School of Graduate Studies

Ma (creative writing).

Program Information

Since September 2006, the University of Guelph has offered an exciting Master of Fine Arts (MFA) Program in Creative Writing, located in the University of Guelph-Humber building on the north campus of Humber College in Toronto. Our stellar faculty includes Catherine Bush , Carianne Leung , Canisia Lubrin , and Judith Thompson , and associated faculty Kevin Connolly , Kyo Maclear , and Michael Winter , among others. We offer workshops in the following genres: creative nonfiction, drama, fiction and poetry. Defining characteristics of the program include the innovative plenary courses “Writers on Writing” and “Writers in the World,” a semester-long mentorship with a professional writer, the participation of a wide range of well-established writers from Canada and abroad as associated faculty, mentors and visitors, and alliances with a variety of cultural organizations in the Toronto area. We emphasize reading as essential to the art of writing and promote the idea of an engaged writing practice. We offer students such pedagogical initiatives as the Parkdale Project, the opportunity to design and teach creative writing workshops in downtown Toronto schools. We attract a diverse student body and are proud of the trail-blazing publication and production accomplishments of our growing number of alumni. Through the program, we aim to offer students stimulating, challenging, and engaging ways to shape a writing life.

The Creative Writing MFA takes full advantage of its location in Toronto, an international literary and cultural centre. The program has been designed to provide students with a wide range of opportunities to interact with the community, and especially to connect students with well-established writers from across Canada and abroad as workshop instructors, mentors, and visitors. Our partnership with Harbourfront’s International Festival of Authors is a distinctive feature of the program. Through the IFOA we offer annual Master Classes with authors visiting the festival. We offer additional winter Master Classes and panels on such topics as structuring the novel, teaching writing, and writers and money. Our partnership with the Eden Mills Writers’ Festival offers MFA students annual reading spots at the Festival. We host a monthly program reading series, Speakeasy , in downtown Toronto. We also offer a teaching practicuum, the Parkdale Project : MFA students co-teach six once-a-week writing workshops to Grade Seven and Eight students at Parkdale Public School, or act as solo instructors for two high school level workshop sessions with Parkdale Collegiate students. We offer play reading opportunities for our playwriting students and intensive voice workshops to train students in how to read their work. Additional partnerships with the Humber School for Writers , Humber College , and Toronto theatres provide extraordinary extracurricular, volunteer, and work opportunities for our MFA students.

Program Design

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Required courses include three intensive semester-long workshops, two plenary courses (“Writers on Writing” and “Writers in the World”), an individual study course, and a thesis.

Normally, students take one workshop and one plenary course in the first (fall) semester of study; one workshop, or two, in the second (winter) semester; the individual study course in the third (summer) semester; and the other plenary course and a final workshop, if necessary, in the fourth (fall) semester. The remaining two semesters of the two-year program are devoted to the thesis.

NOTE: With permission, MFA students may take one or two courses at the University of Guelph—e.g., MA courses in the School of English and Theatre Studies in which the student has a strong interest and the subject material feeds into work being done within the MFA program.  Normal course requirements for the MFA program may be modified to accommodate this.

About the Courses

(0.5 credits each).

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We admit 12-13 students in each cohort. The average workshop size will be between 8 and 12 students.

Generally students take one and sometimes two workshops in their primary genre. Students are required to take at least one workshop outside their area of primary interest. The admissions process is used to identify areas of interest and to ensure a reasonable level of balance within the program.

In making workshop assignments to faculty, we try to ensure that a student working in the same genre twice will do so with different instructors. (The requirement that workshops be taken in at least two genres is important because sustained exposure to and practice in another genre may reveal or develop new creative strengths.)

The workshops are strongly focused on writing, but each also involves a substantial reading component. It is worth noting here that the most consistent and urgent advice given to new writers by established professionals is to read—widely, voraciously, and well. Through the reading component of the workshops, students learn to read as writers. They grow in an understanding of the writer’s craft; they will be able to discuss technique knowledgably and to incorporate insights gained from their reading into the writing they produce for the workshop.

A very important part of the workshops is the interaction between students and the responses they provide to one another’s work; attendance is therefore mandatory. Please note that these are intensive courses. The writing requirement of the workshops is substantial, as is the workload overall. 

Plenary Courses

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Plenary courses meet once a week. Student presentations on selected readings make up a significant part of the course.  Student participation is paramount.  There will also be written assignments.  

1) WRITERS ON WRITING

This plenary course allows students to acquaint themselves with and vigorously debate the varied ways in which writers describe their art and practice, and includes readings from such writers as Italo Calvino, Anne Carson, Sheila Heti, Dennis Lee, Harold Pinter, and David Shields, among others. We will examine how writers understand and describe their creative processes, techniques, and aims, and engage with a range of subjects including the competing roles of experience and imagination, the place of theft and influence in creativity, the usefulness of the idea of perfection, questions of representation, including the nature of realism, and the use of formal structures in poetry and prose.

2) WRITERS IN THE WORLD

This plenary course involves students in significant, often highly contentious debates on the role of writing in the world—debates that form a context within which the solitary writer creates his or her own imaginative worlds. Issues to be considered include varying conceptions of the writer’s role and responsibilities, the idea of a national literature, the way value is assigned to a work of literature, transgression in writing, the changing copyright climate, and the impact of the internet on writers’ professional lives. Work by writers including Chinua Achebe, Margaret Atwood, Dionne Brand, J.M. Coetzee, Orhan Pamuk, Salman Rushdie among others will be examined.

Individual Study Course Mentorship Semester 

(0.5 credits).

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Great care will be taken to achieve a good match between student and mentor. The mentorship is designed to accommodate the variable learning needs of individual students.  The design and schedule of the individual study course will be arrived at through consultation between the Coordinator, the student, and the mentor. Students work closely with their mentors and have regular contact with them through whatever combination of face-to-face meeting, telephone, mail, e-mail, and/or Skype consultation works best for the individuals concerned. 

(CREDITS ARE NOT ASSIGNED)

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Each student will have a thesis advisor and a two-person advisory committee made up of the advisor and one additional faculty member. When it has been determined by the advisory committee that the thesis is ready for examination, the thesis will be evaluated by a three-person examining committee. An oral examination is the final phase of the thesis requirement. The examining committee, whose first and most crucial task is to assess the merits of the thesis itself, will conduct this examination.

Master of Fine Arts | Scriptwriting & Story Design

Master the art of Scriptwriting. Student writing in her notebook in front of a Mac desktop computer.

An innovative and expansive writing program

The global demand for storytelling has never been greater. So too is the need for a graduate program that fosters and strengthens diversity in creative voices and blends scholarly and applied approaches to mainstream and alternative storytelling platforms.

Students in the MFA Scriptwriting & Story Design program are exposed to new forms of storytelling and are encouraged to explore the possibilities of emerging technology. Students learn to develop powerful stories, designed for maximum impact.

Two people collaborating on writing project on a laptop

The foundation of all good media is a good script

The goal for today’s writers is to tell their stories in the medium that will best allow them to express their creativity and captivate audiences. This uniquely interdisciplinary program will allow you to master the art of script-based creative writing for stage, screen and cutting-edge media platforms. Take foundational writing courses and then advance your skills through the study and practice of 21st century digital linear and non-linear storytelling designs. Each MFA student's final thesis project will be the completion of a full script for a feature film, a stage play, a television script, or other script-based media composition.

Access a Dynamic Creative Ecosystem

There is a growing need and opportunity for writers who create work across media.

Take full advantage of the MFA program's interdisciplinary nature by exploring the range of knowledge and resources offered by the foundational schools of Image Arts, Performance and RTA School of Media.

A pair of students happily working together on a project on a laptop

Access complementary resources and opportunities within The Creative School’s creative ecosystem. This includes professional and scholarly experts, state-of-the-art labs and studios, future-driven projects, industry partnerships, international network, incubator-style zones and creative technology to reimagine creativity and develop your own authentic voice.

Learn more about the MFA Scriptwriting & Story Design program.

Master of Fine Arts Scriptwriting and Story Design Brochure

48 Best universities for Creative Writing in Canada

Updated: February 29, 2024

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Below is a list of best universities in Canada ranked based on their research performance in Creative Writing. A graph of 246K citations received by 19.8K academic papers made by 48 universities in Canada was used to calculate publications' ratings, which then were adjusted for release dates and added to final scores.

We don't distinguish between undergraduate and graduate programs nor do we adjust for current majors offered. You can find information about granted degrees on a university page but always double-check with the university website.

Please note that our approach to subject rankings is based on scientific outputs and heavily biased on art-related topics towards institutions with computer science research profiles.

1. University of Toronto

For Creative Writing

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2. University of British Columbia

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3. University of Alberta

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4. McGill University

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5. York University

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6. University of Calgary

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7. University of Victoria

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8. Simon Fraser University

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9. Western University

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10. Queen's University

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11. University of Ottawa

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12. McMaster University

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13. University of Waterloo

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14. Carleton University

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15. University of Montreal

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16. University of Manitoba

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17. Memorial University of Newfoundland

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18. Wilfrid Laurier University

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19. Dalhousie University

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20. University of Saskatchewan

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21. Brock University

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22. Ryerson University

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23. Concordia University

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24. University of Windsor

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25. University of Guelph

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26. University of Regina

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27. Trent University

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28. University of Quebec in Montreal

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29. Laval University

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30. Laurentian University

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31. St. Francis Xavier University

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32. University of Lethbridge

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33. University of New Brunswick

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34. University of Winnipeg

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35. Lakehead University

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36. Mount Saint Vincent University

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37. University of Sherbrooke

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38. University of Northern British Columbia

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39. Saint Mary's University

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40. Acadia University

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41. University of Prince Edward Island

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42. Nipissing University

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43. Ontario Tech University

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44. Thompson Rivers University

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45. Brandon University

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46. Mount Royal University

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47. MacEwan University

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48. Mount Allison University

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The best cities to study Creative Writing in Canada based on the number of universities and their ranks are Toronto , Vancouver , Edmonton , and Montreal .

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Creative Writing Support

Undergraduate students interested in developing their skills may choose from a variety of course options. Visit our page on Writing Courses at U of T.

Students interested in developing their skills as creative writers can take advantage of opportunities outside of their courses:

  • Choose a course in creative writing from the wide range of certificate courses offered at the School of Continuing Studies .
  • An excellent way to learn the craft of writing poetry and fiction is to meet with others also interested in improving their craft. The Hart House Literary and Library Committee offers a number of activities for meeting up with other writers. Open to all U of T students.
  • The University of Toronto’s Jack McClelland Writer-in-Residence leads a creative-writing seminar each year. Check the English Department website for more information.
  • Students enrolled at University College or in a UC program course may sign up to meet with UC’s Barker Fairley Distinguished Visitor .

You may also be eligible to enter your creative writing in one of the following competitions:

  • Hart House hosts two annual literary contests : its annual Short Fiction and Poetry Contest. Both contests are open to Hart House Members in good standing, excluding professional writers of fiction and non-fiction and poets who have published a book of poetry. Deadlines are usually early to mid January. Check the website for exact dates. Winning stories and poems will be published in the Hart House Review
  • University College students and students in UC programs may submit work in the categories of Poetry, Drama, Novel, Short Story, and Other Prose to the Norma Epstein Foundation Awards in Creative Writing. The competition is annual; the deadline is May 1. All students currently registered in an undergraduate or graduate degree program may enter the biennial Norma Epstein National Award for Creative Writing , Past UC and National Norma Epstein award winners include David Adams Richards, David Cronenberg, Janice Kulyk Keefer, Anne Michaels, Michael Ondaatje, James Reaney, and Miriam Waddington.
  • U of T students and alumni may enter the U of T Magazine Short Story and Poetry Contest . First prize in each category is $750 plus publication in U of T Magazine.
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Writing Tips Oasis - A website dedicated to helping writers to write and publish books.

15 Top Creative Writing Courses in Toronto

By Shikha Pandey

creative writing courses in toronto

Are you a resident of the capital city of Ontario and are looking for a writing class?

Below you’ll find 15 top creative writing courses in Toronto.

1. Graduate Certificate in Creative Writing at Humber College

With over 300 alumni who have gone on to become published writers, Humber College is the go-to destination for aspiring authors in Toronto.  As a writer and author, there are different aspects one can need help or guidance with. Polishing your idea, finishing a manuscript, giving your characters the right voice and direction are some levels one can get stuck on. Getting practical, useful advice from experienced writers and professional authors can make a visible difference. If you have written a novel, fiction, non-fiction or poetry and need some encouragement, this course is perfect for you. Published, successful authors such as Margaret Atwood, Martin Amis, Hari Kunzru, Alistair McLeod and Peter Carey have mentored students and graduates in this course. You can access their knowledge, experience and wisdom right from your home! The faculty also includes impressive names like Kim Fu, Dennis Bock, Don Gillmor, and Joseph Kertes. There are intakes in September 2019, January 2020, and May 2020. The course lasts for 2 semesters. The fees for 2018 were $3,363.20 for two semesters. You can use this link to apply for admission.

2. Creative Writing: Introduction at University of Toronto School of Continuing Studies

It can be difficult to know which genre or style to pick once you start writing. You need to find your tone, voice, writing style, and depth. A short or quick course can give you instincts, ideas, and suggestions to improve or hone your writing. The University of Toronto School of Continuing Studies has one of the biggest Creative Writing programs and options available for students to choose from. There are almost 90 courses in Writing and Creative Writing! This course is a great starting point for amateurs or young writers trying to find their footing in the industry. While writing is a creative skill, practice and hard work can help improving it in a great way. The course has 32 sections to choose from and taught by different writers and teachers. You can select various sections or choose all the sections to get a comprehensive perspective. Kara Billey Thordarson, Ken Murray, Alexandra Leggat, and Michel Basilieres are some of the faculty members.  The sections start from $599 and you can select the ones suitable for your career or goals. They are listed here along with the respective faculty members.

creative writing classes in toronto

3. Creative Writing: Getting Started at George Brown College

It’s not enough to have a good idea to write a novel. You need to grasp narrative, writing structure, style, characters, and voices to make it worth reading. An introductory course to Creative Writing can boost your confidence and push you in the right direction. Selecting this course will also benefit you by understanding your target audience and ensuring your book is tailored for the market in a favorable manner. Every writer has a distinctive touch and style they should be known for. This intensive yet compact course can provide you with an insight into finding your voice. The course begins on 1 st May 2019 and is on till 31 st July 2019. It costs $343 and you can register using this link on their website.

4. Creative Writing: Novel Writing Level I at The Chang School of Continuing Education

The Chang School of Continuing Education has an entire series of courses in Creative Writing for beginners, intermediate, and advanced writers. Students can choose up to 3 courses to receive a Professional Development Award. The Novel Writing Level I course is the ideal choice for authors to dip their toe into writing or beginning a novel. A lot of writers or students have no trouble beginning to write a novel. The trouble begins when they can’t carry the novel to the end or give it a reasonable middle. A supportive group of like minded students and sensible teacher is present here for you to receive feedback from. Understanding your weaknesses can make you a better writer and give you a new angle on the way you write. You can learn on how to make a novel outline, shape the story and pack a punch with your characters. The instructor is Sarah Sheard for the Spring 2019 term which begins on 29 th April 2019. Find the enrolment dates and instructions available here. The course costs $500 and you can select it by visiting this link.

5. Writers Bootcamp at Start Writing

An intensive 8-week writing workshop that can open your eyes and provide you to intense practice is a boon for writers. Writers of all levels and ages can consider joining this group of writers. A selective group of 10 writers take part in real time writing exercises. These exercises and tips will improve your writing skills, allow you to broaden your horizon and experiment with genres. Constructive and positive feedback is provided by fellow group members during these workshops. The goal of these workshops is to push you to write regularly and practice your craft. The workshops begin 16 th April 2019 and cost $390. You can visit this page to register for the course.

6. Bachelor of Arts in Creative Writing at York University

A degree program at an established university can do wonders for your professional career. Creative writing is not something that can be taught but it can be improved upon. Students will be encouraged and supported to build a portfolio of genres from short stories, novels, interactive media, plays, comic books to graphic novels and screenplays. Writing for a wide variety of genres will strengthen your writing and hone your imagination. You will have to choose 1 or 2 genres to specialize in. The 4 year course is available for undergraduate students and can be done full time or part time. Previous alumni and students have gone on to become successful writers and authors and recognized internationally for their work. Admissions are open for Fall 2019 intake. You can visit this link to learn about fees, admission requirements, and how to apply.

7. Creative Writing at Centennial College

A lot of writers and authors are their own fiercest critics. A supportive environment, like the one at Centennial can allow you to be kind and know your limits. It will also provide you with a real sense of where your writing stands currently. Positive reinforcement and ideas are provided to students so they can improve their craft and push themselves to be better. There are multiple options for interested writers to pick from. You can do a course in Script to Screen writing or Journalism should you prefer a particular genre or medium. The course is open to admissions for 2019. You can use this link to learn more about fees and admission requirements.

8. Creative Writing Certificate at University of Guelph

Having a particular milestone and somebody to push you towards it makes a vast difference to a writer. An external motivator and guide can allow you to experiment and take risks without diluting your originality. The Creative Writing Certificate at University of Guelph is a brilliant way to learn from experienced writers and teachers. 6 classroom based courses, two required courses, and a final capstone project are included for you to gain experience. Activities and writing exercises are offered for students to polish their writing and improve their skills. The course is open to writers of 18 years or older and having completed high school. You can use their Student Portal to register for information and learn about fees.

9. Creative Writing at Seneca College

Being part of an exclusive class of writers gives you a platform to shine and receive complete attention. The 3 month Creative Writing course at Seneca College is meant for writers to read, review and critique works of their fellow students. Works by previously published authors and compelling novels are read and evaluated to gain insights from. The faculty members push you to take on genres or styles that you shy away from. Moving out of your comfort zone makes you a better writer and artist. It also strengthens your belief in your capacity and tells you what you can achieve. This class is held at the Newnham campus and costs $313.20. You can add this course to cart and it will guide you to the registration page.

10. Writers’ Co-operative at Toronto Public Library

Writing is a solitary job. It can get exhausting trying to research ideas, write, edit, and then critique on your own. That’s why joining a close knit group of writers or attending workshops can be so beneficial. Toronto Public Library holds regular seminars and workshops for writers of all ages. From trying to help you find inspiration to holding open mics, they manage it all. The Toronto Writers’ Co-operative is held weekly where members can read their works, receive feedback and interact with published authors. The atmosphere and nature of these workshops are informal compared to traditional courses. This can make writers feel comfortable and let them approach authors with ease instead of relying on the teacher-student dynamic. There is no formal structure or approach but a pure focus on the craft and art of writing. You can also join this group if you have writer’s block and need some inspiration or material. The dates are available here and you don’t need to register.

11. Honours Bachelor of Creative Writing and Publishing at Sheridan College

One of the only degree programs in Canada to blend writing and publishing, this course is a must for writers and authors. It makes complete sense that any writer should have awareness and knowledge of the publishing world. This degree will teach you practical and real life things that can be applicable in your professional life. In today’s age, writers have to market and sell their books and ideas. Through this course you will learn how to project your book and idea in the right way to your audience. Literary workshops, events, and meetings are held for budding authors to network and create a supportive community.  Students are asked to edit, write, review, and publish work so they can experience what goes in publishing and printing a novel. The faculty includes published authors, writers who have won awards for writing, editing, and playwriting. The course lasts for 8 semesters and will include electives. The approximate fees for 2 semesters for international students are $16,587 (Canadian dollars). International students can use this link to apply for admission while Canadian students can check this page .

12. Introductory Creative Writing by Quick Brown Fox

Brian Henry is an accomplished editor, blogger, and teacher. He has been in the publishing industry for almost 25 years.  A Creative Writing teacher at Ryerson University , he also runs the popular literary blog Quick Brown Fox. Through his blog, he provides resources, ideas, and tips for writers all over the world. Brian has started an intensive 9 week course to give beginners a glimpse in creative writing. You can be an absolute amateur or somebody struggling with the basics or just wanting to review your skills, this workshop and course will refresh your mind. You can expect to write engaging dialogue, change your tone, and improve your skill. Students offer positive and encouraging feedback to each other and boost their confidence. At $199, the course is worth every penny. Batches begin April 18 th and April 26 th . You can email Brian to reserve a spot and learn more details.

13. Creative Writing at Roxanne Snider’s Creative Writing Workshop

An instructor and writer, Roxanne Snider started her Creative Writing workshops in 2004. Since then they have become a respite for writer and authors in need of inspiration or reassurance. Writing is a very personal and subjective craft. One can never really learn or teach it from courses and textbooks. That’s why this workshop is so essentially because it is tailored for every person. They take the pressure away from the writer and instead ask them to commit to writing. Exercises, prompts, tips, and suggestions are offered for the students and they are expected to engage in discussion and activities. The best writers are often great readers and Roxanne will introduce you to stunning literary talent that you may not have been aware of. The admissions for Spring 2019 are open and the workshop begins on April 11 th . It costs $400. You can email Roxanne for further details and information.

14. Writing for Film & TV at Toronto Film School

A lot of creative writing courses and workshops are heavily skewed towards print and publishing. If you are interested in writing scripts for film or television, you should consider Toronto Film School . The country’s premier media school, it has a course for writers interested in working on scripts and screenplays. Writing for Film & TV will enable you to experience the world behind the screen, the technical knowhow and the difference between print and media. Film and TV writers will attend events and mentor you during the course. Students can be expected to create their shows, films, edit, write, and produce it for projects and credits. Pitches, drafts, screenplays, scripts, and outlines are some of the formats you can hope to learn here. The faculty includes prominent names in the industry such as Adam Till, Ken Chubb, Fern Levitt, and Jonas Chernick. The program fees for each term are $5,745. You can visit their application page to apply for admission for 2019.

15. English: Writing and Communication Concentration at Tyndale University

The combination of English, writing, and communication will completely prepare you for a career as a writer, editor, novelist, and film-maker. You can analyze, edit, review, and critique content while creating it. The course will immerse you in all aspects of creating, writing, and communicating. This allows you to select the profile or role you prefer or are skilled at. You can visit their application page to learn about dates, fees, and requirements.

Are there any other creative writing courses in Toronto you know of? Please tell us about them in the comments box below!

Shikha Pandey is a creative, content and script writer based in Mumbai, India.

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She graduated high school with a 99.7% average, now she's coming to U of T Scarborough

A photo of Emma Brijlall Nakahara at TDSB Head Office.

Alexa Battler

Emma Brijlall Nakahara  needs to eat every one to two hours. It’s a challenge that led her to become the first graduate of a virtual school to earn one of the highest marks across all of Toronto’s public high schools. 

Nakahara graduated from the Toronto District School Board’s (TDSB) Virtual Secondary School with an average of 99.7 per cent, making her one of three graduates recognized for earning the top grades this year. 

She chose the online school mainly because she’s severely impacted by low blood sugar, and needs to frequently eat substantial amounts of food to stay focused. Nakahara found it far easier to stay nourished when she wasn’t physically in a classroom all day, and being able to learn at home has made her a big proponent of self-advocacy for accessibility needs. 

“Even if it feels a bit weird sometimes, even if your needs are unconventional and people may not understand them, you still have to respect them and you deserve to get the accommodations that you need,” she says. 

This fall, when she starts at U of T Scarborough, it’ll be the first time she’s attended in-person classes since she was a child. Despite never meeting her peers and teachers in person, she says she still felt very connected to the school community, in large part thanks to her extracurriculars including the school’s newsletter and yearbook, and tutoring other students. 

A photo of Emma Brijlall Nakahara  being interviewed by CTV News

Outside school, she practices judo, enjoys writing poetry and crocheting, and has nurtured a lifelong love of the environment and conservation by volunteering with the High Park Nature Centre. 

“You have to be more purposeful when you’re in virtual school, about getting out there, communicating with your teachers, staying focused,” she says. “I like to get out and do stuff, so I don’t really think being online impacted my experience.”

She also volunteered at the Cedarbrae Branch of the Toronto Public Library in Scarborough. Reading is one of her biggest de-stressors — she particularly likes fantasy — and Toronto's public libraries were a significant place for her when she was younger, prompting her to join its teen council. 

The degree she’s pursuing at U of T Scarborough combines several of her interests and experiences, and she’ll soon be in a co-op program double majoring in conservation and biodiversity and public policy , and taking a minor in creative writing . 

She chose U of T Scarborough for a few reasons: the option to take three programs and co-op, the convenience of being near her Scarborough home, and the Ma Moosh Ka Win Valley Trail, the path down to Highland Creek awarded for its accessibility features, frequented by Nakahara’s family and many students in environmental science programs. 

Nakahara does have one of her upcoming classes online, and she says she’s looking forward to the extra freedom she’ll get in university — especially to explore what interests her academically. 

“In elementary school, I was maybe a little bored and that made it hard to do my schoolwork,” says Nakahara, who earned her best high school marks in courses including environmental resource management, calculus and vectors, physics and chemistry. “I think I got higher marks in high school because I was interested in what I was doing.”

A photo of Emma Brijlall Nakahara answering questions on a panel

She did feel a unique pressure throughout Grade 12, knowing it would only take a few wrong answers to lose her average, but she says she put that stress on herself. 

“That wasn’t necessarily something I should have been doing,” she says. “I think sometimes people feel bad when they get low marks, and I felt bad when I lost marks. But school isn’t the only place where it matters to succeed, people can succeed in all areas of their life.” 

When asked for her best study tips at a ceremony honoring the TDSB’s top scholars, she told the audience of news crews, teachers and family that everyone is different, and there’s no one-size-fits-all approach to excelling in school. She had to prioritize eating and broke her school day up by exercising, a habit she’s planning on keeping this fall on campus at the Toronto Pan Am Sports Centre. 

“That really helped me stay energized for my schoolwork, and made it so it didn’t feel like some endless task I had to do,” she says. “Taking breaks was important.”

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masters in creative writing toronto

  • MA Programs
  • MA in English in the Field of Creative Writing

MA CRW Alumni Biographies

(Attn: graduates please send updated bios and news to  [email protected] )

 

 was born in Coral Harbor, Nunavut. She completed her B.A. in English at the University of Western Ontario in 2009. She completed her M.A. in English in the field of Creative Writing in 2011, under the supervision of Jane Urquhart. Currently, she is a PhD candidate at the University of Western Ontario, working on theories of the body and space in video games. Her work has appeared in   and  , AirCanada’s in-flight magazine. She won the 2010 CBC Literary Prize in Short Fiction. She continues to polish  , the manuscript written under Jane Urquhart’s guidance. She blogs about roller derby at  .

 

 is a graduate of the University of Toronto's MA in the Field of Creative Writing program and completed his mentorship thesis in 2009 with Michael Winter. He currently lives in Toronto where he teaches English as a Second Language. His work has appeared in  ,  ,  ,  ,  , and he has an upcoming story to be published in  . He has also been a finalist for  ’s Open Short Fiction and Very Short Fiction contests, is the recipient of both a Pushcart nomination and an Ontario Arts Council grant, and has been a jury member for the OAC’s Writer’s Works in Progress Grant competition. He is now working on a collection of short stories about Japan as well as a novel set during the 1923 Tokyo earthquake.

 

 

 is a novelist and editor. His first novel,  , was longlisted for the Giller Prize and shortlisted for the Kobo Emerging Writer Award. His second novel,  ,  ,  , is scheduled for release in the Fall of 2018. He was the co-founder of  and is the Fiction Editor of  . He lives in British Columbia with his wife, the poet and essayist Suzannah Showler.

   

was born in Toronto, Canada. She first studied creative writing at the University of Western Ontario, where she earned a BA in English and Media, Information, and Technoculture. She went on to complete an MA in English in the Field of Creative Writing at the University of Toronto, where she worked under the mentorship of Michael Winter.

Her short stories have appeared in a variety of literary journals and anthologies, including  ,  , ,  , and . She is the winner of the 2009 PRISM International Award for Short Fiction. 

 

 

 called  "a fantastic, fun new novelist on the Canadian scene" in its review of her debut novel,  , which was published in March 2017. Kerry is also editor of the acclaimed essay collection, The   (2014), and was shortlisted for a National Magazine Award in 2011 for her essay "Love is a Let-Down." She edits the Canadian books website 49thShelf.com and writes about books and reading at her own blog, PickleMeThis.com. She lives in Toronto with her husband and two children. 

 

 

 is the author of   (ECW, 2015), which was named one of the  99 Best Books of 2015 and   100 Best Books of 2015. You can find her poetry, criticism and other writing in  ,  ,  ,  ,  and  . She is the 2013 winner of the Bronwen Wallace Award for Emerging Writers from the Writers’ Trust of Canada and a 2018 writer-in-residence for the Al Purdy A-Frame Residency. She’s from Hamilton, Ontario and currently lives and writes in Toronto.

   

is a writer from South Africa. Prior to coming to U of T in 2006, she received her BA in Dramatic Art from Johannesburg (University of the Witwatersrand). Her passion for South African stories, characters, and the tradition of oral storytelling and performance is prevalent in her fiction, which is primarily set in contemporary, post-apartheid South Africa. Jessica has a number of publications. Her short story, “The Broom Plant,” was selected for publication by Nobel Laureate, J. M. Coetzee, and appears in a S.A. Pen anthology, African Compass: New Writing from Southern Africa. Jessica is currently finishing a short story collection, and is half way through her first novel written under the guidance of her supervisor at U of T, Camilla Gibb. Jessica has a background in advertising, but is currently working for the coca-cola company in South Africa doing corporate communications.

   

 is the author of a book of poetry, Glass Psalms, and three plays, including  , which has been produced in Germany and Canada. His Masters Thesis at U of T,  , was published in Canada, the UK and the US. His poetry has been published in journals across Canada and has been translated into Lithuanian, Spanish and Swedish. His play,  , was produced in Toronto, Vancouver and Victoria and was published by Playwrights Canada Press (2006). Jonathan is currently a fellow at the Akademie Schloss Solitude in Germany, where he is working on a novel. He is a frequent contributor to the   and   magazine. 

 

 

 is the author of the acclaimed short story collection   (Coach House Books, 2012), called “startling and invigorating” and “Canada’s Most Underrated Book” by  . This fall, Nightwood Editions will publish his debut collection of poetry,  . Spencer is also the author of the poetry chapbooks   (Emergency Response Unit),   (Apt. 9) and  (Ferno House, 2011, shortlisted for the 2012 bpNichol Chapbook Award. He is co-founder and a senior editor of the online literary magazine  , and his other writing has appeared in  ,  ,  ,  ,  ,  ,  ,  , and many other forums. He has taught writing across the city at OCAD University, George Brown College, Humber College, and with the University of Toronto’s School of Continuing Studies.

   

 is the author of  , a short story collection. He graduated in 2014, and his writing has since appeared in  ,  ,  ,  , and  . In 2017, he won the U of T Magazine Short Story Contest.

   

 is the author of  (ECW Press, 2015). Her writing has previously been published in  ,  , and  . She lives in Toronto.

   

 graduated from the University of Toronto's MA in Creative Writing program in 2008, where she worked under the mentorship of George Elliott Clarke. Immediately following her degree, she went on to participate in a writing residency at the Banff Centre for the Arts. Helen has published widely in Canadian literary journals, including  ,  ,  ,  ,  , and others. Her first book,  , was published by Coach House press in 2011.

   

, a 2015 grad, is publishing her debut novel,  , with Knopf Canada in 2018 as part of the New Face of Fiction program. Her short stories and essays have been published in  ,  ,  ,  ,  ,  ,   and elsewhere; her book reviews have been published in the  ,  , and  . In 2014, she was nominated for two National Magazine Awards and won gold for Personal Essay. After a lifetime spent in Hamilton, Ontario and the surrounding area, she recently moved to Southern California with her young family.

   

 is currently working on a project of poetry in collaboration with the sleep laboratory at the Centre for Integrative Genomics in Lausanne, Switzerland ( ). She has published in various literary journals and read at festivals, including the Vienna Lit Fest and London Word. She was recently included in the forthcoming   "(innovative) (poets)" and her short story "Eels" was chosen by Dzanc Press as part of their  . Sandra has received funding from both SSHRC and the Toronto Arts Council, and has recently completed her first novel. Alongside writing, she spends her time curating an online journal of experimental literature,  , which can be found at  . 

   

writes songs, poems, and stories. In 2017, he completed a novel draft as the thesis of the MACRW program. His writing has appeared in some magazines and books he won’t mention—either out of shame or out of an objection to the etiquette of literary bio resumé listing. James has released five albums as a songwriter, the most recent two,  and  , on Montreal label Sainte Cécile. More here:  .

   
lives in London, Ontario with her boyfriend, who is completing a medical degree at Western University; however, she makes frequent trips back to her hometown of Thornhill, Ontario, where she used to live with her parents, two brothers, dog, two cats, and an uncertain number of snakes. Her work has been published in  ,  ,  , and  . In 2014, she was selected as PEN Canada’s New Voices Award nominee. Her chapbook,  , was published in August 2015, and her first full length collection,  , was published by Signature Editions in April 2017.    
 is a Canadian poet who grew up in Orangeville, Ontario. She holds an MA in the Field of Creative Writing from the University of Toronto, where she completed a book-length poetry thesis entitled   under the mentorship of Anne Michaels. Following her graduation from the program, she continued to refine her manuscript as a participant in the Banff Centre for the Arts' 2009 Writing Studio. In 2010 Kate returned to the University of Toronto to complete a B.Ed at the Ontario Institute for Studies in Education. She currently resides with her husband in Seattle, WA, where she writes, cooks, and facilitates food writing workshops for young adults. Her work has appeared in  ,  , and  .    

 is originally from South Africa and emigrated to Canada at the age of 13. She graduated from Montreal's Concordia University with a BA in English and Creative Writing, and was a two-time recipient of the Irving Layton Award for Fiction. In 2009, Kasia received the Quebec Writer's Federation prize for short fiction, and her winning story, “The Fox”, was published in  . Two of her plays, Kite Maker’s Blues, and While You Were Sleeping, were performed at Concordia’s Black Box Theatre in 2009 and 2010 as part of the University’s annual theatre festival. Kasia completed her MA in English in the field of Creative Writing at the University of Toronto in 2011, under the mentorship of Anne Michaels. She is currently at work on a novel.

   

  A finalist for the 2010 City of Toronto Book Award, Lauren Kirshner was also named Best Emerging Author by   magazine in 2009. Her first novel,   (M&S) has been translated into German and Dutch, with U.S. publication slated for Spring 2012. Lauren is a 2007 graduate of the University of Toronto Masters of Creative Writing Program, where she was mentored by Margaret Atwood. Her fiction, non-fiction and poetry has appeared in  ,  ,  ,  ,  ,  , and many other publications. Her creative non-fiction work "Twenty Poems for Claudia," about the maquiladora workers of Juarez, Mexico, appeared in the acclaimed paper documentary,   (Pantheon). In 2010 Lauren founded Sister Writes, a creative writing program for marginalized women in Toronto. She was appointed 2011-2012 Writer in Residence for the County of Brant Public Library and is at work on her second novel.

   

 (play a lighter note on the ‘E’, you’re almost there) is originally from Stockholm, Sweden. She received her BA in English and Politics from University College in Cork, Ireland, and she graduated from the MA in English in the Field of Creative Writing at University of Toronto in 2011. She has worked for  , Sweden’s leading literary magazine and has recently and somewhat reluctantly moved back to Stockholm, where she is rediscovering the Swedish language. She currently works as a freelance translator and tutors inner city kids. She hopes to complete her first novel,  , before the end of the year. The existence of this novel is in part due to her fantastic mentor, Susan Swan, the tallest modern woman of the world, with whom Elin worked during her time in Toronto.

   
 graduated from the MACRW program in 2010. She writes fiction and creative non-fiction. She has been published in literary journals such as  ,  ,  ,  ,  and  . Her first book,  , is a collection of short stories published by Brindle and Glass.    
 received a BSc from U of T, a nursing diploma from Humber College, and later an MA in creative writing from U of T. She was shortlisted for the Montreal International Poetry Prize, her poem appearing in the 2015   (Véhicule Press). Sandra's prose and poetry have appeared in publications including  ,  ,  ,  ,  ,  , and  . Ten of her poems were published in the anthology Evenings on Paisley Avenue: Seven Hamilton Poets. More at     
 graduated with a BA from Barnard College, Columbia University and penned rejection letters for Esquire’s literary department before pursuing her MA in English in the Field of Creative Writing at the University of Toronto. Her articles, reviews, and short stories have been published in  ,  ,  ,  , and  . She is the author of the fiction chapbook   (Desert Pets Press, 2016). Brooke lives in Toronto. 
 
   

 returned from a three-year stint as an English teacher in Japan to participate in the Creative Writing program. His graduate thesis was a full-length work of fiction titled,  , written under the mentorship of the late Canadian novelist Paul Quarrington. He is currently at work on a collection of short-stories,  , which is concerned with the politics of tourism in South-East Asia and the liminal moral and cultural spaces the traveler is forced to negotiate. Six of the stories from this collection have been published in Canadian and American literary journals and most recently in Delhi, India. "The Stampede" was anthologized in Clark-Nova's inaugural edition,  .

   
received his MA in English in the Field of Creative Writing from the University of Toronto in 2008, where he worked on a manuscript of connected short stories under the mentorship of David Adams Richards. That collection was published as   by Breakwater Books in 2010 and went on to be shortlisted for the BMO Winterset Award and longlisted for the ReLit Award. Since the publication of   his short stories, essays, and reviews have been published in  ,  ,  , ,  , and  . Sam's first novel,  , is being released by Breakwater in May 2o12, during which time he will be serving as Fogo Island Arts' inaugural writer-in-residence at the Bridge Studio in Deep Bay, Newfoundland. He is currently the Assistant Professor in Creative Writing at Northwestern College in Orange City, Iowa. And he runs the Dark Art Cafe blog at  .    

 received her MA in English in the Field of Creative Writing in 2007 and was awarded SSHRC funding during her studies. She also holds a degree in Communications from Concordia University. Kulsum worked in the Canadian book publishing industry for five years, primarily in the independent literary publishing community with ECW Press and the Literary Press Group of Canada, after which she returned to India, and became interim digital editor for GQ Magazine, and later, the head of external relations for McKinsey & Company in India. Presently, she resides in the United Kingdom, works in the professional services industry, writes for her own joy, and is currently completing a novella and a collection of short stories.

   

 is a poet, essayist and editor. He edits interviews at  , where he’s also published numerous essays, interviews and blog posts. He teaches in the Engineering Communication Program at The University of Toronto. Born and raised in Detroit, he attended Loyola University New Orleans and received his MA in Creative Writing from the University of Toronto. His essays and poems have appeared in  ,  and  , among others. His long, illustrated poem about Donald Trump, “Great Again,” can be found  . His non-fiction writing focuses on literature, sports and music. His first book of poems, Still Point, was published with Invisible Publishing in 2017.

   
 was born and raised in Hamilton, Ontario, and now resides in Toronto with his wife. He completed the MA in English and Creative Writing in 2011, working under the mentorship of Ken Babstock. He is currently a law student at the University of Toronto. Several of George's poems appear in the anthology  , ed. Robyn Sarah, published by Cormorant (2011). His work has also appeared in  .    
 is a mixed-race writer of Japanese-Canadian descent. Named a 2016 Writer to Watch by the CBC, Michael's poems have appeared in numerous magazines and anthologies across North America and the UK. He is a past winner of  's Poetry Prize,  's Short Grain Contest,  's Poetry Prize,  's Editors' Prize, and  's Lit POP Award for Poetry. Michael's first full-length collection,   (Véhicule Press, 2016), entered its second print run a month after its release, was named one of the best books of 2016 by the CBC, and appeared on best-of-the-year lists from The League of Canadian Poets and  .    

graduated from the MACRW program under the supervision of Leon Rooke in 2007. She is the author of two short-story collections,  and  , both from Biblioasis, and the novel   (McClelland & Stewart, 2017). Her work has been shortlisted for the Journey Prize, the Danuta Gleed Award, the National Magazine Award, and the Amazon First Novel Award. She lives in Toronto, where she works in publishing, writes, and sometimes sleeps. Her website is .
Her website is 

   
 is a Canadian-American writer. Her first novel,   (Coach House, 2017), was critically acclaimed;  says: "Ruddock writes moments of startling intimacy."  called   "a serious and demanding book." Jesse has written for  ,  ,  ,  , and other places. She is an online editor for the New York and Paris-based magazine  and  .    

 grew up in Portland, Oregon, and then moved to New York. She received her BA from Barnard College, Columbia University, and went on to work for a small design studio, a small magazine, and finally a small private school. In 2011, Annie completed her MA at the University of Toronto under the mentorship of Michael Redhill. Her story   appeared in the Summer 2011 issue of  . She currently lives in Oregon, where she is writing a novel.
 

   
A former editor for  ,   completed an editorial internship at the   and now works in publishing in Toronto. Jon was mentored by Pasha Malla, whose fresh style and unique guidance helped make his experience a success. Jon's work has been featured in  , and is currently supported by the Toronto Arts Council. His first novel, , was published by Coach House Books in 2015.    

is the author of the poetry collections   (McClelland & Stewart, 2017) and   (ECW, 2014), a finalist for the Gerald Lampert Award and named one of the best books of the year by the  . Her nonfiction has appeared in  ,  ,  ,  , and  .  , a book of cultural criticism about  , is forthcoming in Spring 2018. She is a 2017-18 Presidential Fellow at The Ohio State University. She and her husband, novelist Andrew Battershill, will soon live in British Columbia.

   

 is from Oshawa, Ontario. He is the author of the novel  (Dzanc Books), named a Best Book of the Year by  ,  ,  , and The Writers' Trust in 2016. His short story collection,   (ARP Books), was shortlisted for the ReLit Award for Short Fiction and named a Best Book of the Year by   in 2013. Sullivan's fiction and criticism haves appeared in the  ,  ,  ,  ,  ,  ,  ,  , and other publications. Sullivan now makes his home in Toronto.

   

 is a Toronto writer and poet. She founded The Emerging Writers Reading Series in 2012 and is the fiction editor of Little Brother Magazine. In 2015, her first collection of short stories,  , was published by BookThug, and the title story from the collection, “Paul,” received the 2013 Gold Fiction National Magazine Award. She’s also released two chapbooks of poetry,   (Picture Window Press, 2014) and   (Anstruther Press, 2014). Jess is currently at work on a second collection, a novel, and continuation of her life poem, “Never Stop.”

   
 is a Canadian writer and translator of Lithuanian literature. She was born in Orillia, Ontario and grew up on Manitoulin Island. In 2006 she completed her MA in English at the University of Toronto while working under the mentorship of Lynn Crosbie. Medeine’s poetry and prose (in English) has been published in  ,  ,   and  . She is currently finishing a novel. Her translations have been published in the PEN  ,  ,  ,   and in other publications. Current projects include co-translating e.e. cummings into Lithuanian with poet Benediktas Janusevicius, and translating Tula, a novel by Jurgis Kuncinas, into English.     
 is the author of two books of poetry,   (Tightrope 2010) and   (Coteau 2006).  received the ReLit Award for Poetry (2007) and the Anne Szumigalski Poetry Award (2006). His work has appeared in a number of literary journals and anthologies, and has earned him honourable mention at the National Magazine Awards (2003) and the Matrix Lit Pop Award (2010). He currently teaches creative writing and English literature at the University of Toronto Scarborough.    
 graduated with a BFA in Creative Writing from the Ateneo de Manila University, and worked as a web content writer and editorial assistant before taking her MA in English in the Field of Creative Writing at the University of Toronto. Her first chapbook,  , was published in 2005 by the Philippine National Commission for Culture and the Arts. Her poetry has won the Maningning Miclat Award for Poetry, the Don Carlos Palanca Memorial Awards, the Meritage Press Poetry Prize, and the Hart House Poetry Contest. Currently an Emerging Voice for Diaspora Dialogues, her work will be published in    . She is working on a manuscript entitled  .     
is a dual citizen. She graduated from the University of Toronto’s Creative Writing Program in 2009, mentored by David Adams Richards. Her story collection, , was published by Coteau Books in 2012. Her short fiction has appeared in journals like   and  , with honourable mention from the University of New Orleans. She is completing her PhD at the University of Waterloo, where she recently won the Creative Writing Prize. Sarah also has an MA in English Literature and taught university-level courses in Appalachia. She lectures on her scholarship in “Freaks and Porn” throughout the U.S. She is currently co-authoring a biography of author B.M. Bower with Dr. Victoria Lamont. Her digital media artwork is on permanent display in galleries and at The Museum in Kitchener, Ontario. She divides her time between her hometown of Toronto and the Blue Ridge Mountains of North Carolina.
Her website is  .
   
is a writer and educator based in Toronto, Canada and a first-generation Chinese-Canadian. She graduated with a B.A. in Honours English at York University and an M.A. in English and Creative Writing at the University of Toronto. Her debut collection of poetry, Admission Requirements (McClelland and Stewart, 2017) was shortlisted for the Gerald Lambert Memorial Award, the Pat Lowther Memorial Award, and nominated for the Trillium Book Award. She has also been known as an editor, reviewer, interview, mentor, teacher, and community organizer. Currently she works as a Writing and Learning Consultant for ELL students at OCAD University, where she also facilitates The Mighty Pen, a writing group for BIPOC-identifying students.    
 is a writer, arts educator and bookmaker based in Toronto. After completing her MA in Creative Writing under the mentorship of Anne Michaels, Lindsay has been awarded various Canada Council and Toronto Arts Council grants. She is currently looking for a home for “Asphalt,” a novel about a girl with atypical vision and is working on her second novel-length manuscript, "The Opposite of Drowning." She has been awarded writing residencies in France and Nebraska. She is the founding editor of Puddle Press, an independent book arts press, and her work is held in the National Library and Archives of Canada. Lindsay teaches writing workshops in the school system and in community settings, and is also the creator of The Love Lettering Project, a one-of-a-kind community-based love letter art project. Currently in its seventh year, The Love Lettering Project was featured on CBC Television's "The National" and was deemed one of the 50 reasons to love Toronto by  .
Visit her website at 
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  2. Creative Non Fiction Writing

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  3. 15 Top Creative Writing Courses in Toronto

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  4. What it's Like to Get a Master's Degree in Creative Writing

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  6. 13 Best Online Master's in Creative Writing Programs

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  24. MA CRW Alumni Biographies

    Lauren is a 2007 graduate of the University of Toronto Masters of Creative Writing Program, where she was mentored by Margaret Atwood. Her fiction, non-fiction and poetry has appeared in Exile, The Hart House Review, Chatelaine, Taddle Creek, ELLE CANADA, The Globe and Mail, and many other publications.