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57 Best Ways to Describe Buildings in Writing (+ Examples)

One of the key components of any setting is the buildings within it.

Knowing how to describe buildings can transport your reader right into the world you’ve built.

Here’s how to describe buildings in writing:

Describe buildings in writing by utilizing architectural style, historical periods, materials used, and their cultural significance. Incorporate sensory details like soundscapes and emotional resonance. Highlight unique features, transformations, legends, and personal memories for depth.

In this article, you’ll learn all the ways to describe buildings in your writing.

1. By Historical Period

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Different historical periods offer a plethora of architectural designs.

When you mention a building from the Renaissance era, the image of grandeur, classic designs, and meticulous details springs to mind.

Similarly, medieval structures might invoke images of castles and fortresses.

Some historical periods to consider are:

• Ancient : Pyramids, temples, and coliseums.
• Medieval : Castles, fortresses, and walled towns.
• Renaissance : Grand manors, theaters, and palaces.
• Victorian : Ornate houses, large estates, and townhouses.
• Modern : Skyscrapers, glass-fronted buildings, and minimalist designs.

2. By Material

The building material not only imparts a physical texture to a structure but also offers a tactile feeling to your narrative.

When we describe a structure made of sandstone, readers may visualize its ruggedness and the warmth of its golden-brown hue.

On the other hand, glass skyscrapers evoke modernity and offer a reflection (both literal and metaphorical) of the urban world.

Examples of materials :

• Brick : Often seen in traditional townhouses. Think of the classic brownstones of New York.
• Marble : Conjures images of opulent palaces or Greek temples.
• Wood : Wooden lodges or cabins evoke feelings of nature, simplicity, and coziness.
• Glass : Mostly seen in modern office buildings or high-rises, suggesting transparency and sleek design.

3. By Height

Height in buildings can be an implicit indication of many things, including the period in which it was built, its function, or the aspirations of its builders.

A towering skyscraper in a business district implies a beacon of commerce and ambition.

In contrast, a quaint, single-story cottage nestled in a village street whispers tales of simplicity and tradition.

The narrative contrast is stark between the dominance of a city’s tallest structure and the humble abode that clings to the ground, embodying a quiet, unassuming charm.

Both have stories to tell, and the tales are as different as the shadows they cast.

Every building, whether ancient or modern, stands as a silent witness to the passage of time.

When describing an old, moss-covered stone building, readers might imagine the countless seasons it has withstood, the generations it has seen, and the myriad stories embedded in its walls.

A newly constructed high-rise, with its shiny facade and contemporary design, hints at a world that’s rapidly evolving, racing towards the future.

It speaks of innovation, of fresh beginnings, and sometimes, of the relentless march of progress that leaves no room for the old.

5. By Function

A building’s function is its heartbeat. It dictates the rhythm of activities inside, the kind of people who frequent it, and the emotions it evokes.

A school, for instance, might resonate with the sounds of children’s laughter, the rustling of books, and the knowledge pursuits.

Examples of functions :

• Library : A sanctuary of silence, corridors filled with the musky scent of old books, and seekers of knowledge lost in its aisles.
• Factory : Buzzing with activity, and machinery noise, indicative of industry and production.
• Barn : Evoking rustic charm, the scent of hay, and the sounds of farm animals.
• Theater : A world of art, echoing with applause, dramatic performances, and cultural expressions.

6. By Atmosphere

More than its physical attributes, the atmosphere of a building defines its soul.

It’s the difference between a church’s hallowed silence, which commands reverence, and the bustling, lively cacophony of a market square teeming with life.

While the exterior might give a hint, it’s the interior atmosphere of a building that truly draws a reader in.

The interior offers them a seat in its world, whether that’s the tranquility of a remote mountain monastery or the energetic vibe of a downtown jazz club.

7. By Surroundings

Buildings don’t exist in isolation.

They’re part of a larger tableau. Describing the surroundings sets the stage.

A lone manor at the edge of a dark forest might evoke mystery and intrigue, while the same manor overlooking a serene lake offers tranquility.

Context, in essence, is a silent storyteller.

It provides clues about the building’s purpose, its history, and its relationship with its environment.

The quaint bookshop squeezed between two modern cafes speaks of resilience amidst change.

Just as a historic monument amidst skyscrapers stands as a reminder of the city’s rich past.

8. By Color

Colors are a palette of emotions.

Describing a building’s color is akin to painting its mood.

The pastel hues of a coastal villa might convey a laid-back, beachy vibe.

Meanwhile, the monochrome shades of an urban structure suggest sobriety and functionality.

Whether it’s the radiant gold of a palace under the sun, the deep blue of a nighttime diner, or the rusty red of an old barn, colors breathe life into descriptions, making them vivid and evocative.

Size can be both a physical measure and a psychological one.

A sprawling mansion, with its many rooms and vast lawns, can indicate grandeur and opulence.

On the other hand, a small, compact house might not be grand, but it could brim with warmth and coziness.

It’s about the space, its utilization, and the feeling it imparts.

Does the vastness of a castle make one feel lost, or does it evoke a sense of awe? Does the confined space of an attic room feel claustrophobic, or does it exude intimacy?

10. By Architectural Style

Every architectural style brings with it a set of aesthetics, principles, and histories.

A Gothic cathedral, with its pointed arches and intricate detailing, is more than just a place of worship

It’s a testament to a particular period of architectural achievement.

Examples of architectural styles :

• Art Deco : Think of the glamorous 1920s, with ornate details, bold geometric forms, and lavish materials.
• Brutalist : Characterized by raw, unadorned concrete structures, it often evokes strength and functionality.
• Colonial : Reminiscent of colonization eras, with large porches, brick facades, and symmetrical designs.
• Modernist : Simplified forms, open floor plans, and a strong emphasis on horizontal and vertical lines.

11. By Cultural Influences

Every culture has its distinct architectural imprints.

Buildings influenced by a specific culture bring with them a rich tapestry of history, traditions, and artistic nuances.

For instance, a pagoda-style temple immediately brings forth Asian influences, whereas a hacienda-style house could transport readers to the heart of Mexico.

A mosque, with its minarets piercing the sky, intricately designed domes, and calligraphy-laden interiors, speaks of Islamic artistry.

A Mediterranean villa with stucco walls and red-tiled roofs tells tales of sun-kissed coasts and leisurely lifestyles.

12. By State of Repair

The condition of a building can be a rich source of narrative information.

A dilapidated mansion covered in ivy, with broken windows and creaky doors, might hint at long-forgotten stories, neglect, or even hauntings.

In contrast, a well-maintained Victorian house, freshly painted with a manicured lawn, suggests pride, history cherished and sustained.

Structures in ruins, especially historic ones, often feel melancholic, reminding readers of the inexorable march of time.

Meanwhile, buildings under construction are beacons of progress, symbolizing hope, aspirations, and the future.

13. By Decorative Elements

Details matter.

An ornate balcony with wrought-iron railings, statues adorning entrances, or stained glass windows can offer readers visual treats and clues about a building’s history and the aesthetic preferences of its inhabitants or architects.

Examples of decorative elements :

• Gargoyles : Often found in Gothic structures, these stone creatures serve both decorative and architectural purposes.
• Frescoes : Painted walls or ceilings, common in Renaissance buildings, depict scenes or stories.
• Mosaics : Pieces of colored glass or stones arranged to form patterns or images, frequently found in Byzantine architecture.
• Columns : Pillars that might be Doric, Ionic, or Corinthian, each bringing a different historical and aesthetic layer.

14. By Lighting

Light, both natural and artificial, plays a significant role in setting the mood.

A cathedral bathed in the soft hues of sunlight filtering through stained glass windows offers a kaleidoscope of colors and emotions.

Conversely, an alleyway dimly lit by a lone lamp post might evoke feelings of solitude or mystery.

The glow of lanterns in an old inn or the harsh neon lights of a modern nightclub can drastically alter the way a building is perceived, grounding readers in a specific time or mood.

15. By Acoustics

Beyond the visual, what does a building sound like?

The echo of footsteps in a grand marble hall, the muffled sounds in a carpeted library, or the lively acoustics of a music hall can immerse readers deeper into the setting.

Acoustics can also serve as indicators.

Sound bouncing off the walls of an empty mansion might evoke feelings of loneliness or abandonment.

Buildings like opera houses or concert halls, specially designed for optimal acoustics, not only emphasize the significance of sound but also bear testimony to the architectural marvels dedicated to the art of sound.

16. By User Experience

How does one navigate or experience the building?

A labyrinthine palace with endless corridors and secret chambers can give a sense of mystery.

In contrast, an open-plan modern office emphasizes transparency and collaboration.

The ease or difficulty of navigating a space, the viewpoints offered by balconies or windows, and even the experience of ascending a grand staircase versus taking a modern elevator can offer readers insights into the building’s purpose and the era’s design principles.

17. By Integration with Nature

Some buildings seamlessly integrate with their natural surroundings, while others stand out.

A cottage with walls covered in ivy, almost hidden by the woods around it, offers a different narrative than a steel-and-glass structure stark against a forest backdrop.

Consider a treehouse that becomes one with the canopy or a desert abode designed for optimal cooling.

Either way, the relationship between a building and its environment can be a rich descriptor, highlighting harmony or discord.

18. By Innovations or Anachronisms

Certain structures stand out due to their innovative designs or features that are anachronistic for their time.

An ancient building with ahead-of-its-time water systems, or a futuristic house with solar integrations and smart tech in a traditional neighborhood, can be points of interest.

Such descriptions can surprise the reader, make them curious, or emphasize the uniqueness and significance of a structure.

19. By Symbolic Significance

Beyond their tangible attributes, some buildings hold symbolic meanings.

They might represent power (like a king’s palace), spirituality (like a temple or church), knowledge (like a grand library), or even decay and decline (like ruins).

The symbolic weight of a building can add depth to its description and make it more resonant in the narrative.

20. By Popularity or Notoriety

Lastly, how is the building perceived by the masses?

Is it a famous landmark, a tourist magnet with crowds always milling about?

Or perhaps it’s a notorious structure, shunned by locals due to dark tales or unfortunate histories.

The public’s perception of a building, whether a beloved local bakery or a haunted mansion, can influence its role in the story and shape the readers’ attitudes towards it.

21. By Ornamentation and Artistry

Buildings can be embellished with diverse forms of ornamentation, from intricate carvings to frescoes.

This decor often reflects the cultural and historical contexts, as well as the individual tastes of its creators.

A building adorned with gargoyles and flying buttresses, for example, might point towards Gothic influences.

• Baroque Churches : Filled with lavish ornamentation, gilded statues, and dramatic frescoes.
• Indian Temples : Carved with intricate sculptures depicting gods, goddesses, and tales from epics.
• Art Nouveau Buildings : Characterized by sinuous lines, floral motifs, and harmonious curves.

22. By Patronage or Ownership

The patron or owner of a building can provide essential insights into its style, purpose, and decor.

Palaces built by powerful rulers often reflect their ambitions, tastes, or the political needs of their time.

On the other hand, structures erected by philanthropists might emphasize utility and public welfare.

• The Medici family in Renaissance Florence sponsored numerous buildings that became masterpieces of their era.
• The Rockefeller Center in New York, financed by the Rockefeller family, is a beacon of art deco design and urban planning.

23. By Architectural Movement

Every era spawns architectural movements with distinct principles and aesthetics.

Describing a building by its movement aligns it with specific philosophies, materials, and designs.

The minimalist, functional approach of the Bauhaus contrasts with the ornate designs of the Rococo.

• Bauhaus : Emphasizes functionality and eschews unnecessary ornamentation.
• Rococo : Known for its playful, whimsical, and intricate designs, often in pastel colors.

24. By Social and Economic Status

Buildings can often depict the socio-economic status of their inhabitants or the region they’re located in.

Mansions, penthouses, and gated communities often exude opulence.

In comparison, slums, tenements, and worker cottages might highlight poverty or the working-class struggles.

Examples: The elegant townhouses of London’s Belgravia versus the narrow, crowded lanes of Dharavi in Mumbai.

25. By Sensory Appeal

Beyond sight, buildings can be described by how they appeal to other senses.

The scent of aged wood in a historic home, the touch of cool marble underfoot in a palace, or the distant sounds echoing through a vast cathedral can make descriptions more immersive.

• The warm, inviting scent of freshly baked bread from a French bakery.
• The gentle, rhythmic tapping of rain on a tin-roofed cottage.

26. By Folklore or Legend

Some buildings are shrouded in myths, legends, or local tales.

A castle might be infamous for its ghostly residents, or a historic home might be revered as a hero’s birthplace.

Such tales add depth, intrigue, and cultural context.

• The legend of the Tower of London’s ravens, suggesting the kingdom’s fall if they ever leave.
• The lore surrounding Transylvania’s Bran Castle, often linked with the Dracula legend.

27. By Climate Adaptation

Buildings can be designed or modified to adapt to their climatic conditions.

A desert home might have thick walls to keep the interiors cool, while houses in tropical regions might feature wide verandas and high ceilings for ventilation.

• The igloos of the Arctic, built from blocks of snow.
• Traditional Arabian homes with wind towers for natural cooling.

28. By Relation to Other Structures

The juxtaposition of a building with its neighboring structures can offer rich contrasts or harmonies.

A medieval church beside a modern mall might highlight the city’s layered history or the interplay of the sacred and the commercial.

• The Flatiron Building in New York, with its unique triangular shape, set against the backdrop of modern skyscrapers.
• Rome’s Pantheon, an ancient temple, surrounded by renaissance buildings and modern cafes.

29. By Adaptive Reuse

Old structures might be repurposed for new functions, preserving their history while adapting to contemporary needs.

Warehouses transformed into lofts, churches turned into bookshops, or palaces renovated into hotels.

Transformations show the evolving narratives of buildings.

• The Tate Modern in London, once a power station.
• Book and Bed Hostels in Tokyo, combining bookshops with sleeping quarters.

30. By Emotional Resonance

How does a building make one feel?

Describing the emotional response it evokes can be more powerful than detailing its physical attributes.

A derelict asylum might exude eeriness, while a childhood home could evoke nostalgia.

• The somber, reflective atmosphere of the 9/11 Memorial.
• The joy and wonder of entering the whimsical world of Gaudí’s Casa Batlló in Barcelona.

31. By Historical Events

Many buildings carry the weight of significant historical events.

These events can cast a long shadow over the building’s atmosphere and its place in society.

For instance, a palace that was the site of a famous treaty signing or an assassination takes on the weight and significance of those events, shaping how one views and describes it.

The mere mention of such a building might evoke a vivid picture in the reader’s mind, filled with the drama and emotion of the past.

• The Palace of Versailles in France, which witnessed numerous royal dramas and the signing of the Treaty of Versailles.
• Ford’s Theatre in Washington D.C., forever remembered as the assassination site of President Abraham Lincoln.

32. By Foundation

The foundation of a building is its bedrock, dictating its stability, longevity, and sometimes even its aesthetic appeal.

It speaks volumes about the building’s resilience, design intentions, and the environment it’s in.

Different terrains require different types of foundations.

A building’s foundation can indicate whether it’s designed to withstand earthquakes, floods, or other environmental factors.

• Stilt homes in flood-prone areas, raised above ground level, showcase the adaptation to the local environment.
• Buildings in earthquake-prone regions like Japan might have deep foundations and reinforced pillars to absorb shocks.

33. By Roof

Roofs provide shelter but also contribute to a building’s identity.

They often serve as an architectural highlight or adaptation to the climate of a region.

A roof can be symbolic of a region’s architectural history or a practical response to weather conditions. It can be decorative or functional, or both.

• The distinct pagoda-style roofs in ancient Chinese architecture, with their upturned eaves.
• Thatched roofs of English cottages, providing insulation and showcasing a rustic charm.

34. By Landscape Integration

How a building integrates or stands out from its surrounding landscape can be a focal point of description.

A mansion atop a hill overlooking a town tells a story of dominance or isolation, while a camouflaged cabin in the woods speaks of retreat and harmony with nature.

• Machu Picchu in Peru, a stone city seamlessly integrated into the mountainous terrain.
• Cliffside dwellings like the Hanging Temple in China, defying gravity and blending with the vertical landscape.

35. By Socio-political Context

Architecture often mirrors the socio-political climate of its time.

Structures built during totalitarian regimes might exude power and intimidation, while those from a renaissance period might reflect hope, curiosity, and the human spirit.

Describing buildings within this context can enhance the depth of a story, setting the stage for the characters’ challenges and triumphs.

• The grandeur of Stalinist architecture, like the Seven Sisters in Moscow, representing power and state dominance.
• The democratic openness of city halls and public squares in many European cities, symbolizing public participation and freedom.

36. By Architectural Philosophy

Some buildings are constructed based on specific architectural philosophies or principles.

Perhaps the Japanese philosophy of “Wabi-sabi” celebrating imperfection or the Modernist mantra “form follows function.”

These guiding principles can be a unique way to delve into the building’s essence.

• Fallingwater by Frank Lloyd Wright, embodying the philosophy of organic architecture.
• The grid-like simplicity of De Stijl architecture , as seen in Rietveld Schröder House.

37. By Spiritual or Religious Significance

Many structures are steeped in spiritual or religious significance, making them more than just brick and mortar.

Temples, churches, mosques, and other religious edifices often come loaded with symbolic elements, rituals, and an aura of reverence.

• The Notre-Dame Cathedral i n Paris, with its Gothic spires, rose windows, and religious relics.
• The intricately carved Jain temples of India, representing non-violence and respect for all living beings.

38. By Reflection of the Times

Architecture can be a mirror to the prevalent trends, technology, and societal values of its era.

A post-war building might carry elements of resilience and simplicity.

Structures from a prosperous era might, instead, exude opulence and flamboyance.

• Art Deco buildings of the Roaring Twenties, like the Chrysler Building in New York, symbolizing prosperity and technological progress.
• The austere, functional buildings of post-World War II Europe, reflecting the continent’s recovery phase.

39. By Personal Stories and Anecdotes

Every building might have personal stories or anecdotes linked to it.

These tales, whether of love, tragedy, triumph, or everyday life, can turn a mundane structure into something special.

A house might be remembered for the family feuds it witnessed, or a bridge might be iconic for a legendary love story.

• The Romeo and Juliet balcony in Verona, believed to be the site of the famous Shakespearean love story.
• The childhood homes of famous personalities, like Mozart’s Geburtshaus in Salzburg, which tells tales of prodigious talent and early beginnings.

40. By Flooring

Flooring can reflect the luxury, practicality, or cultural elements of a building.

It plays a significant role in interior aesthetics and user comfort.

The choice of flooring material, its texture, and design can say a lot about the purpose of a room and the building’s overall theme.

• Design: The intricately designed marble floors of palaces, indicating opulence and grandeur.
• Material: Bamboo or tatami mat flooring in traditional Japanese homes, bringing forth an essence of simplicity and nature.

41. By Urban vs. Rural Setting

The setting of a building, whether in a bustling urban environment or a serene rural backdrop, affects its architecture, materials used, and its overall ambiance.

Urban structures might prioritize vertical expansion and efficient space use.

Rural ones might spread outwards, integrating with nature.

• The compact, upward-stretching skyscrapers of Manhattan versus the sprawling ranches of Montana.
• Ancient European farmhouses nestled in valleys versus modern urban apartments with their balconies facing busy streets.

42. By Ecological Impact

With the rising emphasis on sustainability, many buildings are now designed with their ecological footprint in mind.

Consider green roofs and walls to structures entirely powered by renewable energy.

There’s a growing trend towards eco-friendly architecture.

• The Bullitt Center in Seattle is called the world’s most eco-friendly office building.
• Ancient cliff dwellings, which utilized natural rock formations to maintain interior temperatures and minimize impact on the environment.

43. By Underground Space

A building’s underground space can reveal hidden functions, histories, or layers of utility that aren’t immediately visible on the surface.

Basements, cellars, underground bunkers, or parking spaces can add layers of mystery, function, or historical depth.

• Ancient catacombs or crypts beneath churches, like the Catacombs of Paris, harboring history and tales of the departed.
• Modern skyscrapers with multiple levels of underground parking and utility spaces, showcasing urban space optimization.

44. By Human Interaction

How people interact with a building can be a powerful descriptor.

Are its halls always crowded?

Do children play in its courtyards? Is it a place of solitude or social interaction?

Such descriptions bring the building to life, emphasizing its role in the community.

• The lively bustle of Grand Central Terminal in New York, with commuters rushing, tourists marveling, and couples reuniting.
• The tranquil corridors of monasteries, where the only sounds might be the soft footsteps of monks.

45. By Technological Advancements

In the modern age, buildings can be described by the technology they incorporate.

Smart homes, buildings with integrated AI systems, or structures with advanced security systems reflect the advancements of the age.

• The Edge in Amsterdam, touted as the world’s smartest building, where even the coffee machines are connected to the internet.
• Historical aqueducts and water systems, showcasing the engineering prowess of ancient civilizations.

46. By Adaptability and Flexibility

Some buildings are designed to be adaptable to different needs over time.

These structures might have movable walls, transformable spaces, or modular designs that can evolve with changing requirements.

• The Habitat 67 complex in Montreal, where prefabricated modules can be reconfigured.
• Japanese homes designed with large open spaces that can serve multiple purposes, from living rooms in the day to sleeping areas at night.

47. By Fragrance and Aroma

Though subtle, the distinctive smells associated with certain buildings can paint a vivid picture.

A library’s musty scent, the fresh aroma from a bakery, or the mix of incense in a temple can transport the reader to the location instantly.

• The cedarwood fragrance permeating ancient temples in Kyoto.
• The unmistakable scent of chlorine in indoor swimming complexes.

48. By Security Features

Security features can provide insights into the importance, vulnerability, or the treasures a building holds.

It can also reflect the socio-political environment of the locale.

A building heavily fortified indicates its importance or the potential threats it might face, whereas minimal security might indicate peace, openness, or a lack of valuable contents.

• The Buckingham Palace with its guards, high walls, and surveillance systems, highlighting the importance and the need to protect the monarchy.
• A quiet, open-plan library in a small town, with just CCTV cameras, showcases the trust in the community and the open access to knowledge.

49. By Mystique and Legends

Every region has its tales, its myths, and sometimes these stories are intrinsically tied to certain structures.

A haunted house, a castle rumored to have hidden treasures, or an inn with tales of historical figures stopping by can add a layer of mystique and depth to the description.

• The Tower of London, with its many ghostly tales including that of Anne Boleyn.
• Château de Brissac in France, also known as the “Giant of the Loire Valley,” renowned for its ghost, “la Dame Verte” or the Green Lady.

50. By Seasons and Weather

The way a building interacts with different seasons can be enchanting.

How it stands resilient during winter storms, becomes enlivened by spring blossoms, offers shade in summer, or is framed by autumn leaves can bring a dynamic quality to descriptions.

• Neuschwanstein Castle in Germany, often pictured blanketed in winter snow, looking like a fairy-tale come alive.
• Traditional Japanese homes with engawas (verandas) designed to appreciate seasonal changes, especially the sakura bloom in spring.

51. By Movement and Dynamics

While buildings are inherently static, the environment around them isn’t.

Describe how shadows move across a structure during the day, how it appears through the mist, or how its reflection dances on water.

These details can capture a building’s dynamic interplay with the environment.

• The play of sunset hues on Petra’s Al-Khazneh in Jordan, making the ancient rose-red city look aflame.
• The Marina Bay Sands hotel in Singapore, with its surrealistic appearance as it reflects on the bay waters.

52. By Proportions and Geometry

A building’s proportions, symmetry, or lack thereof, and its geometrical design elements can serve as potent descriptors.

They can convey balance, chaos, grandeur, or coziness, depending on the design.

• The perfectly symmetrical facade of the Taj Mahal in India, representing balance and beauty.
• The twisted and unconventional design of the Dancing House in Prague, which challenges traditional architectural norms.

53. By Hidden or Secret Elements

Every building might have its hidden nooks, secret passages, or lesser-known elements.

Describing these can add an element of intrigue and adventure to the narrative.

• The hidden chambers and passageways of Hampton Court Palace in England.
• The concealed courtyards of Marrakech’s riads, which offer an oasis of calm in the midst of the city’s hustle.

54. By Time of Day

The time of day can drastically change how a building is perceived.

Dawn might cast a soft golden glow, midday could highlight the structure’s magnificence under bright light.

Dusk might lend a serene hue, while nighttime could unveil a structure illuminated in artificial lights.

• Eiffel Tower in Paris, which transforms from an iron lattice structure in the day to a sparkling jewel at night.
• Ancient ruins like Stonehenge, which take on a mystical aura during the solstice sunrise.

55. By Parking

Parking can offer a unique perspective on the accessibility, modernity, and practical aspects of a building.

A skyscraper might have a multi-level underground parking facility, while a countryside inn might just have a gravel lot.

The type and style of parking can shed light on the type of people frequenting the building and its location.

Parking is a functional aspect that often gets overlooked.

Yet, it can provide insights into the modern infrastructure and the building’s capacity to accommodate visitors.

• The Burj Khalifa in Dubai, known for its expansive parking decks, indicative of the structure’s modernity and the bustling crowd it attracts.
• A centuries-old church in a European town, with only a cobblestone path leading up to it and no dedicated parking, emphasizing its age and the pedestrian nature of the locale.

56. By What Is Missing

Sometimes, what a building lacks can be as telling as what it includes.

The absence of certain features can highlight its history, purpose, or the socio-economic conditions of its residents.

Absence can be telling. A building missing windows might suggest a need for defense or privacy in historical times.

Lack of modern amenities might indicate either a commitment to maintaining historical authenticity or a lack of resources.

• Castles like the Alhambra in Spain, where certain decorative elements are conspicuously absent due to religious beliefs of the Moors.
• An old house in a rural village, devoid of any electronic fixtures or modern plumbing, hinting at a simpler time or economic constraints.

57. By Literary Genre

Buildings can be described in a style reminiscent of different literary genres.

A haunted house might be described in a gothic or horror style, a futuristic building in a sci-fi manner, or an old mansion in a romantic or historic style.

Literary genres come with their own set of conventions, moods, and themes.

Utilizing these can offer a distinctive lens through which to view and describe a building, thereby setting a tone that aligns with the narrative’s intent.

• An abandoned asylum, its corridors echoing with eerie silences and shadows, drawing from horror literature.
• A building with sleek curves, neon-lit facades, and hovering platforms, reminiscent of science fiction settings like Blade Runner.

50 Words to Describe Buildings

Here is a list of words to describe buildings in your stories, reports, product profiles, and more:

• Dilapidated
• Minimalistic
• Symmetrical
• Breathtaking
• Picturesque
• Verdant (if covered with plants)
• Cobblestoned
• Flourishing

25 Phrases to Describe Buildings

Next, let’s look at some of the best “starter” phrases to use when you need to describe buildings in writing.

• Standing tall against the horizon
• Whispers of bygone eras
• A beacon of modernity
• The touch of nature’s embrace
• Frozen in time
• A dance of shadows and light
• Bearing the weight of history
• A testament to innovation
• Merging tradition and modernity
• Clinging to its past
• Resilient against the elements
• Melting pot of architectural styles
• Crafted with meticulous precision
• Heralding a new age
• Cradled in the lap of nature
• Drawing eyes skyward
• Seamlessly blending with its surroundings
• Shrouded in tales and mysteries
• Rising like a phoenix
• A canvas of artistic expression
• Carved with legends
• Keeping pace with the future
• Holding the stories of centuries
• Echoing the footsteps of the past
• A juxtaposition of epochs

Check out this video about how to describe buildings in writing:

Three Full Building Descriptions

I don’t know about you but I love to see full examples – especially when it comes to writing tips and techniques.

Therefore, here are three examples for how to describe buildings in writing.

The Old Manor House

Nestled on the outskirts of the town, the Old Manor House stands as a silent sentinel of the past.

Its weathered stone walls and time-worn wooden beams whisper tales of bygone eras. The structure, with its vast corridors and winding staircases, holds an enigmatic charm. Ivy covers much of its facade, lending it a verdant embrace.

The large, towering oak trees around it act as guardians, their branches swaying gently with the wind.

Here, every creak of the floorboard and rustle of the leaves seems to echo with stories waiting to be discovered.

Pinnacle Tower

Rising above the bustling city is the Pinnacle Tower, a beacon of modernity.

Its sleek, reflective glass surface mirrors the ever-changing skyline. As the sun sets, the tower transforms into a luminous gem, its lights dancing amidst the city’s constellation. Designed with innovative architecture, it stands not just as a workplace but a testament to human achievement and the possibilities of the future.

Its top floor offers a panoramic view, making the chaotic streets below seem like a rhythmic, orchestrated play.

Lilac Cottage

Tucked away in a quiet lane, the Lilac Cottage is the epitome of quaint charm.

With its cobblestoned pathway leading to a blue wooden door, and windows framed by blooming flower boxes, the cottage seems straight out of a storybook. The white picket fence and the small garden, bursting with colors, add to its picturesque beauty.

Inside, the intimate space, with its wooden furniture and lace curtains, radiates warmth and comfort.

The scent of freshly baked bread wafts from the kitchen, promising a sanctuary of homely delights.

Final Thoughts: How to Describe Buildings in Writing

Each building has stories etched into its walls, stories of the hands that built it, the eras it survived, and the people who occupied it.

By employing diverse descriptive techniques, writers can unearth and convey these tales, making structures more than just static edifices.

We have lots of other articles about how to describe people, places, and things in writing.

Check out a few of the others before you go :).

Related Posts:

• How to Describe a City in Writing (100+ Best Examples)
• How To Describe a House in Writing (21 Tips for Beginners)
• How to Describe Mountains in Writing (21 Tips & Examples)
• 400+ Words to Describe a Flower Garden: Best Writers Guide

Brittancia (Architechure)

How can one effectively describe an abandoned place or building in writing?

Describing an abandoned place or building effectively in writing requires attention to detail and the use of vivid language to create a sense of atmosphere and evoke emotions in the reader. Here are some tips to help you effectively describe an abandoned place or building:

Set the Scene:

• Begin by setting the scene and providing context for the abandoned place or building. Describe its location, surroundings, and any notable features in the area [2] .
• Use sensory details to create a vivid picture in the reader's mind. Describe the sights, sounds, smells, and even the feel of the place [2] .

Visual Description:

• Describe the exterior of the abandoned place or building. Pay attention to its physical appearance, such as the architecture, condition, and any signs of decay or neglect [2] .
• Highlight any unique or striking features that make the building stand out, such as broken windows, overgrown vegetation, or crumbling walls [2] .

Atmosphere and Mood:

• Convey the atmosphere and mood of the abandoned place or building. Use descriptive language to create a sense of eeriness, desolation, or mystery [2] .
• Describe the emotions that the place evokes in you as the writer, such as fear, sadness, or curiosity [2] .

Interior Exploration:

• If you are exploring the interior of the abandoned place or building, describe the atmosphere and sensory experiences in detail. Focus on the sights, sounds, smells, and textures you encounter [2] .
• Highlight any remnants of the building's past, such as furniture, personal belongings, or signs of previous occupancy. Use these details to evoke a sense of nostalgia or loss [2] .

Emphasize the Passage of Time:

• Show the effects of time on the abandoned place or building. Describe the signs of decay, weathering, and neglect that have accumulated over the years [2] .
• Use descriptive language to convey the sense of history and the stories that may be hidden within the walls of the abandoned place or building [3] .

Emotions and Reflections:

• Share your personal emotions and reflections as you explore the abandoned place or building. Describe how it makes you feel and what thoughts it provokes [2] .
• Use metaphors, similes, or other literary devices to enhance the emotional impact of your description [3] .

Learn more:

• What are some ways to describe an abandoned place ... - Quora
• Descriptive Writing of an Abandoned Building
• Abandoned building | Quotes and descriptions to inspire creative writing

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10 Words to Describe an Abandoned Castle

By Rebecca Parpworth-Reynolds

If you’re at a blank in coming up with words to describe an abandoned castle, there’s nothing to worry about! The following 10 words will help in getting your creative juices flowing again!

• Empty and  unwelcoming .
• Giving off the impression of no hope for the future.

“The grand hall which once would have held many a grand banquet was now cold and  bleak .”

“The abandoned castle made for a  bleak  picture on the windswept hillside.”

How it Adds Description

“Bleak” is a great word to describe an abandoned castle as it not only helps to demonstrate its emptiness but the feeling that people get when they look at it. Often, desolate settings like abandoned castles have a feeling of hopelessness about them, and definitely don’t look like somewhere someone would happily call home!

2. Crumbling

Breaking  into small pieces.

“As he walked down the stone-clad hallway, he could hear distant parts of the structure  crumbling  and cracking.”

“The walls were  crumbling  in such a way that she was scared that they would topple over if she even so much as brushed against them.”

“Crumbling” is a brilliant word for castles that have been abandoned for a long time. It can show how weak they now are thanks to being left for so long, that such large walls are reduced to tiny pieces from neglect.

3. Derelict

Uncared for  and left in a bad condition.

“The castle would have once been a seat of power, but now it stood  derelict .”

“As she walked around the castle courtyard, years of graffiti and trash build-up helped to highlight just how  derelict  it had become in recent years.”

Most abandoned buildings can be described as “derelict”, so why not a castle? Not only does the word help to illustrate the state that the building is in, but it also helps to highlight the fact that it has had no one to look after it. This helps to get your readers questioning why this might be!

• Alone and  sad .
• Unloved and uncared for.

“As she stared off into the sunset at the castle in the distance, he noticed a  forlorn  expression on her face.”

“In the corner of the room sat a rusty suit of armor, battered and  forlorn .”

Often grand buildings such as castles can evoke a sense of sadness when they are left to be consumed by the elements. “Forlorn” can also help you to show what your characters might think of the building, and that they are perhaps a bit disheartened to see it in such a state.

• Like a ghost  or a phantom; haunted.
• Appearing transparent or hidden.

“The castle rose up from the mist like a  ghostly  apparition.”

“As he walked around the castle, he kept imagining how it would have been centuries ago, his brain conjuring up  ghostly  figures going about their daily tasks as he ventured down every corridor.”

Although it may seem counterintuitive to call an abandoned castle “ghostly”, if you are writing a mystery or horror story, it can make perfect sense. For example, as characters get close to it, it might rise from the horizon like a ghostly apparition, or give off a haunting atmosphere set to send a chill up your readers’ spines!

6. Imposing

• Appearing  important  and demanding of admiration.
• Large in size and importance.

“As she walked down the hallway, dust-covered portraits glared at her in an  imposing  manner as if the people in them were still alive.”

“The castle loomed tall and  imposing  over the village below.”

Even if a castle is abandoned and falling apart, it can still give an “imposing” impression to your characters and to your reader! This is especially true if it is large in scale, or perhaps will play a pivotal role in the plot of your story.

7. Inhospitable

• Not welcoming  or inviting.
• Unsuitable for human occupation.

“With no roof, and water dripping down the walls, the castle would usually be  inhospitable . But, in these circumstances, any protection was good enough.”

“As he entered what would have once been the great hall, a shiver ran down his spine. It almost seemed like the castle was trying to warn him that it was  inhospitable  to the living.”

An abandoned castle isn’t exactly most people’s ideal residence, so “inhospitable” makes for a great word choice! It is dual-pronged in the fact that not only does it show that it isn’t suitable for people to live there, but also that it doesn’t make for a welcoming piece of scenery for your characters.

8. Isolated

Far away  from anything else.

“Locked in the tower,  isolated  and forgotten about after everyone else had moved on, some still say you can hear the ghost of the queen’s wails echoing about the castle ruins to this day.”

“Although the castle looming in the distance appeared close to the village below, it was only after a good few hours of walking that they realized just how  isolated  it truly was.”

Abandoned castles are often set away from towns and cities, sometimes high on a hill like in a stereotypical  Gothic story , or hidden in a forest, making “isolated” the perfect choice to show how far removed they are. It can also show how alone your characters might be when they explore it or show how far they have had to travel to get to their destination.

Destroyed  or beyond repair.

“Tiles from the castle’s roof crunched and cracked underfoot. What once would have been a majestic piece of architecture was now completely  ruined .”

“As she ventured down the dark corridor, her coat snagged on a rusted brazier on the wall. It ripped through the fabric like butter, leaving her favorite coat  ruined .”

Depending upon the state of your abandoned castle, it might well be “ruined”! This not only allows you to show your reader that it is beyond repair but could lead them to question how it ended up this way.

10. Skeletal

• Like a  skeleton .
• In its most minimal form.

“The ceiling of the grand hall seemed to be held up by an arched,  skeletal  framework, which gave her the eerie impression of being based upon human ribs.”

“After the fire, only the  skeletal,  stone remains of the castle stood tall among the ashes, being the only things that could survive the heat.”

It may be that the castle in your story has been reduced to almost nothing at all, save its bare bones such as a wall here and there, or a few basic structures. If this is the case, consider the word “skeletal” to show how little of it is left and how much has been wasted and crumbled away over time!

Story Settings From Abandoned Buildings & Mysterious Places

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Creative Adjectives to Describe Interesting Buildings

Table of Contents

Buildings are a very mundane sight when you’re living in the city. And they may not seem like the most exciting subject, but they can be with the right  adjectives to describe a building . We’ve listed some of the best adjectives that can help you describe buildings in a vivid and interesting way. These are sure to come in handy when writing an essay about the city you’re living in.

Aside from a long list of adjectives, this article will also touch on the definition of adjectives and some tips on writing your description. We have so much important stuff to discuss, so let’s get into it! 

What Are Adjectives?

When describing a building or virtually any object, you’ll need the help of adjectives. The primary function of these words is to describe the characteristics of the noun or pronoun in your sentence. These characteristics can include size, shape, color, and other features.

Adjectives add more meaning to your sentences and create more vivid pictures in your reader’s head . This will make it easier for them to visualize what you’re talking about. 

Quick Tips for Describing a Building

Describe the prominent features.

There are many elements to a building that you can use to describe it. Talk about the exterior and interior features that can make it unique and interesting. Include any stand-out features of the building, such as a special roof or a beautiful view.

Some other things to consider for describing a building’s exterior are the shape, color, style, and material used. Also, consider the architectural elements included in the building, such as windows, doors, and balconies.

Paint a Picture Using Multiple Adjectives

Sometimes, one adjective isn’t enough to paint a clear picture of your subject. In the case of building descriptions, you can opt to use multiple adjectives in a single sentence to make it more comprehensive.

For Example:

The building was made of brick with a  tall  roof,  old-fashioned  doors, and  weathered  paint.

Use Comparisons

A good comparison can help the reader understand your description better. Instead of just saying that the building is tall, try saying:

Looking up at the  towering  skyscrapers, we all felt like  miniature  ants.

Adjectives to Describe a Building

• Abandoned : No longer used or occupied.

The abandoned building is an eerie sight.

• Ancient : very old

The fire destroyed the ancient buildings.

• Bright : full of light

It was a bright building thanks to its many windows.

• Clean : free from dirt

The clean lobby of the building was spotless.

• Complex:  made of many interconnected parts

This complex building took several years to build because of its design.

• Damaged : harmed or broken

The storm left the building damaged beyond repair.

• Dark : not having enough light

It was a spooky and dark room.

• Dirty : covered in dirt

The balcony of the dirty building was filled with leaves.

• Empty : has no tenants or occupants.

Mysterious sounds haunted the empty building.

• Large : big in size

Large skyscrapers filled the city sky. They were hard to miss.

• Modern : has an up-to-date design and structure.

The modern building was equipped with solar panels.

• Refurbished : renovated and repaired. 

Many houses were refurbished with new paint and furniture.

• Towering:  extremely tall, especially when compared to the surroundings.

Many tourists were astonished at the towering buildings.

• Well-built : solidly constructed

The well-built building withstood the hurricane.

Other Interesting Adjectives Related to Buildings

• Melancholic
• Magnificent
• Dilapidated
• Ruined 

When describing a building, try to pay attention to its details. Describe the building’s characteristics, such as size, shape, and color.

There are so many  adjectives to describe a building  that you can use to spice up your description . Make sure to choose the right ones that truly fit the building you are describing.

Abir Ghenaiet

Abir is a data analyst and researcher. Among her interests are artificial intelligence, machine learning, and natural language processing. As a humanitarian and educator, she actively supports women in tech and promotes diversity.

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The abandoned theme park graced the valley as if a had become a sort of visual question, one that asked us all why we didn't play more often. Humans are such a fun-loving and jovial bunch after all.

There was a sense of laughter in the abandoned theme park, as if all those high velocity emotions, the joys and the bonds made here, had taken hold within its bones.

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Post Apocalyptic Writing Prompts: Imagine Dystopian Worlds

My name is Debbie, and I am passionate about developing a love for the written word and planting a seed that will grow into a powerful voice that can inspire many.

What Are Post Apocalyptic Writing Prompts?

– exploring the concept of post-apocalyptic writing prompts and their significance in fiction, why are dystopian worlds appealing, key reasons why dystopian ‌worlds have ⁢an undeniable allure:, – ⁢uncovering the allure and fascination behind ‍dystopian settings in literature, uncovering the allure and fascination behind dystopian settings in literature, drawing inspiration from real disasters, “”, – how real-life catastrophes can serve as the foundation for engaging post-apocalyptic writing, creating unique survival scenarios, – tips for developing original and intriguing survival scenarios in dystopian writing, 1. emotional range, 2. moral dilemmas, – insights on creating multifaceted characters that thrive in the harsh​ realities of a dystopian universe, insights on ⁣creating multifaceted‌ characters that thrive in the harsh realities of a dystopian universe, 1. cyberpunk cityscapes, 2. ​environmental ravaged wastelands, a glimpse‍ into the world of dystopia, examining moral and ethical dilemmas, – delving ⁣into the moral ambiguities and ethical dilemmas⁤ that arise in post-apocalyptic literature, writing techniques for building tension and suspense, – recommended writing techniques to effectively build tension and suspense in post-apocalyptic narratives, frequently asked questions, final thoughts.

Post apocalyptic writing prompts are creative ‍writing exercises​ or prompts that‌ encourage writers⁢ to explore the​ genre of post apocalyptic fiction. These prompts provide a starting point or a theme for writers to develop their own unique stories set in a world after a catastrophic event. Post apocalyptic fiction often depicts ⁤a ‍bleak and ‌desolate landscape, where society has collapsed, technology ‌is scarce, and survivors are faced with intense challenges in their quest to⁣ survive.

These writing prompts can cover a wide range of topics and scenarios, ranging from natural disasters to global pandemics, nuclear wars to zombie⁣ outbreaks. They present⁣ writers with thought-provoking situations and allow them to delve into themes such as ‍survival, resilience, human nature, and the complexities of rebuilding society in the face of adversity. With post apocalyptic writing prompts, authors‍ have the opportunity to create captivating narratives that captivate readers and explore the⁣ depths of human imagination and resourcefulness.

Here are a few ‌examples of post apocalyptic writing prompts:

• Write a story about a group of survivors who must navigate a world ⁤submerged in water following a catastrophic flood.
• Imagine a society where all​ technology has ceased to function. Write a tale about a group of individuals who must discover a way to restore technology and bring their civilization back from the brink of collapse.
• Craft ‌a⁢ story about a post-apocalyptic world where a⁤ strange virus has wiped out a majority of ‌the population,​ leaving only those ‌with extraordinary abilities left to navigate the new reality.

Post apocalyptic writing prompts are an exciting way for writers to explore the different facets of this popular genre and challenge their creative abilities. They provide a ​starting point for‌ unique and imaginative stories that can transport readers ‍to a world of chaos, survival, and adventure.

Post-apocalyptic writing prompts have become increasingly popular in the world of fiction, captivating the​ imaginations of both readers and writers alike. ‌These prompts provide a unique platform to ​explore the aftermath of cataclysmic events, allowing authors to delve into the complexities‌ of human ⁣nature, survival, and resilience. By presenting writers with a set of circumstances that challenge the very fabric⁤ of⁢ society, post-apocalyptic⁣ writing prompts open up⁤ a world of possibilities for storytelling.

One significant aspect of post-apocalyptic writing prompts ​is their ​ability to spark creativity and push the boundaries of imagination. The scenarios presented in⁢ these​ prompts often involve‍ envisioning a world where the familiar structures and systems we rely upon have crumbled. This forces⁢ writers to think outside the​ box and‌ create alternative realities filled with danger,⁣ chaos, and uncharted territories. The resulting stories carry a sense of urgency ⁤and tension that captivates readers, drawing them into a world that is both thrilling and thought-provoking.

Dystopian ⁤worlds have ‍long captured‌ the imaginations of people around the globe, offering a unique appeal that taps into our deepest fears and desires. One reason these settings are⁢ so intriguing⁢ is their ability to provide a stark ‌contrast to our own reality. By presenting a bleak ⁢and oppressive society, they force us to reflect ​upon ⁤the flaws⁤ and dangers of our own world, ultimately making us appreciate what we have.

In addition, dystopian worlds often serve as cautionary tales, warning ⁢us about the potential consequences of unchecked power, technological advancement, or societal structure. They provide a platform to explore the darkest ⁢aspects ‍of humanity, offering valuable insights into the consequences of our actions. Through these imagined worlds, we​ can grapple with the ethical and moral dilemmas that arise when individual ​freedoms clash with societal order, and ponder ⁤the fragile balance between civilization and chaos.

• Escapism: Dystopian‍ worlds provide an escape from our ⁣own reality, allowing us to mentally explore a realm far removed from daily life.
• Reflection: They prompt us to examine our society’s shortcomings and contemplate ways in which ⁤we can ⁣prevent such a future ⁤from becoming a reality.
• Intrigue: The mysteries and⁤ complexities of dystopian ⁢settings keep us engaged, ⁢as we unravel the layers and secrets hidden within them.
• Empathy: Dystopian stories often feature relatable characters who fight against injustice, nurturing our empathy‌ and inspiring a desire to stand up for what is right.
• Resilience: Witnessing characters overcome unimaginable hardships in dystopian worlds can leave us feeling inspired and empowered to face challenges in our own lives.

In the ‌realm of literature, ⁣dystopian settings have captivated readers for ⁣decades, mesmerizing them with their dark, haunting visions ⁤of the future. These fictional worlds, where societies are plagued by oppression, chaos, and despair,‌ hold an inexplicable allure that continues to enthrall readers⁣ of all ages. But what is it about these dystopian landscapes that sparks⁤ such ⁤fascination?

One of the main draws of dystopian settings lies in their ability to reflect ⁤and critique the issues of the present day while simultaneously projecting them into a future where‌ they have reached extreme proportions. Through the lens of these distorted societies, authors create a platform ​for discussing complex⁣ themes like power, control, individualism,⁣ and⁤ societal structures. The thought-provoking nature ‌of dystopian literature invites readers to question the very fabric of their own reality and raises important ⁢philosophical and moral dilemmas.

• Dystopian settings expose the potential consequences of unchecked political power, serving as ​a cautionary tale against authoritarianism⁢ and‍ tyranny.
• They challenge societal norms and explore alternative⁤ ways ⁢of living, pushing readers to contemplate the boundaries of human nature and how our actions‌ shape the world around us.
• The gritty and harsh realities depicted in dystopian‍ settings often serve as⁢ a stark reminder of the fragility of our own societies, urging readers to reflect on ‌the importance of social responsibility and the ⁢consequences of apathy.

Overall, the allure behind dystopian settings in literature stems from their ability to tap into our deepest fears and desires, offering both a warning ‍and a glimmer​ of hope for a better​ future. By immersing⁣ ourselves in these imagined worlds, we are challenged to ⁤envision alternatives to the world ‌as we know it and contemplate the paths that may lead⁤ us toward or ⁢away from such bleak futures.

When⁣ it ‌comes to drawing inspiration as‌ an artist, one⁣ often tends to think of serene landscapes, colorful flowers, or stunning sunsets. However, some artists find a different kind of inspiration in real disasters, capturing the essence of tragedy and resilience through their art. By exploring the ‌darker side of human existence, these artists aim⁣ to ⁢provoke thought, raise awareness, and spark conversations about the impact of disasters on our world.

By delving ⁤into the chaotic aftermath of natural disasters or the devastating consequences ​of man-made calamities, artists can depict ⁤the stark realities‌ and⁣ showcase the strength of the human spirit. Through their works, they aim to shed light on the victims’ experiences, highlighting the ongoing need for preparedness,‍ prevention, and support systems. Such⁣ art pieces often serve as powerful reminders of the fragility of human life and⁣ the importance of‌ environmental conservation.

• Creating a‌ Dialogue: Art inspired ⁣by ⁢real disasters helps to initiate conversations around the social, economic, and political issues associated with such events. It serves as a medium through which individuals can express their emotions and opinions on these matters.
• Raising Awareness: By visually representing the ‌impact⁣ of disasters, artists grab the viewer’s attention and increase awareness about the need for disaster management, emergency response, and long-term recovery.
• Advocating for Change: Through their art, artists can advocate for policy changes, sustainable practices, and community development to mitigate the effects of future disasters.

With each stroke of their brush or ‌click of the camera, these artists aim to leave a ⁤lasting impression on their audience. Art ⁣born out of real disasters‌ has the ‌power to evoke empathy, elicit action, and bring⁤ about meaningful change.

In the realm of post-apocalyptic ‌writing, drawing inspiration from real-life catastrophes can‍ add a layer of authenticity and depth to your storytelling. ⁤By⁤ exploring how‍ humanity‍ has dealt with past disasters, writers can create vivid and engaging narratives that resonate with readers. These events provide a rich tapestry of emotions, survival instincts, and societal dynamics⁤ that can be⁢ woven into captivating tales of a world⁢ gone awry.

One way to harness the power of real-life catastrophes is by delving into the aftermath of natural disasters. Take, for instance, ⁢the devastating impact of Hurricane Katrina ‌in 2005. This catastrophic event, with ‍its widespread destruction and the breakdown of basic services, highlights the complexities of survival and human resilience. Post-apocalyptic stories with a similar backdrop can explore themes ⁢such as rebuilding society, adapting to new norms, and grappling⁣ with morality in the face of scarcity.

• Parallel moral dilemmas: Real-life catastrophes pose moral quandaries that can be mirrored in post-apocalyptic settings. Utilizing⁤ these ethical challenges makes for⁤ compelling narratives that delve into ⁣the ⁢depths of human nature.
• Survival instincts: By examining how people cope and adapt ⁤during and after calamities, writers can lend depth to their characters’ actions and motivations. Portraying the resilience and resourcefulness seen in disasters creates relatable⁢ and inspiring protagonists.
• Exploring societal dynamics: Catastrophes often expose the fragile foundations of society, thus providing a ripe setting for examining ⁣power struggles, social hierarchies, and the quest for ​stability amidst chaos. These elements introduce ‍tension and intrigue to post-apocalyptic tales.

By grounding post-apocalyptic‌ writing in⁣ real-life catastrophes, authors can imbue their ​stories ⁣with ​a sense of familiarity and plausibility. Such narratives allow ⁤readers⁣ to ponder the fragile ‍nature of our own existence while embarking on thrilling journeys through imagined worlds.

Immersive and realistic, can add an exciting twist to your adventure. Whether‍ you are a​ fan⁤ of survival games, a scout leader, or an outdoor enthusiast looking‍ to test your⁣ skills, designing your own​ survival scenarios can offer an engaging and challenging experience. Here are⁣ a few ideas‍ to spark your creativity:

• Zombie Apocalypse: Transport yourself into a post-apocalyptic world overrun by zombies. Design a survival scenario where participants must navigate through abandoned buildings, scavenge for supplies, and outsmart hordes of​ the undead. Teamwork, resourcefulness, and quick decision-making will be critical to surviving till the end.
• Lost in the Wilderness: Create a challenging scenario where participants find themselves stranded in a dense forest⁢ with limited supplies.‌ They must learn to build shelter, find food and water, navigate through treacherous terrains, and signal for rescue.​ This survival scenario will test their survival ⁢instincts and outdoor‍ skills.

By ‌diversifying the survival scenarios, you can tailor the experience to suit various age groups or skill levels.⁣ Remember, ⁣the key is to provide a realistic and immersive environment that pushes participants to think outside the box and adapt to different challenges.⁤ So⁣ get creative, plan ahead, and unleash your imagination to create unforgettable survival scenarios that will ‌keep everyone engaged and entertained!

Creating original and intriguing survival⁤ scenarios ⁢in dystopian writing

Survival scenarios in dystopian writing can electrify readers and transport them to vivid and captivating worlds. To develop truly‌ compelling scenarios, you need to think outside the box and explore unique angles. Here are some tips to help ‍you create original‍ and‍ intriguing survival scenarios that will leave your readers on⁢ the edge of their seats.

1. Twist familiar elements:

• Take common survival tropes and add unexpected twists to make them fresh and unexpected.
• Combine elements from different genres or time periods to create⁤ a unique‌ and thought-provoking setting.
• Subvert expectations by introducing new challenges and threats in the survival scenario.

2. Explore moral dilemmas:

• Consider ethical questions that arise from bleak circumstances and incorporate them into your survival⁢ scenarios.
• Force your characters to make⁤ difficult choices that test their morals and define the outcome of their survival.
• Highlight the complexities of human nature and the gray areas that arise when faced with dire situations.

By utilizing⁤ these strategies, you can develop original and⁢ intriguing survival scenarios that will captivate your readers, making your dystopian world truly stand out from ‍the rest.

Crafting Complex Characters⁤ in a Post Apocalyptic World

When it comes to creating memorable characters in a post-apocalyptic world, it’s essential to focus on ⁤crafting individuals with depth and complexity. These unique characters will not only engage⁢ readers but also add layers of realism to the narrative. To achieve this, here are some important tips​ to ‌consider:

Powerful characters are those who experience‍ a wide spectrum of emotions. Ensure that your protagonist and supporting characters aren’t one-dimensional. Let them feel‍ joy, anger, fear, and​ sorrow. These emotions will allow readers to connect with the characters on a deeper level and understand their motivations.

Example: A former ⁣soldier in a post-apocalyptic world may display bursts of anger​ as a result‌ of ⁤past traumas, but also moments of empathy when encountering fellow survivors.

No world is ⁢completely black‍ or white, and ⁤neither should your characters’ moral⁤ compass. Introduce situations where ‍they are⁤ forced to make tough ⁤choices, blurring the lines between right and wrong. This ethical depth will make them more relatable and give them an inner conflict that drives the story forward.

Example: A ‌resourceful scavenger ​might find themselves torn between saving their own group from starvation or helping ‌a stranger who claims to know ⁢the location of untouched⁤ supplies.

By incorporating these strategies, you can construct⁤ compelling and multidimensional ​characters that will resonate with readers in a post-apocalyptic world.

When it comes to crafting characters that can ⁤truly shine in a dystopian universe, it’s important to create individuals with depth, complexity, and resilience. Here are some key insights on how to develop multifaceted characters that can navigate ​and flourish in⁢ the unforgiving landscapes of a dystopian world:

• Embrace contradictions: In a harsh and unpredictable environment, characters need to possess contradictions that make them relatable and captivating. Perhaps they are both compassionate and ruthless, or rebellious yet law-abiding. These contradictions help to add dimension to their personalities and make them more dynamic,‌ allowing them to respond to the challenges of their world in unexpected ways.
• Have ‌well-defined motivations: A character’s motivations are crucial in defining their actions and decisions⁢ within a​ dystopian universe. Whether driven by a desire for freedom, survival, justice, or the pursuit of knowledge, their ⁤motivations should be clear and​ compelling. This will not only make their choices more believable but also allow readers to empathize with their‌ struggles and root for their success.
• Create internal conflicts: Internal conflicts are an effective tool for character development in a dystopian setting. By giving characters conflicting desires, beliefs, or loyalties, you introduce internal struggles that mirror ​the external challenges they face. This adds complexity to their psyche and provides⁣ opportunities for growth and transformation throughout ‌the story.

In conclusion, crafting multifaceted characters that thrive in the harsh realities of ⁢a dystopian universe requires careful consideration of their contradictions, motivations, and internal conflicts. By ensuring they possess ⁤depth and complexity, these characters can captivate readers with their⁤ resilience and⁣ ability to navigate‌ through the challenges‍ of⁢ a bleak and unpredictable world.

Exploring Different Dystopian Settings

One of the most intriguing aspects of dystopian ‌fiction is the wide range⁢ of settings it ‍can explore. From devastated post-apocalyptic landscapes to oppressive futuristic societies, these settings provide a backdrop for thought-provoking and often chilling stories. Here are a few examples of different dystopian settings that have captivated readers and inspired countless works of fiction:

In the world of cyberpunk, towering skyscrapers cast ominous shadows⁣ over neons-lit streets. These dystopian settings depict​ a future ⁢where powerful⁢ corporations rule over decaying ⁣and ⁢overpopulated cities. With advanced technology, ⁣virtual reality, and pervasive surveillance, cyberpunk settings explore themes of individuality, cybersecurity, and the impact of technology on society. Influential works like William Gibson’s “Neuromancer” and movies like “Blade Runner” have brought the cyberpunk genre to life.

Imagine a world devastated by ⁤climate change, where rising⁢ sea levels have turned coastal cities into submerged relics and once-thriving landscapes have become desolate wastelands. Dystopian settings like these highlight the consequences of environmental degradation and⁢ explore humanity’s struggle for survival in a hostile world. Works like Margaret Atwood’s “Oryx ​and Crake” ⁣or the film “Mad Max: Fury Road” ‌portray hauntingly beautiful yet bleak landscapes where ⁣the battle ⁢for resources is at the forefront.

These are just a couple of examples of the many diverse dystopian settings that authors ‌and filmmakers have brought to life.​ Whether set in the bleakness of a post-nuclear world or the oppressive control of a totalitarian regime, these settings serve as cautionary tales, ⁣inviting readers and viewers to ‍reflect on the future of our own ⁤society and the choices we make today.

– ‌A look into various dystopian settings including futuristic societies, zombie-infested ⁤landscapes, and more

‌Welcome to a journey through the realms of dystopia, where our imagination knows no bounds. Brace yourself as we delve into alternative realities and explore the dark underbellies of society, far⁢ removed‌ from the comforts of our own. From the soaring skyscrapers of futuristic societies to the desolate landscapes infested with the undead, we will unravel the mysteries that lie within these captivating dystopian ⁣settings.

In the world⁢ of dystopia, the possibilities are endless.​ Experience the chilling thrill ⁤of a future shattered by technological advancements, where reality merges seamlessly with virtual environments, blurring the lines between man and machine.‍ Traverse through towering metropolises, adorned with neon lights and teeming with drones, as ⁣inhabitants navigate a world governed by oppressive governments and ⁤wealthy elite, leaving the masses⁣ to struggle in the gritty ⁢streets ‍below.

• Witness the horrors⁤ of an apocalyptic Earth, overrun by hordes‌ of ravenous zombies, where the survival of humanity hangs by a thread.
• Uncover the secrets of societies crumbling under ​the weight of corrupt⁣ governments, where oppression, inequality, and surveillance cast an ever-looming shadow over the lives of citizens.
• Embark on ​a journey ​through post-nuclear wastelands, where scarce resources and the fight for survival transform the world into ⁢a ‍barren and hostile landscape.

These dystopian settings hold ​a mirror⁣ to our own⁤ society, forcing us to question the delicate balance between progress and‍ humanity.‌ So join us as we ⁤explore these captivating and ⁤thought-provoking worlds, where uncertainty, danger, and resilience ⁣intertwine to ‌craft stories that will leave you questioning what ‌lies ahead for our​ own future.

In ‍today’s increasingly complex world, we are often confronted with challenging moral and ethical dilemmas that require ⁤careful consideration . These dilemmas test our values and force us to reflect on what is right and wrong in various situations. Examining these dilemmas can provide⁣ us⁣ with valuable insights into our own moral compass and help us develop a deeper understanding of the ‌ethical implications of our actions.

When exploring moral and ethical dilemmas, it is important to recognize that there are rarely easy answers or⁣ clear-cut ‌solutions. However, by engaging in thoughtful analysis and open discussions, we can gain‌ a greater appreciation for the nuances and complexities that underlie these dilemmas. Through examining the ​moral and ethical aspects of different scenarios, we can become more‌ sensitive to the diverse perspectives and values held by others. By actively considering the implications of our choices, we can strive to make⁢ more informed and ethical decisions in our own lives, both personally⁣ and professionally.

In post-apocalyptic literature,⁣ readers are often confronted with a ⁤myriad of moral ambiguities and ethical ‍dilemmas that delve deep into the human psyche. One of the most pervasive themes in these narratives is the desperate struggle⁢ for survival. In a world‍ ravaged by disaster or a cataclysmic event, characters are faced ​with⁣ difficult decisions, forcing them to question their ​own moral compass.

Post-apocalyptic⁤ literature often explores the notion of “survival of the fittest,” where individuals and groups are driven to extreme measures in order ⁢to ensure their own​ survival. This raises ethical dilemmas⁣ about the value of human life, as characters are forced to prioritize‍ their own well-being over others.⁣ The line between right and ⁣wrong becomes blurred as protagonists navigate the harsh realities of their new world.‌ Some of the‍ moral ​ambiguities that arise in these stories include:

• Euthanasia: ⁤When resources are scarce and⁢ suffering is inevitable, characters are confronted with the difficult decision ‌of whether to end ​the‌ lives of those who are gravely injured or sick in order‌ to conserve resources for the greater good.
• Morality of violence: ‍ In ⁤a post-apocalyptic world where law and order have crumbled, characters often resort to ‍violence as a means of protection or to obtain resources. The moral conflict arises when they must ‌decide how far they are willing to go and if the ends justify the means.
• Allocation of scarce resources: Basic necessities such as food, water, and shelter become scarce‍ commodities after an apocalypse. Characters must grapple with ‌the moral implications⁣ of hoarding resources for their own survival or sharing them with others in need.

The exploration of these moral ambiguities and ethical dilemmas within the context of a ⁢post-apocalyptic setting offers​ readers a thought-provoking examination ‍ of human nature. It challenges us to reflect on our own values and beliefs, ultimately prompting us to question how​ we would behave in a similar situation. Post-apocalyptic literature serves as a reminder that even in the face of desperate circumstances, the choices we ⁤make define ⁤our humanity.

Creating tension and suspense ⁣in your writing⁤ can enhance the reader’s experience and keep them ⁢eagerly turning the⁢ pages. Here are some effective ⁤writing techniques to help you build tension and suspense in your stories:

• Use cliffhangers: Ending a chapter or scene with a suspenseful moment or unresolved conflict can leave readers on the‌ edge of their seats and eager to keep ⁤reading.
• Create‍ time pressure: Introducing a time limit or countdown in⁣ your story ‍can add urgency and raise​ the stakes. This can make readers anxious to see how characters will accomplish their goals before time⁤ runs out.
• Employ foreshadowing: Drop subtle hints or clues early on that something ominous or ⁣thrilling is​ about to happen. This builds anticipation and keeps readers ⁢engaged, ⁤wondering ‌what will unfold.

Additionally, ⁤employing suspenseful atmosphere can heighten tension in your writing. Describing eerie settings, unpredictable weather, or a‌ sense of impending danger can put readers on edge. Furthermore, using short, punchy sentences ⁣ and intense ⁤action verbs can quicken the pace and inject a sense of urgency, ‌intensifying the feeling of tension. Remember, effectively building tension and suspense requires a careful balance of withholding information and providing just enough to keep readers intrigued and invested in the story.

Building tension and suspense is crucial in post-apocalyptic narratives, as it keeps readers on the edge of their seats and enhances the overall reading experience. Here are some recommended writing techniques that can effectively achieve this:

1. Utilize vivid descriptions: Paint ⁤a detailed and captivating⁢ picture of the post-apocalyptic world. Use evocative language to describe the desolate landscapes, abandoned cities, and crumbling infrastructure.⁤ This allows readers to immerse themselves in the setting, heightening ​the sense of tension and foreboding.

2. Create flawed⁣ and relatable characters: Developing characters who are flawed and relatable helps establish a connection between readers and the narrative. Make sure your characters have their ⁤own internal conflicts, fears,⁢ and motivations. By putting them in perilous situations and exploring their vulnerabilities, you‍ can generate suspense and make readers genuinely ⁣concerned for their fate.

Q: What is the concept behind post-apocalyptic writing prompts? A: Post-apocalyptic writing prompts are designed to inspire ⁣writers to create stories set in dystopian ‌worlds, exploring ‌the aftermath of a catastrophic event or the collapse of civilization.

Q: Why are post-apocalyptic themes popular in​ storytelling? A: Post-apocalyptic themes have captivated audiences for years due to their ability⁢ to examine human nature, survival instincts, ‍and the potential consequences of our actions. These narratives often offer thought-provoking social commentary and allow writers to explore ⁢the resilience‍ of humanity in dire circumstances.

Q: What kind of catastrophic events are commonly used as writing prompts? A: Writing prompts often include various catastrophic events such as natural disasters, global pandemics, nuclear wars, alien invasions,⁤ technological breakdowns, climate‍ change-induced disasters, or even zombie apocalypses. These events serve as a foundation for the creation of unique and engaging stories.

Q: Can post-apocalyptic writing‌ prompts be used for different genres? A: Absolutely! Post-apocalyptic ⁣writing prompts can be adapted to various genres such as⁢ science fiction, dystopian, fantasy, horror, or even romance. These prompts provide a flexible framework‌ that writers can utilize to ⁣showcase their own style and⁣ creativity.

Q: How can post-apocalyptic writing prompts spark creativity and imagination? A: Writing prompts often provide ​a starting point, a scenario⁢ or a situation, which prompts the writer ‍to imagine‍ and build upon it. By ‌presenting pre-existing, apocalyptic worlds or scenarios, writers can focus on developing characters, exploring complex relationships, and creating captivating storylines without worrying about the initial world-building process.

Q: Are these prompts only for experienced writers? A: Not at all! Post-apocalyptic writing ⁣prompts are suitable for writers of ‌all​ skill levels.‌ For beginners, they ‍offer a structured framework to kickstart their imagination and storytelling abilities. Experienced⁣ writers can use these prompts to challenge themselves by experimenting with different writing styles or‌ pushing the boundaries of familiar genres.

Q: How can post-apocalyptic writing prompts foster‌ critical thinking and social awareness? A:‍ Post-apocalyptic storytelling often serves as a ⁤reflection of​ our world’s current challenges, enabling writers to explore complex social, political, ⁣and ethical issues. These ​prompts encourage readers and⁣ writers alike to ponder upon ⁢the fragility of​ our society and the potential consequences of our actions. By delving into these ‍themes, post-apocalyptic literature ​prompts readers to consider how they can contribute to making a better future.

Q: Can ⁢post-apocalyptic writing prompts aid in character⁢ development? A: Absolutely! Post-apocalyptic prompts often‌ present characters with extreme challenges and dilemmas,‍ allowing writers to delve deep ​into their psyches and explore their development ⁣throughout ⁢the story. This​ process can result in well-rounded and complex characters that readers can connect to on a deeper level.

Q: Where can one find post-apocalyptic writing prompts? A: There are numerous online sources, writing communities, blogs, and even books dedicated to post-apocalyptic writing prompts. Writers can also create their own prompts by⁤ drawing inspiration from real-world events, movies,‌ books, or personal experiences.

Q: Can post-apocalyptic writing prompts lead to full-fledged novels? A: Many successful novels ⁣have originated from simple writing prompts. While some writers may ⁤choose to explore these prompts through short stories or flash fiction pieces, others can find their ideas expanding into comprehensive ​novels. Post-apocalyptic writing prompts provide a solid foundation for world-building, plot ⁤development, and ⁤character arcs, offering⁤ writers the potential to create⁣ complete and engaging literary⁢ works.

In conclusion, post-apocalyptic writing prompts offer a compelling way to explore dystopian worlds, fueling imagination and creativity. Let‌ your pen paint the picture of‍ a world after devastation, and dive into ​the depths of humanity’s​ resilience.‌ Get inspired and start ‌writing your own dystopian stories ⁣today!

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Helping writers become bestselling authors

Secret Setting Thesaurus Entry: Ancient Ruins

Congratulations, intrepid explorer you’ve discovered one of our secret setting thesaurus entries..

This one is from The Rural Setting Thesaurus: A Writer’s Guide to Personal and Natural Places. We hope the sensory information below will add a deeper richness to your story.

The setting is a powerful storytelling element that, when fully utilized, elevates every scene. When you choose the right one, it becomes an emotional tuning fork that will impact your character’s behavior, actions, and decisions.

Not only that, the setting can characterize your story’s cast, steer the plot, provide challenges and conflict, evoke mood, and become a gateway for critical backstory, delivering it not in dumps but actively through the placement of symbols that act as emotional triggers.

ANCIENT RUINS

Weather-worn stone pillars surrounded by dead clumps of grass, half-crumbled buildings, cracked blocks and stones broken up by meandering tree roots, pitted steps and staircases, caved-in roofs weighed down by vines or other foliage, faceless marble or stone statues, inscriptions and carvings in stone, towering spires, dusty and cobwebbed corridors in the buildings, sculpted archways stained by mold or mildew (in humid climates), stones placed in deliberate patterns, uneven floors worn from the feet of many people, altars, rock walls, battlements with blast marks or bullet holes from old wars, ash scars on the stone from past fires, empty hearths or fire pits, shadows, curled dead leaves scattered on the ground, dappled sunlight filtering in through trees or overgrowth, small creatures (spiders, snakes, lizards, bugs, birds, bats) making the ruins their home, caves, carved animal totems important to the culture, ropy vines breaking down stone and encroaching through window holes or doorways, foliage native to the area (hardy grasses, ferns, scrub brush, trees), animal droppings, moss, abandoned nests, holes and crevices, rubble, dust, a hidden cache of items from the era (jewelry, pots, religious symbols, weapons, eating implements, tools), a shed snake skin, animal tracks in the dirt, animal scat

Wind slipping through stone corridors and through window openings, grasses sliding against each other, birdcalls, the flutter of wings, crickets or other noise-making insects, the crunch of dead leaves underfoot, leaves rattling against stone, dead vines scraping the walls, trees creaking in the breeze, the clap of footsteps on cobbled stone

 SMELLS

Chalky dust, mildew and cold stone, local flowers, grass and greenery, the earthy scents of moist dirt and dead leaves

 TASTES

A dry mouth, water or a hydrating drink brought on the hike, backpacker-friendly foods (granola bars, nuts, seeds, beef jerky, dried fruits)

 TEXTURES AND SENSATIONS

Broken rock underfoot, uneven ground, sweat clinging to the skin, rough stone on one’s palms, cool stone against one’s back, white dust clinging to one’s hands, tall grasses brushing against the legs, squeezing into a tight space and scraping one’s skin, cool or wet palm fronds or fern leaves sliding over one’s arms, a breeze ruffling one’s hair, the pull of one’s backpack straps, condensation clinging to a water bottle, the smoothness of stone weathered by the elements, the give of moss or a carpet of leaves underfoot, spiderwebs sticking to one’s skin, dangling vines brushing one’s hair, the pinch of a mosquito or bug bite, not daring to move as a snake slides past or over one’s foot, climbing a staircase or wall and sitting on a rocky ledge to take in the view

POSSIBLE SOURCES OF CONFLICT

• Supernatural phenomena (seeing or hearing things)
• Getting lost in a maze-like ruin
• Having a wall or roof collapse and becoming injured or trapped
• Being bitten by a venomous spider or snake
• Superstitions surrounding the site that make guides reluctant to explore them
• Stumbling into a secret room or chamber with traps that are still active
• Needing help (due to injury, illness, or running out of food) but being far from civilization
• Running out of batteries for one’s flashlight
• Bad storms or flash flooding weather that causes earth to soften and stones to shift
• Hidden dangers such as sink holes and crumbling ledges
• Hearing noises and realizing one is being hunted by an animal
• Wanting to stay and explore but one’s group wishes to leave
• A bus showing up and flooding the site with tourists, ruining one’s peace and quiet
• Falling from a ledge or slipping on a staircase
• Getting overheated in the sun
• A breakdown that forces one to stay overnight at the site when there are many nighttime dangers (animals, etc.)

PEOPLE COMMONLY FOUND HERE

Archeologists, hikers, history buffs, locals visiting the site to pay respect or pray to ancestors, tourists

RELATED SETTINGS THAT MAY TIE IN WITH THIS ONE

• Cave, rainforest, secret passageway

SETTING NOTES AND TIPS

Ruins come in all shapes and sizes. They may be aboveground or subterranean. Climate will greatly influence the ruins’ appearance, determining what grows there, how quickly the ruins degrade, and the type of animals that might be present. If the ruins are part of a tourist destination, there will be tourists and tour guides, reclamation specialists, and usually roped-off areas where people are not allowed to go. If the ruins are far from cities or have not yet been discovered, natural debris will be common, and it will be difficult to find clear paths in the overgrown area surrounding it.

SETTING DESCRIPTION EXAMPLE

When the sun rose over Angkor Wat, a reverent gasp escaped Lauren’s lips. The massive ruined city, with its hundreds of stone temples, passages, stairways, and statues, rose up like a hand praising God himself. Palm trees and rainforest pressed against each side, pulling at the stone in an attempt to reclaim it, and the massive moat surrounding the Wat shimmered orange and pink. Malaria-carrying mosquitoes buzzed around her, but in her long-sleeved jacket she paid no mind; in another hour the mosquitoes would be off seeking shade and she’d be crossing the cobblestone bridge, basking in the smiles of the Buddha statues surrounding her. It had taken twelve long years to get here, but despite all the obstacles, she’d finally arrived.

• Techniques and Devices Used: Contrast, multisensory descriptions, simile
• Resulting Effects: Characterization, hinting at backstory, reinforcing emotion

A WORD FROM THE AUTHORS

To use this setting to the fullest, think about what drew your character to this location: an interest in culture, to escape the modern world, to gain some sort of connection with the past? And if so, why is this so important to the character? What can these ruins and the people who once lived here teach your character about herself?

For more guidance on how to make the setting work harder for your story, use the “ look inside ” feature at Amazon to see if this might be a good resource for you.

Want to work with a setting thesaurus that is beautifully cross-referenced, hyperlinked, and accessible online at the click of a button?

Sounds like a dream, right? Why not take a tour of One Stop For Writers , where this descriptive thesaurus is one of many in our Show Don’t Tell Database . ( Did we mention there’s a FREE TRIAL? )

Happy writing!

Angela and Becca

Here are a few more secret settings to visit: House Party , Antiques Shop , and Police Car .

Image: Alice 12 @ Pixabay

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The Deserted House

I walked that road every day on my way to school, and had often glanced at the house but that day I actually stopped to look at it properly.  I’m not sure what drew my attention to it, maybe it was the creaking gate or the banging of the door at the end of the path as the wind whistled through it into the house.  Something drew me from the pavement towards the overgrown privet hedge, which partially obscured the rotting wooden gate, with the paint peeling from it.  As I stepped inside the gate I was astounded by just how unkept it was.  The long grass was a wilderness, filled with crisp packets and cans, and any other rubbish that people felt like hurling over the hedge or gate.  There were the remains of an oriental take-away meal, which looked like it had attracted rodents.  As well as long grass, the wilderness was full of thistles and there were dandelion seeds blowing everywhere.  The flowerbeds were now barely visible to the side of the grass and filled with weeds and what was left of the hardwearing perennials.  After I had managed to make my way down the path, kicking the litter to one side and trying to steer clear of the stinging nettles, I was amazed to see that postmen and people who deliver leaflets had actually wasted their time in delivering to that obviously vacant address.  The letterbox was overflowing, and the rest was being blown around the path and garden by the wind.  The free newspapers were yellowing in the sun.

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I took a couple of steps back to look more closely at the exterior of the house, and I noticed just how neglected it was.  From the road I could see that there was ivy up to the window sills, now much closer I could see the damage it had caused, it had pulled the majority of the rendering off the bricks.  The windowsills were rotting as well, like the gate; the varnish obviously had not been replaced in a long time, so the wood had been exposed to the elements.  The one remaining window at the front of the house was filthy and cracked; it looked as if the slightest movement would send it shattering to the ground.  I moved cautiously away from that window and looked up at the roof from a few steps back.  It had lost a few tiles, the remnants of which could be seen in the grass.  The television aerial, which was hanging off the chimney precariously, did not look like it would last very much longer.  The guttering was blocked, full of dead leaves, which had started to decompose because they had been there so long.  All of the other first floor windows were boarded up from the inside after being broken by vandals or such-like.  I wondered who had made the effort.  The house was so derelict it was a prime target for vandals.

I moved back closer to the exterior; the door was still swinging on its hinges, banging gently every time. I dreaded to think what it would be like at night when the wind really picked up. Some one had obviously kicked it in.  I hesitantly pushed it ajar and poked my head around it into the house.  The first thing to hit me was the stench, a mixture of a horrible animal smell and a musty damp smell.  I jerked back not sure if I wanted to continue but my curiosity got the better of me.  I took my first step inside and was astonished by the interior of the house.  I should have guessed it would be a wreck, after seeing the disrepair of the exterior, but this still managed to shock me.  After only a few careful steps I had nearly managed to trip over several times.  The carpets were ripped and moth eaten curling up from the floor.  It was very dingy in there because the majority of the windows were boarded up, not letting the autumn sunshine into the dilapidated house.  However, there were a few rays that managed to find their way into the house through the cracks in the boards or the only clear window.  These few rays failed to light the big room though, leaving it shadowy.  I tried to avoid falling over the junk mail pile in the hall, it was so big that it was easy to avoid.  I resisted the urge to pick up a piece and open it, as although no one was likely to collect it all, it was not my mail to open.  I kept hearing noises which made me very conscious of the environment I was in, rustling of paper or a creaking floor board, both of which made me jump several times. They some how made me feel that I was not alone, although I could not see anyone else.  My sight was not particularly good though in this badly lit room, it took a few minutes for my eyes to adjust to the little light available.  I could then see how the patterned wallpaper was peeling from the walls due to the damp atmosphere, and the cobwebs were hanging in the corners of the room and between the furniture.  The oddments of furniture were all in various states of collapse.  There were visible signs of squatters – tins and cans – betraying signs of human habitation in the not-so-distant past.  In the thick cobwebs were dead moths, dust and trapped insects, which had not been cleared for a long time.  

I was tempted to go upstairs, but did not trust the staircase; after all, if something had happened to me in this house, I had the feeling that I would not be found for some time.  There were broken spindles and the carpet had pulled away from the treads.  I moved through to the back of the house, and ended up in a much brighter lit kitchen-diner.  The house was by no means a small house; I was amazed by how the owner had let it get so run down and ruined.  There was a tap dripping every few minutes into a sink full of lime scale and grime.  I soon got distracted from this by the view out of the window, my first glimpse of the back of the house.  It was very much like the front garden but not filled with all the rubbish, it was just a wilderness.  There was a stagnant pond to one side of the garden, filled with algae, and a lot more probably.  At the bottom of the wilderness was a run down covered area of some sort. There was no path down to it, and I did not fancy picking my way through all the nettles and thistles to get a closer look.  When I had finished surveying the garden I turned my attention back to the house, which had gone eerily quiet.  The front door was not banging anymore, there were no creaking floorboards to be heard, and I could not hear the rustling of paper in the hall.  All that could be heard were the birds outside and the tap dripping insistently. Feelings of guilt overcame me, I felt like I should not have been there uninvited and that this was a sign for me to leave.  I moved swiftly to the front door and walked briskly out of the house, pulling the front door behind me, up the path again, the nettles already flattened from my first approach.  When I reached the gate I took one last look at the abandoned house, before taking that final step onto the pavement and continuing my journey having satisfied my curiosity.

Document Details

• Word Count 1299
• Page Count 2
• Subject English

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KS3 Creative Writing: Haunted Building

Subject: English

Age range: 11-14

Resource type: Lesson (complete)

Last updated

18 March 2019

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Following on from the MRS SOAP Creative Writing Series, the main focus of this lesson is to describe a disused room in an abandoned hospital building. It is aimed at lower-middle ability KS3 and assumes some knowledge of the following concepts:

• Repetition for effect
• Sentence Structure (simple, compound and complex)
• Onomatopoeia
• Adverbs and adjectives
• Personification

Structure of the Lesson:

• Do Now task based on photo prompt (see cover image)
• Feedback slide
• MRS SOAP techniques crossword (teacher answers included)
• A worksheet/planning sheet based on the main photo prompt
• Writing Time
• Peer Assessment
• Learning Review

Lessons in the MRS SOAP Creative Writing Series can be found here:

https://www.tes.com/teaching-resource/developing-skills-in-creative-writing-12079150

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The Most Fascinating Abandoned Places In San Jose, California

For those looking to do some urban exploration in san jose.

Urban explorers all agree that abandoned places are hauntingly beautiful. For some strange reason, we can’t stay away from them. Explorers in the city of San Jose CA have a long list of these places to choose from.

Many of these abandoned buildings once housed thriving businesses, institutions, homes, and attractions, but we can only speculate about the good or bad memories that were made inside the now-empty walls.

Let’s take a look at a few places in San Jose, California with interesting histories that are sitting empty and abandoned today.

To find more places to explore, see our guide on the best-abandoned places in California .

Best Abandoned Places In San Jose, CA

1. drawbridge (ghost town).

It was built in 1876 by the South Pacific Coast Railroad Company. Railroad employees and their families slowly started growing the small town.

Reaching a peak shy of 1,000 residents. During the 1920s alcohol prohibition, the town took full advantage of its far-out location and wasn’t afraid of the authorities.

The town housed several bars (speakeasies), brothels, and illegal casinos. Police were hesitant or scared to raid Drawbridge because they knew all their residents were armed and possibly dangerous. With the end of prohibition, people slowly started to leave the town.

Vandals would regularly raid several buildings which would drive out the last remaining residents. It was formerly listed as abandoned in 1979.

Visitors to the town should use extreme caution, as many of the structures are dangerously unstable. Despite this, it remains one of the most sought-after abandoned places near San Jose.

2. South Bay Farmhouse

Francisco, Jonathan, and AJ, of TheMitchelBros urban exploration Youtube channel, recorded their exploration venture into one of the many possibly haunted abandoned places in San Jose, CA.

To arrive at the abandoned houses in San Jose, they had to hike a few miles up the hills through a marked trail.

The site is more than a simple farmhouse. It includes a large horse stable, barn, water tank, and some outhouses. Surrounding the farmhouse is nothing but trees for miles.

The insides of all the buildings on site are old and falling apart. The 2-story farmhouse itself is boarded up from the inside and ‘Keep Out’ signs are posted around.

Regardless of this, the farmhouse is routinely visited by urban explorers in the area. I personally like decrepit farms so I’m gonna say this is one of the coolest abandoned places San Jose has to offer.

Also Read: Visit These Abandoned Places in Oakland, CA

3. The Bone Yard

Comprised of 4-5 open cement structures, the former buildings lie covered in graffiti, dirt, moss, and overgrown trees.

The abandoned structures are slowly being reclaimed by nature. Close to the Bone Yard ( map ) are a few houses with families living there.

If you decide to visit, do not disturb them or you might get the cops called on you. This location remains one of the most easily accessible abandoned places in San Jose, CA.

4. Agnews Developmental Center (Mental Asylum)

This abandoned medical facility was built in 1880 and served the mentally ill and severely handicapped children of San Jose, CA.

In 1906 it had to be rebuilt because of a powerful earthquake that destroyed part of the building that killed over 100 people.

The last recorded patient that stayed in Agnew State Hospital was back in 2011. Since then it’s been lying dormant and abandoned in ruins.

Explorers who have ventured into the hospital tell of strange sounds and sightings they experienced while inside. It is one of the creepiest abandoned buildings San Jose is home to.

5. Metalworks Foundry

The metalworks foundry was started in 1849 by a businessman that arrived in San Jose because of California’s gold rush. As the city of San Jose was slowly starting to expand, the businessman saw an opportunity to provide a service to the city.

He opened the Metalworks Foundry and built manhole covers and other metal works for the city and its surrounding areas. This foundry quite literally helped build the city of San Jose, CA.

Today it is now abandoned and partially destroyed by a fire that occurred some years ago. Transients and homeless people occasionally use the building for shelter.

6. Factory Ruins (Graffiti Spot)

Not much is known about this location. What is known is that this place used to be a factory, but what the place produced is unknown.

One thing is clear though, the factory was huge. Several enormous concrete walls, rooms, and tunnels are all present in the area.

There is a lot to explore in this place that’s for sure. How long the factory has been abandoned is also not known. But judging by the look of the place it has been empty for quite some time.

What Are Your Thoughts On These Abandoned Places In San Jose?

The city of San Jose, CA offers urban explorers all sorts of exciting and unique abandoned places. Have you visited any of the places listed above? Also, what other abandoned places near you in San Jose, CA have you explored that could be added to this list? Comment below.

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open creative arts degree

A critical appraisal of brancusi’s torso of a young man, art criticism.

I have attempted to read through this paper and apply it to my appraisal of Brancusi’s sculpture.;-

A RT CRITICISM

Defining Art Criticism

Barrett, Terry. (1994) Criticizing Art: Understanding the Contemporary. Mountain View, California: Mayfield Publishing Company.

· Art criticism is responding to, interpreting meaning, and making critical judgments about specific works of art.

· Art critics help viewers perceive, interpret, and judge artworks.

· Critics tend to focus more on modern and contemporary art from cultures close to their own.

· Art historians tend to study works made in cultures that are more distant in time and space.

· When initially introduced to art criticism, many people associate negative connotations with the word “criticism.”

A professional art critic may be

· a newspaper reporter assigned to the art beat,

· a scholar writing for professional journals or texts, or

· an artist writing about other artists.

Journalistic criticism –

· Written for the general public, includes reviews of art exhibitions in galleries and museums.

· (Suggestions that journalistic criticism deals with art mainly to the extent that it is newsworthy.)

Scholarly art criticism

· Written for a more specialized art audience and appears in art journals.

· Scholar-critics may be college and university professors or museum curators, often with particular knowledge about a style, period, medium, or artist.

FORMAL ANALYSIS

-Four levels of formal analysis, which you can use to explain a work of art:

1. Description = pure description of the object without value judgments,

analysis, or interpretation.

· It answers the question, “What do you see?”

· The various elements that constitute a description include:

a. Form of art whether architecture, sculpture, painting or one of the minor arts

b. Medium of work whether clay, stone, steel, paint, etc., and technique (tools used)

c. Size and scale of work (relationship to person and/or frame and/or context)

d. Elements or general shapes (architectural structural system) within the composition, including building of post-lintel construction or painting with several figures lined up in a row; identification of objects

e. Description of axis whether vertical, diagonal, horizontal, etc.

f. Description of line, including contour as soft, planar, jagged, etc.

g. Description of how line describes shape and space (volume); distinguish between lines of objects and lines of composition, e.g., thick, thin, variable, irregular, intermittent, indistinct, etc.

h. Relationships between shapes, e.g., large and small, overlapping, etc.

i. Description of color and color scheme = palette

j. Texture of surface or other comments about execution of work

k. Context of object: original location and date

2. Analysis = determining what the features suggest and deciding why the artist used such features to convey specific ideas.

· It answers the question, “How did the artist do it?”

· The various elements that constitute analysis include:

a. Determination of subject matter through naming iconographic elements, e.g., historical event, allegory, mythology, etc.

b. Selection of most distinctive features or characteristics whether line, shape, color, texture, etc.

c. Analysis of the principles of design or composition, e.g., stable,

repetitious, rhythmic, unified, symmetrical, harmonious, geometric, varied, chaotic, horizontal or vertically oriented, etc.

d. Discussion of how elements or structural system contribute to appearance of image or function

e. Analysis of use of light and role of color, e.g., contrasty, shadowy,

illogical, warm, cool, symbolic, etc.

f. Treatment of space and landscape, both real and illusionary (including use of perspective), e.g., compact, deep, shallow, naturalistic, random

g. Portrayal of movement and how it is achieved

h. Effect of particular medium(s) used

i. Your perceptions of balance, proportion and scale (relationships of each part of the composition to the whole and to each other part) and your emotional

j. Reaction to object or monument

3. Interpretation = establishing the broader context for this type of art.

· It answers the question, “Why did the artist create it and what does it mean

· The various elements that constitute interpretation include:

a. Main idea, overall meaning of the work.

b. Interpretive Statement: Can I express what I think the artwork is about in one sentence?

c. Evidence: What evidence inside or outside the artwork supports my interpretation?

4. Judgment: Judging a piece of work means giving it rank in relation to other works and of course considering a very important aspect of the visual arts; its originality.

· Is it a good artwork?

· Criteria: What criteria do I think are most appropriate for judging the artwork?

· Evidence: What evidence inside or outside the artwork relates to each criterion?

· Judgment: Based on the criteria and evidence, what is my judgment about the quality of the artwork?

Barrett’s Principles of Interpretation

1. Artworks have “aboutness” and demand interpretation.

2. Interpretations are persuasive arguments.

3. Some interpretations are better than others.

4. Good interpretations of art tell more about the artwork than they tell about the critic.

5. Feelings are guides to interpretations.

6. There can be different, competing, and contradictory interpretations of the same artwork.

7. Interpretations are often based on a worldview.

8. Interpretations are not so much absolutely right, but more or less reasonable, convincing, enlightening, and informative.

9. Interpretations can be judged by coherence, correspondence, and inclusiveness.

10. An artwork is not necessarily about what the artist wanted it to be about.

11. A critic ought not to be the spokesperson for the artist.

12. Interpretations ought to present the work in its best rather than its weakest light.

13. The objects of interpretation are artworks, not artists.

14. All art is in part about the world in which it emerged.

15. All art is in part about other art.

16. No single interpretation is exhaustive of the meaning of an artwork.

17. The meanings of an artwork may be different from its significance to the viewer. Interpretation is ultimately a communal endeavor, and the community is ultimately self- corrective.

18. Good interpretations invite us to see for ourselves and to continue on our own.

My appraisal of Brancusi’s Torso of a young man

Torso of a young man by Constantin Brancusi

The sculpture comprises 4 vertically stacked pieces. All the lines of the sculpture are straight except for the top part which has some cylindrical shapes. The ‘palette ‘ of colour is from cold white to warm wood Browns and warm yellow of the bronze. The bottom piece is made of hard wood with a smooth surface of flat planes. It is the shape of a three dimensional trapesoid with the same form inverted on top. This part of the sculpture is the largest element of the piece. On top of it is a rectangular block of wood which is wider than the bottom pice but not as tall. Again, it is smooth hard wood but has more of the wood’s grain and different tones in the wood more evident in it. On top of this is the smallest element of the sculpture which is a block of white ?marble ?limestone. The base is smaller then the top of the wooden cuboid on which it stands and the height is less than the width. It is perfectly white with a polished marble surface. On top of this is balanced a highly polished bronze form. This takes up about a quarter of the height of the total sculpture.   It comprises a cylindrical form with 2 small cylinders set at the bottom of the larger, long cylinder. The long cylinder has been cut at an angle of 45 degrees sloping downwards.   These small cylinders are at an angle of 45 degrees to the long upright cylinder. The surface is also highly reflective.

Context of the sculpture. According to the Hirshorn museum, the 

Brancusi made 3 versions of the torso of a young man around 1916- 1924. He made 2 where the torso was made of wood. One of these was walnut and the other was maple wood. From 1916 until his death, Brancusi worked in various studios, at first 8, then 11 Impasse Ronsin in Paris’s 15th arrondissement. (Ref Pompidou centre Paris)

It is likely, therefore, that this piece was made this address in Paris.

At present it is at the Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Washington, DC, and was a gift of Joseph H. Hirshhorn, 1966

This piece was made in 1924.

Analysis.dimensions are : Bronze on stone and wood bases, 18 1/8 x 11 1/2 x 9 1/8 in. (46.1 x 29.2 x 23.0 cm.) on stone base: 6 1/4 x 8 1/2 x 6 3/4 in. (15.8 x 21.5 x 17.1 cm.); on wood base: 34 1/8 x 11 1/2 x 11 1/2 in. (86.6 x 29.0 x 29.0 cm.)loved to carve wood and stone directly. (Ref W.Tucker   The language of sculpture) He used to carve marble and then get it cast in bronze. This is what gives his work the beautifully smooth surface which makes the work so tactile. Brancusi

Brancusi made a version in wood which he delighted in. He was from Romania and at the age of 11 years he had made a Violin out of wood ( ref Wikipedia ) The maple version was made using a natural fork in the wood. (Ref ? Wikipedia)

Unlike his predecessors, Brancusi did not work in plaster and then get the piece cast but carved wood and stone directly. He believed his works to be representational pieces, thus he believed this piece to be a true representation of a young man’s torso that her than and abstract interpretation.

“They are imbeciles who call my work abstract; that which they call abstract is the most realistic, because what is real is not the exterior form but the idea, the essence of things.” Consatin Brancusi (Rachel Gershman The story of art )

The most distinctive features of this piece which are typical of Brancusi’s work are

1. Simplicity of form.

2. The use of a series of stacked objects together.

3. The use of carved wood and stone

4. Cast bronze from an original marble form.

5. Smooth surfaces that ask to be stroked.

The design is symmetrical up until the bronze piece. The cuboid form is repeated from the wood part to the stone part. The angles of the trapesoid wood are similar to the angles between the torso and the legs of the bronze part. It can be described as a stable piece until the bronze part which manages to stand upright, effortlessly on top of the stone, without falling off. The lines are geometric and the composition is vertically orientated. It is a harmonious piece which is geometric and exudes tranquility.

The piece uses light effectively. The bronze is highly reflective so that light from the Windows around make bright , longitudinal stripes on the body of the torso. These reflections are then follow the angle of the legs, which is pleasing. The bronze also reflects the white stone. The wood has one surface, opposite the light source which looks light and bright. The surface not opposite the light source in contrast , takes on a rich, darker hue. The juxtaposition of the White stone and the dark wood is very pleasing.

With regard to the treatment of space in this sculpture, Brancusi wished to have control over the way in which his pieces were viewed after they left his work shop. In order to do this, he stacked the sculpture so that the bronze part was seen at the right eye level. The base of the sculpture (i.e. the part below the bronze) creates a visual setting on which the piece is seen (ref WilliamTucker) and sets a distance between the bronze and whatever the sculpture is placed upon. The part below the bronze piece thus supports and provides a setting on which the bronze torso can be viewed. 

I do not believe that this piece intends to convey movement but is happy to be serene, quiet and static in it’s appearance.

The use of polished bronze is dramatic and emphasises the contrast between the torso and the stone and wood below it.

I am attracted to the way that the sculpture pieces are well balanced and stable.I like the proportions and the way in which the sculpture is at eye level , making it highly accessible and tactile.

This sculpture makes me feel relaxed and I feel a warmth to it.

Seeing this sculpture in the broader context of contemporaneous sculpture, further highlights it’s extraordinary qualities.

I am still working on this appraisal and will finish it very soon

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1 thought on “ a critical appraisal of brancusi’s torso of a young man ”.

This was an excellent exposition on the art of analysing sculpture and very educational. Brancusi’s work is interesting for its form as well as its dynamism and particularly as he tries to abstract form down to its bare essentials.

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Once America’s most beautiful army base, this abandoned military fort on the coast of Monterey Bay has been left to the elements. 

Fort Ord was once the jewel of the United States Army. Founded in 1917 as a target range for field artillery, it was situated on 45 square miles of dunes and forest along the coast of Monterey Bay. It was considered fortunate to be stationed at Fort Ord, as the surroundings were picturesque and the weather beautiful.

At its height, Fort Ord was home to upwards of 50,000 troops, serving as the staging area for soldiers of the Korean and Vietnam Wars. This installation had an action-packed life for nearly 80 years until the Base Realignment and Closure Commission recommended its closure in 1988.

Under the guidance of the commission, the EPA ran an assessment of the army base’s environmental impact, and the results were not promising. Within its 45 square miles were underground storage tanks leaking petroleum into the groundwater, numerous landfills and dump sites, and innumerable unexploded mines. The Fort was promptly closed in 1994—the largest of the military’s bases to be shut down—and placed on the National Priorities List as a Superfund site, one of the most toxic places in America.

And so begun a coordinated effort between the government, the military, and the local community to clean up and rejuvenate the aging, polluted property. A major portion of the base became the Fort Ord National Monument, with over 80 miles of public trails snaking through the forests. Another part was given to the California State University of Monterey Bay. And still another section was set aside for commercial and residential development by the surrounding towns.

But approximately 20 percent of the original military structures remain, with lead paint on their walls and weeds peeking through the cracked floorboards. They will eventually either be stripped of their toxic elements and reused in new construction or completely disposed of. Until then, these buildings from Fort Ord’s glory days can still be seen, nature slowly creeping through the streets that once heard the rhythmic steps of servicemen long gone.

Know Before You Go

Many of the remaining structures can be accessed through open gates located at regular intervals. Be warned–some structures still contain asbestos and other harmful substances. An annual "Secrets of Fort Ord" Tour provides a comprehensive history of the military base.

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• http://www.militarymuseum.org/FtOrd.html
• http://www.sacbee.com/entertainment/living/travel/article68043672.html
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