Lord of the Flies Symbolism

Symbolism in lord of the flies, piggy’s glasses, the signal fire, the lord of the flies, the naval officer, related posts:, post navigation.

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Lord of the Flies

William golding.

lord of the flies symbolism thesis

Ask LitCharts AI: The answer to your questions

The tropical island, with its bountiful food and untouched beauty, symbolizes paradise. It is like a Garden of Eden in which the boys can try to create the perfect society from scratch. read analysis of The Island

The Island Symbol Icon

The Lord of the Flies (the Beast)

The "Lord of the Flies," or the beast, inhabits the severed pig head that Jack 's hunters stake into the ground and leave as an offering. Simon recognizes that the Lord of the Flies is… read analysis of The Lord of the Flies (the Beast)

The Lord of the Flies (the Beast) Symbol Icon

The Conch Shell

The conch shell symbolizes the rule of law and civilization. It's used to call assemblies and as a kind of microphone that grants the right to speak to whomever holds it during assembly. read analysis of The Conch Shell

The Conch Shell Symbol Icon

Piggy's Glasses

By allowing the boys to create fire , the first necessity of civilization, Piggy 's glasses represent science and technology, mankind's power to transform and remake their environment to best suit its needs. read analysis of Piggy's Glasses

Piggy's Glasses Symbol Icon

Fire is a complicated symbol in Lord of the Flies . Like the glasses that create it, fire represents technology. Yet like the atomic bombs destroying the world around the boys' island, fire is a… read analysis of Fire

Fire Symbol Icon

Adults symbolize civilization and social order to the boys. But to the reader, the world war raging outside the island makes it clear that the adult "civilization" is as savage as the boys' "civilization" on… read analysis of Adults

Adults Symbol Icon

A rip in the forest caused by the crash landing of the boys' plane on the island . The scar symbolizes that man, and his savage nature, destroys paradise merely by entering it. read analysis of The Scar

The Scar Symbol Icon

The ocean symbolizes the unconscious, the thoughts and desires buried deep within all humans. read analysis of The Ocean

The Ocean Symbol Icon

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'Lord of the Flies' Themes, Symbols, and Literary Devices

lord of the flies symbolism thesis

  • B.A., English, Rutgers University

Lord of the Flies , William Golding's tale of British schoolboys stranded on a deserted island, is nightmarish and brutal. Through its exploration of themes including good versus evil, illusion versus reality, and chaos versus order, Lord of the Flies raises powerful questions about the nature of humankind.

Good vs. Evil

The central theme of Lord of the Flies is human nature: are we naturally good, naturally evil, or something else entirely? This question runs through the entire novel from beginning to end.

When the boys gather on the beach for the first time, summoned by the sound of the conch, they have not yet internalized the fact that they are now outside the normal bounds of civilization. Notably, one boy, Roger, remembers throwing stones at younger boys but deliberately missing his targets for fear of retribution by adults. The boys decide to set up a democratic society in order to maintain order. They elect Ralph as their leader and create a crude mechanism for discussion and debate, designating that anyone who holds the conch has the right to be heard. They build shelters and show concern for the youngest among them. They also play make believe and other games, exulting in their freedom from chores and rules.

Golding seems to suggest that the democratic society they create is simply another game. The rules are only as effective as their enthusiasm for the game itself. It is notable that at the beginning of the novel, all the boys assume rescue is imminent, and thus that the rules they're accustomed to following will soon be reimposed. As they come to believe that they will not be returned to civilization anytime soon, the boys abandon their game of democratic society, and their behavior becomes increasingly fearful, savage, superstitious, and violent.

Golding’s question is perhaps not whether humans are inherently good or evil, but rather whether these concepts have any true meaning. While it is tempting to see Ralph and Piggy as ‛good’ and Jack and his hunters as ‛evil,’ the truth is more complex. Without Jack’s hunters, the boys would have suffered hunger and deprivation. Ralph, the believer in rules, lacks authority and the ability to enforce his rules, leading to disaster. Jack’s rage and violence leads to the destruction of the world. Piggy’s knowledge and book learning are proven as to be meaningless as his technology, represented by the fire-starting glasses, when they fall into the hands of boys who do not understand them.

All of these issues are mirrored subtly by the war that frames the story. Although only vaguely described, it is clear that the adults outside the island are engaged in a conflict, inviting comparisons and forcing us to consider whether the difference is merely a matter of scale.

Illusion vs. Reality

The nature of reality is explored in several ways in the novel. On the one hand, appearances seem to doom the boys to certain roles—most notably Piggy. Piggy initially expresses the dim hope that he can escape the abuse and bullying of his past through his alliance with Ralph and his usefulness as a well-read child. However, he quickly falls back into the role of the bullied ‛nerd’ and becomes reliant on Ralph’s protection.

On the other hand, many aspects of the island are not clearly perceived by the boys. Their belief in The Beast stems from their own imaginations and fears, but it quickly takes on what seems to the boys to be a physical form. In this way, The Beast becomes very real to the boys. As the belief in The Beast grows, Jack and his hunters descend into savagery. They paint their faces, changing their appearance in order to project a fearsome and frightening visage that belies their true childish nature.

More subtly, what seemed real in the beginning of the book—Ralph’s authority, the power of the conch, the assumption of rescue—slowly erodes over the course of the story, revealed to be nothing more than the rules of an imaginary game. In the end, Ralph is alone, there is no tribe, the conch is destroyed (and Piggy murdered) in the ultimate refutation of its power, and the boys abandon the signal fires, making no effort to prepare for or attract rescue.

At the terrifying climax, Ralph is hunted through the island as everything burns—and then, in a final twist of reality, this descent into horror is revealed to be unreal. Upon discovering they have in fact been rescued, the surviving boys immediately collapse and burst into tears.

Order vs. Chaos

The civilized and reasonable behavior of the boys at the beginning of the novel is predicated on the expected return of an ultimate authority: adult rescuers. When the boys lose faith in the possibility of rescue, their orderly society collapses. In a similar way, the morality of the adult world is governed by a criminal justice system, armed forces, and spiritual codes. If these controlling factors were to be removed, the novel implies, society would quickly collapse into chaos.

Everything in the story is reduced to its power or lack thereof. Piggy’s glasses can start fires, and thus are coveted and fought over. The conch, which symbolizes order and rules, can challenge raw physical power, and so it is destroyed. Jack’s hunters can feed hungry mouths, and thus they have an outsize influence over the other boys, who quickly do as they are told despite their misgivings. Only the return of adults at the end of the novel changes this equation, bringing a more powerful force to the island and instantly reimposing the old rules.

On a superficial level, the novel tells a story of survival in a realistic style. The process of building shelters, gathering food, and seeking rescue are recorded with a high level of detail. However, Golding develops several symbols throughout the story that slowly take on increasing weight and power in the story.

The Conch comes to represent reason and order. In the beginning of the novel, it has the power to quiet the boys and force them to listen to wisdom. As more boys defect to Jack’s chaotic, fascist tribe, the Conch's color fades. In the end, Piggy—the only boy who still has faith in the Conch—is killed trying to protect it.

The Pig’s Head

The Lord of the Flies, as described by a hallucinating Simon, is a pig’s head on a spike being consumed by flies. The Lord of the Flies is a symbol of the increasing savagery of the boys, on display for all to see.

Ralph, Jack, Piggy, and Simon

Each of the boys represent fundamental natures. Ralph represents order. Piggy represents knowledge. Jack represents violence. Simon represents good, and is in fact the only truly selfless boy on the island, which makes his death at the hands of Ralph and the other supposedly civilized boys shocking.

Piggy’s Glasses

Piggy’s glasses are designed to provide clear vision, but they are transformed into a tool to make fire. The glasses serve as a symbol of control more powerful than the Conch. The Conch is purely symbolic, representing rules and order, while the glasses convey true physical power.

The beast represents the unconscious, ignorant terror of the boys. As Simon thinks, "The beast is the boys." It did not exist on the island before their arrival.

Literary Device: Allegory

Lord of the Flies is written in a straightforward style. Golding eschews complex literary devices and simply tells the story in chronological order. However, the entire novel serves as a complex allegory, in which every major character represents some larger aspect of society and the world. Thus, their behavior is in many ways predetermined. Ralph represents society and order, and so he consistently attempts to organize and hold the boys to standards of behavior. Jack represents savagery and primitive fear, and so he consistently devolves to a primitive state.

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Themes and Analysis

Lord of the flies, by william golding.

Lord of the Flies by William Golding is a powerful novel. It's filled with interesting themes, thoughtful symbols, and a particular style of writing that has made it a classic of British literature.

Lee-James Bovey

Article written by Lee-James Bovey

P.G.C.E degree.

Several key themes are prevalent throughout the book. It is sometimes referred to as a “book of ideas” and these ideas are explored as the plot unfolds.

Lord of the Flies Themes and Analysis

Lord of the Flies Themes

The impact of humankind on nature.

This is evident from the first chapter when the plane crashing leaves what Golding describes as a “scar” across the island. This idea is explored further in the early chapters the boys light a fire that escapes their control and yet further diminishes what might be considered an unspoiled island. Some interpret the island almost as a Garden of Eden with the children giving in to temptation by slaughtering the animals there. The final chapter furthers the destruction of nature by mankind as the whole island appears to have been ruined thanks to the effects of the boy’s presence on the island.

Civilization versus savagery

This can be seen throughout as the boys struggle with being removed from organized society. To begin with, they cope well. They construct a form of government represented by the conch that theoretically draws them together and gives them all a voice. As they break away from society this adherence to the rules they have constructed is evident. Golding’s ideas of what savagery is might be outdated and rooted in colonial stereotypes but they are evident for all to see as the boys use masks to dehumanize themselves and their increasing obsession with hunting leads to an increasingly animalistic nature.

Nature of humanity

Perhaps the biggest underlying theme is the idea of the true nature of mankind. Golding explores the idea that mankind is innately evil and that it is only the contrast between society and civilization that prevents that nature from being prevalent. Of course, this overlooks that civilization is a human construct and if all men’s biggest motivation were their inner evil, then that construct would never have existed. Golding’s views largely spring from his role in the navy where he was witness to the atrocities of war but are also informed by his work as a teacher.

Analysis of Key Moments in Lord of the Flies

There are many key moments in ‘ Lord of the Flies ‘ that highlight the boy’s descent into savagery.

  • Blowing the conch – this introduces us to the conch which acts as a symbol of society and civilization throughout the novel. It is both the device that brings the children together and in theory the object which allows them all to have a say and therefore run a democratic society.
  • The fire gets out of control – This shows the effects that the boys are already having on the island. It also demonstrates how lost the boys are without adults there to guide them as they lose one of the boys and nobody even knows his name.
  • Jack fails to kill the pig/Roger throws stones – both of these events show how the boys are currently constrained by the expectations of society. We see as time passes these restraints are lifted and that firstly, Jack can kill a pig and finally, and perhaps more dramatically, Roger is not only okay with hitting somebody with a stone but taking their life with one.
  • The hunters put on masks – By covering up their faces, they seem to become free from the constraints of society. It is if it liberates them from humanity and allows them to act on more primal, animalistic urges.
  • Sam and Eric find “the beast” – When Sam and Eric feel they have discovered the beast it sets a ripple of panic throughout. This fear sways the boys towards Jack’s leadership as he continues to manipulate the situation to his advantage. If not for this then Simon might never be murdered.
  • Creating of the Lord of the Flies – Successfully killing the pig is itself an iconic moment but then leaving a pigs head on a pole is both a gruesome image (one worthy of the book’s title) and also plays a pivotal role in Simon’s story arc.
  • Simon’s death – Simon is the one character who never seems to succumb to primal urges and therefore his death if looked at symbolically could be seen as the death of hope for boys.
  • Piggy’s death – Piggy’s character represents order and reason. With his death, any chance of resolving the issues between Jack and Ralph vanishes. The conch being smashed at the same time is also symbolic and represents the complete destruction of society.
  • The rescue – This is not the happy ending that one might expect with all the boys crying due to their loss of innocence. There is an irony as well as the boys will not be rescued and taken to a Utopia but rather to a civilization plagued by a war that mirrors the war zone they have just left.

Style, Literary Devices, and Tone in Lord of the Flies

Throughout this novel, Golding’s style is straightforward and easy to read. There are no lengthy passages nor does he choose particularly poetic words to describe the events. His writing is powerful without these stylistic devices. The same can be said for his use of literary devices. When used, they are direct. For example, the use of symbolism (see below) and metaphor is very thoughtful but not hard to interpret.

William Golding also employs an aloof or distant tone throughout the book. This reflects the way that the boys treat one another.

Symbols in Lord of the Flies

The conch shell.

The conch shell is one of the major symbols of this novel. It’s used from the beginning of the novel to call the boys together for meetings on the beach. It’s a symbol of civilization and government. But, as the boys lose touch with their civilized sides, the conch shell is discarded.

The Signal Fire

The signal fire is a very important symbol in the novel. It’s first lit on the mountain and then later on the beach with the intent of attracting the attention of passion ships. The fire is maintained diligently at first but as the book progresses and the boys slip farther from civilization, their concentration on the fire wanes. They eventually lose their desire to be rescued. Therefore, as one is making their way through the book, gauging the boys’ concentration on the fire is a great way to understand how “civilized” they are.

The beast is an imaginary creature who frightens the boys. It stands in for their savage instincts and is eventually revealed to be a personification of their dark impulses. It’s only through the boy’s behaviour that the beast exists at all.

What are three themes in Lord of the Flies ?

Three themes in ‘ Lord of the Flies ‘ are civilization vs. savagery, the impact of humankind on nature, and the nature of humanity.

What is the main message of the Lord of the Flies ?

The main message is that if left without rules, society devolves and loses its grasp on what is the morally right thing to do. this is even the case with kids.

How does Ralph lose his innocence in Lord of the Flies ?

He loses his innocence when he witnesses the deaths of Simon and Piggy. These losses in addition to the broader darkness of the island change him.

Lord of the Flies Book by William Golding Digital Art

Lord of the Flies Quiz

Test your understanding of human nature and survival with our " Lord of the Flies " Trivia Quiz! Do you have the insight and knowledge to navigate the complex dynamics and symbolism of William Golding's masterpiece? Accept the challenge now and prove your mastery over the gripping and thought-provoking world of " Lord of the Flies "!

1) Who leads the boys in the brutal killing of Simon?

2) What is Ralph's main concern throughout the novel?

3) Who is responsible for maintaining the signal fire?

4) What do the boys use to start a fire?

5) What tragic event occurs when the boys reenact the hunt?

6) How does Piggy die?

7) Who is the first boy to suggest the existence of a "beast" on the island?

8) What do the boys call the younger children on the island?

9) Which character represents the voice of reason and intelligence?

10) What theme does "Lord of the Flies" primarily explore?

11) What do the boys chant during their tribal rituals?

12) What object is used to symbolize authority and order?

13) What is Jack's main priority on the island?

14) What happens to the conch shell?

15) How does the naval officer react when he sees the boys?

16) What role does Roger play in the novel?

17) How are the boys finally rescued?

18) What event causes the boys to be stranded on the island?

19) Who is the author of "Lord of the Flies"?

20) What does Ralph cry for at the end of the novel?

21) Who is the last boy to remain loyal to Ralph?

22) What does the "Lord of the Flies" symbolize?

23) What does the face paint symbolize for Jack's tribe?

24) What happens to the boy with the mulberry-colored birthmark?

25) What is the significance of the beast in the novel?

26) What is the "Lord of the Flies"?

27) Who discovers the true nature of the "beast"?

28) Why do Jack and his hunters attack Ralph's camp?

29) What is the main source of conflict between Ralph and Jack?

30) Who is elected leader of the boys at the beginning of the novel?

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Lee-James Bovey

About Lee-James Bovey

Lee-James, a.k.a. LJ, has been a Book Analysis team member since it was first created. During the day, he's an English Teacher. During the night, he provides in-depth analysis and summary of books.

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Symbolism in William Golding's Lord of the Flies

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Symbolism in “Lord of the Flies” by William Golding Research Paper

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Introduction

Works cited.

When the story first begins, a group of children is stranded on a deserted, tropical island. The island symbolized freedom as there were no adults there. It seemed like the ideal world to them. William Golding wanted to show that paradise is far from reality.

The beginning setting resembled The Coral Island, a perfect setting – food, sun, friendship, simple democratic organization adventures, and happiness. A simple society was set up to introduce rules on the island to try and resemble their original society. This was accomplished by the symbolic nature of the conch shell. The conch shell represents power and authority and the only rules the children have. The conch shows how people use objects to give power.

At first, the conch was a success. Everyone followed the rules and was happy. It was the perfect Utopia. Later in the story, we also learn that objects don’t always give power when people don’t choose to obey them. This was the case when Jack started to rebel and disobey Ralph’s rules and commands. This was where their perfect Utopia fell apart.

William Golding also wanted to show his readers the true meaning of the real world. He wanted to show that reality is not always perfect. Instead of comradeship, co-operation, and teamwork, like described in the ideal world – William Golding has created a murderous, bloodthirsty and evil society that has accurately represented the world that society exists in today. In an ideal world, hard work plays out and goodness comes to those ends.

In The Lord of the Flies, the fire in the story is lit as a symbol of hope and rescue. In the ideal world – this would have resulted in their rescue, however, rebellion from and murderous acts from Jack resulted in their final rescue and not the original fire. So in reality, we succeed more often from luck instead of hard work.

Lord of the Flies can also be interpreted as an allegory or parable. Ralph, Jack, and the rest were given a choice and the knowledge of good and evil. The island in The Lord Of The Flies resembled the perfect type of Utopia at first, and all they had to do was follow the ‘good laws’ of the adult society. They fell prey to temptations – pride, cruelty, bloodthirstiness, greed, and the desire to hurt and kill. Jack, who was the head of the choir group and who was the also first to follow rules – could not resist these temptations deep within him. And that was why he was taken over to the dark side. (Reilly 49)

Many of the characters in the story are symbolic of really important people. They show how the real world is made up of people. Ralph symbolized a good leader who was the first to try and establish a civilized society and bring rules to the island. Ralph, however, could not control evil people like Jack. Ralph represented Franklin Roosevelt before World War 2, who could not prevent the war from breaking out. Piggy symbolized the educated people who gave good advice which nobody listened to. Piggy represented Albert Einstein when he argued the bad ideas of using the atomic bomb.

Simon symbolized Christ, a holy and angelic figure in the story. It was Simon who discovered that the true evil was the evil coming from one’s own heart. Jack, on the other hand, was a crazy leader who killed and slaughtered because he wanted power.

He broke rules and had a disregard the commands of Ralph. Jack represented Adolf Hitler, who was also evil, arrogant, and dictatorial. William Golding has shown his readers the true reality of our world. Instead of a perfect, happy, and ideal world, he has shown us a world where human life is ruled by the law of the jungle – the survival of the fittest. The Lord of the Flies acts as a miniature summary of the unpleasant lessons of world history. This novel is fulfilled with symbolism, but the ones that stand out the most are Piggy’s glasses and the fire, and the conch.

“His spectacles are used by them as burning glasses”! This quote connects to two symbols which are the fire and Piggy’s glasses. The fire is a symbol of rescue and hope. Without Piggy’s spectacles, they wouldn’t have been able to start a fire. While the novel went on they started another fire but they got sidetracked and the fire went out. Furthermore on in the story, the boys were working very hard to start a fire because they wanted to get rescued, but when it had gone out some boys like Jack didn’t care anymore about being rescued and had decided to give up because he knew he wasn’t going to be. At the end of the novel, Jack started the fire and wanted to ablaze that island to kill Ralph, but instead, it rescued them.

Throughout Lord of the Flies, the most important symbol is the conch. The importance of the conch is that it symbolizes everyone that is speaking, in other words, whoever is holding the conch has the power and right to talk and everyone surrounded by him must be listening. Ralph uses it to call meetings and for the boys to come. “I’ll give the conch to the next person to speak. He can hold it when he’s speaking”. The conch shows much power and a step towards the organization.

The plot is fairly simple but some very complex themes and symbolism are woven into it. The story starts with a group of young boys being marooned on an island previously uninhabited by mankind. They discover they are alone; there are no adults and they struggle to survive and to form a civilized society. This eventually leads to chaos, the breakdown of order and reason, and a return to man’s most primitive instincts. It is quite a disturbing book, which makes the reader look at the dark side of man’s soul.

The first symbol the reader encounters is the island itself. It represents the whole world. The island seems like paradise, it reminds us of the biblical Garden of Eden, a place where everything is perfect until humankind arrives. Golding deliberately makes the island remote from the rest of civilization to allow him to reveal the true nature of the characters and the world they create for themselves. The boys symbolize the whole of mankind. (Baker 401) They create their little world on the island. Their isolation from the rest of the world allows the author to experiment with them. The characters all remind the reader of people they know and so seem very real.

When Ralph finds the conch he makes it the first rule that whoever has the conch is allowed to speak and everyone else has to listen to them because he realizes that they need something to represent authority and rules. This shows that they have discovered the importance of communication in society. Language is unique to humans and is one of the things that make us different from animals. Towards the end of the story, the conch gets broken, this is a major turning point in the plot and symbolizes the breakdown of communication, the disintegration of society, and the point where the boys allow their primitive instincts to take over, making them almost animals.

Early in the book, Piggy, one of the boys, is made fun of about his appearance, including the fact that he wears glasses. In the boys’ first few hours Jack points out that Piggy’s glasses could be used to reflect sunlight onto dry wood to make a signal fire to increase the chance of rescue. They realize that Piggy’s glasses may be the most important thing they have. Piggy’s glasses symbolize the hope of rescue, clear thinking, and being able to see the truth.

When one of the lenses gets broken, things seem to break down and events start to become unclear, no one knows what is going on. When the ‘savages’ steal Piggy’s glass, everything becomes unclear. The glasses are the power of fire and when the savages steal them, Piggy’s group is left helpless with no hope of rescue. So the glasses are a symbol for seeing clearly, and for the power of fire which may lead to the rescue.

The signal fire on the mountain takes on huge importance because it symbolizes hope. It is their only possible way of attracting rescuers. It makes the boys feel secure because it is a link to the outside world and reminds them that there is hope and they are not doomed to a life on the island. (Johnson 132) It is an increasing source of comfort as the story progresses and they become more frightened of the ‘beast’.

When the fire goes out, the boys seem insecure and unsure of what might happen and are frantic to get it lit again. In a way, the signal fire is like a parent watching over them and giving them a kind of protection. When the power of fire is taken away from Piggy and Ralph, they almost abandon hope and eventually go and confront the savages and ask for the power of fire back.

Each of the main characters comes to symbolize an aspect of humanity. Ralph represents order, leadership, and civilization. Ralph also represents the normal, average boy; there is nothing special about him. He and his actions symbolize that of the majority of young boys. The other characters’ special abilities are measured against Ralph and he is used to showing for example the cleverness of Piggy and the evil in Jack. Throughout the story, Ralph symbolizes growing up or coming to “the end of innocence”. (Babb 120)

Piggy symbolizes the cleverness and sensibleness in the group. He is the first person to point out that no one knows that they are there. “Who knows we’re here? Eh?” He is like the voice of a grown-up, the brains behind Ralph’s actions, and when he is killed, towards the end of the novel, Ralph seems to almost fall apart with no Piggy to tell him what to do and how to do it. “Ralph wept for the end of innocence, the darkness of man’s heart, and the fall through the air of a true, wise friend called Piggy.” Jack picks on piggy because he is different; there is no real reason. This bullying is caused by a lack of understanding, the boys’ have never met problems like the ones Piggy has. This can be seen in their lack of understanding of his asthma, or “ass-mar”.

Jack symbolizes evil and savagery. His evil actions are seen from the very start of the novel when he makes fun of Piggy for almost no reason other than his appearance. (Baker 452) “Shut up Fatty.” Jack symbolizes the savagery and lust for power, this is also portrayed from the start when the first thing he thinks is that the group must have hunters and he must be the leader of the hunters. As the story progresses, this lust for power becomes clearer when he starts to express anger and jealousy towards Ralph and eventually starts his tribe, just to be the leader.

Carrying on the Biblical theme Simon also symbolizes Jesus. Jesus is considered by Christians as a miracle being. (Gindin 198) Simon spoke to the devil in the form of the Lord of the Flies just as Jesus spoke to the devil on his forty-night journey across the desert and Simon, like Jesus, predicted his death when talking to the Lord of the Flies.

Roger symbolizes exactly how cruel and brutal one human can be. He is by far the most savage of all the boys; he fully supports Jack in his evilness. Right at the start, he takes a liking to throw rocks and boulders and spears at his fellow boys and he has no regret or sympathy after he commits his violent acts. (Baker 119) He likes to torture, he tortured the little ones, the pig and Piggy. He is the one who eventually murders Piggy by rolling a boulder onto him. His badness goes further than anyone else’s.

The Lord of the Flies is perhaps the most important symbol in the novel. When Simon wanders off by himself he finds a pig’s head on a spear, surrounded by flies, which had been offered to the ‘beast’. Simon begins to hallucinate and imagines that the pig’s head is talking to him. It tells him that the beast is a figure of their imagination. (Friedman 78) This symbolizes that the boys have become insane.

They believe in this ‘beast’ which only exists within them and Simon is the first to realize this. The Lord of the Flies speaks in a voice that could be Jack’ “I’m warning you, I’m going to get waxy. D’you see? You’re not wanted. Understand? We are going to have fun on this island! So don’t try it on, my poor misguided boy, or else we shall do you. See?” Simon rushes back to tell the others that the beast doesn’t exist but before he can tell them, he is killed.

The ‘beast’ that all the boys fear is an important symbol. It shows that the boys have in one respect gone mad. They allow their childish fears to take over their adult reasoning. They all believe in this creature from the start, first of all, it takes the form of a ‘beastie’ that the little ‘uns see – ” a snake-thing. Ever so big.” Next, it takes the form of “the thing that bowed” which was the dead parachutist. Last, of all, it takes the form of the Lord of the Flies. It is the fear of the unknown, fear itself.

There is the symbolism of light and dark. By daylight, all seems fine but the nights on the island symbolize a time when something awful might happen. In the beginning, just the little ‘uns are scared of the dark but later they are all uneasy when darkness falls and there is a general feeling that with the darkness comes uncertainty about what might happen before daylight “Evening came, not with calm beauty but with the threat of violence” – Ralph. Light and dark is a common symbol for good and evil. In the end, Ralph weeps for “the darkness of man’s heart” and this is the whole essence of the book, a child’s realization of how evil one person can become. (Whitley 110)

Towards the end of the novel, after Simon and Piggy are killed, all the boys come to symbolize the instinctive, primitive behavior of early humans. They become one tribe and act with a common instinct. This is shown in Ralph when he is running away from Jack’s tribe “He obeyed an instinct he did not know he possessed.”

In conclusion, the symbolism is what makes the book great. It is what makes the reader think more deeply about what is happening and what reveals the true nature of the characters. Without it, “Lord of the Flies” would be just another children’s adventure story with a very simple plot and not the great work that it is. Lord of the flies is full of symbolism. Throughout the novel, Golding uses symbols that show us a deeper meaning and when you see the symbols you can truly find out what the story is all about symbolism because it is such an important aspect, which runs through the whole book and is crucial to the reader’s understanding of the plot and the development of the characters.

Babb S. Howard: The Novels of William Golding; Columbus: Ohio State University Press, 1970.

Baker James R. Critical Essays on William Golding; Boston: G. K. Hall & Co., 1988.

Baker, James R. “The Decline of Lord of the Flies .” In South Atlantic Quarterly , Vol. 69, 1970, pp. 446-60

Baker, James R., ed. “Why It’s No Go: A Study of William Golding’s Lord of the Flies. Arizona Quarterly 19 (1963): 393-405.

Friedman, Lawrence S. William Golding. New York: Continuum, 1993.

Gindin, James. William Golding. New York: St. Martin’s Press, 1988.

Golding, William. Lord of the Flies . New York: Capricorn Books, G.P. Putnam’s Sons, 1954.

Johnson, Arnold (1980). Of Earth and Darkness. The Novels of William Golding. Missouri: University of Missouri Press, 132.

Reilly Patrick. Lord of the Flies. Fathers and Sons. New York: Twayne, 1992.

Whitley John S. Golding. Lord of the Flies. London: Edward Arnold, 1970.

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  • Bruns, B. (2008). The symbolism of power in William Golding’s Lord of The Flies. (https://www.diva-portal.org/smash/record.jsf?pid=diva2%3A132457&dswid=-4646)
  • Li, X., & Wu, W. (2009). On Symbolic Significance of Characters in” Lord of the Flies”. English Language Teaching, 2(1), 119-122. (https://eric.ed.gov/?id=EJ1082261)
  • Fitzgerald, J. F., & Kayser, J. R. (1992). Golding’s” Lord of the Flies”: pride as original sin. Studies in the Novel, 24(1), 78-88. (https://www.jstor.org/stable/29532839)
  • Faryyad, F., Ajmal, M., & Ali, S. (2020). A Corpus-Based Study of Symbolism in William Golding’s Lord of the Flies. International Journal of Psychosocial Rehabilitation, 24(04). (https://www.academia.edu/39112023/Symbolism_in_William_Goldings_Lord_of_the_Flies)
  • Kruger, A. (1999). Golding’s Lord of the Flies. The Explicator, 57(3), 167-169. (https://doi.org/10.1080/00144949909596859)

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