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Sharwanand,Krithi Shetty
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2 hr 27 mins
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Gowtham,Deepshika,Sridhar Varma,and Chandra Sekhar
entertainment news
YRKKH's Garvita Sadhwani discusses replacing Pratiksha Honmukhe, Shehzada Dhami's departure & Rohit Purohit
Mehndi Wala Ghar update: Rahul and Mauli express their love and share an adorable moment
Pyaar Ka Pehla Adhyaya Shiv Shakti: Shakti's smart strategy to reveal Mandira & Padma
Kartik Aaryan ADDDRESSES his fight with Karan Johar | Varun to rent Hrithik Roshan’s Mumbai home
Salman Khan, Rashmika's 'Sikandar' to kick off with ‘Biggest Air Action Sequence’ on THIS date
మలయాళంలో మంచి టాక్ సొంతం చేసుకున్న టొవినో థామస్ యాక్షన్ ఫిల్మ్ ‘కల్కి’ మెప్పించిందా?
Kalki movie review; చిత్రం: కల్కి; నటీనటులు: టొవినో థామస్, సైజు కురుప్, శివజిత్ పద్మనాభన్, సుదీష్, అపర్ణ నాయర్, అనీష్ గోపాల్, సంయుక్త తదితరులు; సంగీతం: జేక్స్ బిజోయ్; ఎడిటింగ్: రంజిత్ కుజూర్; సినిమాటోగ్రఫీ: గౌతమ్ శంకర్; నిర్మాత: సువిన్ కె. వర్కే, ప్రశోబ్ కృష్ణ; దర్శకత్వం: ప్రవీణ్ ప్రభారం; స్ట్రీమింగ్ వేదిక: ఈటీవీ విన్
ఇతర భాషల్లో విజయవంతమైన చిత్రాలను ఓటీటీ వేదికగా ఆస్వాదిస్తున్నారు తెలుగు ప్రేక్షకులు. మలయాళంలో మంచి విజయాన్ని అందుకున్న యాక్షన్ చిత్రం ‘కల్కి’. టొవినో థామస్ కథానాయకుడిగా నటించిన ఈ మూవీ ప్రస్తుతం ఈటీవీ విన్ ఓటీటీ వేదికగా స్ట్రీమింగ్ అవుతోంది. మరి పోలీస్ ఆఫీసర్గా టొవినో థామస్ ఎలా నటించారు?(Kalki movie review) దేనిపై ఆయన పోరాటం చేశారు?
కథేంటంటే: ఆంధ్రా, తమిళనాడు సరిహద్దులో ఉన్న నంచెన్ కోట ప్రాంతంలో రాజకీయ నాయకుడు అమరనాథ్ (శివజిత్ పద్మనాభన్) చెప్పిందే వేదం. ఎవరైనా అతని మాటకు అడ్డు చెబితే ప్రాణాలు పోగొట్టుకోవాల్సిందే. తన అసాంఘిక కార్యకలాపాలకు అడ్డాగా మార్చుకునేందుకు కొందరు అమాయక ప్రజలను అక్కడినుంచి తరిమికొడతాడు. దీంతో వాళ్లు దిక్కులేక ఊరి చివర గుడిసెలు వేసుకుని జీవిస్తూ ఉంటారు. ఇదేం దౌర్జన్యమని ప్రశ్నించిన ప్రత్యర్థి పార్టీ నాయకుడిని కూడా సభలోనే దారుణంగా హత్య చేయిస్తాడు. ఆ ఊళ్లో పోలీస్స్టేషన్ ఉన్నా, అమర్నాథ్ అరాచకాలకు భయపడి ఏమీ చేయలేని పరిస్థితి. ఊరి ప్రజలకు న్యాయం చేయలేకపోయాననే బాధతో ఎస్సై విశాఖన్ (ఇర్షద్) స్టేషన్లోనే ఉరి వేసుకుని ఆత్మహత్య చేసుకుంటాడు. దీంతో ఆ ఊరికి కొత్త ఎస్సై కల్కి (టొవినో థామస్) వస్తాడు. అతను వచ్చిన దగ్గరినుంచే అమరనాథ్, అతడి మనుషులను పరుగులు పెట్టిస్తాడు. మరి కల్కిపై కోపంతో అమరనాథ్ చేసిన దుశ్చర్యలు ఏంటి? వాటిని కల్కి ఎలా అడ్డుకున్నాడు? (Kalki movie review) ఈ క్రమంలో కల్కి ఎవరెవరిని కోల్పోయాడు? తెలియాలంటే సినిమా చూడాల్సిందే!
ఎలా ఉందంటే: పదవి, అధికారం, డబ్బు కోసం కొందరు దుర్మార్గులు ప్రజలను పట్టి పీడించడం తమకు ఎదురువచ్చిన వారిని బెదిరించడం, లొంగకపోతే దారుణంగా హత్య చేయడం. అదే సమయంలో నిజాయతీ కలిగిన పోలీస్ అక్కడి వచ్చి, ప్రజలకు అండగా నిలబడి, ఆ దుర్మార్గులకు బుద్ధి చెప్పడం ఈ ఫార్మాట్లో చాలా సినిమాలు వచ్చాయి. టొవినో థామస్ ‘కల్కి’ అందుకు భిన్నమైనదేమీ కాదు. నంచన్ కోటను అమర్నాథ్ అతడి కుటుంబం తమ గుప్పిట్లో పెట్టుకునేందుకు చేసే అరాచకాలు, దుర్మార్గాలతో సినిమాను మొదలుపెట్టిన దర్శకుడు నెమ్మదిగా కథలోకి తీసుకెళ్లే ప్రయత్నం చేశాడు. అమర్నాథ్ ఆగడాలు భరించలేక ఎస్సై విశాఖ్ ఆత్మహత్య చేసుకోవడంతో కథ కీలక మలుపు తిరుగుతుంది. ఆ తర్వాత కొత్త ఎస్సైగా కల్కి రావడం, వచ్చి రాగానే అమర్నాథ్ మనుషులపై విరుకుపడే సన్నివేశాలు మాస్ ప్రేక్షకులను అలరిస్తాయి. అక్కడినుంచి నంచన్కోటలో కల్కి హవా నడుస్తుంది. రాజకీయ నాయకుల అండతో ఎదిగిన రౌడీలను ఎరిపారేస్తూ సాగే కల్కి ప్రయాణం ఆసక్తిగా ఉంటుంది. (Kalki movie review) అమర్నాథ్కు కుడి భుజం లాంటి ఉమర్ (హరీశ్ ఉత్తమన్)ను చావగొట్టి రెండు కాళ్లూ తీసేసే సీన్ హీరోయిజాన్ని ఓ స్థాయిలో ఎలివేట్ చేశాడు దర్శకుడు. ద్వితీయార్ధంలో కల్కి పాత్ర మరింత దూకుడుగా వ్యవహరిస్తుందని భావించిన ప్రేక్షకుడికి కాస్త నిరాశ కలిగించాడు. ప్రతీ విషయంలోనూ అడ్డు తగులుతున్న కల్కిని అంతం చేసే క్రమంలో అమర్నాథ్ చేసే దారుణాలు మరింత క్రూరంగా ఉంటాయి. కల్కి తన ప్రియమైన వారిని కోల్పోయే సన్నివేశాలు భావోద్వేగాన్ని కలిగిస్తాయి. సినిమా ముందుకుసాగే కొద్దీ పూర్తి రివేంజ్ డ్రామాగా నడుస్తుంది. ఒక రొటీన్ మాస్ యాక్షన్ సీక్వెన్స్తో క్లైమాక్స్ను ముగించాడు దర్శకుడు.
ఎవరెలా చేశారంటే: మలయాళ అనువాద చిత్రాల ద్వారా నటుడు టొవిన్ థామస్ ఓటీటీ ప్రేక్షకులకు పరిచయం. ఎస్సై కల్కిగా ఆయన నటన ఆద్యంతం సీరియస్గా సాగుతుంది. మిగిలిన పాత్రలేవీ తెలుగు వారికి పెద్దగా పరిచయం లేదు. దర్శకుడు ప్రవీణ్ ప్రభారమ్ ఎంచుకున్న కథ కొత్తదేమీ కాదు. ఈ ఫార్మాట్లో కొన్ని వందల చిత్రాలు వచ్చాయి. అందులో ఇదీ ఒకటిలా ఉంటుందే తప్ప, భిన్నంగా ఏమీ లేదు. అయితే, కల్కి పాత్రను చూపించిన తీరు, యాక్షన్ సన్నివేశాలను తెరకెక్కించిన విధానం మాస్ ప్రేక్షకులను మెప్పిస్తుంది.
కుటుంబంతో చూడొచ్చా: ఎలాంటి ఇబ్బంది లేకుండా చూడొచ్చు. యాక్షన్ సినిమాలను ఇష్టపడేవారికి కచ్చితంగా టైమ్పాస్.
గమనిక: ఈనాడు.నెట్లో కనిపించే వ్యాపార ప్రకటనలు వివిధ దేశాల్లోని వ్యాపారస్తులు, సంస్థల నుంచి వస్తాయి. కొన్ని ప్రకటనలు పాఠకుల అభిరుచిననుసరించి కృత్రిమ మేధస్సుతో పంపబడతాయి. పాఠకులు తగిన జాగ్రత్త వహించి, ఉత్పత్తులు లేదా సేవల గురించి సముచిత విచారణ చేసి కొనుగోలు చేయాలి. ఆయా ఉత్పత్తులు / సేవల నాణ్యత లేదా లోపాలకు ఈనాడు యాజమాన్యం బాధ్యత వహించదు. ఈ విషయంలో ఉత్తర ప్రత్యుత్తరాలకి తావు లేదు.
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Debut director ajay nag’s telugu film ‘aarambham’ scores in some portions and tests patience in others.
Updated - May 10, 2024 06:12 pm IST
Published - May 10, 2024 06:00 pm IST
Telugu film ‘Aarambham’ explores prison break and science fiction | Photo Credit: Special Arrangement
The meaning of the film’s title Aarambham (beginning) and the Kannada book it is adapted from, Neenu Ninnolage Khaidi (I am a prisoner like you; by Anush A Shetty), trickles in and makes an impression towards the final portions of the film, after a few surprises are revealed. The final stretch provides answers to several questions, the most important of them involving a prison break, and is rewarding in that sense. But the journey towards these portions could have been better. Quite a bit works in favour of debut director Ajay Nag’s film — the freshness with which he and his technical team approach a sci-fi drama set in an idyllic village, not abiding by mainstream tropes — but some portions warrant patient viewing, with the ideas not translating into an engaging drama.
Aarambham begins as a prison break mystery. Prisoner no. 299, Miguel (Mohan Bhagath) has disappeared from his cell leaving no clues. Detectives Chaitanya (Ravindra Vijay) and Madhav (Abhishek Boddepalli) are called in to help. All they have at their disposal is Miguel’s diary and anecdotes provided by jail inmate Ganesh (Laxman Meesala). The urgency of solving the prison break is replaced by science fiction that the detectives have to understand to find answers.
The milieu is established beautifully with Devdeep Gandhi Kundu’s camera capturing the verdant, rustic setting that forms the world of Miguel, Leelamma (Surabhi Prabhavathi), Subramanya Rao (Bhushan Kalyan) and Sharada (Supritha Satyanarayan). Sinjith Yerramilli’s music and CS Manicka Prabhu’s sound design add charm to the drama that unfolds among these characters.
A childhood anecdote of how Miguel meets the eccentric scientist, Subramanya Rao, and strikes a rapport is described with a touch of innocence. Miguel asks if he can take the scientist’s television antenna and use it to see images on his radio set, and the two form an unlikely rapport. The bond that Miguel shares with Leelavathi, his mother-like figure, gets established by and by. It is these bonds and even the occasional discussion of loneliness that the characters express that cements the drama and holds our interest when the science fiction portions get tiresome. The story also introduces an angle of local feud that sometimes sticks out like a sore thumb.
The narrative discusses the concept of déjà vu, infinity, travelling in a loop in a bid to simplify the scientific experiment and the story is divided into eight chapters, unveiling surprises towards the later portions.
The science experiment does not hold interest after a point since a strong reason for it is not established. An old scar in the life of Rao gets discussed but that did not feel enough. We also don’t get adequate information about how Rao connects with the scientific community outside this far-flung hilly region ( Aarambham is filmed in picturesque Shimoga) and what he hopes to do if he succeeds in his experiment.
Apart from the cinematography and music, Mohan Bhagat’s performance keeps us invested. The narrative also discusses how one cannot change destiny but explores how, if given a chance, we can be more empathetic and make good memories. These portions involving two of the principal characters augur well.
Aarambham is a brave experiment from the alumni of a film school who aren’t afraid to go beyond mainstream tropes. However, the narrative needed more zing to make it engrossing.
The Hindu Cinema Plus / Telugu cinema / Telangana
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Follows three hard-working women as their destinies lead to some unwarranted situations and they end up caught in a web of lies. Follows three hard-working women as their destinies lead to some unwarranted situations and they end up caught in a web of lies. Follows three hard-working women as their destinies lead to some unwarranted situations and they end up caught in a web of lies.
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Manamey Full Movie Leaked Online In HD For Free Download: Titled 'Maname,' Sharwanand is back on the silver screen with Krithi Shetty as the female lead. Written and directed by Sriram Adittya, the movie's theatrical trailer amplified the expectations for the movie. The movie is hitting the screens on June 7 worldwide. The movie is earning mixed to positive reviews upon the release.
Manamey Synopsis
The movie delves into the life of a happy-go-lucky guy whose life takes a different turn when a young boy enters his world. The movie explores the themes of family, love, responsibility, and growth.
Manamey Full Movie Leaked Online For Free Download
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Manamey Cast The movie includes Sharwanand, Krithi Shetty, Vikram Adittya, Seerat Kapoor, Ayesha Khan, Vennela Kishore, Rahul Ravindran, Rahul Ramakrishna, Shiva Kandukuri, and Sudarshan among others in key roles.
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Release Date : June 07, 2024
123telugu.com Rating : 2.75/5
Starring : Kajal Aggarwal, Naveen Chandra, Prakash Raj, Nagineedu, Harsha Vardhan, Ravi Varma and others
Director: Suman Chikkala
Producers: Bobby Tikka, Srinivas Rao Takkalapelly
Music Director: Sricharan Pakala
Cinematographers: Vishnu Besi
Editor: Kodati Pavan Kalyan
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Kajal Aggarwal’s new movie Satyabhama is now out in theatres. The star heroine plays a powerful cop in this flick, directed by Suman Chikkala. Let’s see how the film is
Satyabhama (Kajal Aggarwal) is a sincere cop who prioritizes duty over everything. She even comes late to her marriage, and that’s how much she loves her job. A woman named Haseena faces domestic violence, and she approaches Satyabhama for help. Satyabhama fails to save Haseena from her toxic husband, Yedhu. Satyabhama decides to catch hold of Yedhu. How she does that and how Haseena’s brother Iqbal is connected to this narrative form the crux of the story.
Plus Points:
It’s very good to see Kajal Aggarwal in a role she hasn’t done until now. She packs a punch as a powerful cop fighting with goons and doing all the high-octane risky stunts we generally see in a star hero’s film. Kajal’s hard work for Satyabhama’s role is very much visible, and she doesn’t disappoint a bit.
The first half of the movie is watchable and has some neat and gripping moments. There are not one but multiple elevation and slow-motion shots for Kajal Aggarwal, and her fans are sure to go gaga for these portions. Kajal’s styling and looks are nicely designed. The performances of the supporting cast are good, and in fact, the story is told from their side.
The message this Kajal Aggarwal starrer tries to offer to youth is good. Though the execution isn’t great, it is clear that Satyabhama is made with good intentions and this actually saves the film to an extent.
Minus Points:
Satyabhama is overstuffed with many things, and at times, the action thriller will make us scratch our heads. It deals with topics like virtual reality games, domestic violence, child trafficking, and terrorism, but the screenplay isn’t cohesive, failing to bind all the important things the movie talks about. For a normal viewer, these elements may go way over the head. Naveen Chandra and Prakash Raj didn’t get prominent roles. Naveen Chandra’s equation with Kajal isn’t showcased in detail.
Most of the second half looks disjointed, and at one point, it becomes difficult to understand the movie’s purpose and where it is heading. The narrative lacks an effective structure and flow. As the film progresses, we come across many new characters, but the below-par execution makes it hard to comprehend the proceedings. Without a doubt, Satyabhama is an ambitious attempt, but it is not powerful though.
The movie tries to be everything, but it falls way short of providing a good experience. As the saying goes, too many cooks spoil the broth, including multiple elements dilute the main plot. The execution makes things even more confusing. There are a couple of good moments in the second half, but they are few and far between. More care should have been taken regarding the second half.
Technical Aspects:
Sri Charan Pakala’s background score is solid. Had he received enough support from the writing team, the impact could have indeed gone to the next level. Vishnu Besi’s cinematography is neat, and the production values are satisfactory. The editing is fast-paced throughout, but it also becomes the key reason for confusion.
Debut director Suman Chikkala did just an okay job. The fault is with the screenplay, which is convoluted. The team should have put in more effort to make things easily understandable without complications. More breathing space should have been given to take note of the various subplots and elements involved.
On the whole, Satyabhama is an action thriller that presents Kajal Aggarwal in a new avatar, but the film’s screenplay isn’t entirely gripping. Kajal did a very good job, and the film is made with good intentions by discussing various societal issues. The first half has some neat moments, and the action scenes look stylish. However, the narration creates unwanted confusion in the second half. A proper screenplay would have made matters quite simple for the audience. What otherwise could have been an interesting thriller is brought down by complicated narration. Hence, Satyabhama will appeal to Kajal fans, but for the rest, it will end up being a below-par watch.
123telugu.com Rating: 2.75/5
Reviewed by 123telugu Team
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Debut director Ajay Nag's Telugu film 'Aarambham' scores in some portions and tests patience in others Updated - May 10, 2024 06:12 pm IST Published - May 10, 2024 06:00 pm IST
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