Writing Groups: Where to Find ‘Em and Why to Join ‘Em
Writers are used to being alone. In fact, many of us hunt down solitude like a starving puma stalking a fat squirrel. We crave space for ourselves—a little distance from the constant chatter of our everyday lives so we can hear the voices of our characters .
So it may feel counterintuitive to actively seek out a writing group. How can we make progress on our projects by adding more chatter to our lives—more meetings to show up for and relationships to maintain?
The short answer is that a good writers’ group can boost your productivity and skill set in ways that simply aren’t possible on your own.
The long answer is, well, the rest of this article.
You’re about to learn everything you could possibly want to know about arranging regular meetups with writerly friends. You’ll discover all the benefits of joining a group, how to find one that’s right for you, and what it takes to build a strong, supportive micro-community for the long term.
But before we get into any of that, we’re gonna want to get on the same page about what a writing group is and what you can expect when you join one.
What are Writing Groups?
When someone uses the term “writing group,” they could be referring to a lot of things.
It might be a community of writers who get together to discuss all things writing. It might be a meetup where folks get together to write side-by-side as a way to stay accountable and feel a little less alone in their craft. This is also known as a write-in.
But most of the time, “writing group” refers to a small collection of writers who meet regularly to give each other feedback on their works in progress. They might also hold write-ins and will definitely discuss writing and publishing in general. But their central purpose is to keep each other on track and help one another improve.
That’s the type of writing group we’re talking about in this article.
Types of Writing Groups
As you’ve likely noticed, the world of writing is vast and varied. To ensure group members are able to truly connect and help one another, writing groups typically indicate a specific area of focus.
After all, you can only get so much out of a romance writers’ group when you write science fiction .
Here are few ways these groups might distinguish themselves:
Form - If you only want to write and discuss novels, you can find a group for that. Same deal for poetry, screenwriting, short stories , creative nonfiction … you name it.
Genre - A genre-specific group is great for advancing your expertise within that genre. Who better to evaluate the quality of your red herrings than your fellow mystery writers?
Goals - Some writers’ groups focus on fulfilling specific goals together. They all write and share personal essays that they plan to submit to literary magazines or support one another on their self-publishing journeys .
Mentality - Whether you’re looking to hang with chill hobbyists, driven professionals, or something in between, there’s a gathering out there for you.
Structure - Who gets to share their work when? Are there deadlines? Assignments or challenges? What’s the feedback process? We’ll dig into the particulars of structure later. For now, know that this, too, can be a defining feature of a writing group.
Benefits of Joining a Writing Group
As I previously mentioned, a writing group can enrich your work and writing process in countless meaningful ways. But before we dig into all those highly practical advantages, I’d like to point out that having a community like this will also enrich your life .
This is an opportunity to hang out with other writers and talk about something you love. You get to discuss the book you’re reading and the novel you’re writing. You can celebrate writing victories and mourn losses with the people who understand exactly how you feel.
In short, it’s fun . And you need fun, especially during those seasons when your creativity crusts over or you still can’t nail the opening scene after fourteen rewrites.
But in case fun is not enough, here are a whole bunch of other reasons to find a group of one’s own:
Get Valuable Feedback
This is one of the top reasons writers join writing groups. Most of these gatherings center around sharing work and providing constructive feedback.
Now, I’ll be the first to admit that it’s not always a joy to get notes on your work from several other people all at once, but it is a necessary and constant element of every author’s journey. Your peers' insights will make you a better writer.
Not to mention, a writers’ group offers a supportive space where you can get comfortable with the feedback process so you’re better prepared to handle the criticism—constructive and otherwise—of gatekeepers, readers, reviewers, and editors.
Learn to Read Critically
It’s amazing how much you can learn about writing when you critique someone else’s work.
When we read as readers, as opposed to reading as writers , we tend to focus more on our feelings toward the story. We know the plot dragged or the protagonist was an utter delight, but we think about the choices the author made to create that experience.
When we read for the purpose of giving feedback, however, we try to understand why something does or doesn’t work for us.
“It was too slow” becomes “There’s a lot of background information that doesn’t directly connect to the action or help me connect emotionally with the character. Maybe you could sprinkle some of that exposition throughout the story instead of dropping it all at once.”
The more you get used to reading someone else’s manuscript this way, the more natural it becomes to critically evaluate your own.
Stay Accountable
Most writing groups are structured with regular deadlines. It might be that everyone shares their next five pages and the group discusses all the assignments in the next meeting. Or maybe the goal is to provide feedback on one person’s writing at each meet-up.
However your group does its thing, you can count on a built-in expectation that you’ll have something to share when it’s your turn. If you’re lucky, you’ll be in a group with writers who take deadlines very seriously and will lay the guilt on thick if you slack off.
Expand Your Writing Community
It’s always wonderful to make new friends who love what you love. If you plan to build an author career , however, connecting with fellow writers isn’t just nice. It’s essential.
Your writer friends will provide feedback, share resources, and keep you clued into new developments in the publishing industry. One day, they may even introduce you to agents , editors, or potential collaborators .
Perhaps most importantly, they’ll be a regular source of encouragement. No one understands this process better than a fellow writer, and no one will be quite as good at reminding you that success takes time, especially in this field.
Boost Creativity
Joining a writing group is a great way to keep your creativity switched on.
For one thing, you have deadlines to meet, a bunch of writing to read and critique, and a standing appointment to discuss the craft with fellow authors. These things alone ensure that your brain spends more time in the literary zone.
Plus, writing groups are great places to share inspiration, embark on creative challenges, and exercise those brainstorming muscles as you help each other dream up solutions to story problems.
How Writing Groups Work
That all sounds pretty good, right? But what does it actually look like to participate in a writing group? How is it structured and what will the other members expect from you?
Because there are so many different kinds of writers’ groups, there isn’t one clear answer. Nevertheless, I can offer a basic rundown of how these groups tend to operate.
Here’s the general overview:
Most writing groups have a specific system for sharing and critiquing work. As I mentioned above, your group might discuss short pieces from all members in a single meeting or spend each get-together on only one writer’s work.
Either way, you’ll likely have a deadline for submitting your story. Some writers’ groups have members share their work for the first time during the meeting, though that system is less common. It doesn’t give the other writers enough time or space to carefully consider their critiques.
Providing Feedback
As for the feedback process itself, it might resemble a typical writers’ workshop, with participants sharing their thoughts in a larger group discussion. Or it might take a more structured approach, with each member taking a turn to share all their insights at once.
Some writing groups stick with verbal feedback, but if you have any say in it, I recommend pushing for written feedback as well. This makes it easier for the writer receiving the critique to listen and absorb rather than frantically writing notes, hoping they’ll remember what their notes mean.
As you prepare your critique for a fellow writer, don’t worry much about smaller details like grammar and word choice, unless their submission is a technical mess and you want to gently remind them to do some copy editing before they submit it to a literary magazine.
Typically, writing groups focus on larger issues. Is the conflict compelling? Does the writing draw you in? Does the dialogue sound natural ?
When you deliver your critique, remember that your goal is to be helpful and kind. Feedback is an art, and you can learn more about mastering that art here .
Receiving Feedback
We also have a guide for receiving feedback , so I’ll keep this brief.
It’s important to express gratitude for the critiques you receive, even if you don’t feel particularly grateful in the moment.
You can expect to get feedback that’s brilliant and inspiring. You’ll probably also hear advice that feels dead wrong at first, then makes a lot of sense after you’ve slept on it. And you’ll definitely receive notes that are way off and never make it into your manuscript.
No matter how you feel about the feedback itself, you’re receiving it because a busy person took time from their own life to try to help you become a better writer. That’s something to appreciate, even if it’s obvious they completely missed the whole point of your story.
Finding the Right Creative Writing Group
These days, you can always find online writing groups if you struggle to find one in real life. There are loads of them out there. You can look for smaller groups through writing-centered sites like NaNoWriMo or join a big virtual writing group through online communities like Critique Circle .
And, of course, you can always find critique partners and writing groups in Dabble’s Story Craft Café .
But if you’d prefer to join an in-person group, start by checking out the physical and online bulletin boards at your local libraries, bookstores, and community college. If there’s a group in your area that’s currently looking for new members, they’re likely to advertise there.
You can also search for local writing groups on Google or sites like meetup.com . If you’re still not finding anything that interests you, you can always start your own group. More on that in a bit.
As you do all this hunting, remember that the goal is to find the group that’s right for you . Let’s talk about some details you should keep an eye out for.
Key Considerations
Remember way back in the day, at the beginning of this article, when we talked about all the different types of writing groups out there? You may recall that we discussed how a group might differentiate itself by any or all of these details:
- Form of writing - Is it fiction? Nonfiction? Half-hour scripted comedy?
- Genre - Are these romance writers? Fantasy ? Literary fiction?
- Goal - Does this group exist to hold members accountable for getting their words in ? As a source of feedback during the novel-writing process?
- Mentality - Do members seem pretty hardcore about building a career? Or are they looking for kindred spirits in this journey of creative exploration?
- Structure - How often do members submit their writing to one another? How does the feedback process work?
Take some time to look at that list and consider what would be most helpful to you right now. You might not feel strongly about all five points, and that’s fine. Maybe you definitely want to be in a sci-fi writing group and your ultimate goal is to publish a novel, but you don’t care if the group is open to short stories and flash fiction, too.
Also consider the size of the group. In a smaller group, you’re likely to get more specific feedback—and get it more frequently—than you would in a large gathering.
And of course, keep safety in mind when you prepare to join any in-person group. If you don’t already know any of the current members, attend your first meeting in a public place, not a stranger’s living room.
Starting Your Own Writing Group
If you can’t find your ideal writing group out there in the wide world, start your own!
You can put out a call for new members in all the same places you looked for groups—places like library bulletin boards and online forums.
You can also build your community gradually. Already have a couple of writer friends you’d love to start a group with? Ask them if they’d be down for sharing and critiquing work in a more structured way. Encourage them to invite friends of their own.
Even if it’s just the three of you for now, you can always add more members in the future.
However you do it, make sure you have clear and honest conversations about what you want this writing group to look like. Discuss the structure, goals, and even the vibe you’re going for.
If you want this to be a tough-love literary boot camp, say so. If you want it to be a place of encouragement and gentle feedback, make that clear.
Getting everyone on the same page at the very beginning ensures a pleasant experience going forward. On that note…
Nurturing a Successful Writing Group
Whether you start your own writing group or choose to join a pre-existing one, you have a role to play in helping the community run smoothly.
Remember, your writers’ group could be a source of insight, encouragement, and even publishing opportunities for years to come. Even if the group eventually disbands, the relationships you built don’t have to.
So here are some quick tips for doing your part to make this whole thing a positive and enriching experience for everyone:
Build Trust
For most writers, it already takes courage to state their authorly ambitions out loud. To then take it a step further and invite other writers to semi-publicly critique their attempts at bringing that dream to life… that’s a whole other level of guts.
Remember that when you share your feedback, welcome new members, and respond to your fellow writers’ stories about their publishing struggles. Everyone’s at least a little bit afraid of this bold journey they’re on, and everyone’s here to connect with people who get it.
So be that person. Listen with interest and compassion. Offer constructive feedback and celebrate great writing. And when one of the other writers enjoys a victory that sparks a little jealousy in your heart (it happens to all of us), offer nothing but excitement and support, trusting that your turn is coming.
Encourage Diversity and Inclusion
When you bring multiple people together, you’re going to have diverse needs and perspectives. Be the kind of person who can make space for others.
In the context of a writing group, this could come down to practical considerations, like choosing meeting places that are physically accessible to all group members.
Where the issue of inclusion comes up most often, however, is in feedback.
A member might point out that a fellow writer has unknowingly written a character that perpetuates a harmful stereotype of the critiquer’s own community. Or a member who’s struggled with mental health might offer suggestions to help another writer tackle the topic in a more insightful way .
Suggestions like these are extremely valuable. They’re also generous. There’s a degree of risk when a group member offers feedback like that, as some writers might become defensive, confrontational, or accuse the critiquer of being too sensitive.
Ultimately, every writer gets to decide which notes to incorporate into their own story. But please, whether you’re the direct recipient of the feedback or a fellow critiquer, express appreciation for perspectives no one else can offer.
Stay Engaged
Like all things in life, a writers’ group can get a little too comfortable. Everybody stops worrying about impressing everyone else, and the next thing you know, someone misses their submission deadline by a day.
That makes everybody feel okay about being late the next time around. Folks start reading each other’s work hastily half an hour before the meeting starts. Members roll in twenty minutes late. Everybody’s half in, half out, and no one’s sure if this is worth it anymore.
It’s not the end of the world. Sometimes writing groups fall apart. Sometimes members have to step away because there’s too much else going on. Life evolves and the group will, too.
But I’d encourage you to stay reliable and gently encourage your fellow writers to stay on track. Be someone your group can count on for on-time submissions, thoughtful feedback, and engaged conversation.
If you ever need to step away or miss a meeting, that’s fine. But when you’re in, be all in.
And if you’re the only one, don’t be afraid to go find a more committed community.
Wade Into the Writing Group Waters With Us
A writing group is one of the best opportunities you have to drastically improve your craft and build relationships within the writing community. It’s an excellent source of knowledge, inspiration, and encouragement.
But if you’re not used to sharing and discussing your work in a group setting, it can also be a little intimidating. That’s where Dabble comes in.
Our Story Craft Café is a free online community full of friendly fellow writers who’d love to talk shop with you. You can join conversations about craft, genre, and the business of writing . Pop in for community word sprints. Share your work and offer feedback on someone else’s.
Find your people in a low-pressure environment and let those critique partnerships happen naturally.
You can also join us for Feedback Fridays on YouTube , where Doug and Robert offer a friendly critique of material submitted by a lucky Dabbler. It’s a great opportunity to learn more about the art of writing and feedbackery (real word, don’t question it).
If you’re feeling bold and have a Dabble Premium subscription, you can even submit your work for a critique.
Not a Dabbler but always been a little curious? Try it for free for 14 days! Dabble is an all-in-one learning program with loads of features, but it’s easy to learn, so 14 days gives you plenty of time to decide if it’s right for you. Click here to get started—no credit card necessary.
Abi Wurdeman is the author of Cross-Section of a Human Heart: A Memoir of Early Adulthood, as well as the novella, Holiday Gifts for Insufferable People. She also writes for film and television with her brother and writing partner, Phil Wurdeman. On occasion, Abi pretends to be a poet. One of her poems is (legally) stamped into a sidewalk in Santa Clarita, California. When she’s not writing, Abi is most likely hiking, reading, or texting her mother pictures of her houseplants to ask why they look like that.
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Should you join a writing group? Understanding the pros and cons
Posted on September 21, 2021 at 1:10 PM by Guest Author
If you’re looking to develop your writing skills, you may want to join a writing group. Learn what to expect from meeting up with fellow authors regularly.
Table of Contents
What Is a Writing Group?
Reasons to Join a Writing Group
Pros of Joining a Writing Group
Cons of Joining a Writing Group
What is a writing group .
Are you struggling to decide whether you should join a writing group? In that case, you’re probably already familiar with the concept. But to avoid any potential confusion, it’s still worth outlining what a writing group is.
Simply put, a writing group is a gathering of people who are passionate about the craft of writing and meet up regularly — either in person or online — to hone their skills.
You should note that no two writing groups are the same. They often differ in purpose, format, and overall approach.
For example, one group may be more informal and focused on simply giving members a place to discuss writing; another might have a strict schedule and exist to critique members’ work.
Although authors debate the value of writing groups, many consider these communities essential, especially at specific points in the writing journey.
Let’s look at why...
Reasons to Join a Writing Group
Writing groups offer various benefits, which we’ll touch on in the next section. However, there are usually three main reasons to join a writing group:
1. You’re in search of support and socialization.
If you’re looking to break out of your bubble, joining a writing group may be the perfect solution.
Writing is, by nature, a very solitary activity. Unlike other jobs that allow you to socialize with coworkers, being an author means you’re usually on your own.
But participating in a group gives you the opportunity to interact with others, experience a sense of community, and gain emotional support.
2. You’re struggling with accountability.
You may decide to join a writing group if you’re having a tough time holding yourself accountable.
When writing in isolation, staying motivated can be a challenge. You’re at a greater risk of letting self-imposed deadlines pass by you.
However, taking part in a writing group can give you some much-needed structure, especially if you’re expected to share what you’ve written so far or update the group on your progress.
3. You need feedback on your writing.
Finally, a major reason to join a writing group is that you need unbiased feedback on your writing.
When working on a new project, you’re often too close to view it objectively. And getting loved ones to read your work in progress isn’t always the best approach, as they may worry about hurting your feelings.
But having a group of fellow authors to share with can give you some much-needed insight into areas of weakness.
Pros of Joining a Writing Group
If you’re still on the fence about whether you should join a writing group, you may want to learn a little more about the benefits. After all, it helps to know what you have to gain.
With that said, here are some of the pros of joining a writing group:
It’s a cost-effective way to strengthen your skills.
If you’re starting your writing career , you need to invest in your craft. But chances are you still have a budget in place.
In that case, you’ll be pleased to learn that joining a writing group is often an affordable method of developing your writing skills. Typically, groups are free to join — or, at most, require a modest membership fee.
And in the process of participating, you’ll receive invaluable feedback, education, and encouragement that will help you become a better writer.
It often aids in overcoming writer’s block.
Another advantage of being part of a writing group is that it can help you overcome writer’s block.
Although there are many reasons you may experience a creative slowdown, engaging with your group members can typically resolve the core issue.
Meeting with fellow authors can give you a much-needed energy boost, provide you with fresh insight, and help broaden your horizons.
You can get tips on the business side of writing.
If you want to become a career author , you don’t just need natural talent and sharp writing skills — you also need business savvy. Fortunately, that’s something you can work on when you join a writing group consisting of members at varying levels.
Those who have more experience can provide you with tips on publishing, marketing, networking, and more that will serve you in your career.
It can help you rediscover your love of writing.
Often writing can begin to feel like a chore, especially if you’re working toward finishing a book . But when you join a writing group, you’re able to find joy in writing again.
After all, enthusiasm spreads. Meeting regularly with others, sharing in their triumphs, and getting encouragement can go a long way in transforming writing back into a fun activity.
It gives you a pool of potential beta readers.
One of the benefits of signing up for a writing group that often goes overlooked is that it can help with finding beta readers .
For starters, those in your group are likely readers on top of writers. Further, being in a group with them means that by the time you’ve finished your first draft, you’ll know whether you can trust their judgment and feedback.
Of course, not everyone in your group will be up to the task (all you can do is ask), but it gives you a great place to start looking.
To make an informed decision about whether to join a writing group, you need to consider both sides. Although there are plenty of benefits to look forward to, there are some drawbacks as well.
Here are some cons to keep in mind:
Not all the advice you receive will be helpful.
Giving feedback is a skill that needs to be developed. This means that you can’t expect all the advice you receive to be good, especially if a group is in its early stages.
Some members may not understand the concept of “constructive criticism,” whereas others may deliver vague advice.
Additionally, the feedback you get from those at or below your experience level may not be as helpful as input from those who have been writing longer.
There may be some personality clashes.
A writing group is like any other community based on a shared interest — it’s filled with passionate people who have their own opinions and egos. Because of this, there may be some personality clashes that result in arguments and hurt feelings.
Before you join a writing group, you need to think about how you would handle negative comments or pushback from other members.
It requires a time commitment, just like any other activity.
When you join a writing group (and truly participate), you must dedicate a fair amount of time to it.
And it’s not just the meetings themselves; it’s also the time spent keeping up with communications, preparing for each session, and traveling to the meeting place (if the group gathers in person).
Depending on your schedule, this may prove hard to manage.
It’s not uncommon to stray off course without leadership.
It can be tough to stay on track if a writing group doesn’t have an official leader (or even an unofficial one).
Without someone in charge who’s committed to providing a productive, nurturing environment, the group can fall into chaos.
At best, the group can become disorganized. At worst, it can become toxic.
Sometimes you’ll want to break the format.
Depending on the type of group you join, you may find yourself stuck to a format that doesn’t always work for you.
For example, you may want to share a recent chapter you’ve written during a session when you’re scheduled to do writing exercises.
If there’s no flexibility in activities, you might not get the most out of the group.
Takeaway
There are many reasons to join a writing group, especially if your goal is to become a published author. But when it comes down to it, you need to consider what’s best for you, analyzing the pros and cons.
Hopefully, the information provided here will help you decide on the best course of action.
And remember, if you decide to join a writing group, it’s important to look for one that fits your needs (and avoid groups that do more harm than good ).
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- a history of closed writing groups
Below are comprehensive lists of creative writing groups, writing circles, writing clubs and writing peer/help groups. Some of these are local, face-to-face writers' groups, requiring physical attendance. Some are online writing groups, allowing you to live anywhere in the world and be a member.
Add Your Writing Group To This List
If you run a writing group, writers' circle, writing club, help group or writing organisation that you'd like included in this directory, please contact me providing ALL of the following information:
- The name of your writing group
- A link to your website (or Facebook / Twitter / page, or whatever platform you use for your group)
- Your group's location
- Whether it is online or a face-to-face meet-up group
- How often you have meetings
- Any other details (please keep this concise - 50 words max)
I try and keep these lists accurate with current information and correct details. If you do spot any errors, please feel free to get in touch and let me know - any help in keeping this directory up to date is very much appreciated :-)
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Below is a table with details of writing groups, clubs, circles and other organisations.
groups meeting in Barnet, Enfield and Alexandra Park areas of north London - Enfield, every two months; Barnet and Alexandra Park, every fortnight - Enfield cost = £12 per session; Barnet / Alexandra Park = £5 per session - short fiction, poetry and non-fiction - suitable for beginners and more advanced - all enquiries to:
face to face group meeting fortnightly at Scholars Cafe YHA, Tenison Road, Cambridge, CB1 2DN - they post stories/chapters on the group website, then critique each others work giving honest, detailed and helpful criticism (in writing) to beginners, published and unpublished authors - no website, contact:
[email protected] for details
online group meeting fortnightly on Monday afternoons - for any history writer in any genre or media: fiction and non fiction, trad and electronic publishing, blogging, scripts etc - there is a fee (see website for details) - facilitated by published historian Gill Rossini
for info email Gill at [email protected]
The London Writers’ Meetup is a friendly, informal get-together for writers of all disciplines and all levels of experience - the sessions are a great opportunity to connect with other writers, share writing resources, ask a question, be held accountable or just chat about the highs and lows of your work - held online, on the 2nd Tuesday of the month
face-to-face group meeting every Monday evening at 7.30 (roughly, during school terms) in Dorney, near Slough, Berkshire - a group with a wide variety of abilities/ambitions, describing themselves as a writing support group, with a varied calendar of manuscript nights, talks, workshops, lively discussions and, at 50 years old, must be one of the longest-running groups around
face-to-face meetings on the second and fourth Wednesdays of each month (except August) - formed in 1967, Solihull Writers' Workshop is one of the longest established writers' groups in Central England - they're a continuously evolving community of local people with a shared interest in writing
Serious, hardworking face to face group that meets two Sunday afternoons a month at The Columbia Inn at Peralynna - also attend each other’s public readings - they welcome new members
face to face group meeting at The Belmont Hotel, De Montfort Street, Leicester on the 2nd and 4th Wednesdays of every month from 6.30pm to 8.30pm - small informal group, no membership fee £2.50 collected from each member for each meeting attended, which goes towards publication of our anthologies and very occasional speakers - for info, contact:
friendly face to face group meeting at Parish Rooms, St Werburghs, Spondon, Derby every Monday from 10.30am to 12.30pm, except bank holidays - they have a different workshop on varying subjects every week and a six weekly competition judged by a professional author - Facebook page coming soon, but for now, contact Bronwen:
[email protected] / 01332 666972
at meetings, they discuss news / projects and members read their work, then discuss it with the group - annual subs £15 plus £2 per session (or £3 for wine-drinkers) - for more info email George at [email protected] or phone 07788 543764
Other Writing Group Directories and Lists
Below are links to other websites that provide lists of writers' groups.
- A list of online writing communities that offer free story critiques
- National Association of Writers' Groups Directory
- Society of Authors
- Writers Online
- Writing East Midlands
A History of Closed Writer Groups
For reference, a record of writing groups that have closed or ceased to operate.
meet regularly in Dalkeith, Dunbar, Haddington, Musselburgh, North Berwick, Penicuik and Port Seton - see website for dates and times, subscription fees and other details -
WA members post their work and then give and accept feedback - rota of duties include writing the weekly blog, chairing the monthly meeting on Skype, writing up the minutes and gathering information for the monthly newsletter -
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Richard AC I am looking for a club that is driven by writing - either novice or other - because I am interested in writing projects and am open to ideas that could help inspire all involved.
I suffer from acute anxiety and recently had counselling that suggested I joined a club such as this as it may pay me dividends and teach me how to mix with others. As I love writing, I thought of this.
Chris Fielden Hi Richard. Thank you for your message. Sorry to hear about your anxiety, but glad you're taking steps to improve the situation - that's great.
Well, you can either try joining a local face-to-face writing group (like the ones listed on this page), or look at online options. Personally, I find in person groups work better, but online can work too, depending on your needs / personal preference.
If you'd prefer online, I list quite a few platforms you can look at here .
I hope that helps and wish you the best of luck finding a group that suits your needs :-)
Richard AC Dear Mr. Fielden. Thank you for responding to my queries in the matter of a writing group. I do appreciate the feed back you sent and will consider one or two avenues. Maybe something will become of it.
Chris Fielden No problem, Richard. Good luck with finding a group :-)
Kevin A Hi, I'm looking to challenge myself with some collective creative writing. I've been in a group before which inspired me to approach my local library and asked for permission to hold a group in there. To my surprise the local council backed me and it was a thing for several months. Unfortunately it had to stop and I've been looking for something to let me express myself lyrically, metaphorically, even humorously too. I hope someone will be able to point me in the right direction. I have a lot of works that I'm actually proud of and am holding aspirations to be an author. I have a few individual poems published in various books but that was a long time ago. I think I've evolved as a writer with age. Hope to hear from someone. Thanks.
Chris Fielden Hi Kevin, thanks for your message.
Firstly, I'd recommend researching groups in your local area. If there aren't any and you don't want to start up another one, you can look for online platforms. I list many on my site - you can find details here .
Also, consider looking at other lists of writing groups, like the ones featured here .
I hope that helps and wish you the very best with finding the right group for you.
Kevin A Thanks for getting back to me Chris. I'll take a look at the links you sent me. Cheers mate.
Chris Fielden No problem, thanks Kevin :-)
Caroline B Hi, I am working on my second book which is about somatic awareness, movement and creative expression. I would love to find a writers group who are focusing on simlar themes, such as creative expression through the body. I should add that the central theme of my book is a creative response to the concept of symptom as messenger.
I live in South Devon and would like to meet face to face occaisionally, though I realise my request may be too big an ask!! But then you can always ask.
Best wishes, Caroline
Chris Fielden Thanks for your message, Caroline.
I'm afraid I don't know of any groups like that in your area. What you're looking for sounds fairly niche, to be honest. You may have to try searching for online groups instead.
I hope that helps and wish you the best of luck in finding the right writing group for you :)
The copyright of the stories and content published on this website remain with the author.
Christopher Fielden and all the other contributing authors published via this website have asserted their right under the Copyright, Designs and Patents Act 1988 to be identified as the authors of these works.
The stories and articles on this site are provided for you to read free of charge subject to the condition that they are not, by way of trade or otherwise, copied, lent, sold, hired out, printed or otherwise circulated in any format without the author’s prior consent.
Writing Groups 101
Introduction.
Are you thinking about starting a writing group? Joining one? And what is a writing group anyway? First things first:
A writing group is a bunch of people who come together to pursue the art or craft of writing.
There are many possibilities for a group’s structure and format. What these groups have in common is that they are a place to pursue something you care about—your writing— with other people. Many offer accountability, support, feedback and encouragement. In the best, you will improve your writing and make some good friends.
In this short guide to writing groups, we will share information on some of the common formats, help you figure out what kind of group might make sense for you, give tips on what to consider when starting or joining a group, and finally share some history and additional resources.
13 best practices for creative writing critique groups
The value of quality creative writing critique for authors should go without saying. When you write, you’re full of intention and ideas and inspiration. But readers don’t get that. Readers get only what’s on the page. Crit helps you get some distance from your writing so you can see more clearly what really is there in your text.
For an author, receiving crit can be hard—hopes and intentions getting cut down with just a few words. “You need to develop a thick skin,” they say. I say you mainly need to learn how to get some distance from the material.
Giving good and useful critique is also hard. It’s a learned skill. Everybody has an opinion, but not everyone knows how to give quality crit. What most find is that learning how to provide criticism an author can use makes them a better author.
This is why every author working on a project or projects can benefit from belonging to a crit group.
What makes a good crit group? #
After years of writing workshops in college and grad school, teaching a couple as an adjunct, and working in a handful of crit groups both good and not so much, I’ve seen a wide variety of styles and ground rules for author groups engaging in critique.
General approach #
Most crit groups fall into one of two basic categories.
- Reading aloud. People on a rotating or productivity basis bring pages in and read aloud (or better, someone else reads aloud and the writer must listen).
- Pre-submit and discuss. Everyone in the group distributes pages in advance of meeting, everyone reads everything, marking up the printouts (or digital files) with comments. Then, in the actual meeting you have timeboxed discussion on each takes place.
Reading out loud #
The first method was how some of my best writing workshops were run. There’s nothing like reading your text out loud to everyone. You hear your words with their ears. Awkward phrases, repetitions, overwriting, and errors leap up off the page. Your first time can be mortifying.
But it can be downright terrifying to hear someone else read your text aloud. Having to listen to your prose without any hint of performance to convey intention can reveal unintended line readings. You the author must sit there at the mercy of your own words there on the page.
The catch for this out loud approach is the time requirement. Reading out loud is slow. You can cover only so much material per hour—fine perhaps for a 3-hour workshop meeting 2–3 times a week, but maybe not so helpful for a crit group meeting two hours every two weeks.
Pre-submission (before crit group meeting) #
For a group of authors who are working on longer projects or a number of shorts, I think the second type of group can work best. Each person emails out their pages (up to a mutually agreed-upon word count) 4–7 days in advance of the gathering. Then your meeting time can focus completely on discussion of the work. This way, you can cover a lot more material.
Just remember that you’ll have to take time reading and critiquing everyone else’s pages, so the time commitment is more than just the actual meeting.
That covers the logistics. But what about the content of the crit itself. The first thing to remember is:
Critiquing is a learned skill #
“Everyone has a right to an opinion,” right? Sure. But crit requires more than having an opinion. It involves learning how to read someone else’s pages and provide helpful feedback that is informative, clear, and respects the author. Vague judgmental comments like “it sucks” are not helpful. Kid-gloves comments are not helpful either.
The goals of crit groups and workshops are:
- the writer gets quality feedback; and
- everyone learns to critique better.
Nobody is born being able to critique well. You have to learn from doing it. Guidelines can help.
8 Recommended Rules #
- Keep the group small. 4–6 people can work best, I feel. Large groups can be difficult to manage unless you’re meeting frequently, and that requires a larger time commitment, not only for the meetings but to read all those pages of submissions.
- As an author, don’t submit raw pages that you know have problems. Make it as good as you can first. That way feedback will hopefully reveal to you things you don’t know rather than just things you already know need to be fixed. It also means that your crit partners will (hopefully) enjoy reading your submissions more.
- Members who don’t participate are dead weight and should be asked to take a leave of absence and come back when they’re refreshed and ready to participate.
- Authors need to learn to separate themselves from their text. Everyone writes crap now and then. Don’t take crit as judgement of you as a writer. This is only about these particular pages.
- Matching genres can be very helpful. On the other hand, members coming from other diverse genres can be helpful too, as long as nobody is imposing their own genre tropes onto other genres.
- Virtual groups are possible, but work best with video (Skype, Hangouts, etc). Something about seeing each other helps. Audio-only sessions can feel less cohesive. In my experience it’s harder to sustain.
- Open online “crit sessions” can be the most difficult and least productive. Readers are reading once and are asked to give what amounts to snap responses. Experienced members (working authors and editors) tend to adapt to this environment better, but it’s still hard. For authors sharing, off-the-cuff feedback coming from random folks can be hard to process. Bad (as in least-helpful) crit is more likely when random folks can jump in. This is perhaps not for the newbie.
- Authors must be prepared to hear disappointing news. Feeling bummed is a natural response. Roll through it and when feeling clear, review your notes and decide what’s most helpful. Don’t get defensive. Hear the feedback with an open mind. You have final cut. You can reject any crit. This is your story.
5 Helpful Gudelines #
I won’t call these rules. Consider these my preferences.
- Critique the writing, not the author. This goes all the way to not saying, “You wrote…” Rather, stick to the text . “This paragraph…”
- Include comments about what’s working, what’s really great. Some groups even have a rule that you always open by saying something nice, but this isn’t about coddling author ego. It’s about helping an author who may have lost any sense of what’s working anymore. Comments about questions or anticipations you have on the first read can be very informative to the author.
- Don’t solve problems for the author. Having a group brainstorming “better” solutions can lead the author away from her own story. Sometimes it can be an absolutely demoralizing process, destroying the author’s faith in her own story instincts. Instead, use “bad examples” of solutions to help illustrate the problem and how the author might approach fixing it.
- Don’t ask the author to explain herself. This invites the unwelcome problem solving noted above. And it cultivates defensiveness on the author’s part. Crit is about the text. Those offering criticism aren’t there to judge. What matters in crit is what’s on the page.
- The author should remain silent until end of discussion. Then the author can ask follow-up questions. iAs an author, you should come to crit with some specific questions in mind. Ask those questions if nobody addressed them in their own feedback.
These are my druthers, drawn from experiences that reflect great privileges I was able to enjoy. My conclusions to date are nowhere near universal, but I hope some of these are helpful.
What are your thoughts?
Idaho Writers Guild
Educating writers about the business and craft of writing., thank you for making 2024 iwg conference amazing.
Online Groups
Did you know that Idaho Writers Guild has online groups you can join? You can connect with other members, have lively discussions, and ask questions from the comfort of your own home (no pants required)
Check out the Groups Page and join today!
Member Events, Book Signings, and Announcements
Every month we send out a newsletter to members and friends of IWG. One of the benefits of being a member is you can submit your writing events, book releases, book signings and awards to be featured in our newsletter. Just use the button below to submit your member news!*
*Events must be submitted by the 23rd of the month to be featured in the newsletter for the following month. While we will do our best, it is not possible to feature every submission. You must be a current, active, IWG member for your submission to be considered.
Critique Groups
If you are ready to take your writing to the next level, joining a critique group can be a key element of your success. We currently have two critique groups available for members of the Idaho Writers Guild, and both have openings.
Click the link below to learn more!
Master Classes and Workshops
Want to improve your craft or your approach to the business of writing? Check out the workshops we offer throughout the year.
Although open to anyone, members always get early tickets and discounts. Check out the schedule below to learn more!
Help Writers Realize their Dreams
We are a 501(c)3 non-profit dedicated to helping writers navigate today’s complex publishing world. Help make a difference in the lives of writers in your community.
Check out what we’re doing, and donate today. All donations are 100% tax deductible.
We Support Community Events
If you or your organization offers events, workshops, and classes for the writing community, we want to hear from you. Use the button below to submit your events to be featured on our calnedar and shared on or social media accounts, and our event coordinator will be in touch. We love to support any organization that supports writers like we do.
Want to be a part of a growing and thriving local writing community? We want you! Whether you are also a part of other groups, or IWG is your first writing group ever, we want to be a part of your writing journey. Join today!
We’re Looking for Volunteers!
Do you want to be a part of helping our writing community grow and thrive? Then we want to talk to you. Click the button below to learn about new and upcoming volunteer opportunities!
The Idaho Writers Guild, a community-based literary arts organization, offers networking and educational opportunities as diverse as our members.
Vision Statement:
The vision of the Idaho Writers Guild is to support and nurture the craft and business of writing in the State of Idaho.
Mission Statement:
The mission of the Idaho Writers Guild is to support writers through teaching craft, the business of publishing, the development of a community of peers, promoting resources for Idaho writers, and raising awareness of writing talent.
To fulfill our vision and mission, we host public programs and projects, including author readings, workshops, an annual writing contest, and a yearly conference.
Anyone is eligible for membership that entitles you to discounts on IWG workshops and events and other member-only benefits. The goal of the IWG is to provide a safe space for all writers of any ability level, and will not discriminate on the basis of race, gender identity, sexual orientation, religious beliefs, or for any other reason.
Because of the support of Guild members, board members, and partnerships in the community, we are able to provide a wide variety of discounted and free opportunities. Without you, there would be no Idaho Writers Guild.
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Writing Fiction: An Introductory Guide: Writing Classes & Critique Groups
- Recommended Reading
- National Organizations
Writing Classes & Critique Groups
- Blogs & Websites
- Tools of the Trade
- Reader Services at the Central Library
- Introduction to Writing Classes & Critique Groups
- Take a Writing Class
- Choose the Right Critique Group for You
- Join a Critique Group
- Start Your Own Critique Group
So you'd like to take a class to learn more about writing, or you'd like to get feedback from others to improve your work. Critique groups and classes offer support, feedback, accountability, and encouragement. You also stand a good chance of making life-long friends who also love the same thing you do: writing.
Writing Classes & Critique Groups contents
Take a Writing Class - This is a list of classes that are online and/or in the Boston area.
Choose the Right Critique Group for You - What should you consider when choosing a group? Find out here!
Join a Critique Group - This is a list of existing groups that are online and/or in the Boston area.
Start Your Own Critique Group - Tips for starting your own writing group!
Free vs cost & local vs online
- The Join a Critique Group tab has been split into two lists: Local first and online second.
- In the Take a Writing Class tab, each listing will say either "Local" or "Online" in parenthesis.
- Some of these groups and classes will be free, while others will have a cost associated with the group or individual classes. These have been noted for each listing as either "Cost" or "Free". Please check the individual websites for specific costs and possible discounts.
A note on critique groups
You will see in Choosing the Right Critique Group For You a list of various types of groups, from writing to critique and social to accountability. For simplification, and because the most popular group among them is the critique group, this guide uses the term "critique" in a general sense to mean any of those types of groups.
Angela James' Classes - (Cost & Free/Online) Join editor Angela James as she teaches you how to edit your novel and learn the ins and outs of publishing .
The Writer's Roadmap – (Cost/Online) A free email course by author, Tomi Adeyemi. Her website also includes downloadable writing tools including structure and character worksheets, back story templates and planners, writing prompts, and more.
Gotham Writers - (Cost/Online) A creative home in New York City and online where writers develop their craft and come together in the spirit of discovery and fellowship. We’ve been teaching creative writing and business writing since 1993.
GrubStreet - (Cost/Local & Online) By rigorously developing voices of every type and talent and by removing barriers to entry, GrubStreet fosters the creation of meaningful stories and ensures that excellent writing remains vital and relevant. Includes w orkshops, online classes, intensives, a Young Adult Writers Program, Consulting, and more.
GrubStreet's Neighborhood Classes - (Free/Local) Write Down the Street has a special focus on making creative writing workshops more accessible to those who have been underrepresented due to cost, racism, immigration status, language access, lack of access to transportation, and other barriers. These are drop-in and multi-week classes offered by Grubstreet at your Boston Public Library neighborhood branches !
Holly Lisle's Writing Classes - (Cost & free/Online) Here you’ll find writing classes, lively discussions in forums filled with writers who WRITE, and the answer to "How do I do that?" The classes are available in ebook formats (Kindle/ePub) and printable PDFs.
LitReactor - ( Cost/Online ) We bring in veteran authors and industry professionals to host classes covering a wide range of topics (from the writing craft to finding an agent) in an online environment that’s interactive and flexible. You get detailed feedback on your work and take part in discussions in a judgement-free zone.
Master Class - (Cost/Online) Take video-based writing classes with best-selling authors like James Patterson, Judy Blume, R.L. Stine, Margaret Atwood, and others.
Peer 2 Peer University - (Free/Local) P2PU is a non-profit organization that helps get free online classes into the classroom setting. These are known as Learning Circles, where a facilitator helps students learn a specific topic, such as creative writing or computer coding. Check the class listings to see what is on offer or tell your community center or library that you're interested in a class.
Skillshare - (Cost & Free Trial/Online) These classes cover a wide variety of topics such as character driven stories and steps to a successful writing habit. They are also taught by published authors such as Roxane Gay, Simon Van Booy, Daniel Jose Older, and Yiyun Li.
Writer’s Digest University - (Cost/Online) Whether you’re writing for publication, extra money, or to tell personal stories, Writer’s Digest University can help you get your writing career underway. Our expert instructors will provide advice, specific instruction, real-world experience, expertise, and the motivation and drive to help you achieve your goals.
The Writers’ Loft - (Cost/Local) The Writers’ Loft is a non-profit community which helps local writers foster their creativity, strengthen their spirit and grow professionally by providing them with quiet writing space, educational programs, opportunities to connect with supportive colleagues, and access to industry experts, as well as opportunities to give back to the greater writing community.
Reasons to join a critique group
- You're looking for feedback in order to improve your work and possibly get published
- Share support, motivation, and a passion for writing with a long-term working group
- Discuss pitching, querying, and publishing insights
- Having a group at your back with deadlines helps to keep you accountable
- Meet and work with writers who share a love of your genre
Know the types of groups first
There are four major types of groups, but they do not have to be exclusive of each other, as some groups may want to combine elements of two or more.
Writing groups - A writing group is traditionally a group of people who get together to write in the same space at the same time, and in general, keep each other motivated to get words down on paper. Keep in mind that many times a group labeled as a writing group could very well be a critique group as well.
Critique Groups - A critique group will usually do their writing on their own time and then come together to read what they've worked on and offer advice and critique the work.
Social Groups - These groups exist for writers to get together and talk about writing, whether it's about their own work, the way a publishing trend is going, how to market their upcoming book release, or anything in between.
Accountability Groups - Members will write on their own time and use the meetings as a deadline. The group is used to keep writers motivated and accountable for their work. They will check in with other group members to see where everyone is in writing and whether they're reaching their goals or are falling behind. Members can also read their work at meetings or use the time for other discussions on writing.
What to consider when looking for a group
- Do you need motivation to keep writing or are you looking for feedback on your work?
- This is often based on where you feel you are with your writing and how much help you need to improve your work.
- Where do you think you will be in the future, in terms of how much work and effort you're willing to put in. Will you still need a group in six months? Will you quit once your book is published? Or do you have another book idea waiting in the wings? Or are you just starting your book journey?
- Always err on the conservative side, because life happens, and sometimes the muse won't talk to you.
- Remember that if you join a group, you will be expected to read and critique others' work on your own time, while also carving out time to write your own book.
- Do you live or work near the meeting location?
- Does your free time line up with meeting dates and times?
- An In-person group , where you're in the same room with everyone, or an online group , where you submit your work to the group and get it back electronically?
- It helps to know what you're writing. If you're not sure of your genre, or age range, or if you like to read a wide variety of things, try a general group. Keep in mind that in a general group, they may not know the intricacies of your genre if you're the only one who writes in that genre.
- An open group where new members are always welcome or a closed group where you're working with the same people at every meeting?
Local groups
Asian American Resource Workshop Writers Group – (Cost) A hub for both accomplished writers as well as budding writers alike as a safe space to refine their craft. Members come together on a regular basis to share and discuss writings & ideas, get and provide support, and practice exercises to keep writing skills fresh.
Cambridge Writers’ Workshop – (Cost/Local & Online) All writers from novices to professionals, who are looking for a serious writing community, are welcome to join the Cambridge Writers’ Workshop, which includes online creative writing courses and writing retreats.
Writing Meetups in Boston - (Free & Cost) Many local writing groups use meetup.com to get together. Use this link to find writing groups not seen on this list, from casual writers to more serious critique groups, in and around Boston.
Warrior Writers – (Free) Warrior Writers is a national non-profit. Our mission is to create a culture that articulates veterans’ experiences, build a collaborative community for artistic expression, and bear witness to war and the full range of military experiences. Check the Events page for Boston area programs.
The Writers’ Loft - (Cost) The Writers’ Loft is a non-profit community which helps local writers foster their creativity, strengthen their spirit and grow professionally by providing them with a quiet writing space, educational programs, opportunities to connect with supportive colleagues, and access to industry experts, as well as opportunities to give back to the greater writing community.
Writers Room of Boston – (Cost) Founded in 1988, the Writers' Room of Boston is a nonprofit organization that functions as an urban writers' retreat committed to providing a quiet, affordable, and secure workspace for emerging and established writers. Members can choose to meet regularly for readings, community gatherings and events. Periodic readings of the members' work are organized and open to the public.
Writers Rumpus – (Free) A critique group in Andover, MA and blog for children’s, middle grade, and young adult authors.
Writers Without Margins – (Free) Our mission is to expand access to the literary arts for unheard and under-resourced communities in Greater Boston — including those isolated by the challenges of addiction recovery, trauma, poverty, disability, and mental illness — through free, collaborative, writing workshops, public readings, and publication opportunities intended to empower community, amplify the voices of individuals, and to share stories with the world.
Online groups
Critique.org - (Free) Workshops focus on in-depth critiques of your works, a process which helps both the recipient and the reviewer to grow. In addition to depth of analysis, much of critique.org's secret is our emphasis on respectful and diplomatic critiques.
Critique Circle - ( Free & Cost ) Critique and be critiqued online. By critiquing work by others, you earn credits which allow you to post your own work for critique.
Facebook - (Free) There are many writing groups on Facebook, for all of your whims and desires.
Goodreads - (Free) It's easy talk about books on Goodreads in their Groups area, whether you wrote them or you've just read them and want to recommend them to others.
Google Groups - (Free) Allows you to create and participate in online forums and email- based groups with a rich experience for community conversations.
Groups.io - (Free trial & Cost) Email Groups. Supercharged. A modern platform for serious communities. Powerful management tools. Mobile ready. No ads, no tracking.
Inked Voices - (Free) A platform for writing groups and an online space for writers.
Scribophile - (Free & Cost Accounts) A respectful online writing workshop and writer's community where writers of all skill levels join to improve each other's work with thoughtful critiques and by sharing their writing experience.
Writer'sCafe - (Free) Post your poetry, short stories, novels, scripts, and screenplays. Get reviews and advice from thousands of other writers, enter hundreds of free writing contests, join writing groups or start your own, take and subscribe to free online writing courses, and more.
Writing.com - (Free & Cost) W elcomes writers of all interests and skill levels. Whether you're a writer looking for the perfect place to store and display your poetry, stories and other writing or a reader willing to offer feedback for our writers and their writings, this is the website for you. Meet and bond with fresh creative minds!
Reasons to start your own group
It may be that there isn't a writing group in your area or that the groups near you don't meet your needs. But you need to be interested in helping other writers improve their work just as much as you're interested in having others help you improve yours. This should always be your top reason to start your own group. No writing group exists to help only one person.
If you don't have the time to help others right now, but still want feedback on your work, consider hiring an editor or find some beta readers. See the Finding an Editor tab under Publishing , for more information.
Tips for starting a local group that meets in-person
Time:
- Make sure you have the time to run a group, write your own work, and read & critique everyone else's work. If time is an issue, joining an existing group might be better for you.
- Will your group meet online or in-person?
- If in-person, choose a location that everyone can get to easily by car or public transportation. Make sure it will work for any members who are handicapped. And if it's a restaurant, make sure it can handle everyone's dietary needs, if you know these things in advance.
- Also keep your decibel level in mind. You'd be surprised, but a group of writers, when they get excited about their work and discussing the craft of writing, can get pretty loud. Make sure you choose a place that will be okay with however loud you end up.
- If you are interested in space at the Boston Public Library, you will find room use guidelines, forms to fill out, and contact information for our Events department on our website here: Reservable Community Spaces . Please note that these rooms are not intended for use as your organization's primary meeting place.
- Choose a date and time that will work for everyone, and that you can keep consistent.
- How often will you meet? Once a week? Once a month? Choose something that will work with everyone's schedules.
Mission Statement:
- Write a mission statement that addresses the purpose and parameters of the group that everyone can agree on.
- Do you want to talk about writing, have time to write in a group setting, critique each other's work, or something else?
- Will you concentrate on a specific genre or topic?
- Some examples of language are: to support & encourage writing, guiding writers on the path to publication, to become stronger writers and editors, with an atmosphere of trust and caring writers can work to improve their manuscripts, to discuss the craft of writing...
- This will help attract members you want and get you off to a good start.
Membership:
- Determine who you want to join your group, such as already published authors, or maybe you want to be open to everyone, regardless of where they are in their writing career.
- To find new members, if you don't have anyone in mind already, you can use social media, an ad in the local paper, blog about it, post it on Meetup or Eventbrite , post fliers around town, or anything else you can think of.
- Make sure you determine ahead of time how many members you want so you don't end up accepting more than you are comfortable working with. Remember, you'll need to read all of their work! But also remember that in the beginning days of your group there may be a high turnover rate as people determine if the group is a good fit for them.
- Keep in mind if you keep membership open all the time, any time new members join you'll need to brief them on everyone's projects, which can get time consuming if new members don't stick around and more new members keep joining.
- Your membership might be open to a select group of people if you only discuss science fiction, or if your group is for people who have taken a specific class (so you guarantee everyone has had the same experience), or if members have to be nominated by a current member. This allows for an open membership, where there won't be as many people coming and going.
Leadership:
- The group leadership role usually becomes a facilitator role once the group gets going.
- As a leader, remember to keep to your commitments or explain to the group when something prevents you from doing so. This will inspire other group members to do the same and will help to keep everyone accountable.
- If group participation starts to drop, speak up and ask the group, either privately or all together, if they're still interested. It might be that life is getting in the way, but they are still interested in being a member and speaking up about the lagging participation will inspire people to become active members again. It might be that you need to change the format of the group or the number of meetings you hold. But if you don't say anything, the problem will persist.
- The leader may have to cut members loose if it's not working out for that person and the group. It's not fun, but someone has to do it, if it becomes necessary.
Submissions:
- How much of their work should writers submit for critique at one time? (1-2 chapters, 5-10 pages, or by word limit?) Keeping the amount the same for everyone keeps members from dominating the group's time if they submit ten pages while everyone else has submitted only two.
- To get good feedback, it is helpful for writers to ask for what they need based on where they are in their project. And it's helpful to add this to the document when submitting it. For example, if you are just starting your novel you may want to ask people to be on the lookout for plot holes, or weak characterization. If you're just starting the editing phase, you may ask people to look out for smaller things like continuity issues, or even smaller things like grammar and spelling mistakes.
- Determine whether you will read your work at the group meetings for the first time, or if members need to email their work to each other ahead of time by a specific date, say one week before the meeting, to give others a chance to read and review it.
- Will there be a trial period for new members where they will be required to only review others' works for a time before they can submit their own? This is a great way for everyone to determine if the new member is a good fit without the new person just getting the feedback they need on their own work and not sticking around.
Meeting Format:
- If the work is shared during the meeting for the first time, everyone should get a printed copy. Then someone will either read it aloud, or everyone will read silently. The copies will get marked up and returned to the author, and verbal comments will also be made.
- If the work is shared ahead of time, reviewers can email a marked up copy back to the author or bring a marked up printed copy to give them in-person. The meeting time is then used for discussion and critique of the work.
- How many writers will critique at the meeting? Will everyone get a chance at every meeting or will it rotate between members?
- Will critique happen one-on-one with the group pairing up and rotating during the meeting or as one large group?
- How long will the meeting last?
Feedback Format:
- Having a set format makes critiques feel like less of an attack on the writer when they know what to expect. See the two articles linked below for more critique guidelines.
- Will reviewers be allowed a specific amount of time to talk? Two minutes, as an example, cuts down on long winded diatribes.
- Some groups refuse to let the writer talk while the work is being critiqued so that they can't defend it and make excuses for decisions they've made. Once the critique is over then the writer can ask clarifying questions or respond however they need to. This can help keep things civil as well as keep the meeting to the desired length and flow without awkwardness.
- Will reviewers need to comment on something they liked as well as something they didn't, or will that not matter?
- Remember that if time limits are used, someone will need to keep track of the time during meetings.
Communication:
- How will you communicate with each other outside of the meeting? Via email? A Yahoo! Group? Facebook? Goodreads?
Change Happens:
- Remember that as groups grow and develop, things may change and you may need to revisit these steps.
- It will also take a while, perhaps even up to a year, for your group to settle into itself with a core group of regulars that are comfortable working with each other. Patience is key.
Other things your group can do once you're set up:
- Write a blog
- Bring in speakers
- Schedule an open mic night at a local coffee house to share your work
- Celebrate members' successes
Online places to start your own group
See the Join a Critique Group tab, for websites that can host your group online as well as this list, which may overlap.
Discord - Create a free chat space, known as a "server", where you can have multiple channels to discuss different topics as well as video and audio channels.
Facebook Groups - There are many book groups on Facebook, and it's easy to start your own here as well.
Goodreads - It's easy talk about books on Goodreads in their Groups area, and they have a poll feature that makes voting on your next read super easy!
Google Groups - If you're comfortable connecting via email, try searching Google for online groups.
Groups.io - (Free trial & cost) Email Groups. Supercharged. A modern platform for serious communities. Powerful management tools. Mobile ready. No ads, no tracking.
Google Meet - Free video chat meeting space. It's easy to start a video and invite others to join or schedule something in advance!
Inked Voices - (Free trial & Cost) A platform specifically geared for small writing groups and workshops to collaborate intimately despite distance and strange schedules.
Jitsi Meet - A free, open source video chat platform. Simply type in the title of your meeting and you'll have an everygreen link you can keep forever!
Proboards - A free forum hosting service, where you can create your own forum and keep your discussions organized.
Slack - This app works on iOS, Android, PC, and MAC and is a free forum where you can set up discussion threads, add photos and documents and easily set up meetings and decide what you're reading next!
Zoom - This is a video chat platform that lets you have meetings up to 40 minutes for free.
Ways to critique
Here are a couple of articles on how to write a critique that you may find helpful for your group.
Writing Groups: How to Write a Constructive Critique by Mandy Wallace
Thoughts on Writing #12: Good Critique, Bad Critique by Seanan McGuire
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Idaho Resources for Writers
Here you’ll find a collection of resources for writers in Idaho, from conferences to local critique groups to literary magazines. If you’re looking for writing groups near you, writing workshops near you, creative writing classes near you, or simply a place to hang out with writers or submit your work, these are some Idaho writing organizations you might want to check out:
WriteByNight
For more than a decade, WriteByNight has helped writers in Idaho and beyond achieve their literary goals. And we want you to be next! Claim your free consultation to learn about WBN’s customizable one-on-one writers’ services , including:
Book Coaching : If you’re writing a book and want some help along the way.
Manuscript Critique : If you’ve written a book and want a beta read, critique, or writing workshop.
Editing/Proofreading : If you’ve written a book and want someone to polish it for you.
Publication Assistance : If you’ve written a book and want help finding an agent or publisher.
Blue Sage Writers of Idaho
A writing group in southeastern Idaho that meets once a month to critique works-in-progress and share industry news.
The Cabin offers programs year-round, including youth and adult education, a Readings and Conversations series that brings the world to Boise one author at a time, and publication opportunities for all ages.
Idaho Commission on the Arts
A state organization that offers grants and awards to writers and elects annual writers-in-residence.
Idaho Writers Guild
A community-based literary arts organization that promotes education and literacy by hosting public programs and projects, including author readings, writing workshops on a broad spectrum of topics, writing contests, and conferences of interest to writers and readers of all genres.
Lost Horse Press
A nonprofit, independent press that publishes poetry titles of high literary merit and makes available fine contemporary literature through cultural, educational and publishing programs and activities.
Spokane Authors and Self-Publishers
Membership is open to anyone, published or unpublished, who is interested in self-publishing, including those from nearby Idaho.
Help us add to this list, Idahoans! Do you know of writing groups near you, writing workshops near you, creative writing classes near you, or an Idaho literary journal we should be aware of? Let us know here
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Creative Writing Group
If you enjoy creative writing, then the University Writing Center’s Creative Writing Group may be just the place for you. In this group, we will work together to explore creative writing in a safe, open, and encouraging environment. During meetings, we will write, investigate issues of craft, read and respond to each other's work, and have fun. Any member of the UofL community is welcome – undergraduate and graduate students, faculty, and staff. We welcome any genre of writing and any level of creative writing experience—all you need is an interest in creative writing!
The Creative Writing Group will meet in the University Writing Center from 5-6 pm on the following Thursdays:
- September 5
- October 3
- November 14
ENGL 101/102/105 Writing Group
Join in with other writers in first-year composition and work on common assignments with feedback from your peers. This is a chance for you to meet other writers in the same courses and pool your expertise to help each other succeed.
The ENGL 101/102/105 Group will meet from 10-11am on the following Tuesdays:
-September 10
-September 17
-October 15
-October 29
-November 12
-November 26
Procrastinators Unite!
Need an extra push to get writing done? Join us for an intense, nose-to-the-grind writing session where you'll sprint with other writers to get done what you might have been putting off.
Every Thursday from 5-7pm in our Ekstrom Library location.
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UofL Writing Center Blog - More…
University Writing Center
Ekstrom Library 132
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University of Louisville
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Earning A Master’s In Creative Writing: What To Know
Updated: Nov 1, 2023, 1:51pm
Do you want to create written work that ignites a reader’s imagination and even changes their worldview? With a master’s in creative writing, you can develop strong storytelling and character development skills, equipping you to achieve your writing goals.
If you’re ready to strengthen your writing chops and you enjoy writing original works to inspire others, tell interesting stories and share valuable information, earning a master’s in creative writing may be the next step on your career journey.
The skills learned in a creative writing master’s program qualify you to write your own literary works, teach others creative writing principles or pursue various other careers.
This article explores master’s degrees in creative writing, including common courses and concentrations, admission requirements and careers that use creative writing skills. Read on to learn more about earning a master’s degree in creative writing.
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What Is a Master’s in Creative Writing?
A master’s in creative writing is an advanced degree that helps you develop the skills to write your own novel, poetry, screenplay or nonfiction book. This degree can also prepare you for a career in business, publishing, education, marketing or communications.
In a creative writing master’s degree program, you can expect to analyze literature, explore historical contexts of literary works, master techniques for revising and editing, engage in class workshops and peer critiques, and write your own original work.
Creative writing master’s programs usually require a thesis project, which should be well-written, polished and ready to publish. Typical examples of thesis projects include poetry collections, memoirs, essay collections, short story collections and novels.
A master’s in creative writing typically requires about 36 credits and takes two years to complete. Credit requirements and timelines vary by program, so you may be able to finish your degree quicker.
Specializations for a Master’s in Creative Writing
Below are a few common concentrations for creative writing master’s programs. These vary by school, so your program’s offerings may look different.
This concentration helps you develop fiction writing skills, such as plot development, character creation and world-building. A fiction concentration is a good option if you plan to write short stories, novels or other types of fiction.
A nonfiction concentration focuses on the mechanics of writing nonfiction narratives. If you plan to write memoirs, travel pieces, magazine articles, technical documents or nonfiction books, this concentration may suit you.
Explore the imagery, tone, rhythm and structure of poetry with a poetry concentration. With this concentration, you can expect to develop your poetry writing skills and learn to curate poetry for journals and magazines.
Screenwriting
Screenwriting is an excellent concentration to explore if you enjoy creating characters and telling stories to make them come alive for television or film. This specialization covers how to write shorts, episodic serials, documentaries and feature-length film scripts.
Admission Requirements for a Master’s in Creative Writing
Below are some typical admission requirements for master’s in creative writing degree programs. These requirements vary, so check with your program to ensure you’ve met the appropriate requirements.
- Application for admission
- Bachelor’s degree from an accredited institution
- Transcripts from previous education
- Writing samples
- Letters of recommendation
- Personal statement or essay
Common Courses in a Master’s in Creative Writing
Story and concept.
This course focuses on conceptualizing, planning and developing stories on a structural level. Learners study how to generate ideas, develop interesting plots, create outlines, draft plot arcs, engage in world-building and create well-rounded characters who move their stories forward.
Graduate Studies in English Literature
Understanding literature is essential to building a career in creative writing. This course prepares you to teach, study literature or write professionally. Expect to discuss topics such as phonology, semantics, dialects, syntax and the history of the English language.
Workshop in Creative Nonfiction
You’ll study classic and contemporary creative nonfiction in this course. Workshops in creative nonfiction explore how different genres have emerged throughout history and how previous works influence new works. In some programs, this course focuses on a specific theme.
Foundations in Fiction
In this course, you’ll explore how the novel has developed throughout literary history and how the short story emerged as an art form. Coursework includes reading classic and contemporary works, writing response essays and crafting critical analyses.
MA in Creative Writing vs. MFA in Creative Writing: What’s the Difference?
While the degrees are similar, a master of arts in creative writing is different from a master of fine arts in creative writing. An MA in creative writing teaches creative writing competencies, building analytical skills through studying literature, literary theory and related topics. This lets you explore storytelling along with a more profound knowledge of literature and literary theory.
If you want your education to take a more academic perspective so you can build a career in one of many fields related to writing, an MA in creative writing may be right for you.
An MFA prepares you to work as a professional writer or novelist. MFA students graduate with a completed manuscript that is ready for publishing. Coursework highlights subjects related to the business of writing, such as digital publishing, the importance of building a platform on social media , marketing, freelancing and teaching. An MA in creative writing also takes less time and requires fewer credits than an MFA.
If you want to understand the business of writing and work as a professional author or novelist, earning an MFA in creative writing might be your best option.
What Can You Do With a Master’s in Creative Writing?
Below are several careers you can pursue with a master’s in creative writing. We sourced salary data from the U.S. Bureau of Labor Statistics.
Postsecondary Creative Writing Teacher
Median Annual Salary: $74,280 Minimum Required Education: Ph.D. or another doctoral degree; master’s degree may be accepted at some schools and community colleges Job Overview: Postsecondary teachers, also known as professors or faculty, teach students at the college level. They plan lessons, advise students, serve on committees, conduct research, publish original research, supervise graduate teaching assistants, apply for grants for their research and teach subjects in their areas of expertise.
Median Annual Salary: $73,080 Minimum Required Education: Bachelor’s degree in English or a related field Job Overview: Editors plan, revise and edit written materials for publication. They work for newspapers, magazines, book publishers, advertising agencies, media networks, and motion picture and video production companies. Editors work closely with writers to ensure their written work is accurate, grammatically correct and written in the appropriate style for the medium.
Median Annual Salary: $55,960 Minimum Required Education: Bachelor’s degree in journalism or a related field Job Overview: Journalists research and write stories about local, regional, national and global current events and other newsworthy subjects. Journalists need strong interviewing, editing, analytical and writing skills. Some journalists specialize in a subject, such as sports or politics, and some are generalists. They work for news organizations, magazines and online publications, and some work as freelancers.
Writer or Author
Median Annual Salary: $73,150 Minimum Required Education: None; bachelor’s degree in creative writing or a related field sometimes preferred Job Overview: Writers and authors write fiction or nonfiction content for magazines, plays, blogs, books, television scripts and other forms of media. Novelists, biographers, copywriters, screenwriters and playwrights all fall into this job classification. Writers may work for advertising agencies, news platforms, book publishers and other organizations; some work as freelancers.
Technical Writer
Median Annual Salary: $79,960 Minimum Required Education: Bachelor’s degree Job Overview: Technical writers craft technical documents, such as training manuals and how-to guides. They are adept at simplifying technical information so lay people can easily understand it. Technical writers may work with technical staff, graphic designers, computer support specialists and software developers to create user-friendly finished pieces.
Frequently Asked Questions (FAQs) About a Master's in Creative Writing
Is a master’s in creative writing useful.
If your goal is to launch a career as a writer, then yes, a master’s in creative writing is useful. An MA in creative writing is a versatile degree that prepares you for various jobs requiring excellent writing skills.
Is an MFA better than an MA for creative writing?
One is not better than the other; you should choose the one that best equips you for the career you want. An MFA prepares you to build a career as a professional writer or novelist. An MA prepares you for various jobs demanding high-level writing skills.
What kind of jobs can you get with a creative writing degree?
A creative writing degree prepares you for many types of writing jobs. It helps you build your skills and gain expertise to work as an editor, writer, author, technical writer or journalist. This degree is also essential if you plan to teach writing classes at the college level.
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Sheryl Grey is a freelance writer who specializes in creating content related to education, aging and senior living, and real estate. She is also a copywriter who helps businesses grow through expert website copywriting, branding and content creation. Sheryl holds a Bachelor of Arts in Mass Communications from Indiana University South Bend, and she received her teacher certification training through Bethel University’s Transition to Teaching program.
Stanford Creative Writing Program
The Stanford Creative Writing Program, founded in 1946 by Wallace Stegner, has become one of the nation’s most distinguished creative writing institutions. After almost 80 years, the program continues to evolve while also respecting its original vision of recruiting and supporting talented writers, offering exceptional creative writing instruction and mentorship, and inspiring undergraduates to develop their own unique creative written expression.
In the 1940s, E. H. Jones generously created the Wallace Stegner Fellowship, now considered the most prestigious creative writing fellowship in the U.S. for emerging writers. Dr. Jones also made possible the Jones Lectureships, which are limited, fixed-year teaching appointments, allowing exceptional Stegner Fellows some time and support to prepare a manuscript for publication, hone their teaching skills, and transition to a longer-term teaching career elsewhere.
The original framework of term-limited appointments allowed for a consistent flow of selected Stegner Fellows into the Jones Lectureship. However, over time this framework of term-limited appointments was not followed.
In the past two years, the School of Humanities and Sciences leadership and the Creative Writing Academic Council faculty have been working to formulate necessary changes in the program and to identify additional resources to meet its growing needs. A Working Group of Creative Writing Academic Council faculty held listening sessions and discussions.
Now, after thoughtful deliberation, the Working Group has recommended restoring the original intent of the Jones Lectureships: one-year appointments with the possibility of renewal for a limited term, up to a total of five years. This change will again allow Stegner Fellows the opportunity to apply to be Jones Lecturers once they have completed their fellowships. In other words, the Jones Lectureships are not being eliminated; they are only being term limited, as was the original intent of the program, so that the Stegner Fellows have an opportunity to teach Creative Writing courses at Stanford. We plan for there to be as many lecturers in the Program in five years’ time as there are today, and we expect to offer more classes then than now.
The university, school, and numerous generous donors are committed to not only the excellence of the program but also its growth. This means increasing the number of Creative Writing classes to better meet high student demand as well as ensuring competitive compensation for both the lecturers and fellows. We will provide more updates in early fall quarter about the Creative Writing Program and how it will continue to be one of the preeminent programs in the nation.
We understand that these changes to the Jones Lectureships will be met with mixed reactions. However, we firmly believe that the changes advance the program’s pedagogical mission and provide promising writers with the resources to complete their books and obtain appointments at other colleges and universities.
Throughout the history of the program, the Jones Lecturers—both those who are here now and those who have been lecturers in the past—have helped make Stanford Creative Writing what it is today, and we are truly grateful to them for their significant contributions to the program’s mission.
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Folklife and Creative Writing: Resources in the American Folklife Center
Searching the collection.
- Introduction
- Cowboy poetry
- Veterans poetry
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- Plays and Novels
- Non-Fiction
- Library Blog Posts and Podcasts
- Additional Resources
The American Folklife Center (AFC) has numerous collections that pertain to the intersection of folklife and creative writing. In general, these collections are multi-format and broad in scope, with the poem, manuscript or other piece of creative writing forming only a part of the collection. We have created a number of genre canned searches here, to serve as a starting point for research into AFC collections related to creative writing.
How Do I Search the AFC Catalog?
First, you will want to identify potential keywords relevant to the creative writing genre you wish to research.
To conduct a search of the Library's catalog:
- Go to the Library's Catalog search page and click "Advanced Search"
- Enter the search term. The Advanced Search page allows up to three keywords. You can set the search to include any of these terms by selecting "OR" between the keywords, or produce narrower search results by selecting "AND"
- Add Limits. First select "Location in the Library" and then choose "American Folklife" from the dropdown menu. Note: Make sure you limit to "American Folklife, and not "American folklife reference collection," as the latter only refers to books on the reading room shelves. Following this, you can further narrow your search by adding additional limits, such as type of material (film, book, etc.) or date range of publication.
A Note on Searching
Only American Folklife Center collections are available for viewing and research in the American Folklife Center.
Canned Searches
Follow the links below to view several canned searches
- AFC Collections containing or pertaining to poetry
- AFC Collections about the writing process
- AFC Collections containing memoir
Selected Finding Aids
- Izzy Young collection 1942-2016 Collection of manuscripts, including correspondence, journals, diaries, scrapbooks, clippings, artwork, and ephemera; photographic prints; and audio recordings comprising the archive of Izzy Young, who was proprietor of the Folklore Center, New York, N.Y. (beginning in 1957), and then, beginning in 1973, of the Folklore Centrum, Stockholm, Sweden. The collection documents the late 1950s and 1960s folk music revival, and Izzy Young's contribution to the scene. Includes documentation about prominent musicians, poets, and dancers. Includes articles and writings about Bob Dylan and his musical career, and correspondence with significant figures in the folk music scene, such as Pete Seeger, Mark Moss, and Dick Waterman. Includes influential poems and songs, including a 1957 poem didacatory on the Opening of the Folklore Center, and poems by Langston Hughes and Allen Ginsberg. Includes poems by Izzy Young.
- Joseph Sciorra collection, 1903-2018 Collection of research, fieldwork, interviews, and other documentation conducted and gathered by Joseph Sciorra, 1980s-2018, primarily relating to Italian American folklife but also to New York City neighborhoods and other immigrant communities. Topics include Catholic religious expression and material culture in the form of altars, processions, shrines, social clubs, feasts, games, puppeteering, visual arts, folk poetry, and music.
- September 11, 2001 documentary project collection, 2001-2002 The collection documents reactions of ordinary citizens in the immediate aftermath of the September 11, 2001, terrorist attacks in the United States in sound and video recordings of interviews and personal narratives; as well as photographs, children's drawings, two scrapbooks, letters and e-mail, poems, ephemera, a sermon, and a few artifacts, including three United States flags. Photographs document spontaneous shrines near the Pentagon, in Arlington, Virginia; memorials in Seattle, Washington, and other locations. Some photographs also document displays of public reactions, for example, the commentaries displayed on church signage in the Atlanta, Georgia area. Some items were submitted as group projects of schools, libraries, and museums from 30 states in the U.S., and from American military service personnel and their families in Naples, Italy. The collection also includes ribbons, bumper stickers, and related miscellanea.
AFC Subject Files
In addition to individual archival collections, the Center maintains additional files pertaining to folklore subjects. These records, referred to as "subject files" often contain relevant articles, event brochures, and occasionally correspondence related to a specific topic. Researchers visiting the American Folklife Center reading room can request these subject files for more resources.
Relevant subject files include:
- Africa - Books and Films
- Children's Books
- Folklore and Serial Publications
- Serial Publications
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Creative Writing. Meet other local people interested in Creative Writing: share experiences, inspire and encourage each other! Join a Creative Writing group. 870,533. members. 1,553. groups. Join Creative Writing groups. Related Topics:
done with free in-person and online writing groups. Start Today! You have the time. Commit to writing with others for an hour a week and find the accountability, focus, and structure you need to achieve your writing goals. Connect with community. Join free in-person and online events.
Here are few ways these groups might distinguish themselves: Form - If you only want to write and discuss novels, you can find a group for that. Same deal for poetry, screenwriting, short stories, creative nonfiction … you name it. Genre - A genre-specific group is great for advancing your expertise within that genre.
4. NaNoWriMo. NaNoWriMo (National Novel Writing Month) is one of the best online writing groups for beginners. It's basically an online retreat for writers where you can work on your writing, produce drafts, set and achieve goals and get all the support and encouragement that you need.
Writing is typically a solo endeavor, but finding a community of writers that support one another can be a great source of inspiration and encouragement. Whether you're a published author or want to start crafting your first book, a writing group can offer a supportive environment of like-minded people who share a passion for telling stories.
But participating in a group gives you the opportunity to interact with others, experience a sense of community, and gain emotional support. 2. You're struggling with accountability. You may decide to join a writing group if you're having a tough time holding yourself accountable. When writing in isolation, staying motivated can be a challenge.
Here are a few ideas for where to look for a writing group. 1. Local writing centers and communities. Usually a quick Internet search with your city and "writing groups" will yield some results. Attend the group, meeting, or class and see if the group feels like a good fit. 2.
What we're about. Writing a book? Let's MeetUp! Red Sands is a casual creative writing critique group open to all genres, from YA to mystery, literary to sci-fi, novels to poetry, screenplays to memoir. No fees or rigid structure. We get together to read drafts aloud and share feedback. Newbies are always welcome!
Scribophile is a writing group focused on getting you feedback on your manuscript. — in fact, we're one of the largest online writing groups out there. Our points-based peer critique system guarantees you'll get feedback from writers from all walks of life. You can then use that feedback to polish your writing before you take the next ...
Meet other local people interested in Creative Writing: share experiences, inspire and encourage each other! Join a Creative Writing group. 423,383. members. 851. groups. Join Creative Writing groups. Related Topics: topical creative writing. Beginners Creative Writing. Largest Creative Writing groups. 1. Screenwriting Workshop with Award ...
Best Practice #3: Have a Plan, and Then Let It Go. I had this vision for the group and had this agenda and format I believed the group should follow. That lasted about a month, and then, I had to let it go. My agenda was not the agenda of the group. I had a plan based upon action and doing.
We meet every Thursday night from 7:00-8:30. Most meetups comprise three parts: a lesson on the craft or business of writing, writing time and a read-aloud with member feedback. If we're working on longer projects, we help brainstorm ideas or troubleshoot problem areas if people are struggling.
1. Create the right atmosphere. In order to get into the right creative space, you need to feel at ease with your fellow writers. Make sure new members are welcomed and introduced. And get everyone to say something in the big group at the beginning of every meeting so all members feel involved from the start.
Dan Brotzel (@brotzel_fiction) is author of a collection of short stories, Hotel du Jack, and co-author of a new comic novel about an eccentric writers' group, Kitten on a Fatberg (Unbound). For 10% off your order, quote KITTEN10. This article first appeared on Almost An Author.
a history of closed writing groups. Below are comprehensive lists of creative writing groups, writing circles, writing clubs and writing peer/help groups. Some of these are local, face-to-face writers' groups, requiring physical attendance. Some are online writing groups, allowing you to live anywhere in the world and be a member.
A writing group is a bunch of people who come together to pursue the art or craft of writing. There are many possibilities for a group's structure and format. What these groups have in common is that they are a place to pursue something you care about—your writing— with other people. Many offer accountability, support, feedback and ...
Reading aloud. People on a rotating or productivity basis bring pages in and read aloud (or better, someone else reads aloud and the writer must listen). Pre-submit and discuss. Everyone in the group distributes pages in advance of meeting, everyone reads everything, marking up the printouts (or digital files) with comments.
The mission of the Idaho Writers Guild is to support writers through teaching craft, the business of publishing, the development of a community of peers, promoting resources for Idaho writers, and raising awareness of writing talent. To fulfill our vision and mission, we host public programs and projects, including author readings, workshops ...
Writing Meetups in Boston - (Free & Cost) Many local writing groups use meetup.com to get together. Use this link to find writing groups not seen on this list, from casual writers to more serious critique groups, in and around Boston. Warrior Writers - (Free) Warrior Writers is a national non-profit. Our mission is to create a culture that ...
A writing group in southeastern Idaho that meets once a month to critique works-in-progress and share industry news. The Cabin. The Cabin offers programs year-round, including youth and adult education, a Readings and Conversations series that brings the world to Boise one author at a time, and publication opportunities for all ages.
The Creative Writing Group will meet in the University Writing Center from 5-6 pm on the following Thursdays: - September 5 - October 3 - November 14. ENGL 101/102/105 Writing Group. Join in with other writers in first-year composition and work on common assignments with feedback from your peers. This is a chance for you to meet other writers ...
Postsecondary Creative Writing Teacher. Median Annual Salary: $74,280. Minimum Required Education: Ph.D. or another doctoral degree; master's degree may be accepted at some schools and community ...
This guide is intended as an introduction to resources within the American Folklife Center related to the intersection of folklife studies and creative writing, including poetry, memoir, novels, and non-fiction genres. AFC collections pertaining to the writing process, including interviews with authors and poets about their work
The Stanford Creative Writing Program, founded in 1946 by Wallace Stegner, has become one of the nation's most distinguished creative writing institutions. After almost 80 years, the program continues to evolve while also respecting its original vision of recruiting and supporting talented writers, offering exceptional creative writing instruction and mentorship, and inspiring undergraduates ...
Creative writing excerpt from Alan Lomax collection. Alan Lomax Collection (AFC 2004/004), American Folklife Center, Library of Congress. This guide provides an introduction to doing research on the topic of creative writing using American Folklife Center collections, and serves as a companion piece to an existing guide on Narrative and Verbal Arts in AFC collections.
The MFA experience culminates with each student writing and defending a creative thesis. For prose writers, theses are 100 pages of creative work; for poets, 48 pages. Though theses often take the form of an excerpt from a book-in-progress, students have flexibility when it comes to determining the shape, form, and content of their creative ...
Get it write: the writing center Whether you're an English major or you avoid essays like the plague, everyone could use some writing help every now and then. The Writing Center offers help with every step of the writing process on an individualized basis, because we know everyone is different. This means help with essays, outlines, creative ...
Poetry appears as a form of expression in multiple occupational groups. This tradition is most associated with the cowboys of the American West but occurs among other occupations. In his presentation for the Benjamin Botkin Folklife Lecture Series, Jens Lund introduces the poetry genres found among Pacific Northwest fishers and loggers and ...
The Securities and Exchange Commission today charged Maria Dulce Pino Dickerson and her companies Creative Legal Fundings in CA and The Ubiquity Group LLC with raising approximately $7 million from more than 130 investors through a fraudulent securities offering targeting members of the Filipino-American community across the United States.
The collection documents reactions of ordinary citizens in the immediate aftermath of the September 11, 2001, terrorist attacks in the United States in sound and video recordings of interviews and personal narratives; as well as photographs, children's drawings, two scrapbooks, letters and e-mail, poems, ephemera, a sermon, and a few artifacts, including three United States flags.