Holly: There is literally an ocean at the end of this lane. It was renamed in honour of the famous novel by Neil Gaiman, who lived just outside of Portsmouth and spent many holidays here with relatives in the city.
Chibuzor: As an island city, Portsmouth has had a huge influence on authors both from home and abroad. Jane Austen often visited here to see her brothers, who were stationed here with the Royal Navy. She was inspired to include Portsmouth in her novel, Mansfield Park.
Holly: Stephanie Norgate's poem, Ferries at Southsea, was inspired by the view of ferries here on Clarence Parade Pier. Her poem is strongly rooted in the local area, but also tackles global issues of immigration.
Chibuzor: Portsmouth’s naval history means we can't shy away from the topics of race and slavery. The first slave narrator, Ukawsawa Gronniosaw, visited our city, while John Jea, another former slave, was a prominent preacher near the docks. Their memoirs movingly reveal the city's black history.
Holly: As we move into modern day, we have authors and poets tackling issues both big and small. Poet laureate Simon Armitage studied at the University of Portsmouth. Local poet Denise Bennett has written on Portsmouth Jewish history, and Fatima Bhutto featured Portsmouth in her contemporary novel on Islamic culture. As well as its fabulous literary history, Portsmouth also has a really vibrant, creative writing community, and you can be a part of it if you decide to study here.
Chibuzor: Our final stop is Milldam building. Originally a mill pond, it was featured in a long forgotten novel by Walter Besant, who was a contemporary of Charles Dickens. The Navy drained the pond and built officer quarters here. Then it changed hands and became home to the English Literature team at the University of Portsmouth.
Holly: Which means Portsmouth is home to the next generation of writers, thinkers and world shapers.
Chibuzor: We hope you join us.
+44 (0) 23 9284 5566
September 2024 start, uk qualifications, qualifications or experience.
Please get in touch if you're not sure if your undergraduate subject is relevant to this degree.
Equivalent professional experience and/or qualifications will also be considered, such as previous study, employment, voluntary work and training courses, including courses and qualifications you didn't complete. Learn more about our Recognition of Prior Learning (RPL) .
If you're applying as an international student with a non-UK degree, you’ll need to show you meet the UK entry requirements listed above.
To find out if your non-UK degree or other qualification is accepted, please visit our page for your country and view the UK equivalent of your qualification.
You do not need an IELTS or equivalent certification if:
Degrees taught solely in English from non-majority English-speaking countries will be considered on a case-by-case basis. Find out more about our English language requirements .
If you don't meet the English language requirements yet, you can achieve the level you need by successfully completing a pre-sessional English programme before you start your course.
An online portfolio submission may be required as part of the selection process.
For more information on how to put together a portfolio, read our MA Creative Writing portfolio guide .
Tuition fees (september 2024 start), uk, channel islands, and isle of man students.
(including Transition Scholarship )
University of Portsmouth graduates may receive a 20% alumni tuition fee discount .
Fees are subject to annual increase. Read our tuition fees terms and conditions .
You'll be able to pay your fees in instalments. Find out how to pay your tuition fees .
Explore how to fund your studies, including available scholarships and bursaries .
If you're a UK student, you may be eligible for a Government Postgraduate Master's Loan , which you can use to help with course fees and living costs.
Browse funding such as the Government Postgraduate Loan, our scholarships for new and returning students, and subject specific loans.
Learn more about sponsorships, scholarships and loans for students applying from outside of the UK.
Explore Master's funding options, including loans, scholarships, bursaries and more.
Core modules, critical reading for creative writers - 30 credits enhance your creative writing by studying a wide range of inspiring texts..
This module takes you on a critical journey through various genres and time periods, from fairy tales to philosophy. Discover how to interpret writing through lectures, interactive workshops, and presentations. Hone your skills in understanding literature, crafting solid arguments, and using literary theories to refine your writing — be it prose, poetry, or scripts.
You’ll learn how to read critically in different situations, connecting with classic and contemporary authors. This will help you gather valuable knowledge to shape your unique writing style.
By the end of this module, you’ll have developed the analytical tools and creative techniques to enrich your writing and establish a voice that is distinctly your own.
The Writer’s Workshop offers a friendly environment to experiment with various types of writing. It will help you find what you love and where you excel. By writing in different formats, like prose and poetry, you’ll improve your technique and originality. Get help on how to draft and revise your work, learning to explain your creative decisions at every step.
By the end of the term, you’ll have sharpened your abilities and laid out a path for your final dissertation.
This seminar-focused module will introduce you to essential theories from academic criticism that apply to the art of writing. Through conversations, research, and hands-on activities, you'll explore timeless texts to grasp powerful writing principles. You’ll also critique these theories related to your own work, honing the ability to incorporate both original and scholarly sources effectively.
Dive into vital scholarly viewpoints to strengthen the core of your distinctive writing style.
With tutor guidance, you’ll refine your creative process. Apply analytical insight to elevate your work to a professional level. Your comprehensive portfolio will reflect your capacity for dedicated, autonomous work.
With this module, you can show how well you can blend genre-specific techniques with critical self-reflection. Through commitment and creativity, you’ll finish your course with a powerful testament to your talents.
You’ll use research, reading, and discussion to critically reflect on your skills and interests, setting the stage for an ambitious final project. Armed with genre knowledge and preparatory writing skills, you'll perfect your opening chapters or scenes through feedback. By examining your methods and considering feedback, you’ll enhance your technique and vision.
This module provides essential groundwork to resolve your ideas into a polished dissertation that showcases your writerly voice.
Changes to course content.
We use the best and most current research and professional practice alongside feedback from our students to make sure course content is relevant to your future career or further studies.
Therefore, some course content may change over time to reflect changes in the discipline or industry. If a module doesn't run, we'll let you know as soon as possible and help you choose an alternative module.
We recognise that you'll probably be juggling more demands when you do your Master's degree, as you may be working or you may have family responsibilities.
We'll give you as much indication here as we can of how much time you'll need to be on campus and how many hours you can expect to spend in self-directed study, but please note that these indications are always subject to change. You should receive your full timetable several weeks before you start with us.
This Master's degree will take:
You can expect:
At the moment, teaching takes place on Fridays, leaving you the rest of the week for self-guided study.
Master's study is deeper and more specialised than an undergraduate degree. This means you'll focus on something that really matters to you and your career as you work closely with academics committed to the subject.
You'll spend more time in independent study and research than you did for your undergraduate degree, but the majority of your teaching time will be in-person and face-to-face.
Teaching methods on this course include:
You'll be assessed through:
These are some of the expert staff who'll teach you on this course:
Senior Lecturer
School of Film, Media, and Communication
Faculty of Creative and Cultural Industries
PhD Supervisor
Associate Professor in Creative Writing and Global Journalism
The Master's academic year runs from September to the following September. There are breaks at Christmas and Easter. Over the summer you'll be writing your project/dissertation.
See key dates
Careers this master's in creative writing prepares you for.
As a successful graduate of this course, you'll have experienced an exciting immersion into writing, with the freedom and discipline of writing across multiple forms to express your unique narrative voice.
Through workshops, independent writing and critical analysis, this creative writing Master's course will help you to develop your own skills and constructively contribute to the work of other writers.
When you graduate, you'll have completed a major project in the form of your own novel, screenplay or poem, and have developed the necessary confidence and critical skills to continue a career in writing, or in fields such as publishing, media, and education.
9 reasons to do a Master's
Career outcomes shown are sourced from the latest available graduate outcome surveys. The data shows career outcomes at 15 months after graduation.
During your course, you'll have expert career support from your tutors and from our Careers and Employability Centre, which you can access for 5 years after you graduate.
There is the opportunity to either work in London at The London Magazine offices for a two-week placement, or undertake a virtual placement working at The London Magazine dealing with submissions to the magazine.
All teaching staff are published authors and have a vast wealth of experience in the industry within their specialisms.
Master's study is more focused on independent learning than undergraduate study, but you'll get lots of support via video, phone and face-to-face from teaching and support staff to enhance your learning experience and help you succeed. You can build your personalised network of support from the following people and services:
Personal tutor.
Your personal tutor helps you make the transition to independent study and gives you academic and personal support throughout your time at university.
You'll have regular contact with your personal tutor in learning activities or scheduled meetings. You can also make an appointment with them if you need extra support.
Creative skills tutors, academic skills tutors.
You'll have help from a team of faculty academic skills tutors. They can help you improve and develop your academic skills and support you in any area of your study.
They can help with:
Academic skills support.
As well as support from faculty staff and your personal tutor, you can use the University's Academic Skills Unit (ASK).
ASK provides one-to-one support in areas such as:
If you require extra support because of a disability or additional learning need our specialist team can help you.
They'll help you to
Our online Learning Well mini-course will help you plan for managing the challenges of learning and student life, so you can fulfil your potential and have a great student experience.
You can get personal, emotional and mental health support from our Student Wellbeing Service , in person and online. This includes 1–2–1 support as well as courses and workshops that help you better manage stress, anxiety or depression.
Library staff are available in person or by email, phone, or online chat to help you make the most of the University’s library resources. You can also request one-to-one appointments and get support from a librarian who specialises in your subject area.
The library is open 24 hours a day, every day, in term time.
If English isn't your first language, you can do one of our English language courses to improve your written and spoken English language skills before starting your degree. Once you're here, you can take part in our free In-Sessional English (ISE) programme to improve your English further.
Unlike undergraduate applications, which go through UCAS, applications for this Master's course are made directly to us.
There's no deadline for applications to this course. We accept applications right up until the start date in September, as long as there are places available. If you wait until September to apply, you may find that the course is full.
If you're applying as an international student, remember that you'll need to leave plenty of time to get your visa organised.
You can find more advice about applying in our Master's application checklist . International students and current students and recent graduates of the University of Portsmouth also have some different application options, which are detailed below.
I'm an international student.
If you're an international student, you can apply directly to us using the same application form as UK students.
You could also get an agent to help with your application. Check your country page for details of agents in your region. To find out what to include in your application, head to the how to apply page of our international students section .
If you don’t meet the English language requirements for this course yet, you can achieve the level you need by successfully completing a pre-sessional English programme before you start your course.
Start this course in september 2024.
Apply now (Full-time)
Apply now (Part-time)
If you're currently in your final year of study at Portsmouth, or you graduated since July 2021, you're eligible to make a fast track application. You'll have:
Learn more about fast track
Once we receive your application, we may ask you for further information. We will then either make you an offer or suggest alternatives if your application is unsuccessful.
You'll usually get a decision within 10 working days, so you shouldn't have to wait too long. Some courses have an interview stage – we'll let you know if you need to prepare for one.
Learn more about how we assess your application .
When you accept an offer to study at the University of Portsmouth, you also agree to abide by our Student Contract (which includes the University's relevant policies, rules and regulations). You should read and consider these before you apply.
Student life, accommodation.
Support and wellbeing.
Departments and schools.
Creative Writing
Thank you for considering an application.
Please click here to login and apply, or view your application.
Need help? Explore our How to Apply Page
The closing date for applications to start this course in September 2024 is 31 July 2024. Further detail here .
Duration: 1 year full time or 2 years part time
Institution code: R72
Campus: Central London
UK fees * : £10,600
International/EU fees ** : £21,700
This course allows you to develop your work as a writer to a professional level, going beyond the personal to write with an engaged sense of literary culture, its social role and contemporary practices. The MA is designed for students with an established writing practice who are intending to develop their creative writing beyond first-degree level. It is also designed for those students wishing to proceed to MPhil or PhD. This MA is taught at our central London location, in the heart of literary Bloomsbury, putting you within walking distance of publishing houses, bookshops, major UK libraries and all of the other cultural attractions of central London.
You will take one of four distinct pathways:
While the pathways share a similar structure, they are taught separately so as to ensure you can work to a consistently high level. Please see the Course structure section below for more details on each of these.
The MA ranks among the top creative-writing courses in the country and is taught by leading writers whose work encompasses a wide range of approaches and styles.
Our prizewinning, internationally successful alumni include the novelists Sarah Perry, Tahmima Anam, Jenni Fagan and Barney Norris; short-story writer and poet Eley Williams; and the poets Liz Berry, Kayo Chingonyi, Sam Riviere and Sophie Robinson. You can see the work of some of our recent alumni by visiting www.bedfordsquarereview , our online showcase.
From time to time, we make changes to our courses to improve the student and learning experience. If we make a significant change to your chosen course, we’ll let you know as soon as possible.
Core modules.
An important dimension of the MA is to give you the opportunity to begin serious work on a major research project that relates to your practice. This could prepare you for an application for the practice-based PhD.
The Extended Essay (Creative Writing) is a crucial element in this preparation. It will be researched and written mainly in the summer term and during the summer vacation. The principle aim of the Extended Essay (Creative Writing) is to enable you to demonstrate your ability to reflect critically and theoretically, and to locate your practice in relation to contemporary writing practices. You should draw on and develop skills acquired in the first two terms. The subject of the extended essay is to be agreed with the supervisor.
This module will describe the key principles of academic integrity, focusing on university assignments. Plagiarism, collusion and commissioning will be described as activities that undermine academic integrity, and the possible consequences of engaging in such activities will be described. Activities, with feedback, will provide you with opportunities to reflect and develop your understanding of academic integrity principles.
You will choose one of the following pathways:
You will learn how to structure and edit your prose to a publishable standard while also developing an expert sense of how best to draw on the personal, the actual and the imagination. We have no house style, and encourage both experiment and rigour. In developing your analytical and editorial skills, you will sharpen your self-criticism.
The content of the workshops will be dictated by the presentations of work in progress by the members of the group, and by the critical dialogue that develops from these presentations. Your tutor will draw up a schedule for this and work will be circulated in advance. You will read and annotate this work and come to class ready to discuss it. Reading of literary exempla and extracts will also feed into workshop discussions. Your tutor may set exercises or additional advance reading, and you will receive intensive feedback supported by individual tutorials.
This pathway is for writers of all kinds of poetry, who are focused on publication on the page. You will learn how to locate and refine your personal poetics, and how to develop a poem to its fullest potential. You will be taught how to revise and edit a poem, how to sustain a writing practice, and how to locate your poetry within a broader literary context.
The workshop welcomes all styles and approaches to poetry focused on publication on the page. The content of the workshops will be dictated by the presentations of work in progress by the members of the group, and by the critical dialogue that develops from these presentations. Your tutor will draw up a schedule for this and work will be circulated in advance. You will read and annotate this work and come to class ready to discuss it. Reading of literary exempla and extracts will also feed into workshop discussions. Your tutor may set exercises or additional advance reading, and you will receive intensive feedback supported by individual tutorials.
This pathway foregrounds the writing in an expanded field of contemporary poetic practice. It offers a consideration of contemporary trends in innovative and experimental poetry: redefinitions of lyric writing, bookworks, visual poetics, performance, sound, conceptual writing, digital poetics and site-specific work.
You will develop, and reflect on, your own practice in the context of an understanding of contemporary experimental practice in poetry from the UK and North America, and consider how contemporary poetry and poetics intersect with such fields as conceptual art writing, sound art, live art, digital poetics, book arts, installed texts and writing in relation to site.
You will explore the broad range of possibilities that literary non-fiction has to offer from memoir to manifesto, from the essay to the hybrid form. You can experiment with the interface between fiction and memoir, and discover how to write out of the self without a form in mind. You will be taught how to activate and deploy your research. You will learn how to draw on these to develop original work of your own to publishable standard.
The workshop will include an exploration of the full range of approaches that non-fiction has to offer. We will encourage you to explore them all, and to draw freely on them in your own work, taking an interdisciplinary approach. We will also teach you how to use the tools and devices of fiction and poetry in the writing of non-fiction. The workshop is also where you present work in progress, and you will receive intensive feedback supported by individual tutorials.
In the autumn term, you will have the opportunity to explore a range of literary non- fiction practices. Working with exempla, which will be read in advance and discussed in class, you will undertake writing exercises, imitation and invention. In the spring term, you will be presenting and critiquing your own creative work-in-progress while continuing to discuss other texts that cast light on the issues that arise.
You will work in small groups and with extensive individual attention. We are looking for people who will flourish from working intensively within a rigorous and experimental but supportive environment. In addition to workshops, you will take modules in Supplementary Discourses and Reading as a Writer, seminars designed to enhance your understanding of your own practice as well as the broader literary context in which you will be situating your work.
You will submit creative and critical coursework, and will undertake a final practical project and dissertation on practice.
In the summer term, you will receive individual supervision and will be offered a programme of events and masterclasses introducing you to leading writers, editors and agents who can advise on next steps. Enhancing the experience, there are regular readings and talks given by students, staff and visiting writers.
The first portfolio of fiction or non-fiction or poetry (5,000 words prose, 12 pp poetry or equivalent agreed with your tutor) will be submitted for feedback at the beginning of the Spring Term. This is a formative submission which means that it is not formally graded. You will receive feedback and an indicative grade. Under the guidance of your tutor, you then revise this work and resubmit it at the beginning of the Summer Term. It is then a summative submission and is formally assessed.
The second portfolio (identical requirements) will be submitted for formal assessment, along with a revised first portfolio, at the beginning of the Summer Term.
The essay for Supplementary Discourses will be submitted for feedback at the beginning of the Spring Term. This submission is summative and is formally assessed.
The essay for Reading as a Writer will be submitted for summative assessment at the beginning of the of Summer Term.
Students receive individual supervisions in the summer term towards the completion of these two submissions, which are made in September.
UK or equivalent degree in single or combined honours English.
Applicant will be required to provide a writing sample, prose of up to 5,000 words or at least 12 pages of poetry reflecting their chosen pathway: Fiction, New Prose Narratives, Poetry, Poetic Practice.
Additionally, a sample of critical writing of up to 1,000 words showing your ability to critically engage with a text.
English language requirements.
A significant number of our Creative Writing students have become published authors or found work in publishing, the media and agencies.
We have an impressive record for placing graduates in academic jobs.
This course will give you a distinctive, creative edge in careers such as publishing, teaching, writing and journalism, administration and marketing.
Home (UK) students tuition fee per year*: £10,600
EU and international students tuition fee per year**: £21,700
Other essential costs***: There are no single associated costs greater than £50 per item on this course.
How do I pay for it? Find out more about funding options, including loans, grants, scholarships and bursaries.
* and ** These tuition fees apply to students enrolled on a full-time basis in the academic year 2024/25. Students studying on the standard part-time course structure over two years are charged 50% of the full-time applicable fee for each study year.
Royal Holloway reserves the right to increase all postgraduate tuition fees annually, based on the UK’s Retail Price Index (RPI). Please therefore be aware that tuition fees can rise during your degree (if longer than one year’s duration), and that this also means that the overall cost of studying the course part-time will be slightly higher than studying it full-time in one year. For further information, please see our terms and conditions .
** This figure is the fee for EU and international students starting a degree in the academic year 2024/25. Find out more
*** These estimated costs relate to studying this particular degree at Royal Holloway during the 2024/25 academic year, and are included as a guide. Costs, such as accommodation, food, books and other learning materials and printing, have not been included.
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Source: Complete University Guide 2023
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Study an ma in creative writing and develop literary and media writing skills, key course details.
Start Date | Tuition Fees - Year 1 |
---|---|
Sep 2024 | £ 8,700 |
Start Date | Tuition Fees - Year 1 |
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Sep 2024 | £ 4,350 |
Start Date | Tuition Fees - Year 1 |
---|---|
Sep 2024 | £ 2,900 |
Start Date | Tuition Fees - Year 1 |
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Sep 2024 | £ 18,400 |
Start Date | Tuition Fees - Year 1 |
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Sep 2024 | £ 9,200 |
Start Date | Tuition Fees - Year 1 |
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Sep 2024 | £ 6,150 |
The MA in Creative Writing is a uniquely inspirational programme that delivers integrated training in the writing of literary and media text. Taught by experienced writers of major profile, this course provides teaching on a range of genres including fiction, short story, poetry, drama, screenwriting and creative non-fiction. Your studies will connect with the unique literary culture of Wales, home to one of the oldest bardic traditions in Europe.
As part of a vibrant Swansea community of writers and artists, you will have the chance to forge personal links with National Theatre Wales and open-mic events at venues such as the Dylan Thomas Centre and Howl. There is also scope for work experience with local publishers. The School of Culture and Communication is based on our energising Singleton Park campus, in parkland overlooking Swansea Bay. Designed to promote individual and collaborative research activity of international standard, the Graduate Centre provides a supportive environment for postgraduate research and taught masters study. It offers postgraduate training to enhance academic and professional development, and facilitates seminar programmes, workshops and international conferences.
You will study a set number of optional 20-credit modules, before undertaking a 60-credit creative writing dissertation in the second part of the course. Varied modules include long fiction, writing radio drama, screenwriting, James Joyce and literary theory, global media and comparative journalism. Drama writing is a particular teaching strength, and contains the relatively new and unexplored field of Dramaturgy. You have the chance to write for online journal The Swansea Review , student-run online journal The Siren , and The Waterfront student newspaper. On the annual Writers’ Day at the Dylan Thomas Centre, you can meet with editors, agents, publishers and writers, to discuss the finer details of publication and the craft of writing. You will also benefit from guest visits by figures from the world of arts and publishing and free membership of Literature Wales, the national literature promotion agency.
As well as significantly improving your writing skills, you should develop oral communication skills by learning to present your ideas in a range of formats. Graduates from this course enter a range of creative industries including publishing, broadcasting, marketing and advertising.
You study a set number of optional 20-credit modules before undertaking a 60-credit creative writing dissertation in the second part of the course. The wide mix of modules includes long fiction, writing radio drama, screenwriting, James Joyce and literary theory, global media and comparative journalism.
Year 1 (level 7t), fheq 7 taught masters / pgdip / pgcert.
Students choose 120 credits from the following:
None found.
Choose Exactly 40 credits from the following Modules:
NOTE : Students must select two of the three TB1 modules listed below.
Module Name | Module Duration | Credits | Module Code | Guidance | September-January | 20 | EN-M34 | September-January | 20 | EN-M35 | September-January | 20 | EN-M36 |
---|
Choose Minimum Of 60 credits from the following Modules:
NOTE : MA CW students to choose up to three per semester; – please note that you need to have selected 2 of the compulsory (selective) modules overall. Creative Writing students may take English Literature/Welsh Writing in English modules at the discretion of the Literature MA Programme Director. Students must have an equal number of modules in each semester. To take EN-M78 you must have successfully completed EN-M34. To take EN-M40 you must have successfully completed EN-M36.
Module Name | Module Duration | Credits | Module Code | Guidance | September-January | 20 | EN-M34 | September-January | 20 | EN-M35 | September-January | 20 | EN-M36 | September-January | 20 | EN-M68 | September-January | 20 | MS-M01 | January-June | 20 | EN-M37 | January-June | 20 | EN-M38 | January-June | 20 | EN-M40 | Successful completion of EN-M36 Pre-requisite | January-June | 20 | EN-M57 | January-June | 20 | EN-M78 | Successful completion of EN-M34 Pre-requisite |
---|
Choose Maximum Of 20 credits from the following Modules:
NOTE : Credits permitting Creative Writing students may take One English Literature/Welsh Writing in English modules at the discretion of the Literature MA Programme Director. MS-M12 is offered by the Media Department.
Module Name | Module Duration | Credits | Module Code | Guidance | September-January | 20 | EN-M44 | September-January | 20 | EN-M69 | September-January | 20 | EN-M80 | September-January | 20 | EN-M85 | September-January | 20 | EN-M89 | September-January | 20 | EN-M90 | September-January | 20 | MS-M12 | January-June | 20 | EN-M42 | January-June | 20 | EN-M67 | January-June | 20 | EN-M74 | January-June | 20 | EN-M75 | January-June | 20 | EN-M77 | January-June | 20 | EN-M87 |
---|
Fheq 7 taught masters dissertation.
Students choose 60 credits from the following:
Choose Exactly 60 credits from the following Modules:
NOTE : Following successful completion of Part-1, students take the 60 credit Dissertation module listed below
Module Name | Module Duration | Credits | Module Code | Guidance | June-September | 60 | ENMD00 |
---|
Choose Minimum Of 20 credits from the following Modules:
NOTE : Select 1 or 2 from the following 3 TB1 modules in years 1 and 2
Choose Maximum Of 40 credits from the following Modules:
NOTE : MA CW 2-yr P/T students to choose up to three per academic year and no more than 2 in one semester; – please note that you need to have selected 2 of the compulsory (selective) modules overall. To take EN-M78, you must have successfully completed EN-M34. To take EN-M40 you must have successfully completed EN-M36.
Module Name | Module Duration | Credits | Module Code | Guidance | September-January | 20 | EN-M34 | September-January | 20 | EN-M35 | September-January | 20 | EN-M36 | September-January | 20 | EN-M68 | September-January | 20 | MS-M01 | January-June | 20 | EN-M37 | January-June | 20 | EN-M40 | January-June | 20 | EN-M57 | January-June | 20 | EN-M78 |
---|
NOTE : Credits permitting, Creative Writing students may take one English Literature/Welsh Writing in English modules at the discretion of the Literature Writing MA Programme Director . MS-M12 is offered by the Media Department
Module Name | Module Duration | Credits | Module Code |
---|---|---|---|
June-September | 60 | ENMD00 |
NOTE : Select 1 or 2 from the following 3 TB1 modules. Students must take 2 of these modules over the course of their MA overall.
NOTE : Select sufficient credits to total 60 overall. Students can also choose one of the English Literature listed in options 2 at the discretion of the Eng Lit Programme Director, in each Academic year. You may not exceed 40 credits in any one teaching block . To take EN-M78 you must have successfully completed EN-M34. To take EN-M40 you must have successfully completed EN-M36.
NOTE : Credits permitting Creative Writing students may take one English Literature/Welsh Writing in English modules at the discretion of the Literature Writing MA Programme Director. MS-M12 is offered by the Media Department.
NOTE : Select 1 or 2 from the following 3 TB1 modules. Students must take 2 of these modules over the course of their MA overall. You may not repeat any modules already taken at Year 1.
NOTE : Credits permitting Creative Writing students may take one English Literature/Welsh Writing in English module at the discretion of the Literature Writing MA Programme Director. MS-M12 is offered by the Media Department.
NOTE : Following successful completion of Part-1 students take the 60 credit Dissertation module listed below
How you're taught.
We are proud to provide an outstanding educational experience, using the most effective learning and teaching approaches, carefully tailored to suit the specific needs of your course. Our courses consist of in-person, on-campus teaching, enabling full engagement with your lecturers and fellow students.
Practical skills sessions, seminars, and workshops predominantly take place in person, allowing for group working and presentations. However, our approach also includes the use of some online learning to support and enhance traditional face-to-face teaching.
Online learning may take place ‘live’ using software such as Zoom, allowing you to interact with the lecturer and peers and to ask questions. Lecture recordings also allow for more flexibility to revisit material, to revise for assessments and to enhance learning outside of the classroom. Some modules have extra resources in our virtual learning environment (Canvas), such as videos, slides and quizzes enabling further flexible study.
Students study two compulsory modules and four optional modules in part-one and a dissertation, a portfolio in a genre of their choosing in part-two.
Some provision.
There are opportunities for Welsh speakers to study some elements of this postgraduate course through the medium of Welsh but there is not yet enough provision to reach 40 credits in each year. The Programme Director can outline to you what is available in Welsh.
Academi Hywel Teifi is here to support you throughout your time at Swansea University. We can offer you:
Visit the Welsh Language Rights webpage for further information about Students' Welsh Language Rights.
Continuing to study through the medium of Welsh will be:
Our degrees are taught by experts, who have a wealth of knowledge to pass on to our students.
You can find out more about our academic expertise on our staff pages.
Ma 1 year full time.
Start Date | UK | International |
---|---|---|
September 2023 | £ 8,300 | £ 17,500 |
September 2024 | £ 8,700 | £ 18,400 |
Start Date | UK | International |
---|---|---|
September 2023 | £ 4,150 | £ 8,750 |
September 2024 | £ 4,350 | £ 9,200 |
Start Date | UK | International |
---|---|---|
September 2023 | £ 2,800 | £ 5,850 |
September 2024 | £ 2,900 | £ 6,150 |
Tuition fees for years of study after your first year are subject to an increase of 3%.
You can find further information of your fee costs on our tuition fees page .
You may be eligible for funding to help support your study. To find out about scholarships, bursaries and other funding opportunities that are available please visit the University's scholarships and bursaries page .
International students and part-time study: It may be possible for some students to study part-time under the Student Visa route. However, this is dependent on factors relating to the course and your individual situation. It may also be possible to study with us if you are already in the UK under a different visa category (e.g. Tier 1 or 2, PBS Dependant, ILR etc.). Please visit the University information on Visas and Immigration for further guidance and support.
Current students: You can find further information of your fee costs on our tuition fees page .
You may be eligible for funding to help support your study.
If you're a UK or EU student starting a master’s degree at Swansea University, you may be eligible to apply for Government funding to help towards the cost of your studies. To find out more, please visit our postgraduate loans page.
To find out about scholarships, bursaries and other funding opportunities that are available please visit the University's scholarships and bursaries page.
Academi Hywel Teifi at Swansea University and the Coleg Cymraeg Cenedlaethol offer a number of generous scholarships and bursaries for students who wish to study through the medium of Welsh or bilingually. For further information about the opportunities available to you, visit the Academi Hywel Teifi Scholarships and Bursaries page.
Access to your own digital device/the appropriate IT kit will be essential during your time studying at Swansea University. Access to wifi in your accommodation will also be essential to allow you to fully engage with your programme. See our dedicated webpages for further guidance on suitable devices to purchase, and for a full guide on getting your device set up .
You may face additional costs while at university, including (but not limited to):
Swansea Employability Academy (SEA) will support you at each stage of your career journey helping you build a bright future.
Our career support services include:
We also provide help and advice for Swansea University Alumni up to two years after you graduate.
As well as subject specific support by college teaching staff and your personal tutor, the Centre for Academic Success provides courses, workshops and one-to-one support in areas such as:
In addition, if you have a Specific Learning Difficulty (SpLD), disability, mental health or medical condition, the Centre for Academic Success have Specialist Tutors to support your learning, working alongside the Disability Office and Wellbeing Service to support all your needs and requirements whilst studying at Swansea University.
We care about our students and our aim is to ensure that you achieve the best degree classification. We have a personal mentoring system where you will be allocated a personal tutor. We also have an “open door” policy where our academic teachers are available to talk to you at any time about any queries or academic concerns you may have.
Please apply through the University’s central application system .
EU students - visa and immigration information is available and will be regularly updated on our information for EU students page.
We recommend that you submit your application to our courses as early as you can in advance of our application deadlines. Courses will close earlier than the application deadlines listed if all available places are filled. You can find further information on our Application Deadlines webpage.
Postgraduate taught degree
This course is for 2024/25 entry.
Dr Jonathan Gibbs explains what it is like to study Creative Writing at City.
Realise your passion for words and self-expression through a flexible creative writing programme that will develop your skills in your chosen form: fiction, genre fiction or non-fiction. This Creative Writing masters degree combines a passion for the power of the imagination with intensive study of craft and critical approaches to writing.
City, University of London
Northampton Square
Uniquely comprehensive programme combining the practice and business of writing
in the UK for Communications and Media (Complete University Guide 2025)
Fees and funding, how to apply, creative writing ma course overview, benefits of this course.
During this Creative Writing Master's degree, you will learn how to read and think as a writer and explore the choices faced and decisions taken by writers. Regular workshops and bespoke reading lists will serve to inform and enrich your own work.
You will also gain an understanding of the business of writing in all its forms, from print and electronic publication to public performance and the use of social media, as well as the role of editors, agents and publishers.
While you will choose a form of creative writing as your focus (fiction, genre fiction or non-fiction) you will develop technical awareness across a range of genres, and acquire transferable skills.
You can select to apply for one of the available exit points for this course.
Who is this course for.
If you are seeking a way of developing creative writing skills in your preferred genre, this creative writing masters programme is ideal.
Whether your interests lie in fiction, non-fiction or particular genre fiction, we can empower your creative journey.
Our programme is underpinned by the conviction that imagination is a vital mode of perception and enquiry, and language and literature can transform individual lives and cultures. We hope you share that same conviction.
Total credits: 180
The Creative Writing Master's is made up of:
Reading as a Writer (15 credits)
In this module you will read and discuss fiction and non-fiction from a writer’s perspective. You will gain an understanding of the techniques, forms and styles used by a range of writers and be able to apply them to your own writing.
Working as a Writer (15 credits)
You will acquire an understanding of the roles of agents, editors and publishers and how to interact with them. You will study the business aspects of being a writer and the ethical and legal concerns involved in publishing your work, as well as the wider opportunities for developing your presence in the writing community.
Creative Writing Workshop 1 (15 credits)
In this module you will study and develop key skills in creative prose writing, including creation and control of voice, point of view, setting, characterisation, dialogue, description.
Creative Writing Workshop 2 (15 credits)
In this module you will study and develop key skills in creative prose writing, including plot, structure and pacing, and thematic and character development. You will explore genre considerations (whether fiction, genre fiction or non-fiction) and the function of aspects such as theme, content, narrative momentum and pacing.
Special Study: Short Fiction (15 credits)
In this module you will study and analyse the form and creation of short fiction, and its role and position in the contemporary literary landscape
Special Study: The Contemporary Essay (15 credits)
In this module you will study and analyse the form and creation of the creative non-fiction essay, including lyric, personal and critical essays, and their role and position in the contemporary literary landscape.
Special Study: The Novel (15 credits)
In this module you will study and analyse the form and creation of the novel, and its role and position in the contemporary literary landscape
Special Study: The Genre Novel (15 credits)
In this module you will study and analyse the form and creation of the genre novel, and its role and position in the contemporary literary landscape.
Special Study: The Non-Fiction Book (15 credits)
In this module you will study and analyse the form and creation of the full-length creative non-fiction book, which may include memoir, biography and monograph, and its role and position in the contemporary literary landscape.
Constituting Identity (15 credits)
Through this module you will explore the intertwining of self and story in different narrative forms. You will gain a sophisticated critical awareness of current debates such as the role of social and cultural models of identity and of memory and perspective.
Imagined Communities (15 credits)
This module examines how communal identities are constructed through shared narratives. You will study the stories that national, cultural, ethnic or social groups tell about themselves in an effort to project a coherent identity both to themselves and to others.
Literary Cartographies (15 credits)
Some of the most significant recent developments in literary studies have been stimulated by considerations of space, place, mapping, geography and landscape. This module explores the notion of literary cartography, the construction of different kinds of textual 'worlds' in literature.
Theorising Women’s Writing (15 credits)
You will become familiar with the frameworks, theories and methods scholars have developed to discuss women’s writing. You will explore the ways in which gender and sexuality intersect with other axes of difference: race, disability, ethnicity, nationality and class
Text and Image (15 credits)
You will have the opportunity to analyse cultural products that combine textual and visual modes. These may include, but not limited to, the illustrated press, graphic narratives, children’s books, screenplays and/ or film adaptation.
Digital Publishing (15 credits)
In this module you will analyse the impact of digitisation on the publishing industry. You will look at likely future developments with reference to industry case studies.
Publishing History and Culture (15 credits)
How to Make a Book: Creating Content in Print (15 credits)
You will look at case studies from different sectors and global markets. You will learn how to apply creativity and innovation processes in your own response to current publishing conditions.
The Power of Publishing: Strategy, Diversity and Sustainability (15 credits)
You will gain an understanding of how cultural and publishing companies respond creatively and commercially to the opportunities and challenges in curating content, both digital and in print. You will look at case studies of innovative strategies especially in the area of digitalisation.
Freelancing and Entrepreneurship in the Creative and Cultural Industries (15 credits)
Creative Writing Dissertation (60 credits)
During this module you will develop an extended piece of Creative Writing in Fiction, Non-fiction or Genre Fiction. It may take the form of short stories, or a portion of a novel or book, to a total of 15,000 words.
The programme specification contains more information on how the course is organised, the requirements for progression for each part and credits required for awards.
You will learn through a mix of lectures, seminars, writing workshops, tutorials, group work, individual supervisions, study visits and independent learning.
Our visiting speakers will include guest authors, editors, agents and publishers who regularly support your learning and module projects.
Writing masterclasses enable you to debate current issues within your field, while our embedded learning tool Moodle allows you to interact with other students and staff outside the classroom or workshop.
We encourage you to privately reflect on your professional practice during all of your applied work.
In this MA Creative Writing, you will be assessed across the core and elective modules, and in the dissertation and reflective essay.
Individual modules in this MA Creative Writing can be assessed through portfolios of creative writing, analytical essays, assessed projects and research portfolios.
Explore up-to-date information about funding options, available financial support and typical living costs.
Applicants from a black British background and hold an unconditional offer to study for an MA in the School of Communication and Creativity for academic year 2024/5 are invited to apply.
Apply today
Some of our degrees may involve additional expenses which are not covered by your tuition fees. Find out more about additional expenses .
Our Creative Writing MA prepares you for a career as a writer.
We also intend to develop transferable skills in oral and written communication relevant to careers including teaching, editing, arts management, publishing and journalism.
You might consider other creative industries such as advertising and video game production, where storytelling skills are highly valued.
During the programme you will be able to meet agents, editors and others within traditional and digital publishing.
Whether your ambition is to professionally pursue writing, work in publishing or another creative field, or undertake further academic study and research, you will have the appropriate skills.
Below is a list of countries with information on each about which qualifications we accept. If your country is not listed please email [email protected] .
Applicants should normally:
We welcome applications from candidates who may not meet the standard entrance criteria but who hold alternative credentials and can demonstrate their potential to produce written work at the requisite level, or who can offer prior learning which may satisfy City's requirements for RPL/RPEL. The prime criteria are demonstrable writing ability and commitment to learning.
Don't meet the entry requirements? INTO City, University of London offers a range of academic and English language programmes to help prepare you for study at City, University of London. You’ll learn from experienced teachers in a dedicated international study centre.
These programmes are designed for international students who do not meet the required academic and English language requirements for direct entry. To prepare for this degree course, learn more about the Graduate Diploma in Social Sciences and the Arts .
Please refer to the UK entry requirements for the course, check for any prerequisites such as compulsory or preferred subject areas, and use the following as an indication of the Zimbabwean equivalent required.
The equivalents provided are intended as a guide only and individual applications are assessed on a case-by-case basis.
Zimbabwean Bachelor degrees are typically accepted with a 2:1 (65%) equivalent to a UK 2:1 (second-class upper) Honours Bachelor degree and a 2:2 (60%) equivalent to a UK 2:2 (second-class lower) Honours Bachelor degree.
If you don't meet the entry requirements please check to see if there is a suitable preparatory programme available for your course at INTO City, University of London or Kaplan International College London .
International Students coming to study in the UK may need to apply for a visa or entry clearance to come to the UK to study. The way that you apply may vary depending on the length of your course. There are different rules for:
For more information see our main Visa page .
Please refer to the UK entry requirements for the course, check for any prerequisites such as compulsory or preferred subject areas, and use the following as an indication of the Zambian equivalent required.
Zambian Masters degrees are typically accepted with GPA 3.5 equivalent to a UK 2:1 (second-class upper) Honours Bachelor degree and GPA 3.0 equivalent to a UK 2:2 (second-class lower) Honours Bachelor degree.
Please refer to the UK entry requirements for the course, check for any prerequisites such as compulsory or preferred subject areas, and use the following as an indication of the Vietnamese equivalent required.
Vietnamese Bachelor degrees (Bang Tot Nghiep Dai Hoc or Bang Cu Nhan) from selected institutions are typically accepted with 7 out of 10 equivalent to a UK 2:1 (second-class upper) Honours Bachelor degree and 6.5 out of 10 equivalent to a UK 2:2 (second-class lower) Honours Bachelor degree.
Please refer to the UK entry requirements for the course, check for any prerequisites such as compulsory or preferred subject areas, and use the following as an indication of the Uzbekistani equivalent required.
Uzbekistani Bachelor / Bakalavr degrees are typically accepted with 71% equivalent to a UK 2:1 (second-class upper) Honours Bachelor degree and 55% equivalent to a UK 2:2 (second-class lower) Honours Bachelor degree.
Please refer to the UK entry requirements for the course, check for any prerequisites such as compulsory or preferred subject areas, and use the following as an indication of the Ukrainian equivalent required.
Ukrainian Bachelor / Specialist Bachelor degrees are typically accepted with a GPA 4.3 equivalent to a UK 2:1 (second-class upper) Honours Bachelor degree and GPA 4.0 equivalent to a UK 2:2 (second-class lower) Honours Bachelor degree.
Please refer to the UK entry requirements for the course, check for any prerequisites such as compulsory or preferred subject areas, and use the following as an indication of the Ugandan equivalent required.
Ugandan Bachelor degrees are typically accepted with GPA 4.0/5.0 equivalent to a UK 2:1 (second-class upper) Honours Bachelor degree and GPA 3.0/5.0 equivalent to a UK 2:2 (second-class lower) Honours Bachelor degree.
Please refer to the UK entry requirements for the course, check for any prerequisites such as compulsory or preferred subject areas, and use the following as an indication of the US equivalent required.
US Bachelor degrees are typically accepted with GPA 3.2 equivalent to a UK 2:1 (second-class upper) Honours Bachelor degree and GPA 2.5 equivalent to a UK 2:2 (second-class lower) Honours Bachelor degree.
Please refer to the UK entry requirements for the course, check for any prerequisites such as compulsory or preferred subject areas, and use the following as an indication of the Emirati equivalent required.
Emirati Bachelor degrees are typically accepted with GPA 3.2 equivalent to a UK 2:1 (second-class upper) Honours Bachelor degree and GPA 2.5 equivalent to a UK 2:2 (second-class lower) Honours Bachelor degree.
Please refer to the UK entry requirements for the course, check for any prerequisites such as compulsory or preferred subject areas, and use the following as an indication of the Turkish equivalent required.
Turkish Bachelor / Lisans Diplomasi degrees are typically accepted with GPA 3.2 equivalent to a UK 2:1 (second-class upper) Honours Bachelor degree and GPA 2.7 equivalent to a UK 2:2 (second-class lower) Honours Bachelor degree.
Please refer to the UK entry requirements for the course, check for any prerequisites such as compulsory or preferred subject areas, and use the following as an indication of the Tunisian equivalent required.
Tunisian Bachelor / Diplome degrees are typically accepted with 14 out of 20 equivalent to a UK 2:1 (second-class upper) Honours Bachelor degree and 12 out of 20 equivalent to a UK 2:2 (second-class lower) Honours Bachelor degree.
Please refer to the UK entry requirements for the course, check for any prerequisites such as compulsory or preferred subject areas, and use the following as an indication of the Trinidadian and Tobagonian equivalent required.
University of the West Indies Bachelor degrees are typically accepted with a 2.1 (grade B+) equivalent to a UK 2:1 (second-class upper) Honours Bachelor degree and a 2:2 (grade B) equivalent to a UK 2:2 (second-class lower) Honours Bachelor degree.
Please refer to the UK entry requirements for the course, check for any prerequisites such as compulsory or preferred subject areas, and use the following as an indication of the Thai equivalent required.
Depending on the awarding institution Thai 4 year Bachelors degrees are typically accepted with GPA 3.0 to 3.2 equivalent to a UK 2:1 (second-class upper) Honours Bachelor degree and GPA 2.6 to 2.8 equivalent to a UK 2:2 (second-class lower) Honours Bachelor degree.
Please refer to the UK entry requirements for the course, check for any prerequisites such as compulsory or preferred subject areas, and use the following as an indication of the Tanzanian equivalent required.
Tanzanian Bachelor degrees are typically accepted with a 2:1 or 60% equivalent to a UK 2:1 (second-class upper) Honours Bachelor degree and a 2:2 or 50% equivalent to a UK 2:2 (second-class lower) Honours Bachelor degree.
Please refer to the UK entry requirements for the course, check for any prerequisites such as compulsory or preferred subject areas, and use the following as an indication of the Taiwanese equivalent required.
Taiwanese Bachelor degrees are typically accepted with 75% or grade B equivalent to a UK 2:1 (second-class upper) Honours Bachelor degree and 70% or grade C equivalent to a UK 2:2 (second-class lower) Honours Bachelor degree.
Please refer to the UK entry requirements for the course, check for any prerequisites such as compulsory or preferred subject areas, and use the following as an indication of the Syrian equivalent required.
Depending on the awarding institution Syrian Bachelor degrees or Licence are typically accepted with 70-80% or 'very good' equivalent to a UK 2:1 (second-class upper) Honours Bachelor degree and 60-70% or 'good' equivalent to a UK 2:2 (second-class lower) Honours Bachelor degree.
Please refer to the UK entry requirements for the course, check for any prerequisites such as compulsory or preferred subject areas, and use the following as an indication of the Swiss equivalent required.
Swiss Bachelor degrees are typically accepted with 4.75 out of 6.0, 8 out of 10 or 2 out of 5 (5 to 1 scale) equivalent to a UK 2:1 (second-class upper) Honours Bachelor degree and 4.0 out of 6.0, 6 out of 10 or 3 out of 5 (5 to 1 scale equivalent to a UK 2:2 (second-class lower) Honours Bachelor degree.
International Students from within the European Economic Area (EEA) may need to apply for a Student visa or entry clearance to come to the UK to study if they do not have EU Settlement Status.
Please refer to the UK entry requirements for the course, check for any prerequisites such as compulsory or preferred subject areas, and use the following as an indication of the Swedish equivalent required.
Swedish Bachelor degrees or Kandidatexamen are typically accepted with B- 180 ECTS minimum overall or at least 50% of credits graded at VG overall equivalent to a UK 2:1 (second-class upper) Honours Bachelor degree and C- (180 ECTS minimum overall) or at least 20% of credits graded at VG overall equivalent to a UK 2:2 (second-class lower) Honours Bachelor degree.
Please refer to the UK entry requirements for the course, check for any prerequisites such as compulsory or preferred subject areas, and use the following as an indication of the Sri Lankan equivalent required.
Sri Lankan 4 year Bachelor Special Degrees or Professional Degrees are typically accepted with a 2:1, grade B+ or GPA 3.3 out of 4.0 equivalent to a UK 2:1 (second-class upper) Honours Bachelor degree and a 2:2, grade B or GPA 3.0 out of 4.0 equivalent to a UK 2:2 (second-class lower) Honours Bachelor degree.
Please refer to the UK entry requirements for the course, check for any prerequisites such as compulsory or preferred subject areas, and use the following as an indication of the Spanish equivalent required.
Spanish Título de Licenciado, Título de Ingeniero and Título de Arquitecto are typically accepted with 7 equivalent to a UK 2:1 (second-class upper) Honours Bachelor degree and 6 equivalent to a UK 2:2 (second-class lower) Honours Bachelor degree.
Please refer to the UK entry requirements for the course, check for any prerequisites such as compulsory or preferred subject areas, and use the following as an indication of the South Korean equivalent required.
South Korean Bachelor degrees (Haksa) are typically accepted with GPA 3.5 out of 4.5 or grade B equivalent to a UK 2:1 (second-class upper) Honours Bachelor degree and GPA 3.0 out of 4.6 or grade C equivalent to a UK 2:2 (second-class lower) Honours Bachelor degree.
Please refer to the UK entry requirements for the course, check for any prerequisites such as compulsory or preferred subject areas, and use the following as an indication of the South African equivalent required.
South African Bachelor degrees are typically accepted with a 2:1 or 70% equivalent to a UK 2:1 (second-class upper) Honours Bachelor degree and a 2:2 or 60% equivalent to a UK 2:2 (second-class lower) Honours Bachelor degree.
Please refer to the UK entry requirements for the course, check for any prerequisites such as compulsory or preferred subject areas, and use the following as an indication of the Slovenian equivalent required.
Slovenian Bachelor degrees are typically accepted with 8 out of 10 equivalent to a UK 2:1 (second-class upper) Honours Bachelor degree and 7 out of 10 equivalent to a UK 2:2 (second-class lower) Honours Bachelor degree.
Please refer to the UK entry requirements for the course, check for any prerequisites such as compulsory or preferred subject areas, and use the following as an indication of the Slovakian equivalent required.
Slovakian Bakalar degrees are typically accepted with GPA 1.5 - 2.0 equivalent to a UK 2:1 (second-class upper) Honours Bachelor degree and 2.0 - 2.5 equivalent to a UK 2:2 (second-class lower) Honours Bachelor degree.
Please refer to the UK entry requirements for the course, check for any prerequisites such as compulsory or preferred subject areas, and use the following as an indication of the Singaporean equivalent required.
Singaporean Bachelor and Bachelor Honours degrees are typically accepted GPA 3.0 out of 4.0 or 3.8 out of 5.0 or II (upper) - Second Class (Upper) Honours equivalent to a UK 2:1 (second-class upper) Honours Bachelor degree and GPA 2.5 out of 4.0 or 3.3 out of 5.0 or II (lower) - Second Class (lower) Honours equivalent to a UK 2:2 (second-class lower) Honours Bachelor degree.
Please refer to the UK entry requirements for the course, check for any prerequisites such as compulsory or preferred subject areas, and use the following as an indication of the Serbian equivalent required.
Advanced Diploma of Higher Education and Diplomirani are typically accepted with 8 out of 10 equivalent to a UK 2:1 (second-class upper) Honours Bachelor degree and 7 out of 10 equivalent to a UK 2:2 (second-class lower) Honours Bachelor degree.
Please refer to the UK entry requirements for the course, check for any prerequisites such as compulsory or preferred subject areas, and use the following as an indication of the Saudi Arabian equivalent required.
Saudi Arabian Bachelor degrees are typically accepted with GPA 3.2 out of 4.0 or GPA 4.0 out of 5.0 equivalent to a UK 2:1 (second-class upper) Honours Bachelor degree and GPA 2.4 out of 4.0 or GPA 3.0 out of 5.0 equivalent to a UK 2:2 (second-class lower) Honours Bachelor degree.
Please refer to the UK entry requirements for the course, check for any prerequisites such as compulsory or preferred subject areas, and use the following as an indication of the Rwandan equivalent required.
Rwandan Bachelor degrees are typically accepted with a 2:1 or 16 out of 20 equivalent to a UK 2:1 (second-class upper) Honours Bachelor degree and a 2:2 or 14 out of 20 equivalent to a UK 2:2 (second-class lower) Honours Bachelor degree.
Please refer to the UK entry requirements for the course, check for any prerequisites such as compulsory or preferred subject areas, and use the following as an indication of the Russian equivalent required.
Russian Bachelor or Specialist Bachelor degrees are typically accepted with GPA 4.3 equivalent to a UK 2:1 (second-class upper) Honours Bachelor degree and GPA 4.0 equivalent to a UK 2:2 (second-class lower) Honours Bachelor degree.
Please refer to the UK entry requirements for the course, check for any prerequisites such as compulsory or preferred subject areas, and use the following as an indication of the Romanian equivalent required.
Romanian Bachelor degrees are typically accepted with 8 equivalent to a UK 2:1 (second-class upper) Honours Bachelor degree and 7 equivalent to a UK 2:2 (second-class lower) Honours Bachelor degree.
Please refer to the UK entry requirements for the course, check for any prerequisites such as compulsory or preferred subject areas, and use the following as an indication of the Qatari equivalent required.
Qatari Bachelor degrees are typically accepted with GPA 3.0 out of 4.0 or GPA 3.6 out of 5.0 equivalent to a UK 2:1 (second-class upper) Honours Bachelor degree and GPA 2.4 out of 4.0 or GPA 3.0 out of 5.0 equivalent to a UK 2:2 (second-class lower) Honours Bachelor degree.
Please refer to the UK entry requirements for the course, check for any prerequisites such as compulsory or preferred subject areas, and use the following as an indication of the Portuguese equivalent required.
Portuguese Licenciado are typically accepted with 14 equivalent to a UK 2:1 (second-class upper) Honours Bachelor degree and 12 equivalent to a UK 2:2 (second-class lower) Honours Bachelor degree.
Please refer to the UK entry requirements for the course, check for any prerequisites such as compulsory or preferred subject areas, and use the following as an indication of the Polish equivalent required.
Polish Bachelor / Licencjat or Magister degrees are typically accepted with GPA 4.5 equivalent to a UK 2:1 (second-class upper) Honours Bachelor degree and GPA 3.5 equivalent to a UK 2:2 (second-class lower) Honours Bachelor degree.
Please refer to the UK entry requirements for the course, check for any prerequisites such as compulsory or preferred subject areas, and use the following as an indication of the Filipino equivalent required.
Filipino Masters degree from any recognised institution and Bachelor degrees from selected institutions (i.e. Asian Institute of Management, Ateneo de Manila University, De La Salle University Manila, University of Santo Tomas, University of the Philippines Diliman) are typically accepted with GPA 3.0 out of 4.0, GPA 1.75 out of 5 or 86% equivalent to a UK 2:1 (second-class upper) Honours Bachelor degree and GPA 2.5 out of 4.0, GPA 2.5 out of 5 or 80% equivalent to a UK 2:2 (second-class lower) Honours Bachelor degree.
Please refer to the UK entry requirements for the course, check for any prerequisites such as compulsory or preferred subject areas, and use the following as an indication of the Peruvian equivalent required.
Peruvian Grado Académico de Bachiller or Título de Licenciado or Título (Profesional) degrees are typically accepted with 14 out of 20 equivalent to a UK 2:1 (second-class upper) Honours Bachelor degree and 12 out of 20 equivalent to a UK 2:2 (second-class lower) Honours Bachelor degree.
Please refer to the UK entry requirements for the course, check for any prerequisites such as compulsory or preferred subject areas, and use the following as an indication of the Palestinian equivalent required.
Palestinian Bachelor or Bakalorius degrees are typically accepted with GPA 3.2 out of 4.0 equivalent to a UK 2:1 (second-class upper) Honours Bachelor degree and GPA 2.6 out of 4.0 equivalent to a UK 2:2 (second-class lower) Honours Bachelor degree.
Please refer to the UK entry requirements for the course, check for any prerequisites such as compulsory or preferred subject areas, and use the following as an indication of the Pakistani equivalent required.
Pakistani 4 year Bachelor degrees are typically accepted with GPA 3.2 equivalent to a UK 2:1 (second-class upper) Honours Bachelor degree and GPA 2.6 equivalent to a UK 2:2 (second-class lower) Honours Bachelor degree.
Please refer to the UK entry requirements for the course, check for any prerequisites such as compulsory or preferred subject areas, and use the following as an indication of the Omani equivalent required.
Omani Bachelor or Licence degrees are typically accepted with GPA 3.0 typically equivalent to a UK 2:1 (second-class upper) Honours Bachelor degree and GPA 2.4 equivalent to a UK 2:2 (second-class lower) Honours Bachelor degree.
Please refer to the UK entry requirements for the course, check for any prerequisites such as compulsory or preferred subject areas, and use the following as an indication of the Norwegian equivalent required.
Norwegian Bachelor degrees are typically accepted with a B grade typically equivalent to a UK 2:1 (second-class upper) Honours Bachelor degree and a C grade equivalent to a UK 2:2 (second-class lower) Honours Bachelor degree.
Please refer to the UK entry requirements for the course, check for any prerequisites such as compulsory or preferred subject areas, and use the following as an indication of the Nigerian equivalent required.
Nigerian Bachelor degrees are typically accepted with a 2:1 or GPA 3.5 out of 5.0 equivalent to a UK 2:1 (second-class upper) Honours Bachelor degree and a 2:2 or GPA 2.7 out of 5.0 equivalent to a UK 2:2 (second-class lower) Honours Bachelor degree.
Please refer to the UK entry requirements for the course, check for any prerequisites such as compulsory or preferred subject areas, and use the following as an indication of the New Zealand equivalent required.
New Zealand 4-year Bachelor degrees with Honours are typically accepted with Second Class (Division 1) Honours equivalent to a UK 2:1 (second-class upper) Honours Bachelor degree, and Second Class (Division 2) Honours equivalent to a UK 2:2 (second-class lower) Honours Bachelor degree.
New Zealand 3-year Bachelor degrees are typically accepted with B+ overall equivalent to a UK 2:1 (second-class upper) Honours Bachelor degree and C+ overall equivalent to a UK 2:2 (second-class lower) Honours Bachelor degree.
Please refer to the UK entry requirements for the course, check for any prerequisites such as compulsory or preferred subject areas, and use the following as an indication of the Dutch equivalent required.
Dutch Bachelor degrees or Doctoraal are typically accepted with 7 out of 10 equivalent to a UK 2:1 (second-class upper) Honours Bachelor degree and 6 out of 10 equivalent to a UK 2:2 (second-class lower) Honour Bachelor degree.
Please refer to the UK entry requirements for the course, check for any prerequisites such as compulsory or preferred subject areas, and use the following as an indication of the Nepali equivalent required.
Nepali 4-year Bachelor degrees (post 2017) are typically accepted with GPA 3.3 out of 4.0 equivalent to a UK 2:1 (second-class upper) Honours Bachelor degree and GPA 3.0 out of 4.0 equivalent to a UK 2:2 (second-class lower) Honours Bachelor degree.
Please refer to the UK entry requirements for the course, check for any prerequisites such as compulsory or preferred subject areas, and use the following as an indication of the Burmese equivalent required.
Burmese Masters degrees are typically accepted with 70% equivalent to a UK 2:1 (second-class upper) Honours Bachelor degree and 60% equivalent to a UK 2:2 (second-class lower) Honours Bachelor degree.
Please refer to the UK entry requirements for the course, check for any prerequisites such as compulsory or preferred subject areas, and use the following as an indication of the Moroccan equivalent required.
Moroccan Bachelors, Licence or Diplome degrees are typically accepted with 14 out of 20 equivalent to a UK 2:1 (second-class upper) Honours Bachelor degree and 12 out of 20 equivalent to a UK 2:2 (second-class lower) Honours Bachelor degree.
Please refer to the UK entry requirements for the course, check for any prerequisites such as compulsory or preferred subject areas, and use the following as an indication of the Mexican equivalent required.
Mexican Titulo de Licenciado are typically accepted with 8 out of 10 equivalent to a UK 2:1 (second-class upper) Honours Bachelor degree and 7 out of 10 equivalent to a UK 2:2 (second-class lower) Honours Bachelor degree.
Please refer to the UK entry requirements for the course, check for any prerequisites such as compulsory or preferred subject areas, and use the following as an indication of the Mauritian equivalent required.
Mauritian Bachelor degrees are accepted with a 2:1 equivalent to a UK 2:1 (second-class upper) Honours Bachelor degree and a 2:2 equivalent to a UK 2:2 (second class lower) Honours Bachelor degree.
Please refer to the UK entry requirements for the course, check for any prerequisites such as compulsory or preferred subject areas, and use the following as an indication of the Maltese equivalent required.
Maltese Bachelor Honours degrees are accepted with a 2:1 equivalent to a UK 2:1 (second-class upper) Honours Bachelor degree and a 2:2 equivalent to a UK 2:2 (second class lower) Honours Bachelor degree.
International Students from within the European Economic Area (EEA) may need to apply for a visa or entry clearance to come to the UK to study. The way that you apply may vary depending on the length of your course. There are different rules for:
Please refer to the UK entry requirements for the course, check for any prerequisites such as compulsory or preferred subject areas, and use the following as an indication of the Malaysian equivalent required.
Malaysian Bachelor degrees from Berdaya Saing (Competitive) institutions are typically accepted with GPA 3.0 equivalent to a UK 2:1 (second-class upper) Honours Bachelor degree, and GPA 2.6 equivalent to a UK 2:2 (second-class lower) Honours Bachelor degree.
Malaysian Bachelor degrees from Berdaya Maju (Viable) institutions are typically accepted with GPA 3.2 equivalent to a UK 2:1 (second-class upper) Honours Bachelor degree, and GPA 2.8 equivalent to a UK 2:2 (second-class lower) Honours Bachelor degree.
Please refer to the UK entry requirements for the course, check for any prerequisites such as compulsory or preferred subject areas, and use the following as an indication of the Macanese equivalent required.
Macanese Bachelor degrees or Grau de Licenciatura are typically accepted with GPA 3.2 or B+ equivalent to a UK 2:1 (second-class upper) Honours Bachelor degree and GPA 2.7 or B- equivalent to a UK 2:2 (second-class lower) Honours Bachelor degree.
For more information see our main Visa page .
Please refer to the UK entry requirements for the course, check for any prerequisites such as compulsory or preferred subject areas, and use the following as an indication of the Luxembourgian equivalent required.
Luxembourgian Bachelors degrees are typically accepted with 14 out of 20 equivalent to a UK 2:1 (second-class upper) Honours Bachelor degree and 12 out of 20 equivalent to a UK 2:2 (second-class lower) Honours Bachelor degree.
Please refer to the UK entry requirements for the course, check for any prerequisites such as compulsory or preferred subject areas, and use the following as an indication of the Lithuanian equivalent required.
Lithuanian Bakalauras or Magistras are typically accepted with 8 out of 10 equivalent to a UK 2:1 (second-class upper) Honours Bachelor degree and 7 out of 10 equivalent to a UK 2:2 (second-class lower) Honours Bachelor degree.
Please refer to the UK entry requirements for the course, check for any prerequisites such as compulsory or preferred subject areas, and use the following as an indication of the Lebanese equivalent required.
The equivalents provided are intended as a guide only and individual applications are assessed on a case by case basis.
Lebanese License or Bachelor degrees are typically accepted with GPA 3.2 or 13 out of 20 equivalent to a UK 2:1 (second-class upper) Honours Bachelor degree and GPA 2.5 or 12 out of 20 equivalent to a UK 2:2 (second-class lower) Honours Bachelor degree.
Please refer to the UK entry requirements for the course, check for any prerequisites such as compulsory or preferred subject areas, and use the following as an indication of the Latvian equivalent required.
Latvian Bakaluara Diploms are typically accepted with 7 out of 10 equivalent to a UK 2:1 (second-class upper) Honours Bachelor degree and 6 out of 10 equivalent to a UK 2:2 (second-class lower) Honours Bachelor degree.
Please refer to the UK entry requirements for the course, check for any prerequisites such as compulsory or preferred subject areas, and use the following as an indication of the Laotian equivalent required.
Laotian Masters degrees are typically accepted with GPA 3.0 equivalent to a UK 2:1 (second-class upper) Honours Bachelor degree and GPA 2.6 equivalent to a UK 2:2 (second-class lower) Honours Bachelor degree.
Please refer to the UK entry requirements for the course, check for any prerequisites such as compulsory or preferred subject areas, and use the following as an indication of the Kuwaiti equivalent required.
Kuwaiti Bachelor degrees are typically accepted with GPA 3.2 equivalent to a UK 2:1 (second-class upper) Honours Bachelor degree and GPA 2.6 equivalent to a UK 2:2 (second-class lower) Honours Bachelor degree.
Please refer to the UK entry requirements for the course, check for any prerequisites such as compulsory or preferred subject areas, and use the following as an indication of the Kenyan equivalent required.
Kenyan Bachelor degrees are typically accepted with 2:1 (60%) equivalent to a UK 2:1 (second-class upper) Honours Bachelor degree and 2:2 (50%) equivalent to a UK 2:2 (second-class lower) Honours Bachelor degree.
Please refer to the UK entry requirements for the course, check for any prerequisites such as compulsory or preferred subject areas, and use the following as an indication of the Kazakhstani equivalent required.
Kazakhstani Bachelor degrees are typically accepted with GPA 4.3/ 5.0 or GPA 3.3 / 4.0 equivalent to a UK 2:1 (second-class upper) Honours Bachelor degree and GPA 4.0 / 5.0 or 3.0 /4.0 equivalent to a UK 2:2 (second-class lower) Honours Bachelor degree.
Please refer to the UK entry requirements for the course, check for any prerequisites such as compulsory or preferred subject areas, and use the following as an indication of the Jordanian equivalent required.
Jordanian Bachelor degrees are typically accepted with GPA 3.0 equivalent to a UK 2:1 (second-class upper) Honours Bachelor degree and GPA 2.5 equivalent to a UK 2:2 (second-class lower) Honours Bachelor degree.
Please refer to the UK entry requirements for the course, check for any prerequisites such as compulsory or preferred subject areas, and use the following as an indication of the Japanese equivalent required.
Japanese Bachelor degrees are typically accepted with GPA 3.0, grade B or 80% equivalent to a UK 2:1 (second-class upper) Honours Bachelor degree and GPA 2.5, grade C or 70% equivalent to a UK 2:2 (second-class lower) Honours Bachelor degree.
Please refer to the UK entry requirements for the course, check for any prerequisites such as compulsory or preferred subject areas, and use the following as an indication of the Jamaican equivalent required.
University of the West Indies Bachelor degrees are typically accepted with a 2.1 (65%) equivalent to a UK 2:1 (second-class upper) Honours Bachelor degree and a 2:2 (55%) equivalent to a UK 2:2 (second-class lower) Honours Bachelor degree.
Please refer to the UK entry requirements for the course, check for any prerequisites such as compulsory or preferred subject areas, and use the following as an indication of the Italian equivalent required.
Italian Diploma di Laurea degrees are typically accepted with 104 (out of 110) equivalent to a UK 2:1 (second-class upper) Honours Bachelor degree and 94 (out of 110) equivalent to a UK 2:2 (second-class lower) Honours Bachelor degree.
Please refer to the UK entry requirements for the course, check for any prerequisites such as compulsory or preferred subject areas, and use the following as an indication of the Israeli equivalent required.
Israeli Bachelor degrees are typically accepted with 80% equivalent to a UK 2:1 (second-class upper) Honours Bachelor degree and 65% equivalent to a UK 2:2 (second class lower) Honours Bachelor degree.
Please refer to the UK entry requirements for the course, check for any prerequisites such as compulsory or preferred subject areas, and use the following as an indication of the Irish equivalent required.
Irish Bachelor Honours degrees are accepted with a 2:1 equivalent to a UK 2:1 (second-class upper) Honours Bachelor degree and a 2:2 equivalent to a UK 2:2 (second class lower) Honours Bachelor degree.
Please refer to the UK entry requirements for the course, check for any prerequisites such as compulsory or preferred subject areas, and use the following as an indication of the Iraqi equivalent required.
Iraqi Bachelor degrees from selected institutions are typically accepted with 75% equivalent to a UK 2:1 (second-class upper) Honours Bachelor degree and 60% equivalent to a UK 2:2 (second class lower) Honours Bachelor degree.
Please refer to the UK entry requirements for the course, check for any prerequisites such as compulsory or preferred subject areas, and use the following as an indication of the Iranian equivalent required.
Iranian Bachelor degrees (Licence Kharshenasi) are typically accepted with 15 out of 20 equivalent to a UK 2:1 (second-class upper) Honours Bachelor degree and 13 out of 20 equivalent to a UK 2:2 (second class lower) Honours Bachelor degree.
Please refer to the UK entry requirements for the course, check for any prerequisites such as compulsory or preferred subject areas, and use the following as an indication of the Indonesian equivalent required.
Depending on their accreditation Indonesian S1 / Sarjana and Dip IV (Sarjana Terapa) are typically accepted with GPA 3.0 to 3.2 equivalent to a UK 2:1 (second-class upper) Honours Bachelor degree and GPA 2.7 to 2.9 equivalent to a UK 2:2 (second-class lower) Honours Bachelor degree.
Please refer to the UK entry requirements for the course, check for any prerequisites such as compulsory or preferred subject areas, and use the following as an indication of the Indian equivalent required.
Depending on the awarding institution Indian 3 year Bachelor (Honours) or Bachelor (Special) degrees are typically accepted with 60 to 70% (7/10 to 8/10) equivalent to a UK 2:1 (second-class upper) Honours Bachelor degree and 50 to 60% (6/10 to 7/10) equivalent to a UK 2:2 (second-class lower) Honours Bachelor degree.
Please refer to the UK entry requirements for the course, check for any prerequisites such as compulsory or preferred subject areas, and use the following as an indication of the Icelandic equivalent required.
Icelandic Baccalaurreatus degrees are typically accepted with 7.25 equivalent to a UK 2:1 (second-class upper) Honours Bachelor degree and 6.5 equivalent to a UK 2:2 (second class lower) Honours Bachelor degree.
Please refer to the UK entry requirements for the course, check for any prerequisites such as compulsory or preferred subject areas, and use the following as an indication of the Hungarian equivalent required.
Hungarian Bachelors degrees or University Diplomas are typically accepted with GPA 4 out of 5 equivalent to a UK 2:1 (second-class upper) Honours Bachelor degree and GPA 3 out of 5 equivalent to a UK 2:2 (second class lower) Honours Bachelor degree.
Please refer to the UK entry requirements for the course, check for any prerequisites such as compulsory or preferred subject areas, and use the following as an indication of the Hong Kong equivalent required.
Hong Kong Bachelor Honours degrees are typically accepted with GPA 3.0 (or second class honours upper division) equivalent to a UK 2:1 (second-class upper) Honours Bachelor degree and GPA 2.5 (or second class honours lower) equivalent to a UK 2:2 (second class lower) Honours Bachelor degree.
Please refer to the UK entry requirements for the course, check for any prerequisites such as compulsory or preferred subject areas, and use the following as an indication of the Greek equivalent required.
Greek Bachelor degrees or Ptychion are typically accepted with 7.0 out of 10 equivalent to a UK 2:1 (second-class upper) Honours Bachelor degree and 6 out of 10 equivalent to a UK 2:2 (second-class lower) Honours Bachelor degree.
Please refer to the UK entry requirements for the course, check for any prerequisites such as compulsory or preferred subject areas, and use the following as an indication of the Ghanaian equivalent required.
Ghanaian Bachelor degrees are typically accepted with 2:1 (GPA 3.2/4.0) equivalent to a UK 2:1 (second-class upper) Honours Bachelor degree and 2:2 (GPA 2.5/4.0) equivalent to a UK 2:2 (second-class lower) Honours Bachelor degree.
Please refer to the UK entry requirements for the course, check for any prerequisites such as compulsory or preferred subject areas, and use the following as an indication of the German equivalent required.
German Magister Artium / Bachelor degrees are typically accepted with 2.5 equivalent to a UK 2:1 (second-class upper) Honours Bachelor degree and 3.5 equivalent to a UK 2:2 (second-class lower) Honours Bachelor degree.
Please refer to the UK entry requirements for the course, check for any prerequisites such as compulsory or preferred subject areas, and use the following as an indication of the French equivalent required.
French License are typically accepted with 12 out of 20 equivalent to a UK 2:1 (second-class upper) Honours Bachelor degree and 11 out of 20 equivalent to a UK 2:2 (second-class lower) Honours Bachelor degree.
Please refer to the UK entry requirements for the course, check for any prerequisites such as compulsory or preferred subject areas, and use the following as an indication of the Finnish equivalent required.
Finnish Bachelor degrees are typically accepted with GPA 3.5 out of 5 or 2.0 out of 3.0 typically equivalent to a UK 2:1 (second-class upper) Honours Bachelor degree and GPA 2.5 out of 5 or 1.4 out of 3.0 equivalent to a UK 2:2 (second-class lower) Honours Bachelor degree.
Please refer to the UK entry requirements for the course, check for any prerequisites such as compulsory or preferred subject areas, and use the following as an indication of the Ethiopian equivalent required.
Ethiopian Masters degrees are typically accepted with GPA 3.5 equivalent to a UK 2:1 (second-class upper) Honours Bachelor degree and GPA 3.0 equivalent to a UK 2:2 (second-class lower) Honours Bachelor degree.
Please refer to the UK entry requirements for the course, check for any prerequisites such as compulsory or preferred subject areas, and use the following as an indication of the Estonian equivalent required.
Estonian Bakalaurusekraad degrees are typically accepted with GPA 3.5 equivalent to a UK 2:1 (second-class upper) Honours Bachelor degree and GPA 2.0 equivalent to a UK 2:2 (second-class lower) Honours Bachelor degree.
Please refer to the UK entry requirements for the course, check for any prerequisites such as compulsory or preferred subject areas, and use the following as an indication of the Egyptian equivalent required.
Egyptian Bachelors degrees are typically accepted with 75% equivalent to a UK 2:1 (second-class upper) Honours Bachelor degree and 65% equivalent to a UK 2:2 (second-class lower) Honours Bachelor degree.
Please refer to the UK entry requirements for the course, check for any prerequisites such as compulsory or preferred subject areas, and use the following as an indication of the Ecuadorian equivalent required.
Ecuadorian 4 year Título de Licenciado or Título de [subject area] are typically accepted with 80%, 8.0/10 or 18/20 equivalent to a UK 2:1 (second-class upper) Honours Bachelor degree and 70%, 7.0/10 or 14/20 equivalent to a UK 2:2 (second-class lower) Honours Bachelor degree.
Please refer to the UK entry requirements for the course, check for any prerequisites such as compulsory or preferred subject areas, and use the following as an indication of the Danish equivalent required.
Danish Bachelor degrees are typically accepted with grade 6 - 7 equivalent to a UK 2:1 (second-class upper) Honours Bachelor degree and 4 - 5 equivalent to a UK 2:2 (second-class lower) Honours Bachelor degree.
Please refer to the UK entry requirements for the course, check for any prerequisites such as compulsory or preferred subject areas, and use the following as an indication of the Czech equivalent required.
Czech Bachelor degrees or Bakalar are typically accepted with 2+ equivalent to a UK 2:1 (second-class upper) Honours Bachelor degree and 2 or 2- equivalent to a UK 2:2 (second-class lower) Honours Bachelor degree.
Please refer to the UK entry requirements for the course, check for any prerequisites such as compulsory or preferred subject areas, and use the following as an indication of the Cypriot equivalent required.
Cypriot Bachelor degree or Ptychio are typically accepted with GPA 3.0 out of 4.0 (7.0 out of 10) equivalent to a UK 2:1 (second-class upper) Honours Bachelor degree and GPA 2.5 / 4.0 (6 out of 10) equivalent to a UK 2:2 (second-class lower) Honours Bachelor degree.
Please refer to the UK entry requirements for the course, check for any prerequisites such as compulsory or preferred subject areas, and use the following as an indication of the Croatian equivalent required.
Croatian Bachelor degree or Baccalaureus or Baccalaurea are typically accepted with GPA 4.0 / 5.0 equivalent to a UK 2:1 (second-class upper) Honours Bachelor degree and GPA 3.0 / 5.0 equivalent to a UK 2:2 (second-class lower) Honours Bachelor degree.
Please refer to the UK entry requirements for the course, check for any prerequisites such as compulsory or preferred subject areas, and use the following as an indication of the Colombian equivalent required.
Colombian 4 year Licenciado en [subject area] or Título de [subject area] or Profesional en [subject area] or Maestro en [subject area] degrees are typically accepted with GPA 4.0 / 5.0 equivalent to a UK 2:1 (second-class upper) Honours Bachelor degree and GPA 3.5 / 5.0 equivalent to a UK 2:2 (second-class lower) Honours Bachelor degree.
Please refer to the UK entry requirements for the course, check for any prerequisites such as compulsory or preferred subject areas, and use the following as an indication of the Chinese equivalent required.
Depending on the awarding institution Chinese 4 year Bachelor degrees are typically accepted with 75 to 80% (GPA 3.0 to 3.3 out of 4.0) equivalent to a UK 2:1 (second-class upper) Honours Bachelor degree and 70 to 75% (GPA 2.8 to 3.0 out of 4.0) equivalent to a UK 2:2 (second-class lower) Honours Bachelor degree.
Please refer to the UK entry requirements for the course, check for any prerequisites such as compulsory or preferred subject areas, and use the following as an indication of the Chilean equivalent required.
Chilean 4 year Grado de Licenciado en [subject area] degrees are typically accepted with GPA 5.5 / 7.0 equivalent to a UK 2:1 (second-class upper) Honours Bachelor degree and GPA 5.0 / 7.0 equivalent to a UK 2:2 (second-class lower) Honours Bachelor degree.
Please refer to the UK entry requirements for the course, check for any prerequisites such as compulsory or preferred subject areas, and use the following as an indication of the Canadian equivalent required.
Canadian Bachelor degrees / Baccalauréat degrees are typically accepted with GPA 3.2 equivalent to a UK 2:1 (second-class upper) Honours Bachelor degree and GPA 2.5 equivalent to a UK 2:2 (second-class lower) Honours Bachelor degree.
Please refer to the UK entry requirements for the course, check for any prerequisites such as compulsory or preferred subject areas, and use the following as an indication of the Cameroonian equivalent required.
Cameroonian Bachelor degrees are typically accepted with 18/20 equivalent to a UK 2:1 (second-class upper) Honours Bachelor degree and 16/20 equivalent to a UK 2:2 (second-class lower) Honours Bachelor degree.
Please refer to the UK entry requirements for the course, check for any prerequisites such as compulsory or preferred subject areas, and use the following as an indication of the Cambodian equivalent required.
Cambodian Masters degrees are typically accepted with GPA 3.0 out of 4.0 or 70% equivalent to a UK 2:1 (second-class upper) Honours Bachelor degree and GPA 2.5 out of 4.0 or 60% equivalent to a UK 2:2 (second-class lower) Honours Bachelor degree.
Please refer to the UK entry requirements for the course, check for any prerequisites such as compulsory or preferred subject areas, and use the following as an indication of the Bulgarian equivalent required.
Bulgarian Bachelor degrees are typically accepted with GPA 4.75 equivalent to a UK 2:1 (second-class upper) Honours Bachelor degree and GPA 4.0 equivalent to a UK 2:2 (second-class lower) Honours Bachelor degree.
Please refer to the UK entry requirements for the course, check for any prerequisites such as compulsory or preferred subject areas, and use the following as an indication of the Bruneian equivalent required.
Bruneian Bachelor (Honours) degrees are typically accepted with an Upper Second Class Honours classification equivalent to a UK 2:1 (second-class upper) Honours Bachelor degree and a Lower Secind Class Honours classification equivalent to a UK 2:2 (second-class lower) Honours Bachelor degree.
Please refer to the UK entry requirements for the course, check for any prerequisites such as compulsory or preferred subject areas, and use the following as an indication of the Brazilian equivalent required.
Brazilian 4 year Título de Bacharel or Título de [subject area] or Título de Licenciado are typically accepted with 7.5/10 equivalent to a UK 2:1 (second-class upper) Honours Bachelor degree and 6.5/10 equivalent to a UK 2:2 (second-class lower) Honours Bachelor degree.
Please refer to the UK entry requirements for the course, check for any prerequisites such as compulsory or preferred subject areas, and use the following as an indication of the Botswanan equivalent required.
Botswanan Masters degrees are typically accepted with 80% (A grade) equivalent to a UK 2:1 (second-class upper) Honours Bachelor degree and 70% (B grade) equivalent to a UK 2:2 (second-class lower) Honours Bachelor degree.
Please refer to the UK entry requirements for the course, check for any prerequisites such as compulsory or preferred subject areas, and use the following as an indication of the Bolivian equivalent required.
Bolivian 4 year Licenciado or Título de [subject area] are typically accepted with 75% equivalent to a UK 2:1 (second-class upper) Honours Bachelor degree and 64% equivalent to a UK 2:2 (second-class lower) Honours Bachelor degree.
Please refer to the UK entry requirements for the course, check for any prerequisites such as compulsory or preferred subject areas, and use the following as an indication of the Belgian equivalent required.
Belgian Bachelor degrees (Bachelier) are typically accepted with 70% (14/20) equivalent to a UK 2:1 (second-class upper) Honours Bachelor degree and 60% (12/20) equivalent to a UK 2:2 (second-class lower) Honours Bachelor degree.
Please refer to the UK entry requirements for the course, check for any prerequisites such as compulsory or preferred subject areas, and use the following as an indication of the Barbadian equivalent required.
The University of the West Indies Bachelor degrees are typically accepted with a 2.1 (65%) equivalent to a UK 2:1 (second-class upper) Honours Bachelor degree and a 2:2 (55%) equivalent to a UK 2:2 (second-class lower) Honours Bachelor degree.
Please refer to the UK entry requirements for the course, check for any prerequisites such as compulsory or preferred subject areas, and use the following as an indication of the Bangladeshi equivalent required.
Bangladeshi Bachelor degrees (from selected universities) and Masters degrees are typically accepted with GPA 3.25 out of 4.0 or 65% equivalent to a UK 2:1 (second-class upper) Honours Bachelor degree and GPA 3.0 out of 4.0 or 60% equivalent to a UK 2:2 (second-class lower) Honours Bachelor degree.
Please refer to the UK entry requirements for the course, check for any prerequisites such as compulsory or preferred subject areas, and use the following as an indication of the Bahraini equivalent required.
Bahraini Bachelors degrees are typically accepted with GPA 3.0 equivalent to a UK 2:1 (second-class upper) Honours Bachelor degree and GPA 2.3 equivalent to a UK 2:2 (second-class lower) Honours Bachelor degree.
Please refer to the UK entry requirements for the course, check for any prerequisites such as compulsory or preferred subject areas, and use the following as an indication of the Azerbaijani equivalent required.
Azerbaijani Bachelors / Bakalavr Diplomu degrees are typically accepted with GPA 4.5 out of 5.0 (80%) equivalent to a UK 2:1 (second-class upper) Honours Bachelor degree and GPA 4.0 out of 5.0 (70%) equivalent to a UK 2:2 (second-class lower) Honours Bachelor degree.
Please refer to the UK entry requirements for the course, check for any prerequisites such as compulsory or preferred subject areas, and use the following as an indication of the Austrian equivalent required.
Austrian Bachelor degrees are accepted with GPA 2.5 typically equivalent to a UK 2:1 (second-class upper) Honours Bachelor degree and GPA 3.5 typically equivalent to a UK 2:2 (second-class lower) Honours Bachelor degree.
Please refer to the UK entry requirements for the course, check for any prerequisites such as compulsory or preferred subject areas, and use the following as an indication of the Australian equivalent required.
Australian Bachelor Honours degrees are typically accepted with 70% (Second Class Division A) equivalent to a UK 2:1 (second-class upper) Honours Bachelor degree and 60% (Second Class Division B) equivalent to a UK 2:2 (second-class lower) Honours Bachelor degree.
Australian Bachelor degrees are typically accepted with 70% (Distinction) equivalent to a UK 2:1 (second-class upper) Honours Bachelor degree and 60% (Credit) equivalent to a UK 2:2 (second-class lower) Honours Bachelor degree.
Please refer to the UK entry requirements for the course, check for any prerequisites such as compulsory or preferred subject areas, and use the following as an indication of the Argentine equivalent required.
Argentine 4 year Titulo / Grado de Licenciado or Titulo de [subject area] are typically accepted with 7.5 out of 10 equivalent to a UK 2:1 (second-class upper) Honours Bachelor degree and 6.0 out of 10 equivalent to a UK 2:2 (second-class lower) Honours Bachelor degree.
Please refer to the UK entry requirements for the course, check for any prerequisites such as compulsory or preferred subject areas, and use the following as an indication of the Algerian equivalent required.
Algerian Bachelors, Licence and Diplome degrees are typically accepted with 15 out of 20 equivalent to a UK 2:1 (second-class upper) Honours Bachelor degree and 13 out of 20 equivalent to a UK 2:2 (second-class lower) Honours Bachelor degree.
Please refer to the UK entry requirements for the course, check for any prerequisites such as compulsory or preferred subject areas, and use the following as an indication of the Albanian equivalent required.
Second Level Integrated Diploma (5 years) and First Level University Diploma are typically accepted with 8 out of 10 equivalent to a UK 2:1 (second-class upper) Honours Bachelor degree and 7 out of 10 equivalent to a UK 2:2 (second-class lower) Honours Bachelor degree.
Please refer to the UK entry requirements for the course, check for any prerequisites such as compulsory or preferred subject areas, and use the following as an indication of the Afghan equivalent required.
Afghan Master's degrees from any recognised institution and Bachelor of Science (Engineering) from Kabul University are typically accepted with GPA 3.0 out of 4.0 or 80% overall equivalent to a UK 2:1 (second-class upper) Honours Bachelor degree and GPA 2.4 out of 4.0 or 70% overall equivalent to a UK 2:2 (second-class lower) Honours Bachelor degree.
If you are unable to find your country equivalents in the above list, City will consider other international qualifications on a case by case basis.
For further details, please contact us using the contact details at the bottom of this page.
If you're a national of a recognised majority English-speaking country as defined by the government , or have previously completed a university degree (or equivalent) in one, you will not need to prove your knowledge of English to apply for the course.
Please note that if your country is not defined as majority-English-speaking by the government you will need to demonstrate you meet the English language requirements for the course.
This course requires the equivalent of an IELTS academic test with an overall score of 7.0 with no less than 5.5 in any subtest.
We will also accept an equivalent score in any of the tests listed under the English language requirements section .
You must have completed the qualification no more than two years prior to the start of the course.
Know that this list is exhaustive and as such we are unable to accept any qualifications or evidence outside of this.
Please note that the scores stated at the link above are lower than those you would need to meet for entry to the course.
Contact the admissions team if you have any questions about qualification equivalencies.
Don't meet the English language requirements? INTO City, University of London offers English language programmes to help prepare you for study at university. These intensive and flexible courses are designed to improve your English ability for entry to degree courses.
When applications open you can apply online and will be expected to submit the following:
Telephone: 020 7040 8877
Email: [email protected]
Your studies are supported by a team of committed and enthusiastic teachers and researchers, experts in their chosen field – and all acclaimed published writers. On occasion we also work with external professionals such as editors and agents, as well as other visiting writers, to enhance your learning and appreciation of the wider subject.
Senior Lecturer in Creative Writing
Lecturer in Creative Writing
Lecturer in Creative Writing (Education & Research)
Senior Lecturer
Ask a student.
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Housing and student life.
We offer accommodation options and support for all postgraduate students. Our dedicated Accommodation Service can help you to find private accommodation in London if required.
Our extensive support network spans from learning support and disability support through to counselling, financial advice and career advice. Please do tell us if you need our help.
We are based in the heart of one of the most vibrant and colourful cities in the world. London offers a rich variety of cultural experiences far beyond your studies.
Apr 23
Find out what it's like to study creative writing at City, in this sample seminar looking at three novels by Sally Rooney.
Tuesday, 23 rd April 2024 , 17:00 – 18:00
Location: Online
Audience: Public
Monday, 14 th December 2020
City Launch Lab community member, Kugali worked with Walt Disney Animation to bring an original television series to Disney+ in 2024
Wednesday, 22 nd May 2024
Dr Poonam Madar of City, University of London organises ACE-funded monthlong literary festival in Ealing to support the creative health of the community, called THE WRITE TRAIL..
Creative writing mfa.
Hone your creative writing with guided completion of a full-length work in your chosen genre and improve your writing career prospects.
Award: Master of Fine Arts
Learn how to effectively combine business acumen with creative endeavour by building your knowledge of the publishing industry and significantly enhancing your writing skills.
Award: Master of Arts
Become professionally equipped to secure competitive positions in the stimulating and ever evolving industry of publishing with our Publishing MA
Postgraduate admissions office.
020 7040 8877
Explore this course:.
Applications for 2024 entry are now open. Apply now or register your interest to hear about postgraduate study and events at the University of Sheffield.
School of English, Faculty of Arts and Humanities
You’ll study contemporary creative writing methods and practices and develop your skills in different genres, cross-genres and a wide range of formal and genre experimentations. You’ll also develop and explore your own creative and critical writing through practical workshops and the critical reading of contemporary creative and theoretical texts.
You’ll be encouraged to take all four creative writing core modules, with a minimum of three, which are designed to interact with each other theoretically, thematically and methodologically, to allow for experimentation between literary practices and productive genre crossovers.
The course culminates in a dissertation. You’ll be producing portfolios of both creative and critical work for each module and for your dissertation, all of which may take the form of poetry, prose poetry, short stories, a novel extract, poetic prose, hybrid texts and other genres, as well as formal or cross-media experimentations.
This MA will help you develop your creative writing to a publishable quality, providing a positive, friendly, nurturing, intellectual and creative environment for confident, bold and imaginative development of contemporary creative writing forms and practices. You’ll explore your own writing through practical workshops and learn how to creatively and constructively critique your own and other students' work.
You’ll benefit from the buzzing literary culture at Sheffield and get involved in public and university readings, publications and festivals throughout your time with us. You're encouraged to publish your work and to participate in student-led, peer-feedback editorial sessions.
We run monthly public readings within the Centre for Poetry and Poetics with established writers and have an annually published creative writing journal, Route 57 , which is edited and assembled by our own creative writing students. Each year we also run various creative writing projects, student readings and hubs which will give you a variety of opportunities to meet fellow writers within our well established Postgraduate Creative Writing community which comprises current and alumni students of the MA and PhD.
An open day gives you the best opportunity to hear first-hand from our current students and staff about our courses.
You may also be able to pre-book a department visit as part of a campus tour. Open days and campus tours
For the four core creative writing modules, you’ll meet for a two-hour workshop each week. These workshops are held in the late afternoons or early evenings.
A workshop is an informal, creative and critical environment that allows you to receive feedback on your writing from both the tutor and your fellow students.
You’ll have the opportunity to discuss creative and theoretical practices, drawing on a wide range of selected contemporary reading material. You'll be encouraged to produce new writing on a weekly basis, which we discuss in the workshops.
Modules from MA English Literature are taught in seminars, which can vary from 1.5 to 2.5 hours long. These are held weekly or fortnightly depending on the module. Many of these seminars are held during the day.
Our current staff are active and internationally-recognised authors, academics and creative forces in their fields:
Former teaching staff have included Dr Vahni Capildeo, Professor Simon Armitage, Dr Honor Gavin, Professor Denise Riley, Dr Laura Joyce and Dr Rachel Genn.
You'll be assessed at the end of each term on creative writing portfolios which will include your creative work and a critical essay as well as your dissertation project which will consist of both creative and critical components.
The dissertation is 80% creative and 20% critical reflection on your own work, genre or relevant literary tradition. You'll prepare for it through work you've done in both creative writing modules. The word count for fiction is:
For poetry, the word count is:
Mixed portfolios are welcome. For work previously submitted, we would like you to submit drafts to show changes and developments made to the material.
Our alumni have gone on to publish creative work and pursue research paths in various sectors. View a list of publications by our current students and alumni who have published work during and since completing our degree programme in Creative Writing.
Alumni and student publications
Your career - the School of English
School of English
We're a research-intensive school with an international perspective on English studies. Students can specialise in their chosen subject, while taking modules from other programmes, forging interdisciplinary connections. We encourage you to get involved and to apply your academic learning, working in partnership with external organisations both within the city of Sheffield and beyond.
Our staff are researchers, critics, and writers. They're also passionate, dedicated teachers who work tirelessly to ensure their students are inspired.
We keep seminar groups small because we believe that's the best way to stimulate discussion and debate. Our modules use a range of innovative assessments and can include designing websites, writing blog posts, and working with publishing software, in addition to writing essays and delivering presentations.
We're committed to providing you with the pastoral support you need in order to thrive on your degree. You'll be assigned a personal tutor with whom you'll have regular meetings. You're welcome to see any of our academic staff in their regular student consultations if there's anything you want to ask.
Minimum 2:1 undergraduate honours degree in English literature, language, linguistics or a related subject (eg history, philosophy, modern languages).
A portfolio submission of 2,000 words of prose/drama or five poems (or equivalent, roughly 100 lines), to be sent along with the application form.
If you're an international student who does not meet the entry requirements for this course, you have the opportunity to apply for a pre-masters programme in Business, Social Sciences and Humanities at the University of Sheffield International College . This course is designed to develop your English language and academic skills. Upon successful completion, you can progress to degree level study at the University of Sheffield.
If you have any questions about entry requirements, please contact the department .
There are a number of studentships and fee bursaries available, funded by the University. Deadlines for funding applications are usually in winter/early spring.
You can apply now using our Postgraduate Online Application Form. It's a quick and easy process.
[email protected] +44 114 222 0220
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* Price per academic year
The Creative Writing: Writing the City MA is the only Creative Writing MA course to focus entirely on the city of London. It will allow you to explore the city as subject matter from a range of perspectives and across all genres. It will also give you a theoretical and practical platform from which to develop your understanding, and become part of the London writing scene.
Taught by professional writers and researchers, our course offers plenty of opportunities to network with other writers, agents, TV producers and performance poets. As part of the MA, you'll be part of the team managing the Wells Street Journal , our student-led in-house magazine. You'll be based in the University's headquarters building at 309 Regent Street, which means you'll be writing about the city in the heart of London, with ready access to the capital's excellent academic, social and cultural opportunities, including the vibrant West End theatre scene.
You can begin in January or in September. To receive your Master's award, you'll need to complete taught modules for a total of 120 credits, covered by three 40-credit core modules, and the 60-credit Writing Project (giving a total of 180 credits).
The workshop-based structure of the course will allow you to learn through interactive practice. Classes are weekly and normally last two or three hours. Teaching will also include visits to selected London institutions to support certain aspects of writing, and you'll be encouraged to use various archives, theatres and galleries. Assessment methods include coursework portfolios, reflective logs, essays, and workshop leadership, as well as the 10-12,000-word writing project. There are no formal exams.
The following modules are indicative of what you will study on this course.
City stories and dramas: fiction and playwriting.
This module concentrates on developing your skills in writing prose fiction and dramatic writing inspired by the city through a combination of practical workshops, writing exercises, and close readings of established authors. You'll also learn to critique their own work while being challenged to raise your work to professional level.
This module focuses on the methodological approaches and aesthetic preoccupations that underpin creative practices in non-fiction and poetic writing. This dual approach will enable you to develop simultaneously your own research methods, as well as experiment with imaginative ways of representing the city. As well as workshops and tutorials based on campus, the module includes site visits to various locations in London, including archives and libraries.
This module focuses on employability and professional development. You'll learn how to use your creativity to ‘sell’ your writing and promote your work. The module, which is delivered through a series of guest lectures and student-led workshops, will explore key areas of the writing business including topics such as how to edit, choosing a literary agent and using social media for self-promotion.
You'll focus on one substantial piece of creative work or a portfolio of smaller pieces, with a view to submission for publication. The module aims to provide the support needed for you to prepare a substantial piece of creative writing and develop your individual voice in the genre of your choice. As the module seeks to synthesise the discoveries about the city made during the course, and helps you to respond appropriately in your creative work, it will allow you to absorb and process your explorations of the city, and respond through your creative work.
For more details on course structure, modules, teaching and assessment Download the programme specification (PDF) .
To request an accessible version please email [email protected]
Get your copy of the University of Westminster prospectus and browse the range of courses on offer.
Request a prospectus
Contact us for general course enquiries:
+44 (0)20 7911 5000 EXT 65511 (Mon–Fri, 10am–4pm BST)
[email protected]
Live chat with us (Mon–Fri, 10am–4pm BST)
Join us at an open evening online or on campus. Get a feel for student life at the University of Westminster and talk to course leaders and our support teams.
The critical and practical skills you'll acquire by the end of the course will make you a strong candidate in many areas, including arts management, copy editing, education, freelance writing, journalism, media, publishing, theatre and performance-based writing, and research and academia.
In addition to learning the craft of writing, you'll develop transferable skills such as editing, critical analysis, advanced oral and written presentation, as well as in-depth knowledge of the publishing industry.
Our course offers plenty of opportunities to network with other writers, agents, TV producers and performance poets. You'll be encouraged to identify useful career opportunities through extra-curricular activities including writers’ events and talks.
The University’s Careers and Employability Service has built up a network of over 3,000 employers around the world, helping all our students explore and connect with exciting opportunities and careers.
A large number of our graduates are employed in graduate positions within six months of graduating, and many have also experienced success from their freelance work as writers, and from the growing list of prestigious publications and accolades attached to their names.
Our graduate successes include:
This course will prepare you for a variety of roles, including:
Graduates from this course have found employment at organisations including:
Employers value graduates who have invested in their personal and professional development – and our Westminster Employability Award gives you the chance to formally document and demonstrate these activities and achievements.
The award is flexible and can be completed in your own time, allowing you to choose from a set of extracurricular activities.
Activities might include gaining experience through a part-time job or placement, signing up to a University-run scheme – such as mentoring or teaching in a school – or completing online exercises.
Read more about our Westminster Employability Award .
Monica Germanà is Reader in Gothic and Contemporary Studies at the University of Westminster. Her research concentrates on contemporary literature and film, with a specific emphasis on the Gothic, gender and popular culture.
Her publications include Bond Girls: Body, Fashion and Gender (Bloomsbury, 2019), honoured by the Emily Toth Award for Best Single Work in Women's Studies (runner-up), and a special issue of Gothic Studies on Haunted Scotland, as well as Scottish Gothic: An Edinburgh Companion (EUP, 2017), co-edited with Carol Davison and short-listed for the Allan Lloyd Prize. As a creative writer, her work has been published in various anthologies, including Lost, Cold Turkey, and Book (all published by Inkermen Press).
She is currently working on a collection of short stories and a novel, as well as a new research project on Arctic Monsters.
Worried about writer’s block? We will help you to turn it into a (creative) building block! Our course will not only enable you to learn the craft, but also to find your own discipline, to keep the writing going for the rest of your life!’’
You'll explore the city from a range of perspectives and genres and be encouraged to use London institutions and arts venues to support your learning, as well as networking in London's writing scene.
You'll learn practical skills such as how to use your creativity to promote your work, how to edit, how to choose a literary agent and how to use social media for self-promotion.
You'll be able to choose how you contribute to our literary magazine, The Wells Street Journal – whether it's designing content, editing, organising the launch party or managing social media.
Applicants will normally have a minimum of a lower second-class honours degree (2:2) in a humanities-based discipline, however candidates with different or no qualifications will also be considered, and decisions made on the basis of their proven experience in the writing or creative industry (generally three years or more) and/or outstanding talent demonstrated in the portfolio. Applicants are required to submit a portfolio of creative writing (maximum of 10,000 words), which should not exclusively include poetry.
If your first language is not English, you should have an IELTS 6.5 with at least 6.5 in writing and no element below 6.0.
Applicants are required to submit one academic reference and one employment reference.
If you have previously studied at university level, or have equivalent work experience, academic credit may be awarded towards your course at Westminster. For more information, visit our Recognition of Prior Learning page .
Visit our How to apply page for more information on:
While on this course you'll be part of the team managing the Wells Street Journal , our student-led in-house magazine. Here's a video of the journal's December 2019 issue launch party:
Creative writing: writing the city ma - 2013.
Freelance food and travel writer
I was able to hone my writing skills under the expertise of my professors and supervisors, who were fantastic guides. Overall, the course helped me reach my goals of working as a food and travel writer for different publications by giving me the necessary technical knowledge and creative freedom.
We offer a number of different volunteering opportunities for you to learn new skills, create connections, and make a difference in the community.
Our award-winning Westminster Enterprise Network offers industry networking events, workshops, one-to-one business advice and support for your start-up projects.
We provide access to free online courses in Adobe and Microsoft Office applications, as well as thousands of specialist courses on LinkedIn Learning.
UK tuition fee: £8,500 (Price per academic year)
When you have enrolled with us, your annual tuition fees will remain the same throughout your studies with us. We do not increase your tuition fees each year.
Find out how we set our tuition fees .
If you don't wish to pay the whole amount of your fees at once, you may be able to pay by instalments. This opportunity is available if you have a personal tuition fee liability of £2,000 or more and if you are self-funded or funded by the Student Loans Company.
Find out more about paying your fees .
This course is eligible for an alumni discount. Find out if you are eligible and how to apply by visiting our Alumni discounts page .
There is a range of funding available that may help you fund your studies, including Student Finance England (SFE).
Find out more about postgraduate student funding options .
The University is dedicated to supporting ambitious and outstanding students and we offer a variety of scholarships to eligible postgraduate students.
Find out if you qualify for one of our scholarships .
See what you may need to pay for separately and what your tuition fees cover .
International tuition fee: £15,000 (Price per academic year)
There are a number of funding schemes available to help you fund your studies with us.
Find out more about funding for international students .
Below you will find how learning time and assessment types are distributed on this course. The graphs below give an indication of what you can expect through approximate percentages, taken either from the experience of previous cohorts, or based on the standard module diet where historic course data is unavailable. Changes to the division of learning time and assessment may be made in response to feedback and in accordance with our terms and conditions.
Teaching methods across all our postgraduate courses focus on active student learning through lectures, seminars, workshops, problem-based and blended learning, and where appropriate practical application. Learning typically falls into two broad categories:
Our postgraduate courses include a variety of assessments, which typically fall into two broad categories:
Data from the academic year 2023/24
Our Student Hub is where you’ll find out about the services and support we offer, helping you get the best out of your time with us.
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Our Regent Campus is composed of three sites, situated on and around Regent Street – one of the most famous and vibrant streets in London.
Our Humanities subjects are based at 309 Regent Street, which includes recently refurbished social spaces, gym facilities and our Regent Street Cinema.
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Year of entry: 2024
We normally expect students to have a First or Upper Second class honours degree or its overseas equivalent in a humanities-based subject area.
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For entry in the academic year beginning September 2024, the tuition fees are as follows:
Further information for EU students can be found on our dedicated EU page.
The fees quoted above will be fully inclusive for the course tuition, administration and computational costs during your studies.
All fees for entry will be subject to yearly review and incremental rises per annum are also likely over the duration of courses lasting more than a year for UK/EU students (fees are typically fixed for International students, for the course duration at the year of entry). For general fees information please visit: postgraduate fees . Always contact the department if you are unsure which fee applies to your qualification award and method of attendance.
Self-funded international applicants for this course will be required to pay a deposit of £1000 towards their tuition fees before a confirmation of acceptance for studies (CAS) is issued. This deposit will only be refunded if immigration permission is refused. We will notify you about how and when to make this payment.
All students should normally be able to complete their programme of study without incurring additional study costs over and above the tuition fee for that programme. Any unavoidable additional compulsory costs totalling more than 1% of the annual home undergraduate fee per annum, regardless of whether the programme in question is undergraduate or postgraduate taught, will be made clear to you at the point of application. Further information can be found in the University's Policy on additional costs incurred by students on undergraduate and postgraduate taught programmes (PDF document, 91KB).
Each year the School of Arts, Languages and Cultures offer a number of School awards and Subject-specific bursaries (the values of which are usually set at Home/EU fees level), open to both Home/EU and international students. The deadline for these is early February each year. Details of all funding opportunities, including deadlines, eligibility and how to apply, can be found on the School's funding page where you can also find details of the Government Postgraduate Loan Scheme.
See also the University's postgraduate funding database to see if you are eligible for any other funding opportunities.
For University of Manchester graduates, the Manchester Alumni Bursary offers a £3,000 reduction in tuition fees to University of Manchester alumni who achieved a 1st within the last three years and are progressing to a postgraduate taught masters course.
The Manchester Master's Bursary is a University-wide scheme that offers 100 bursaries worth £3,000 in funding for students from underrepresented groups.
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You can find regulations and policies relating to student life at The University of Manchester, including our Degree Regulations and Complaints Procedure, on our regulations website .
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Create publishable, disciplined fiction and poetry under the tutelage of internationally acclaimed authors.
What is the fee.
Home: £10,310 for the course International/EU: £17,205 for the course
Where will i study, city campus, when do i start.
September 2024
This course takes your work and your ambition seriously. You'll focus on your own writing, under the guidance of acclaimed authors of fiction and poetry. You'll leave with a body of work you can be proud of.
Find out more at our postgraduate open days. Book now for your place.
All our courses are designed around a set of key principles based on engaging you with the world, collaborating with others, challenging you to think in new ways, and providing you with a supportive environment in which you can thrive.
With a focus on the disciplined honing of your skills, this course is designed to help you become a publishable writer. You'll be assessed on writing projects frequently, with a culture of self-reflection and peer reviews. You'll take part in genre-specific creative workshops, benefit from one-to-one tutelage and take modules based around criticism and research acquiring the grounding that underpins great work.
You learn through
I bring to my teaching my interest in dramatic action and the spatio-temporal elements of texts. This approach often helps students unpick ideas around genre, narrat … Read more
Networking opportunities
With frequent guest speakers, masterclasses and a wide involvement with the local and national literary industry, the course provides ample networking opportunities.
This course prepares you for a career in
Some of our most successful students include best-selling author of A Short History of Tractors in Ukrainian , Marina Lewycka, T.S. Eliot short-listed poet Frances Leviston and Radio 4 and BBC TV script writer Sharon Oakes.
You study at City Campus through a structured mix of lectures, seminars and practical sessions as well as access to digital and online resources to support your learning.
City Campus is located in the heart of Sheffield, within minutes of the train and bus stations.
City Campus map | City Campus tour
Howard Street Sheffield S1 1WB
Adsetts Library is located on our City Campus. It's open 24 hours a day, every day.
On this course, you’ll have access to our dedicated humanities suite, including:
All students, additional information for eu/international students.
A folder of original writing demonstrating postgraduate level potential and, normally, a degree in English or related discipline.
If English is not your first language you will need an IELTS 6.5 score with a minimum of 6.0 in writing and 5.5 in all other skill areas or equivalent. If your English language skill is currently below IELTS 6.0 or equivalent we recommend you consider a Sheffield Hallam University Pre-sessional English course which will enable you to achieve an equivalent English score.
If you do not have such academic qualifications we may consider your application individually, based on your personal, professional and work experience, and other formal qualifications. You may also be able to claim credit points which can reduce the amount of time it takes to complete your qualification at Sheffield Hallam. Find out more
Application guidance When applying, you need to submit a completed application form, which includes a section requesting further information in support of your application. This part of the form should use tell us who you are, describe your relationship with writing, and what you hope to achieve on the course.
You also need to provide a sample of your original writing. Your sample is the most important part of the application, and you should use the opportunity to show us what you can do and persuade us that you have what it takes to thrive on the course.
We require one of the following • 3,000 words of prose - two short stories, two chapters from a children's book, novel or memoir • ten poems • a twenty minute script of a one-act play or radio play
Please submit your supporting work to the relevant email address below:
UK students: [email protected]
International or non-UK European students: [email protected]
If you are an International or non-UK European student, you can find out more about the country specific qualifications we accept on our international qualifications page.
For details of English language entry requirements (IELTS), please see the information for 'All students'.
Important notice: The structure of this course is periodically reviewed and enhanced to provide the best possible learning experience for our students and ensure ongoing compliance with any professional, statutory and regulatory body standards. Module structure, content, delivery and assessment may change, but we expect the focus of the course and the learning outcomes to remain as described above. Following any changes, updated module information will be published on this page.
Extended project, the contemporary writer, the craft: short fiction and poetry, the workshop, fees and funding, home students, international students.
Our tuition fee for UK students starting full-time study in 2024/25 is £10,310 for the course. The tuition fee displayed above is for the full course. If the full course is more than one year in duration, the fee will be divided into annual payments which will then be rounded. This may mean the total fee you pay is slightly higher than the fee stated above. If you take a break in study or have to re-take part of the course, you may also be charged an additional fee and will be notified of this at the time.
If you are studying an undergraduate course, postgraduate pre-registration course or postgraduate research course over more than one academic year then your tuition fees may increase in subsequent years in line with Government regulations or UK Research and Innovation (UKRI) published fees. More information can be found in our terms and conditions under student fees regulations.
Our tuition fee for International/EU students starting full-time study in 2024/25 is £17,205 for the course. The tuition fee displayed above is for the full course. If the full course is more than one year in duration, the fee will be divided into annual payments which will then be rounded. This may mean the total fee you pay is slightly higher than the fee stated above. If you take a break in study or have to re-take part of the course, you may also be charged an additional fee and will be notified of this at the time.
Up to £11,222 available for Home students on most masters courses.
This link allows you to view estimated costs associated with the main activities on specific courses. These are estimates and, as such, are only an indication of additional course costs. Actual costs can vary greatly depending on the choices you make during your course.
Any offer of a place to study is subject to your acceptance of the University’s Terms and Conditions and Student Regulations .
A group of students studying film and media production and creative writing travelled to Montreal, Canada to collaborate together and make film poems as part of their course.
You apply for this course via our online application form.
You can also use the application form above to apply for future years of entry.
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Here you’ll find a collection of resources for writers in Massachusetts, from conferences to local critique groups to literary magazines. If you’re looking for writing groups near you, writing workshops near you, creative writing classes near you, or simply a place to hang out with writers or submit your work, these are some Massachusetts writing organizations you might want to check out:
For more than a decade, WriteByNight has helped writers in Maryland and beyond achieve their literary goals. And we want you to be next! Claim your free consultation to learn about WBN’s customizable one-on-one writers’ services , including:
Book Coaching : If you’re writing a book and want some help along the way.
Manuscript Critique : If you’ve written a book and want a beta read, critique, or writing workshop.
Editing/Proofreading : If you’ve written a book and want someone to polish it for you.
Publication Assistance : If you’ve written a book and want help finding an agent or publisher.
Amherst Writers and Artists
The Amherst Writers and Artists’ philosophy is simple: every person is a writer, and every writer deserves a safe environment in which to experiment, learn and develop craft. Offers writing workshops of all kinds.
Anomalous Press
A literary magazine and chapbook publisher, Anomalous “has its sights set on publishing literary text, advancing audio forms and creation, and supporting all sorts of alternative realities of the near future.”
Boston Writers SIG
A special interest group for writers who are also members of Boston Mensa. Meets in person monthly at various locations in Greater Boston.
Cambridge Writers’ Workshop
Formed by graduate students at Harvard University in 2008, the CWW is a creative writing community in Cambridge offering writing workshops, online courses, and writing retreats.
Cape Cod Writers Center
Writing workshops and a nationally-recognized writers conference that takes place annually during the third week in August at the Craigville Conference Center in Centerville on Nantucket Sound.
Fine Arts Work Center
A nonprofit devoted to encouraging the growth and development of emerging visual artists and writers through residency programs, to the propagation of aesthetic values and experience, and to the restoration of the year-round vitality of the historic art colony of Provincetown.
Gloucester Writers Center
This “working writers center in a working town” offers classes, writing workshops, readings, lectures, residencies, and more.
Grub Street
The second largest independent center for creative writing in the United States, its mission is to be an innovative, rigorous and welcoming community for writers who together create their best work, find audience and elevate the literary arts for all. Offers writing workshops of all kinds and other events.
Juniper Summer Writing Institute
An annual week-long event hosted by the MFA program at UMass Amherst. Attendees can choose from a wide variety of writing workshops in poetry, fiction, and nonfiction, as well as craft sessions, manuscript consultations, readings, and more.
Ploughshares
Founded in 1971, Ploughshares is an award-winning literary magazine at Emerson College publishing poetry, fiction, essay and memoir.
Scribbler’s Ink
A Boston-area writing workshop for writers of all genres and abilities.
Seven Bridge Writers’ Collaborative
A community-based creative writing group operating under the auspices of the Thayer Memorial Library in Lancaster, Massachusetts.
Straw Dog Writers Guild
A nonprofit volunteer organization dedicated to the craft and transformative power of writing. Its mission is to support the writing community by strengthening, engaging and connecting writers at all levels of development.
Sutton Writing Group
Meets at the Sutton Public Library once a month and welcomes writers of all skill levels working in all genres. Meetings are social, and much of the reading and critiquing work is done via email.
Writers in Progress
Writing workshops and one-on-one mentoring with author Dori Ostermiller to enhance writers’ lives and work.
The Writers’ Room of Boston
A nonprofit organization committed to supporting the creation of new literature by providing a secure, affordable workspace and an engaged community to emerging and established writers in downtown Boston.
Help us add to this list, Massachusettsians! Do you know of writing groups near you, writing workshops near you, creative writing classes near you, or a Massachusetts literary journal we should be aware of? Let us know here
WBN helped me sculpt my story in the best of possible ways, and for that I am eternally grateful. June Day Austin, Texas
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Randolph College’s Master of Fine Arts in creative writing program is hosting a series of public readings in conjunction with its summer residency.
Each reading begins at 8 p.m.
Sunday, June 23 in Main Hall: Mira Jacob, Jean Chen Ho, Joy Priest, and Lilly Dancyger
Monday, June 24 in Main Hall: Anjali Sachdeva, Danez Smith, Clare Beams, and Cindy Juyoung Ok
Tuesday, June 25 at the Maier Museum of Art at Randolph College: Jane Wong, Andrés Cerpa, and Ibtisam Barakat
Wednesday, June 26, also at the Maier: Maurice Carlos Ruffin, Jos Charles, and John Vercher
Friday, June 28 in Main Hall: Angel Nafis, Anthony Cody, and Crystal Hana Kim
Saturday, in Main Hall: Eloisa Amezcua, Chet’la Sebree, and Phillip B. Williams
Find out more about the MFA in creative writing program at https://www.randolphcollege.edu/mfa-cw/ .
A writing room: the new marketplace of writer classes, retreats, and collectives.
A Writing Room is one of the fast-growing writer collectives. The four co-founders (left to right): ... [+] Reese Zecchin, Director of Production; Jacob Nordby, Director of Writer Development; A. Ashe, Creative Director; Claire Giovino, Community Director.
The past decade has brought an explosion in the number of books published each year in the United States (an estimated three to four million annually). In turn, this explosion is bringing a growing and evolving marketplace of writer classes, retreats and collectives. It is a marketplace creating new jobs and entrepreneurship opportunities—both for mainstream tech, marketing and managerial workers, as well as for writer/artist denizens of America’s bohemia.
The number of book sales in the United States remains healthy, though it has leveled off in the past four years. In 2020, 756.82 million book unit sales were made in the US alone. This number climbed to 837.66 million in 2021, before falling slightly to 787.65 million units in 2022 and 767.36 million units in 2023.
What has changed dramatically has been the number of books published. Steve Piersanti of Berrett-Koehler Publishers estimates that three million books were published in the US, up 10 times from the number only 16 years ago . Other estimates put the number of published books annually at closer to four million .
The main driver of this growth in books published has been self-publishing. According to Bowker , which provides tools for self-publishing, an estimated 2.3 million books were self-published in 2021. Up through the 1990s (now the distant past in publishing), writers of all types of books, fiction and nonfiction, were dependent on convincing publishing houses to publish their work. As the technology for self-publishing and print on demand grew in the early 2000s, writers could publish on their own, and a very large number of Americans began to do so.
Fueling growth also is the level of affluence and discretionary income that an increasing segment of American society is reaching. For centuries, theorists across the political spectrum have envisioned a society, freed from basic economic needs, pursuing creative activities, with writing as a primary activity. In The German Ideology , Karl Marx could write about the economy of abundance in which individuals pursue writing as one of a series of daily activities—hunt in the morning, fish in the afternoon, write criticism in the evening. John Maynard Keynes in a 1930 essay, “ Economic Possibilities for Our Grandchildren” , envisions a time a hundred years forward (2030) in which writing is no longer the province of the upper classes. Contemporary theorists on the future of work, such as John Tamny, similarly see a blooming of creative and artistic activities by the average citizen.
Best 5% interest savings accounts of 2024, a writing room, and the emerging marketplace of writer training.
A marketplace of writing coaches, classes and retreats expanded throughout the late twentieth century and first years of the twentieth century. Published authors and even recently-minted graduates of MFA programs hung out shingles for individual coaching and small classes. Colleges expanded their writing programs and certifications, and writer retreats multiplied. Co-working and literary event spaces were established in major cities ( The Writers Room in New York, The Writers Grotto in San Francisco). But the marketplace continued to bump up against geographic and logistical limitations.
Then, along the came the internet, and its evolution.
Today, hundreds of businesses throughout the country offer assistance to aspiring writers. Many continue to offer some in-person assistance through coaching, classes or retreats. But as in other fields, the internet has allowed for a nationwide (worldwide) reach that these businesses are taking advantage of to scale. The major pre-internet writer assistance companies, such as The Writers Studio , added online courses and instruction, and the early internet-based companies from the 1990s, such as Writers.com (a pioneer in the internet field), steadily expanded their offerings. New enterprises are springing up on a regular basis, including the writer collectives.
A Writing Room is one of the fastest growing of the writer collectives, and its suite of services illustrate the how the field is evolving.
A Writing Room has its roots in the writing classes that novelist Anne Lamott had been teaching for some years, and her interest by the early 2020s in creating a larger on-going community of writers. Lamott connected with a team of four entrepreneurs who had experience with previous start-ups and expertise in online tools. In early 2023 they set out to develop A Writing Room.
Novelist Anne Lamott, one of the partners in A Writing Room.
A Writing Room launched in June 2023, and followed a few months later with an inaugural writers retreat in Santa Fe, New Mexico. Though hastily arranged, the retreat attracted more than 400 in person attendees and over 1600 attendees online. In the first half of 2024, the company set up a membership structure of monthly and annual memberships. Within months, over 550 writers had joined.
The products that members can access are aimed in part at teaching the craft of writing. In a recent author discussion (with close to 400 participants joining online) Lamott discussed the craft of writing with novelist Donna Levin . Both started publishing in the 1980s. They noted how much publishing and the role of the writer have changed, but emphasized the fundamentals that have remained over their forty years, related to craft and the responsibility of the writer: the daily commitment, the careful development of plot and characters, the numerous rewrites (as many as you think you need, and one more).
A Writing Room offers a series of on-demand courses, online discussions with authors and publishing professionals, and daily writing prompts, built around writing as craft. It further offers instruction on the paths to and options for publication, building a following of readers.
At its center, A Writing Room is about being part of a community of writers, giving and receiving regular feedback from other members, as well as feedback from writing mentors and coaches. In an interview earlier this year, Lamott explained:
The great myth about writing is that it's an entirely solitary activity. This really isn't true. Every book I've ever written has been with a lot of help from my community. I wouldn't be the writer I am today — and wouldn't even want to write — without people to share the process and finished work. Writing is a process, but it doesn't have to (and really shouldn't be) done in total isolation.
The writing process can feel overwhelming. It often does for me. Believe me, a trusted writing friend is a secret to life.
Other emerging writing collectives also emphasize community and cooperation. Levin underscored this point in the recent online discussion: “Writing can be such an isolated activity, and to some extent needs to be. You want to seek out a community that can give you the support you need and also the honest feedback.”
The founders of A Writing Room know that the marketplace for writer assistance is fast changing, and they need to be quick to adapt to increased competition. Already, several developments are driving change in the field:
· The entrance of major online education companies (i.e. Masters Class , Coursera, Udemy ).
· Faculty recruitment of writers with built-in audiences of sizable twitter and other social media followings.
· Partnerships with the major publishers and agencies, who hold out the promise of publication to participants of the classes, retreats and collectives.
· Specializations by race and ethnicity, gender, geography and genre.
· Market segmentation, and attention to higher income consumers.
A number of these developments reflect the changes in the broader publishing world and are likely to continue. Overall, the marketplace itself will be expanding, as publishing technology advances, along with discretionary income.
The jobs being generated by this new marketplace are a mix of tech, administrative, and writing coach positions. At A Writing Room, recent hires include a community liaison, video editor, customer support, and a “beta reader” providing feedback to writers on their drafts. The hiring process is sweeping up into jobs not only workers who have been in the regular economy, but also residents of America’s bohemia: writers and artists who previously were outside of (and often scornful of) the market system. What can be better than that.
In his 2023 book, The Novel, Who Needs It , Joseph Epstein, former editor of American Scholar , offers a paean to fiction as above all other intellectual endeavors that seek to understand human behavior. But what he says of fiction is true of other writing (memoir, history, even forms of self-help) that arouses the mind.
Yes, there are way too many books published each year, and yes only a very small percentage of writers will earn any significant income from their writing. But who knows what individual book will succeed commercially or critically, or add to our shared knowledge or wisdom. And really, why not encourage the craft of writing. How much does America benefit from most of the paper-pushing, meetings and e-mails that now pass for work in our economy of affluence.
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IMAGES
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Creative Writing: January start MA: 2 years part-time, on campus, starting in academic year 2024-25 Academic year 2024-25, starting January 2025. Part-time home students: £5,400 per year Part-time international students: £9,915 per year. Students are charged a tuition fee in each year of their course. Tuition fees for students continuing on ...
The MA is available to complete in one year full-time or two years part-time. The novel and poetry routes are available to study on campus (full-time or part-time) or online (part-time only). The writing for children and creative non-fiction routes are online (part-time) only. The scriptwriting route is available to study on campus only.
MA in Creative Writing (Online) Mode: 100% online (with optional events) Length: two years (part-time) Total course fees: £10,600 ( instalments and funding options available) Start dates: January, May and September.
Creative writing graduates will be well-placed to pursue careers in writing, academia, research, journalism, publishing, teaching, and creative and heritage industries, amongst other occupations. The course also benefits practitioners in these fields who wish to advance their writing or career prospects. Visit us. Apply now.
Apply now for Kingston University London's Creative Writing Distance Learning MA degree. ... Start date; Full time: 1 year: Full-time students can attend two campus days, scheduled annually in mid-October and early January. September 2024 : Part time: 2 years: Part-time students normally attend the October campus day in the first year and the ...
1 year full-time (September start), 17 months full-time (January start), 2 years part-time (September and January start). All options are available to study in-person or online. Entry requirements: ... MA Creative Writing and Publishing students are immersed in a vibrant media culture and have access to an extraordinary range of multimedia ...
The Writers' Workshop module will encourage you to develop your writing 'voice' through engagement with fellow students across a range of genres (in fiction or creative non-fiction), while the Special Study module enables you to specialise in one genre, such as fiction, non-fiction, poetry or drama. This Creative Writing MA will give you the ...
The Creative Writing: Writing the City MA is the only Creative Writing MA course to focus entirely on the city of London. It will allow you to explore the city as subject matter from a range of perspectives and across all genres. ... You can begin in January or in September. To receive your Master's award, you'll need to complete taught modules ...
Applications are now open for programmes with a January 2024 start. ... The MA in Creative Writing is designed for students to develop a longer piece of work during the MA, or find out what their strengths are in the different forms. It is for people, of any age, whether recent graduates or older, who wish to grow their talent quickly by ...
Creative Writing MA, PGCert. Our PGCert and MA in Creative Writing provide a unique opportunity to explore and develop your creative writing skills through practice, revision and discussion. You are currently viewing course information for entry year: 2024-25. Start date (s): September 2024. View course information for 2023-24. Fees and funding.
Next start; MA Creative Writing part 1 (A802) This online module is an exciting opportunity to develop your skills in fiction, poetry, creative non-fiction and scriptwriting using practical writing, reading and research activities. See full description. Register: 60: 05 Oct 2024 : MA Creative Writing part 2 (A803)
Our list of 256 MFA programs for creative writers includes essential information about low-residency and full-residency graduate creative writing programs in the United States and other English-speaking countries to help you decide where to apply. It also includes MA programs and PhD programs.
Here you can study and write literary fiction, fantasy, dark & transgressive fiction, horror, thriller and domestic noir, and you can write in a wide variety of forms. All modules are taught by published writers, and Roehampton's post-graduate experience is among the best in the country. Come here to do your best writing.
On this MA Creative Writing degree course, you'll study the genres that inspire you the most - from poetry and historical fiction, to screenwriting and crime - as well as genres you may not have explored, taking your writing in new directions. You'll spend plenty of time writing and reviewing work and benefit from the help and experience of ...
The MA is designed for students with an established writing practice who are intending to develop their creative writing beyond first-degree level. It is also designed for those students wishing to proceed to MPhil or PhD. This MA is taught at our central London location, in the heart of literary Bloomsbury, putting you within walking distance ...
The MA in Creative Writing is a uniquely inspirational programme that delivers integrated training in the writing of literary and media text. ... Writing the Self: January-June: 20: EN-M37: Art of The Short Story: January-June: 20: EN-M38: Poetry 2: January-June: 20: ... Start Date UK International; September 2023 £ 4,150
During this Creative Writing Master's degree, you will learn how to read and think as a writer and explore the choices faced and decisions taken by writers. Regular workshops and bespoke reading lists will serve to inform and enrich your own work. You will also gain an understanding of the business of writing in all its forms, from print and ...
MA. 2024 startSeptember. English Literature (Creative Writing) School of English, Faculty of Arts and Humanities. Study contemporary creative writing and develop your skills in a variety of genres and styles. Choose to specialise in either poetry or fiction, or to study both, and explore and improve your own writing through practical workshops.
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Each year the School of Arts, Languages and Cultures offer a number of School awards and Subject-specific bursaries (the values of which are usually set at Home/EU fees level), open to both Home/EU and international students. The deadline for these is early February each year. Details of all funding opportunities, including deadlines, eligibility and how to apply, can be found on the School's ...
Fees and funding. Our tuition fee for UK students starting full-time study in 2024/25 is £10,310 for the course. The tuition fee displayed above is for the full course. If the full course is more than one year in duration, the fee will be divided into annual payments which will then be rounded.
A Boston-area writing workshop for writers of all genres and abilities. Seven Bridge Writers' Collaborative. A community-based creative writing group operating under the auspices of the Thayer Memorial Library in Lancaster, Massachusetts. Straw Dog Writers Guild. A nonprofit volunteer organization dedicated to the craft and transformative ...
Start dates. Fall 2023: August 28. Spring 2024: January 8. Start your application. Related Programs Communication . History . ... A master's degree in Creative Writing is ideal for those who have a passion for creative writing and wish to develop their talent as well as those who wish to apply to MFA or PhD programs, publish their work, enter ...
MFA in creative writing program hosting reading series. Randolph College's Master of Fine Arts in creative writing program is hosting a series of public readings in conjunction with its summer residency. Each reading begins at 8 p.m. Sunday, June 23 in Main Hall: Mira Jacob, Jean Chen Ho, Joy Priest, and Lilly Dancyger
The number of book sales in the United States remains healthy, though it has leveled off in the past four years. In 2020, 756.82 million book unit sales were made in the US alone. This number ...